{"id":13982,"date":"2018-01-10T13:05:16","date_gmt":"2018-01-10T12:05:16","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=13982"},"modified":"2025-12-04T23:00:54","modified_gmt":"2025-12-04T22:00:54","slug":"brooklyn-yiddish-eine-erhabene-fotografie-heiratet-die-geschichte-eines-verwitweten","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/cinema\/films\/brooklyn-yiddish-une-photographie-sublime-epouse-lhistoire-dun-veuf\/","title":{"rendered":"\u00abBrooklyn Yiddish\u00bb - eine erhabene Fotografie heiratet die Geschichte eines Witwers"},"content":{"rendered":"

Mittwochs im Kino - Loris S. Musumeci<\/em><\/p>\n

\u00ab Haben Rabbiner ein Mitspracherecht?\u00bb<\/p>\n

Menashe sieht verloren aus. Er l\u00e4uft durch seine Nachbarschaft und scheint nicht zu wissen, wohin er geht. Dennoch kommt er wie immer zu sp\u00e4t. Kaum im Lebensmittelgesch\u00e4ft angekommen koscher<\/em> wo er arbeitet, bekommt er eine Bemerkung von seinem Vorgesetzten. Dar\u00fcber hinaus ist Menashe seit einem Jahr Witwer. Das Sorgerecht f\u00fcr seinen einzigen Sohn Rieven hat der Bruder seiner verstorbenen Frau \u00fcbernommen, bis er eine neue Frau gefunden hat. Nur ist er nicht sehr heiratswillig. Was f\u00fcr ihn z\u00e4hlt, ist sein Sohn. Barmherzig gew\u00e4hrt ihm der Rabbi, dass er Rieven eine Woche lang zu sich nach Hause nehmen darf. Der Vater wird sich die gr\u00f6\u00dfte M\u00fche geben, um zu beweisen, dass er und das Kind gl\u00fccklich sein k\u00f6nnen.<\/p>\n

Eine ber\u00fchrende Geschichte<\/h3>\n

Joshua Z. Weinstein ist in sein eigenes Judentum eingetaucht, um einen Einblick in das Leben in einem j\u00fcdischen Viertel zu geben. Wenn Brooklyn Yiddish<\/em> die Atmosph\u00e4re in der chassidischen Gemeinde in Brooklyn perfekt wiedergibt, bietet er in Wirklichkeit viel mehr. Die Geschichte erz\u00e4hlt von der ebenso banalen wie gro\u00dfen Liebe eines Vaters zu seinem Sohn. Der Vater ist zwar sehr ungeschickt, aber der Junge hat trotzdem nur Augen f\u00fcr ihn.<\/p>\n

<\/p>\n

Der Film stellt auch das Gef\u00fchl dar, sich als etwas Besonderes zu f\u00fchlen. Menashe wird allgemein f\u00fcr seinen Status als Witwer, der sich mit der Wiederverheiratung Zeit l\u00e4sst, verachtet. Au\u00dferdem achtet er nicht auf sein \u00c4u\u00dferes, indem er das Tragen von Hut und Mantel vernachl\u00e4ssigt. Als Au\u00dfenseiter versucht er, in einer recht homogenen Gruppe so akzeptiert zu werden, wie er ist. Die Figur ist daher einfach r\u00fchrend. Trotz des\u00a0tallit katan<\/em>, schwarze Weste,\u00a0kippa<\/em> und Bart verk\u00f6rpert er all jene, die auf der Suche nach einem unspektakul\u00e4ren, aber erf\u00fcllten Leben sind.<\/p>\n

Eine erhabene Fotografie<\/h3>\n

Die Fotografie schmiegt sich wunderbar an den Rahmen an; das macht Brooklyn Yiddish<\/em> ein vollst\u00e4ndiges Werk. Die Aufnahmen haben eine poetische Pr\u00e4senz, die alles enth\u00fcllt, was Menashe in seinem Herzen hat und nicht zu sagen wagt. Indem er viel mit den Seiten des Gesichts spielt, filmt der Regisseur Szenen, in denen die Position der Kamera in Bezug auf die Figur von ihrem Gem\u00fctszustand erz\u00e4hlt. Nicht weniger gelungen sind die Gesamtaufnahmen, die die Stra\u00dfe mit Frauen zeigen, die eine Schar von Kindern hinter sich herziehen, oder mit M\u00e4nnern, die mit aufrechtem R\u00fccken gehen und einen schwarzen Hut auf dem Kopf tragen.<\/p>\n

Der Wechsel zwischen Sch\u00e4rfe und Unsch\u00e4rfe, der durch Kamerabewegungen, die Entfernung oder N\u00e4he ausdr\u00fccken, erh\u00f6ht wird, tr\u00e4gt ebenfalls zur Sch\u00f6nheit der Bilder bei. Sie zeigt mal die Ruhe in der Einsamkeit eines Juden, mal die Aufregung am Tisch des Mannes. Schabbat<\/em> oder das Schaukeln des Kopfes im Gebet. Die Musik hingegen l\u00e4sst die sch\u00f6nsten Geigen erklingen, ohne in ein \u00dcberma\u00df an Melancholie zu verfallen. Fair und wohltemperiert begleitet sie den Weg von Menashe und Rieven gl\u00fccklich.<\/p>\n

\u00ab Menashe, die Tora sagt: \u201cEs ist nicht gut, dass der Mensch allein ist\u201d.\u00bb<\/p>\n

Schreiben Sie dem Autor : loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n

Fotocredit: \u00a9 Federica Valabrega f\u00fcr Look Now!<\/p>","protected":false},"excerpt":{"rendered":"

Les mercredis du cin\u00e9ma \u2013 Loris S. Musumeci \u00ab\u00a0Les rabbins ont-ils droit de regard sur tout ? \u00bb Menashe a…<\/p>","protected":false},"author":18,"featured_media":509554,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[177639801,415599,837560,22871674,295832,162123,108257,10475516,2092400,310221,3062613,579506763,2603615],"class_list":["post-13982","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-brooklyn-yiddish","tag-cinema-americain","tag-fils","tag-hassidisme","tag-judaisme","tag-judeite","tag-mariage","tag-menashe","tag-paternite","tag-pere","tag-rabbin","tag-rieven","tag-veuf"],"acf":[],"yoast_head":"\n\u00abBrooklyn Yiddish\u00bb, une photographie sublime \u00e9pouse l'histoire d'un veuf<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/brooklyn-yiddish-eine-erhabene-fotografie-heiratet-die-geschichte-eines-verwitweten\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abBrooklyn Yiddish\u00bb, une photographie sublime \u00e9pouse l'histoire d'un veuf\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma \u2013 Loris S. 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