{"id":15390,"date":"2018-05-16T19:00:50","date_gmt":"2018-05-16T18:00:50","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=15390"},"modified":"2025-12-04T22:49:13","modified_gmt":"2025-12-04T21:49:13","slug":"everybody-knows-that-the-dice-are-loaded","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/kino\/filme\/everybody-knows-that-the-dice-are-loaded\/","title":{"rendered":"\u00abEverybody knows\u00bb dass die Dice geladen sind"},"content":{"rendered":"

Les mercredis du cin\u00e9ma - Thierry Fivaz<\/em><\/p>\n\n\n\n

Er\u00f6ffnungsfilm der 71. Ausgabe des Filmfestivals von Cannes, Todos Lo Saben <\/i>(oder Everybody Knows<\/i>) des iranischen Regisseurs Asghar Farhadi schildert ein r\u00fchrendes, ergreifendes und realistisches Spanien.<\/strong><\/p>\n\n\n\n\n\n\n\n

Pour son huiti\u00e8me long-m\u00e9trage, le cin\u00e9aste iranien Asghar Farhadi s\u2019installe en terres espagnoles, un pays dont la langue lui est \u00e9trang\u00e8re. Ce n\u2019est cependant pas la premi\u00e8re fois que Farhadi se confronte \u00e0 pareil exercice: il avait d\u00e9j\u00e0 tourn\u00e9 Le Pass\u00e9\u00a0<\/i>(2013) en France et en fran\u00e7ais. Mais malgr\u00e9 les difficult\u00e9s que peut engendrer une telle situation, cela ne d\u00e9teint nullement sur la qualit\u00e9 de Everybody Knows<\/i>. Au contraire, il est m\u00eame probable que la particularit\u00e9 de la situation demeure l\u2019un des ingr\u00e9dients permettant \u00e0 ce long-m\u00e9trage d\u2019acqu\u00e9rir une dimension universelle. Car si l\u2019ancrage du film est profond\u00e9ment espagnol \u2013 la distribution est enti\u00e8rement ib\u00e9rique et les acteurs jouent dans leur langue \u2013, les relations entre les personnages, l\u2019amour qui les unit, les \u00e9motions et les inqui\u00e9tudes incarnent avec authenticit\u00e9 et r\u00e9alisme des liens et des sentiments que nous connaissons tous. En somme, avec Everybody Knows<\/i>, le particulier se fait g\u00e9n\u00e9ral.<\/p>\n\n\n\n

Avec cette histoire, le talentueux r\u00e9alisateur \u2013 qui compte \u00e0 seulement quarante-six ans deux Oscars du meilleur film \u00e9tranger (avec Une S\u00e9paration<\/i>, 2011 et Le Client<\/i>, 2016), un Golden Globe et un C\u00e9sar (toujours avec Une S\u00e9paration<\/i>) \u2013 explore le riche motif de la famille, et plus particuli\u00e8rement ses non-dits, ses ranc\u0153urs, ses peines et ses joies.<\/p>\n\n\n\n

Noces fun\u00e8bres<\/span><\/h3>\n\n\n\n

En raison du mariage de sa s\u0153ur, Laura (Pen\u00e9lope Cruz) retourne dans son village natal accompagn\u00e9e de ses deux enfants \u2013 sa fille Irene (Carla Campra) qui est \u00e2g\u00e9e d\u2019une quinzaine d\u2019ann\u00e9es et son fils d\u2019environ cinq ans. Vivant en Argentine avec son \u00e9poux Alejandro (Ricardo Dar\u00edn), qui est rest\u00e9 au pays, Laura est ravie de rentrer en Espagne et de revoir les siens. Les retrouvailles sont belles et chaleureuses. La grande et somptueuse b\u00e2tisse familiale \u2013 ombilic du village devenu, sans doute faute d\u2019argent, un h\u00f4tel \u2013 s\u2019embellit, grouille de vie, les chambres se remplissent, la famille enti\u00e8re fr\u00e9mit d\u2019excitation et se r\u00e9jouit d\u2019\u00eatre \u00e0 nouveau r\u00e9unie. L\u2019heureux \u00e9v\u00e9nement permet \u00e0 Laura de revoir Paco (Javier Bardem), ancien amour de jeunesse et ami de la famille, qui est \u00e9galement invit\u00e9 avec son \u00e9pouse Bea (B\u00e1rbara Lennie) aux festivit\u00e9s. L\u00e0 aussi, les retrouvailles avec l\u2019ancien amant devenu vigneron se font belles, l\u2019amour semblant s\u2019\u00eatre substitu\u00e9 au fil du temps en amiti\u00e9 sinc\u00e8re.<\/p>\n\n\n\n

C\u2019est donc dans un d\u00e9cor de carte postale, dans une ambiance bon enfant d\u00e9nu\u00e9e de toute lourdeur, que la f\u00eate commence. Apr\u00e8s une c\u00e9r\u00e9monie religieuse, dont on devine qu\u2019il s\u2019agit plus de respecter les coutumes que d\u2019affirmer des convictions, invit\u00e9s et famille se retrouvent dans la maison familiale et comme seuls les Espagnols en ont le secret, chantent, dansent et s\u2019amusent en l\u2019honneur des jeunes mari\u00e9s.<\/p>\n\n\n\n

Mais alors que la f\u00eate se poursuit tard dans la nuit, un \u00e9v\u00e9nement inattendu survient: Irene, la fille de Laura \u2013 qui \u00e9tait all\u00e9e se coucher, \u00e9puis\u00e9e sans doute par le d\u00e9calage horaire \u2013 n\u2019est plus dans sa chambre. Malgr\u00e9 les recherches, la jeune fille est introuvable. Des coupures de journaux laiss\u00e9es dans la chambre de Laura laissent craindre le pire: Irene aurait \u00e9t\u00e9 kidnapp\u00e9e.<\/p>\n\n\n\n

Laura ou la justesse des sentiments<\/span><\/h3>\n\n\n\n

Le r\u00e9alisme qui se d\u00e9gage du film \u2013 en ce qui concerne les \u00e9motions et les r\u00e9actions des personnages \u2013 est poignant et sonne particuli\u00e8rement juste. Et malgr\u00e9 les dires de certaines critiques (comme celle de T\u00e9l\u00e9rama<\/a><\/i>)\u00a0Pen\u00e9lope Cruz r\u00e9alise une magnifique performance. Dans le r\u00f4le difficile de Mater dolorosa<\/i>, la com\u00e9dienne se montre particuli\u00e8rement convaincante, mais surtout \u00e9mouvante. Puisqu\u2019\u00e0 travers elle on parvient \u00e0 mesurer l\u2019\u00e9tendue de la peur visc\u00e9rale et permanente devant habiter chaque m\u00e8re: celle de perdre son enfant. Malgr\u00e9 la dramatique situation, Farhadi n\u2019accable pas pour autant son personnage; au contraire, il lui donne une r\u00e9elle profondeur et l\u2019emplit de dignit\u00e9. Ainsi, \u00e0 la mani\u00e8re d\u2019un Almod\u00f3var, le r\u00e9alisateur \u00e9claire cette femme \u2013 la femme \u2013 sous son plus beau c\u00f4t\u00e9, celui qui sous une apparente fragilit\u00e9 est celui d\u2019un \u00eatre de volont\u00e9, de caract\u00e8re, de force, de courage et d\u2019amour. Sous pareil \u00e9clairage, le d\u00e9sespoir de Laura en devient bouleversant, intenable, mais terriblement beau, car il manifeste l\u2019immensit\u00e9 de l\u2019amour maternel.<\/p>\n\n\n\n

Quant \u00e0 Javier Bardem, qui joue pour la neuvi\u00e8me fois avec son \u00e9pouse, il insuffle au personnage de Paco, tel un peintre pointilliste, des touches d\u00e9licates d\u2019honn\u00eatet\u00e9, de sinc\u00e9rit\u00e9 et m\u00eame, quelquefois, de na\u00efvet\u00e9, sans jamais verser dans la caricature. Le g\u00e9nie de Bardem est de parvenir, tout en pudeur et sans larmes, \u00e0 souligner la vuln\u00e9rabilit\u00e9 que portent tous les hommes qui ont un jour aim\u00e9; un \u00e9tat rehauss\u00e9 par l\u2019imposante carrure du com\u00e9dien, qui contraste avec sa fragilit\u00e9. Notons qu\u2019\u00e0 l\u2019instar des deux com\u00e9diens, l\u2019ensemble de la distribution fait preuve d\u2019une remarquable solidit\u00e9. Ricardo Dar\u00edn se mue en un p\u00e8re abattu remarquable, de m\u00eame que Eduard Fern\u00e1ndez,\u00a0jouant le beau-fr\u00e8re de Laura, se fait touchant par sa simplicit\u00e9.<\/p>\n\n\n\n

In Everybody knows<\/i>, Farhadi d\u00e9peint en somme une fresque familiale tragique, complexe, mais affreusement vraie. Si le premier tiers du film, par sa mise en sc\u00e8ne naturelle et sans fard \u2013 si ce n\u2019est l\u2019excellente photographie de Jos\u00e9 Luis Alcaine, collaborateur r\u00e9gulier d\u2019Almod\u00f3var \u2013 s\u2019apparente \u00e0 une succession de sc\u00e8nes familiales heureuses, il bascule soudainement dans un thriller haletant. Un m\u00e9lange des genres surprenant, mais adroitement \u00e9quilibr\u00e9, la bascule \u00e9tant sc\u00e9niquement marqu\u00e9e par une pluie torrentielle. Le glissement fait, on voit alors surgir les passions et les vieilles ranc\u0153urs; les langues se d\u00e9lient, de vieux secrets enfouis sous un imbroglio de non-dits font surface. La famille auparavant si unie est en crise, se disloque. Comment retrouver Irene? Qui l\u2019a enlev\u00e9e? O\u00f9 est-elle? Ses heures sont compt\u00e9es et cela, tout le monde le sait.<\/p>\n\n\n\n

Schreiben Sie dem Autor: thierry.fivaz@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n

Cr\u00e9dit photo: \u00a9\u00a0Frenetic Films<\/p>","protected":false},"excerpt":{"rendered":"

Les mercredis du cin\u00e9ma \u2013 Thierry Fivaz Film d\u2019ouverture de la 71e \u00e9dition du Festival de Cannes, Todos Lo Saben (ou…<\/p>","protected":false},"author":341,"featured_media":509833,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[12232650,4436573,233638,66364360,4686593,11239,4771210,108257,422108,33752,734070,1515409,11183,140969],"class_list":["post-15390","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-asghar-farhadi","tag-barbara-lennie","tag-campagne","tag-carla-campra","tag-cinema-espagnol","tag-famille","tag-jose-luis-alcaine","tag-mariage","tag-pedro-almodovar","tag-penelope-cruz","tag-retrouvailles","tag-ricardo-darin","tag-thriller","tag-village"],"acf":[],"yoast_head":"\n\u00abEverybody knows\u00bb that the dice are loaded<\/title>\n<meta name=\"robots\" content=\"index, follow, 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