{"id":12296,"date":"2017-10-25T18:32:35","date_gmt":"2017-10-25T16:32:35","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=12296"},"modified":"2025-12-04T23:01:29","modified_gmt":"2025-12-04T22:01:29","slug":"la-passion-van-gogh-la-premiere-peinture-animee-de-lhistoire-du-cinema","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/kino\/filme\/la-passion-van-gogh-la-premiere-peinture-animee-de-lhistoire-du-cinema\/","title":{"rendered":"\u00abThe Van Gogh Passion\u00bb, das erste animierte Gem\u00e4lde der Filmgeschichte"},"content":{"rendered":"

Film-Mittwochs - Jonas Follonier<\/a><\/em><\/p>\n\n\n\n

Zum ersten Mal in der Filmgeschichte entsteht ein Animationsfilm, der nicht auf Bildern, sondern auf Gem\u00e4lden basiert. Die Bilder wurden von Hand gemalt und sollten dem Stil von Vincent Van Gogh so nahe wie m\u00f6glich kommen. Die Van Gogh-Passion<\/em> erz\u00e4hlt die Geschichte von Armand Roulin, dem Sohn des Postboten, der die vielen Briefe des Malers weiterleitete. Der Postbote bat seinen Sohn, den letzten Brief des inzwischen verstorbenen Vincent an seinen Bruder Theo Van Gogh zu \u00fcberbringen.<\/p>\n\n\n\n\n\n\n\n

Apprenant que ce dernier est lui aussi d\u00e9c\u00e9d\u00e9, Armand Roulin va mener l’enqu\u00eate sur la mort de l’artiste. Ce sont des personnages peints par Van Gogh lui-m\u00eame qui se succ\u00e8dent sur l’\u00e9cran, pour le plus grand bonheur de l’esth\u00e8te comme du cin\u00e9phile. Ensuite, c’est un travail colossal : plus de soixante mille peintures r\u00e9alis\u00e9es manuellement pour l’occasion, num\u00e9ris\u00e9es et anim\u00e9es par les technologies modernes, pour leur offrir un mouvement perp\u00e9tuel. C’est tout l’univers de Van Gogh que nous retrouvons, les champs de bl\u00e9, le village d’Anvers, la nuit \u00e9toil\u00e9e, les corbeaux, l’ivrogne assoupi.<\/p>\n\n\n\n

Quelques b\u00e9mols<\/h3>\n\n\n\n

Si l’\u0153uvre m\u00e9rite louanges et honneurs tant elle est importante par son innovation formelle comme son contenu, il convient de relever tout de m\u00eame quelques d\u00e9fauts. C’est d’abord le choix du sc\u00e9nario qui pose probl\u00e8me: multipliant les t\u00e9moignages contradictoires des villageois sous l’\u0153il curieux et obs\u00e9d\u00e9 du protagoniste, le long-m\u00e9trage prend beaucoup trop des allures de film policier. Et ce n’est pas dans la qualit\u00e9 d’un Hercule Poirot<\/em> que nous nous trouvons, mais bien dans Les Experts<\/em>.<\/p>\n\n\n\n

Ajout\u00e9 \u00e0 cette maladresse du genre, le choix stylistique des retours en arri\u00e8re: toutes les analepses, sans exception aucune, sont pr\u00e9sent\u00e9es en noir et blanc, \u00e0 intervalles r\u00e9guliers et annonc\u00e9es de surcro\u00eet par des fondus d’images. De plus, les s\u00e9quences laissent place \u00e0 un vrai jeu d’acteurs, retravaill\u00e9 sur l’ordinateur pour laisser croire \u00e0 des peintures. Et, comme si nous n’avions pas suffisamment compris qu’il s’agit de\u00a0\u00abflashbacks\u00bb, ceux-ci s’accompagnent d’une musique, extr\u00eamement belle, certes, mais contribuant \u00e0 un pathos et \u00e0 une manie cin\u00e9matographique frisant le lieu commun.<\/p>\n\n\n\n

Van Gogh est un myst\u00e8re<\/h3>\n\n\n\n

Die Van Gogh-Passion<\/em> demeure l’une des tr\u00e8s bonnes sorties de la semaine derni\u00e8re. Sa plus grande beaut\u00e9, le film la tire de son onirisme. Vue dans son ensemble, l’enqu\u00eate sur la mort du peintre ressemble davantage \u00e0 un r\u00eave, laissant place aux toiles m\u00eames de l’artiste et aux mondes qu’elles peuvent inspirer \u00e0 chacun. Le cin\u00e9ma sert ainsi de m\u00e9dium autre que celui des mus\u00e9es pour faire d\u00e9couvrir \u00e0 un public large celui que l’on consid\u00e8re comme le p\u00e8re de l’art moderne.<\/p>\n\n\n\n

Ce n’est pas seulement le film qui se laisse regarder tel un myst\u00e8re. Vincent Van Gogh lui-m\u00eame est un myst\u00e8re. Sa mort et sa peinture, aussi. Peu importe, dans le fond, si le peintre hollandais s’est donn\u00e9 la mort, ou si c’est le fait de quelque enfant simplet du coin. Peu importe si Van Gogh \u00e9tait retomb\u00e9 dans sa folie. C’est bien ce que nous dit le film \u00e0 son terme. La mort est le destin des m\u00e9lancoliques, et la m\u00e9lancolie, la marque des g\u00e9nies. \u00abJe voudrais montrer par mon travail ce qu’il y a dans le c\u0153ur d’un tel original.\u00bb Tel \u00e9tait le souhait de l’artiste. Il aura \u00e9t\u00e9 accompli.<\/p>\n\n\n\n

Schreiben Sie dem Autor: jonas.follonier@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n

Cr\u00e9dit photo: \u00a9 La Belle Compagny<\/p>","protected":false},"excerpt":{"rendered":"

Les mercredis du cin\u00e9ma \u2013 Jonas Follonier Pour la premi\u00e8re fois dans l’histoire du cin\u00e9ma, un film d’animation voit le…<\/p>","protected":false},"author":138,"featured_media":509477,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[247034259,2393093,9360232,15957880,482420134,4310513,157698,2551931,32082777,671541,211032,28848,385546,4110163,82171,145927,54015,3618501,216155],"class_list":["post-12296","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-armand-roulin","tag-auvers-sur-oise","tag-cinema-britannique","tag-cinema-polonais","tag-eglise-dauvers","tag-film-danimation","tag-genie","tag-impressionnisme","tag-marguerite-gachet","tag-melancolie","tag-mort","tag-noir-et-blanc","tag-oise","tag-onirisme","tag-peinture","tag-reve","tag-suicide","tag-val-doise","tag-van-gogh"],"acf":[],"yoast_head":"\n\u00abLa Passion Van Gogh\u00bb, la premi\u00e8re peinture anim\u00e9e de l'histoire du cin\u00e9ma<\/title>\n<meta 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