{"id":14965,"date":"2018-04-11T09:07:39","date_gmt":"2018-04-11T07:07:39","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=14965"},"modified":"2025-12-04T22:49:35","modified_gmt":"2025-12-04T21:49:35","slug":"red-sparrow-quand-linnocence-nexiste-plus","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/kino\/filme\/red-sparrow-quand-linnocence-nexiste-plus\/","title":{"rendered":"\u00abRed Sparrow\u00bb: Wenn die Unschuld nicht mehr existiert"},"content":{"rendered":"

Mittwochs im Kino - Loris S. Musumeci<\/em><\/p>\n

\u00ab - Bist du gekommen, um dich selbst zu bemitleiden?
\n- Nein, ich bin gekommen, um dir zu helfen\u00bb.\u00bb<\/p>\n

Eine junge Frau bereitet sich auf ihre Tanzauff\u00fchrung im Bolschoi-Theater vor, w\u00e4hrend ein Mann eine Pistole in ihren G\u00fcrtel auf der R\u00fcckseite ihrer Hose steckt. Das Ballett beginnt; die Nacht bricht herein. Die Geigen des Theaters setzen ganz sanft ein; der bewaffnete Mann biegt in eine Gasse ein. Die Geigen werden schneller und die Spannung f\u00fcr den Mann steigt: Er wird verfolgt. Die Ballettt\u00e4nzerin betritt die B\u00fchne. Sie ist hell und anmutig. Die Polizeisirenen heulen auf. Der Mann versucht, im Laufschritt zu fliehen. Die T\u00e4nzerin springt derweil auf ihren Spitzenschuhen. Sie ist elegant. Der Mann wird umzingelt; die T\u00e4nzerin st\u00fcrzt heftig.<\/p>\n

<\/p>\n

Dominika est la danseuse du Bolcho\u00ef\u00a0; Nathaniel, l\u2019homme arr\u00eat\u00e9. La premi\u00e8re vit une trag\u00e9die sans nom\u00a0: le tibia cass\u00e9, elle a tout perdu, sa carri\u00e8re est termin\u00e9e. Le second est un agent am\u00e9ricain en Russie. Il a \u00e9t\u00e9 lib\u00e9r\u00e9, mais renvoy\u00e9 au pays. Les deux vivent un grave \u00e9chec. Ils connaissent aussi un tremplin. Via son oncle tr\u00e8s puissant et influent, Dominika, d\u00e9sesp\u00e9r\u00e9e, int\u00e8gre une \u00e9cole d\u2019Etat formant les dits \u00ab\u00a0moineaux\u00a0\u00bb. Ceux-ci utilisent la s\u00e9duction pour approcher l\u2019ennemi et le combattre. Nathaniel r\u00e9ussit \u00e0 obtenir un nouveau mandat en Europe de l\u2019Est. Les deux agents doivent se rencontrer pour leur mission respective, entre charme et manipulation.<\/p>\n

La complexit\u00e9 des Russes<\/h3>\n

Les apparences sont parfois trompeuses. C\u2019est le cas dans le film comme au sujet du film. Toute l\u2019histoire est bas\u00e9e sur la m\u00e9fiance et le mensonge.\u00a0 En lisant le synopsis de Red Sparrow\u00a0<\/em>avant la s\u00e9ance, il y a de quoi se m\u00e9fier aussi. Genre espionnage, type banal, histoire d\u2019amour jolie, femmes fatales, moraline en hommage \u00e0 la fin. Or la nouvelle r\u00e9alisation de Francis Lawrence balaie d\u2019un revers de main ces clich\u00e9s, hormis ceux de la pr\u00e9sence des femmes fatales \u2013 pour la plus grande joie du public masculin.<\/p>\n

Quasiment tout est complexe dans le film\u00a0: trame comme personnages. Ces derniers demeurent cependant beaucoup plus int\u00e9ressants du c\u00f4t\u00e9 russe. Le sc\u00e9nario est assez d\u00e9s\u00e9quilibr\u00e9 entre Russes et Am\u00e9ricains. Les premiers portent en eux le myst\u00e8re permanent, les seconds sont tous pareils\u00a0: gentils et bienveillants. On pourrait croire \u00e0 un manich\u00e9isme malvenu. Il y a certes une part de manich\u00e9isme, n\u00e9anmoins elle n\u2019est pas g\u00eanante dans la mesure o\u00f9 la mission des Russes est consid\u00e9r\u00e9e comme tout aussi l\u00e9gitime que celle des Am\u00e9ricains, voire davantage.<\/p>\n

Des femmes slaves et chaudes<\/h3>\n

Par ailleurs, le sujet est russe et l\u2019histoire se passe pour sa grande majorit\u00e9 en Russie. C\u2019est un \u00e9l\u00e9ment d\u2019explication. Les Am\u00e9ricains n\u2019existent que relativement aux Russes et sous leur regard. Pour revenir \u00e0 la source, il est question des moineaux. Ce penchant-l\u00e0 du film prend une dimension philosophique digne d\u2019int\u00e9r\u00eat s\u2019ouvrant sur une vraie r\u00e9flexion soci\u00e9tale. Peut-on tout sacrifier pour le bien, ou ce que l\u2019on consid\u00e8re comme tel\u00a0?<\/p>\n

Les moineaux apprennent la le\u00e7on dans la souffrance et l\u2019humiliation\u00a0: tout peut \u00eatre sacrifi\u00e9 pour la patrie, tout doit \u00eatre mis en \u0153uvre contre l\u2019ennemi. Avec un cynisme grandissant, les moineaux apprennent \u00e0 accepter le viol, \u00e0 appliquer des fellations sur commande, \u00e0 sourire face aux gifles, \u00e0 se d\u00e9faire de toute \u00e9motion. Dominika, celle qui incarnait la victime par excellence de mani\u00e8re un peu facile et path\u00e9tique d\u2019ailleurs, devient aussi impassible qu\u2019un robot, mais s\u00e9duisante \u00e0 la mode slave et chaude.<\/p>\n

Une ambiance russe et d’incessants rebondissements<\/h3>\n

Toujours dans le sc\u00e9nario, la r\u00e9flexion philosophique s\u2019exprime dans des petites sentences \u00e9ternelles comme \u00ab\u00a0Chaque \u00eatre humain est un puzzle de besoins. \u00bb Ces phrases conviennent parce qu\u2019elles sont prononc\u00e9es par les Russes, souvent film\u00e9s dans une contre-plong\u00e9e qui leur donne un air plus grave et obscur. On se croirait presque parfois au c\u0153ur du film d\u2019auteur russe o\u00f9 ce genre de phrases sont prononc\u00e9es par un acteur en col roul\u00e9 \u00e0 la l\u00e8vre inf\u00e9rieure l\u00e9g\u00e8rement pendante, film\u00e9 de profil, regard dans le vide de l’absurde. Plaisanterie \u00e0 part, heureusement que Red Sparrow\u00a0<\/em>limite ces usages, sans quoi il virerait vite \u00e0 la caricature.<\/p>\n

Outre l\u2019allure philosophie nouvelle vague russe, l\u2019ambiance du pays s\u2019appr\u00e9cie dans l\u2019anglais prononc\u00e9 \u00e0 la russe dans la version originale anglaise. D\u2019aucuns ont cri\u00e9 au ridicule. En r\u00e9alit\u00e9, la pratique est plut\u00f4t classe. Les mots tra\u00eenent quasi-th\u00e9\u00e2tralement, rendant dramatique un simple \u00ab\u00a0bonjour\u00a0\u00bb. Franchement, on s\u2019y croit. La Russie du film, bien que parlant anglais, est parfum\u00e9e de vodka, de compromissions et surtout d\u2019honneur.<\/p>\n

Enfin, l\u2019ensemble du long-m\u00e9trage se met au service d\u2019un coup de ma\u00eetre\u00a0: le suspens port\u00e9 \u00e0 son plus noble niveau. Incessamment, les protagonistes comme les spectateurs subissent des surprises. Les rebondissements sont mani\u00e9s avec une d\u00e9licatesse et une \u00e9l\u00e9gance magistrales. Chaque sc\u00e8ne contredit la pr\u00e9c\u00e9dente. On ne sait plus qui travaille pour qui, qui travaille pour quoi\u00a0; on ne sait plus si le mot \u00ab\u00a0v\u00e9rit\u00e9\u00a0\u00bb a encore un sens. Sans s’\u00e9garer, Red Sparrow <\/em>confond les pistes et se garde de livrer un message moral. Apr\u00e8s tout, l’agent Dominika montre bien que l\u2019innocence n\u2019existe plus.<\/p>\n

\u00ab Un jour tu comprendras. \u00bb<\/p>\n

Schreiben Sie dem Autor : loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n

Fotocredit: \u00a9 Twentieth Century Fox<\/p>","protected":false},"excerpt":{"rendered":"

Les mercredis du cin\u00e9ma \u2013 Loris S. Musumeci \u00ab\u00a0\u2013 Tu es venu t\u2019apitoyer\u00a0? \u2013 Non, je suis venu pour t\u2019aider….<\/p>","protected":false},"author":18,"featured_media":509756,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[62091,6451831,1153078,1095980,61525,2124646,134212,71456,918340,812301,23542,14992,7478264,117676,56531,1175621],"class_list":["post-14965","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-ballet","tag-bolchoi","tag-dominika","tag-espionnage","tag-europe-de-lest","tag-francis-lawrence","tag-innocence","tag-manipulation","tag-moineaux","tag-mystere","tag-nathaniel","tag-police","tag-red-sparrow","tag-russie","tag-seduction","tag-suspens"],"acf":[],"yoast_head":"\n\u00abRed Sparrow\u00bb, quand l\u2019innocence n\u2019existe plus<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/red-sparrow-quand-linnocence-nexiste-plus\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abRed Sparrow\u00bb, quand l\u2019innocence n\u2019existe plus\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma \u2013 Loris S. 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