{"id":14078,"date":"2018-01-21T19:50:42","date_gmt":"2018-01-21T18:50:42","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=14078"},"modified":"2023-02-05T21:59:09","modified_gmt":"2023-02-05T20:59:09","slug":"sebastien-meier-et-les-nuits-lausannoises","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/literatur\/sebastien-meier-et-les-nuits-lausannoises\/","title":{"rendered":"S\u00e9bastien Meier und die Lausanner N\u00e4chte"},"content":{"rendered":"

Le Regard Libre Nr. 35 - Nicolas Jutzet<\/em><\/p>\n

Was f\u00fcr eine gute Nachricht! Sein drittes Buch steht in der Tradition der beiden vorherigen B\u00fccher. Atemberaubend durch seine Handlung und ber\u00fchrend durch die manchmal verst\u00f6rende Tiefe der Charaktere. Der Autor beweist einmal mehr, dass er schwierige Themen gekonnt aufgreifen kann, ohne in Pathos oder \u00fcberm\u00e4\u00dfige Vereinfachung zu verfallen. Nach Die Schatten des Mischlings<\/em> und Der Name des Vaters<\/em>, Platz f\u00fcr Die Ordnung der Dinge<\/em>.<\/strong><\/p>\n

Es geht um k\u00f6rperliche und psychische Krankheiten, Drogen, Prostitution, offene Beziehungen und vieles mehr. Diese Themen, die oft karikiert und ge\u00e4chtet werden, werden unter der Feder des Westschweizer Autors banal und fesselnd. Wenn das falsche Benennen von Dingen der Welt Ungl\u00fcck bringt, richtet das falsche Sprechen dar\u00fcber mindestens den gleichen Schaden an.<\/p>\n

Par une approche avoisinant une r\u00e9alit\u00e9 presque v\u00e9cue, S\u00e9bastien Meier permet \u00e0 son lecteur d\u2019apprivoiser ces diff\u00e9rents mondes, sans pourtant forc\u00e9ment en conna\u00eetre les codes. Il d\u00e9montre \u00e0 l\u2019occasion que la litt\u00e9rature romande peut rester s\u00e9duisante en se donnant pour cadre la campagne lausannoise ou m\u00eame les recoins les plus perdus de la partie francophone de notre pays. Mais avant de revenir sur ce nouvel ouvrage, une r\u00e9trospective s\u2019impose. Retour en quelques lignes sur l\u2019\u0153uvre du jeune \u00e9crivain.<\/p>\n

Die Schatten des Mischlings<\/i><\/h3>\n

On y d\u00e9couvre l\u2019entier de l\u2019univers de l\u2019auteur. Sombre, mais si attachant. Sous forme de confidences, l\u2019inspecteur Paul Br\u00e9guet, qui s\u2019affirme rapidement comme le personnage principal, se livre. Se d\u00e9livre m\u00eame. On comprend son parcours, ses r\u00e9ussites et surtout ses \u00e9checs. Encore balbutiante, la narration se perd parfois aux limites de la vulgarit\u00e9 par l\u2019exposition r\u00e9p\u00e9t\u00e9e de certains rapports charnels et de la violence occasionnellement et terriblement mals\u00e9ante par le d\u00e9tail donn\u00e9 \u00e0 l\u2019acte, mais elle tient par la qualit\u00e9 de la pens\u00e9e globale et la richesse du contenu. D\u2019autant plus que ce besoin farouche de choquer s\u2019att\u00e9nue avec le temps et laisse du r\u00e9pit au lecteur.<\/p>\n

On s\u2019attache par ailleurs, gentiment mais s\u00fbrement, au jeune m\u00e9tis Romain Baptiste et \u00e0 ses fragilit\u00e9s, qui paradoxalement le rendent fort. Fort d\u00e9sirable du moins. Fort d\u00e9sir\u00e9. C\u2019est certain. On voit l\u2019inspecteur se perdre\u00a0; lui, l\u2019homme pourtant si fort, se brise. Brut de d\u00e9coffrage, ce premier \u00e9pisode laisse entrapercevoir l\u2019entier du potentiel de la plume, tout en d\u00e9voilant une suite de pulsions encore tenaces de la jeunesse fougueuse que l\u2019on soup\u00e7onne se cacher derri\u00e8re le texte.<\/p>\n

Der Name des Vaters<\/i><\/h3>\n

L\u2019ambition de ce deuxi\u00e8me volet est tr\u00e8s claire\u00a0: \u00e9largir l\u2019horizon. En sortant de sa zone de confort, l\u2019auteur d\u00e9montre qu\u2019il est capable d\u2019\u00e9chapper tr\u00e8s vite \u00e0 tout soup\u00e7on de paresse entra\u00eenant la tendance \u00e0 \u00eatre monoth\u00e9matique. M\u00ealant sentiments moraux et haute finance, en passant par la profondeur et la bassesse de l\u2019humanit\u00e9 toute enti\u00e8re, l\u2019auteur nous expose de mani\u00e8re explosive la vie non soup\u00e7onn\u00e9e, et s\u00fbrement quelque peu fantasm\u00e9e, de l\u2019univers secret de la Suisse, et notamment de son \u00e9lite.<\/p>\n

Ici encore, c\u2019est l\u2019inspecteur Paul Br\u00e9guet qui est aux commandes, plus vraiment de sa vie, mais du r\u00e9cit. On se prend au jeu de comprendre cet homme qui, malgr\u00e9 l\u2019\u00e2ge, semble encore si perdu, \u00e0 la recherche de ses rep\u00e8res, de son pass\u00e9 et m\u00eame de son futur. On s\u2019\u00e9nerve parfois de l\u2019approche manich\u00e9enne de certains sujets, \u00e9conomiques et politiques. Mais on reste subjugu\u00e9 par le m\u00e9lange des ingr\u00e9dients qui, au final, permettent une saine digestion de l\u2019ensemble de l\u2019\u0153uvre. Le rythme reste palpitant, la suite est logique.<\/p>\n

Die Ordnung der Dinge<\/i><\/h3>\n

Comme le bon vin, la litt\u00e9rature de qualit\u00e9 se bonifie\u00a0avec l\u2019\u00e2ge. Voici venu le temps de la r\u00e9colte. Par sa construction \u00e0 la charpente solide et l\u2019ultime complexit\u00e9 des h\u00e9ros esquiss\u00e9s, c\u2019est une fin en apoth\u00e9ose qui est livr\u00e9e. Apr\u00e8s le changement de d\u00e9cor th\u00e9matique, on remarque ici une volont\u00e9 de s\u2019attaquer en profondeur \u00e0 de nouveaux h\u00e9ros. On se prend de piti\u00e9 pour Jacques-Edouard, petit fils de bourgeois en d\u00e9rive qui finit par se relever, lass\u00e9 de correspondre aux clich\u00e9s que nous connaissons tous. Lass\u00e9 d\u2019\u00eatre, parfois, mais lass\u00e9 de subir, surtout.<\/p>\n

Paul Br\u00e9guet, d\u2019ordinaire si pr\u00e9sent, laisse de l\u2019espace \u00e0 d\u2019autres personnages, qui s\u2019\u00e9panouissent et se plaisent dans le r\u00f4le de l\u2019acteur qui prend la lumi\u00e8re, sans toujours la supporter. Ici encore, certaines th\u00e9matiques reviennent. Int\u00e9r\u00eat pouss\u00e9 pour la psychologie et l\u2019\u00e9tat psychiatrique des personnages, pour leur vie sexuelle, aussi, toujours d\u00e9brid\u00e9e, ou presque. Le fantasme de l\u2019argent roi, qui couronne avant de couper des t\u00eates. Le tout dans ce m\u00eame d\u00e9cor vaudois qui permet au lecteur de s\u2019identifier facilement. Quoi de mieux qu\u2019un train r\u00e9gional pour nous faire aimer la Suisse, franchement ? Le monde de la nuit et ses exc\u00e8s sont \u00e9galement de la partie. Mais toujours avec un recul qui \u00e9vite la chute dans le pr\u00e9cipice de l\u2019abus de langage et du jugement pu\u00e9ril. On flotte dans le r\u00e9cit, on observe sans juger. On se questionne sur le d\u00e9nouement, sur une suite et simplement sur le plaisir de ces lectures qui permettent d\u2019a\u00e9rer l\u2019esprit, tout en donnant \u00e0 r\u00e9fl\u00e9chir. Et on regrette de les avoir termin\u00e9es.<\/p>\n

Au final, chaque ouvrage de Meier peut se lire sans qu\u2019on ait feuillet\u00e9 le pr\u00e9c\u00e9dent. Les retours en arri\u00e8re permettent de comprendre sans trop de dommage le pass\u00e9 des diff\u00e9rents personnages et l\u2019\u00e9volution historique des divers r\u00e9cits. Toutefois, pour appr\u00e9cier l\u2019\u00e9volution de la plume de l\u2019auteur, il est hautement recommand\u00e9 de lire l\u2019entier de l\u2019\u0153uvre, dans l\u2019ordre. Faire connaissance avec les intervenants, se passionner puis s\u2019\u00e9nerver de leur caract\u00e8re. Regretter l\u2019un, puis l\u2019oublier apr\u00e8s avoir d\u00e9couvert l\u2019autre. Prendre peur devant la violence du r\u00e9cit, et s\u2019attendrir face \u00e0 la profondeur et la douceur d\u2019un simple dialogue. L\u2019univers de S\u00e9bastien Meier est paradoxal, bipolaire, mais \u00f4 combien fascinant. Une nouvelle fois, apr\u00e8s Elisa Shua Dusapin et son remarquable Winter in Sokcho<\/i> oder L\u2019infini livre<\/i> de No\u00eblle Revaz, les Editions ZO\u00c9 d\u00e9montrent toute leur capacit\u00e9 \u00e0 d\u00e9tecter les talents montants de\u00a0 notre r\u00e9gion. R\u00e9jouissons-nous de cette vitalit\u00e9.<\/p>\n

Schreiben Sie dem Autor : nicolas.jutzet@leregardlibre.com<\/a><\/em><\/p>\n

Cr\u00e9dit photo : \u00a9 Migros Magazine<\/p>","protected":false},"excerpt":{"rendered":"

Le Regard Libre N\u00b0 35 – Nicolas Jutzet Quelle bonne nouvelle\u00a0! Son troisi\u00e8me livre est dans la lign\u00e9e des deux…<\/p>","protected":false},"author":314,"featured_media":14079,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20663],"tags":[54879,446782,27505343,8118,603423316,483087464,1532851,193275253,522155,603423400,49735,471009815,888650],"class_list":["post-14078","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-litterature","tag-critiques-litteraires","tag-drogue","tag-lordre-des-choses","tag-lausanne","tag-les-nuits-lausannoises","tag-les-ombres-du-metis","tag-litterature-francophone","tag-litterature-romande","tag-maladie","tag-paul-breguet","tag-prostitution","tag-sebastien-meier","tag-vaud"],"acf":[],"yoast_head":"\nS\u00e9bastien Meier et les nuits lausannoises<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/literatur\/sebastien-meier-et-les-nuits-lausannoises\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"S\u00e9bastien Meier et les nuits lausannoises\" \/>\n<meta property=\"og:description\" content=\"Le Regard Libre N\u00b0 35 - Nicolas Jutzet Quelle bonne nouvelle\u00a0! 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