{"id":11365,"date":"2017-09-13T18:00:45","date_gmt":"2017-09-13T16:00:45","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=11365"},"modified":"2025-12-04T23:01:40","modified_gmt":"2025-12-04T22:01:40","slug":"barbara-ou-la-purete-du-cinema","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/kino\/filme\/barbara-ou-la-purete-du-cinema\/","title":{"rendered":"\u00abBarbara\u00bb oder die Reinheit des Kinos"},"content":{"rendered":"<p><em>Les mercredidis du cin\u00e9ma - Jonas Follonier<\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\">Es ist schon lange her, dass ein biografischer Film dem anderen glich, egal wie erfolgreich er war.&nbsp;<em>Cloclo<\/em> und <em>Dalida<\/em> zeugen davon. Pl\u00f6tzlich kommt ein UFO des Genres in die Kinos, ein eminent innovatives Werk, das die Codes des Biopics auf den Kopf stellt. <em>Barbara<\/em>. Unter dem Vorwand, uns die ber\u00fchmte Figur des franz\u00f6sischen Chansons wiederentdecken zu lassen, l\u00e4sst uns dieser neue Film von Mathieu Amalric vor allem das Kino wiederentdecken.<\/p>\n\n\n\n<!--more Lire la suite de l'article (en libre acc\u00e8s)-->\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"BARBARA Bande Annonce (2017)\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/Q0Vk2LfvTIA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Un film dans le film<\/h3>\n\n\n\n<p>Mathieu Amalric n&#8217;est pas un r\u00e9alisateur comme les autres. Cela se voit d\u00e9j\u00e0 sur son visage, emprunt d&#8217;un perp\u00e9tuel \u00e9tonnement. Le cin\u00e9aste fran\u00e7ais ouvre constamment les yeux en grand; peut-\u00eatre est-ce l\u00e0 le signe d&#8217;un cin\u00e9ma qui admire tout ce qui touche aux hommes, \u00e0 la vie, au cin\u00e9ma en somme, et qui donc s&#8217;admire lui-m\u00eame. Mathieu Amalric ne pouvait faire un film biographique conventionnel. Ni faire un film biographique tout court.<\/p>\n\n\n\n<p><em>Barbara<\/em>, sorti la semaine derni\u00e8re sur les \u00e9crans romands, d\u00e9roge \u00e0 son titre: ce n&#8217;est pas la chanteuse que le film met en lumi\u00e8re, mais bien une com\u00e9dienne, Brigitte (Jeanne Balibar), qui doit interpr\u00e9ter Barbara dans un film. Le r\u00e9alisateur de ce film dans le film? Yves Sand, un f\u00e9tichiste de Barbara, incarn\u00e9 par un certain&#8230; Mathieu Amalric. Un film \u00e0 au moins deux niveaux, qui joue sur les ambigu\u00eft\u00e9s, si bien que la mise en ab\u00eeme et l&#8217;illusion semblent porter sur elles-m\u00eames. Grandiose.<\/p>\n\n\n\n\n\n<h3 class=\"wp-block-heading\">L&#8217;art de la suggestion<\/h3>\n\n\n\n<p>Hors de question, cependant, de penser que le film ne nous apprend rien sur Barbara. Ou qu&#8217;il n&#8217;est qu&#8217;un pr\u00e9texte pour que la paire Amalric-Balibar redevienne un couple gr\u00e2ce au cin\u00e9ma. <em>Barbara<\/em>, en refusant de raconter la vie de la chanteuse comme on pourrait le faire sur un <em>power-point<\/em>, dit plus que ne pourrait le faire n&#8217;importe quelle biographie.&nbsp;En effet, c&#8217;est par les petits fragments de son quotidien que l&#8217;on parvient \u00e0 p\u00e9n\u00e9trer dans l&#8217;univers intime de l&#8217;artiste. C&#8217;est par cette s\u00e9rie de tableaux, et non de sc\u00e8nes, que se dit une existence, et non un th\u00e9\u00e2tre.<\/p>\n\n\n\n<p>Cumulant les ombres et les non-dits, le film&nbsp;<em>Barbara<\/em>&nbsp;fait \u00e9cho \u00e0 la chanteuse Barbara plus finement que tout ce que l&#8217;on aurait pu imaginer. Gr\u00e2ce \u00e0 Mathieu Amalric, nous red\u00e9couvrons l&#8217;importance de la suggestion.&nbsp;<em>\u00abC&#8217;est beau, quelqu&#8217;un qui cr\u00e9e une m\u00e9lodie, qui cherche les paroles. Ce sont ces instants-l\u00e0 que j&#8217;ai voulu montrer\u00bb<\/em>, expliquait le r\u00e9alisateur je ne sais plus o\u00f9. Barbara passe ses journ\u00e9es devant son piano. Dans la musique, pour la musique.<\/p>\n\n\n\n\n\n<p>On comprend que c&#8217;est par les chansons, et elles seules, que Balibar et Amalric (BaliBARBARAmalric) ont tent\u00e9 de rejoindre l&#8217;id\u00e9e qu&#8217;ils avaient de Barbara, de la repr\u00e9senter, de l&#8217;\u00e9voquer. Ce ne sont d&#8217;ailleurs pas les titres les plus connus que le long m\u00e9trage met en valeur. De plus, la voix que l&#8217;on entend est tant\u00f4t celle de la fausse Barbara, tant\u00f4t celle de la vraie, et les visages qui la portent varient eux aussi entre les deux femmes. Actrice et artiste se r\u00e9pondent et se confondent, d\u00e9gageant une \u00e9motion totale.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Jeanne Barbara<\/h3>\n\n\n\n<p>Le plus grand m\u00e9rite revient en effet \u00e0 celle qui, finalement, ressort comme la vraie vedette du film, la nouvelle Barbara. Jeanne Balibar, plus Jeanne Balibar que jamais. Comme l&#8217;a dit Yann Moix lors du premier \u00e9pisode de la nouvelle saison d&#8217;<em>On n'est pas couch\u00e9<\/em>, sur France 2, \u00abBarbara a des airs de Jeanne Balibar.\u00bb Le jeu est si parfait et si naturel, que l&#8217;on se demande si en r\u00e9alit\u00e9 Mathieu Amalric n&#8217;a pas choisi de consacrer son huiti\u00e8me opus \u00e0 la m\u00e8re de ses deux premiers enfants. J&#8217;en veux pour t\u00e9moin les <em>Amours incestueuses<\/em>, moment du film que l&#8217;on ne peut oublier.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\" \/><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DES FREIEN BLICKS<\/h4> <span>Erhalten Sie unsere Artikel jeden Sonntag.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Ihre Anmeldung f\u00fcr unseren w\u00f6chentlichen Newsletter wurde erfolgreich registriert!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta = \"1\" data-inf-error = \"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"E-Mail\" > <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Anmelden\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>Comme l&#8217;affirmait \u00e9galement le chroniqueur, le manque de ressemblance (cela se discute, bien s\u00fbr) entre Barbara et Jeanne Balibar ne saurait \u00eatre consid\u00e9r\u00e9 comme un d\u00e9faut du film. Loin de l\u00e0. En vertu de la dissemblance manifeste des deux femmes, le spectateur, comme par enchantement, ne va voir au cours du film que leurs points communs, et il finira m\u00eame par ne plus faire la diff\u00e9rence.<\/p>\n\n\n\n<p>C&#8217;est l\u00e0 toute la magie du cin\u00e9ma. Mathieu Amalric, sans minauderie, aura r\u00e9ussi \u00e0 nous en montrer la puret\u00e9. Et cela n&#8217;arrive que quelques fois par demi-si\u00e8cle.<\/p>\n\n\n\n<p><em>Schreiben Sie dem Autor: <a href=\"mailto:jonas.follonier@leregardlibre.com\">jonas.follonier@leregardlibre.com<\/a><\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Les mercredis du cin\u00e9ma &#8211; Jonas Follonier Cela faisait longtemps que les films biographiques se suivaient en se ressemblant, aussi&#8230;<\/p>","protected":false},"author":138,"featured_media":11477,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[41657,13719,644339057,488322,61026,437296,578398,59221567,12873183,6522405,1975640,681984,12754434,80914,1509556,428261],"class_list":["post-11365","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-barbara","tag-biopic","tag-chanson","tag-chanson-francaise","tag-cinema-francais","tag-cloclo","tag-dalida","tag-dissemblance","tag-film-biographique","tag-jeanne-balibar","tag-mathieu-amalric","tag-mise-en-abyme","tag-on-nest-pas-couche","tag-quotidien","tag-ressemblance","tag-yann-moix"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abBarbara\u00bb ou la puret\u00e9 du cin\u00e9ma<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/barbara-ou-la-purete-du-cinema\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abBarbara\u00bb ou la puret\u00e9 du cin\u00e9ma\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma - Jonas Follonier Cela faisait longtemps que les films biographiques se suivaient en se ressemblant, aussi...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/barbara-ou-la-purete-du-cinema\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:author\" 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Sa r\u00e9daction est jeune, b\u00e9n\u00e9vole, lib\u00e9rale et pluraliste. Le magazine para\u00eet en ligne et sous forme papier. 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