{"id":11913,"date":"2017-10-04T22:24:49","date_gmt":"2017-10-04T20:24:49","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=11913"},"modified":"2025-12-04T23:01:36","modified_gmt":"2025-12-04T22:01:36","slug":"ein-film-der-viel-uber-die-missstande-unserer-zeit-aussagt","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/cinema\/films\/faute-damour-un-film-qui-en-dit-long-sur-les-maux-de-notre-epoque\/","title":{"rendered":"\u00abFaute d\u2019amour\u00bb \u2013 ein Film, der viel \u00fcber die Missst\u00e4nde unserer Zeit aussagt"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><em>Les mercredidis du cin\u00e9ma - Jonas Follonier<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Genia (Mariana Spivak) et Boris (Alexe\u00ef Rozin) s&rsquo;appr\u00eatent \u00e0 divorcer, chacun \u00e9tant embarqu\u00e9 dans une nouvelle aventure sentimentale. Leur fils\u00a0Aliocha (Matve\u00ef Novikov), douze ans, n&rsquo;en peut plus de leurs disputes et sanglote en silence. Il manque si cruellement d&rsquo;amour de la part de ses parents que ceux-ci mettront du temps \u00e0 remarquer sa fugue. Ou son enl\u00e8vement, qui sait. Sa disparition ne va cependant rien arranger \u00e0 la haine que les \u00e9poux en voie de s\u00e9paration se vouent l&rsquo;un pour l&rsquo;autre.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Faute d&rsquo;amour<\/em>, c&rsquo;est\u00a0le film que la presse francophone adule en ce moment \u00e0 une quasi-unanmiti\u00e9. Il faut dire que ce cinqui\u00e8me long m\u00e9trage du cin\u00e9aste russe\u00a0Andre\u00ef Zviaguintsev a remport\u00e9 le Prix du Jury au Festival de Cannes. La force de ce film? Son r\u00e9alisme, d&rsquo;une part, et son art, d&rsquo;autre part. Deux \u00e9l\u00e9ments qui, bien assembl\u00e9s, donnent lieu \u00e0 un chef d&rsquo;\u0153uvre \u2013\u00a0ne pensons qu&rsquo;\u00e0 Flaubert dans le domaine de la litt\u00e9rature, qui a r\u00e9ussi \u00e0 glisser le plus grand g\u00e9nie litt\u00e9raire dans <em>Madame Bovary<\/em>, ein Roman <em>a priori<\/em> difficile \u00e0 lire par l&rsquo;ennui qui lui est intrins\u00e8que.<\/p>\n\n\n\n<!--more-->\n\n\n\n<h3 class=\"wp-block-heading\">Ein Schwarzgem\u00e4lde des heutigen Russlands<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Auf die gleiche Weise,\u00a0<em>Faute d&rsquo;amour<\/em> est un film difficile \u00e0 regarder.\u00a0Port\u00e9e par une tension constante, son atmosph\u00e8re lasse, exasp\u00e8re, indigne m\u00eame le spectateur. Dure t\u00e2che, en effet, que d&rsquo;assister \u00e0 la repr\u00e9sentation d&rsquo;un couple si repr\u00e9sentatif des maux actuels. D&rsquo;autant plus quand cela se passe dans la capitale d&rsquo;une Russie en plein mal-\u00eatre. Boris, le mari, a de la peine \u00e0 prendre ses responsabilit\u00e9s;\u00a0Genia, sa femme, est un \u00eatre superficiel et empli de haine. Tous deux se ressemblent dans leur individualisme fou et leur cynisme.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La catastrophe soci\u00e9tale dont ils sont les figurants se refl\u00e8te dans le d\u00e9cor de la m\u00e9tropole. Du gris, du blanc noirci, du noir blanchi. La banlieue moscovite appara\u00eet comme un puits de tristesse et de morosit\u00e9. Le regard du r\u00e9alisateur aura r\u00e9ussi \u00e0 capter cette r\u00e9alit\u00e9 quotidienne, par les couleurs dont nous parlions, par cette neige qui tombe sur le d\u00e9but et la fin du film. Par cette laideur, cette froideur, cette rudesse que l&rsquo;on retrouve dans la langue m\u00eame. Et par des cadrages, des mouvements de cam\u00e9ra tr\u00e8s subtils, qui participent \u00e0 son talent de r\u00e9alisation.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">La vraie cible du film? L&rsquo;\u00eatre contemporain<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Les d\u00e9nonciations politiques du pays ne manquent pas non plus. La militarisation de l&rsquo;Etat russe, la question de l&rsquo;Ukraine, le manque de d\u00e9mocratie et le poids de l&rsquo;orthodoxie, autant de th\u00e8mes subtilement int\u00e9gr\u00e9s \u00e0 l&rsquo;arri\u00e8re-fond sonore et visuel. Difficile cependant de qualifier\u00a0Zviaguintsev de russophobe: la vraie cible de son film, c&rsquo;est l&rsquo;\u00eatre contemporain, ce plouc scotch\u00e9 \u00e0 son t\u00e9l\u00e9phone portable, se construisant un pseudo-bonheur \u00e0 force d&rsquo;aventures sexuelles, biberonn\u00e9 au supermarch\u00e9, obs\u00e9d\u00e9 par ses petits probl\u00e8mes de rien du tout et indigne d&rsquo;\u00e9lever un enfant.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Un vrai malaise s&#8217;empare des salles de cin\u00e9ma avec ce film. Comme une honte qui nous saisit, nous qui nous reconnaissons parfois dans certains traits de caract\u00e8re d\u00e9nonc\u00e9s par le cin\u00e9aste. Cette critique crue va-t-elle n\u00e9anmoins trop loin? La soci\u00e9t\u00e9 qu&rsquo;entend pointer du doigt Zviaguintsev est-elle trop apocalyptique? Peut-\u00eatre. Mais la le\u00e7on op\u00e8re, et elle n&rsquo;est pas morale. C&rsquo;est une le\u00e7on de vie, qui s&rsquo;exprime par un art magnifiquement russe dans son \u00e2me. Comme l&rsquo;a dit Eric Neuhoff dans l&rsquo;\u00e9mission <em>Die Maske und die Feder<\/em>,\u00abEs ist ein Film, aus dem man am Boden zerst\u00f6rt herauskommt.\u00bb<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dieses Drama ist eine gelungene Wette!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Dem Autor schreiben: <a href=\"mailto:jonas.follonier@leregardlibre.com\">jonas.follonier@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fotocredit: \u00a9 AlloCin\u00e9<\/p>","protected":false},"excerpt":{"rendered":"<p>Les mercredis du cin\u00e9ma &#8211; Jonas Follonier Genia (Mariana Spivak) et Boris (Alexe\u00ef Rozin) s&rsquo;appr\u00eatent \u00e0 divorcer, chacun \u00e9tant embarqu\u00e9&#8230;<\/p>","protected":false},"author":138,"featured_media":12001,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[26166,168529,497809764,7280352,12139,14228,21141,45856145,940893,267630,672179,426523,4468509,165214,117676],"class_list":["post-11913","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-banlieue","tag-cannes","tag-cannes-2017","tag-cinema-russe","tag-divorce","tag-drame","tag-ennui","tag-eric-neuhoff","tag-festival-de-cannes","tag-gustave-flaubert","tag-individualisme","tag-moscou","tag-plouc","tag-realisme","tag-russie"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.5 (Yoast SEO v28.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abFaute d&#039;amour\u00bb, un film qui en dit long sur les maux de notre 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