{"id":15699,"date":"2018-06-13T17:30:12","date_gmt":"2018-06-13T15:30:12","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=15699"},"modified":"2025-12-04T22:48:58","modified_gmt":"2025-12-04T21:48:58","slug":"una-questione-privata","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/kino\/filme\/una-questione-privata\/","title":{"rendered":"\u00abUna questione privata\u00bb"},"content":{"rendered":"

Les mercredis du cin\u00e9ma - H\u00e9l\u00e8ne Lavoyer<\/em><\/p>\n

Ballott\u00e9 entre les r\u00e9miniscences du visage de Fulvia, dont les yeux seuls lui inspiraient bien plus de romances que les pages \u00e9corch\u00e9es des livres qu\u2019il traduisait, et l\u2019actualit\u00e9 oppressante de la guerre contre les fascistes, Miton perce le brouillard insondable dont son quotidien est \u00e0 pr\u00e9sent constitu\u00e9.<\/p>\n

Engag\u00e9, d\u00e9termin\u00e9, il n\u2019aura de cesse de chercher l\u2019un de ces \u00ab\u00a0cafards\u00a0\u00bb afin de l\u2019\u00e9changer pour son ami de toujours. Mais de l\u2019amiti\u00e9 ou de la souffrance n\u00e9e d\u2019une trahison, laquelle des deux pousse le dandy \u00e0 vouloir tant r\u00e9cup\u00e9rer \u00ab\u00a0son\u00a0\u00bb Giorgio\u00a0? Car malgr\u00e9 l\u2019amour et la fid\u00e9lit\u00e9 port\u00e9e vers lui, le retrouver signifierait \u00e9galement savoir\u00a0: a-t-il aim\u00e9 Fulvia, lui aussi\u00a0? Et \u00e0 quel point\u00a0? Leurs escapades nocturnes, dont Milton n\u2019avait connaissance, \u00e9taient-elles aussi innocentes que la farouche Fulvia\u00a0?<\/p>\n

Epuis\u00e9 par les courses, les espoirs de le retrouver et par l\u2019amour qu\u2019il n\u2019aura jamais su exprimer \u00e0 la belle autrement que par des lettres, Milton s\u2019\u00e9crase \u00e0 flanc de montagne, ses cris se perdent \u00e0 l\u2019int\u00e9rieur, et la seule force le relevant encore est cette d\u00e9termination in\u00e9branlable, ineffable, issue de sa passion pour elle. Dans cette ambiance verd\u00e2tre et sombre, son seul r\u00e9confort se trouve encore dans les impressions pass\u00e9es de ces moments \u00e0 observer la belle.<\/p>\n

Une constante, l\u2019inconsistance<\/h3>\n

Il est des histoires que l\u2019on transporte toute sa vie. Des mots et des imaginaires auxquels on s\u2019attache et revient sans cesse. L\u2019adaptation d\u2019Una Questione Privata,<\/em>\u00a0un roman de Beppe Fenoglio, n\u2019aura pas r\u00e9ussi \u00e0 nous marquer durablement en terme de consistance. Entre une rivalit\u00e9 trop t\u00f4t perceptible entre les deux amis et le peu de temps mis \u00e0 disposition pour conna\u00eetre Fulvia, ne nous reste que Milton.<\/p>\n

Ses R\u00fcckblenden<\/em>, tout satur\u00e9s de l\u2019innocence de son amour, nous emportent dans l\u2019intimit\u00e9 de moments intellectuels et partag\u00e9s tendrement, honn\u00eatement, dans ce m\u00e9nage \u00e0 deux ou trois parfois. Pourtant, pareil sc\u00e9nario peine \u00e0 reposer sur une base si faible\u00a0: nous ne partageons que peu d\u2019instants avec le tandem, trop peu pour que leur amour ne paraisse partag\u00e9.<\/p>\n

Quand l\u2019image sauve le sc\u00e9nario<\/h3>\n

N\u00e9anmoins, c\u2019est avec tendresse que l\u2019on reconna\u00eet la passion et la presque folie du premier amour, de l\u2019inconditionnelle possibilit\u00e9, menant depuis la nuit des temps de juv\u00e9niles \u00eatres aux comportements les plus inattendus, irrationnels et, parfois, \u00e9go\u00efstes. Le personnage de Milton, transpirant de sinc\u00e9rit\u00e9, touche le c\u0153ur des spectateurs gr\u00e2ce \u00e0 la proximit\u00e9 entre le regard de la cam\u00e9ra et celui de l\u2019acteur, d\u2019un bleu scindant l\u2019\u00e2me.<\/p>\n

Outre les gros plans, de nombreux mouvements de cam\u00e9ra magnifiquement orchestr\u00e9s agr\u00e9mentent l\u2019intrigue plut\u00f4t plate du film. Aux instants o\u00f9 les yeux de Milton se posent sur la belle Fulvia, la cam\u00e9ra prend leur place et c\u2019est alors notre regard qui croise le sien, alors qu\u2019elle esquisse quelques pas de danse sur le vieux plancher de la villa italienne.<\/p>\n

L\u2019art de la construction<\/h3>\n

Deux moments de vie, finalement, se superposent \u00e0 l\u2019\u00e9cran. De l\u2019ambiance aux couleurs bleues et verd\u00e2tres des collines lact\u00e9es par cette couche de brume \u00e9paisse, nous voyageons vers les temps r\u00e9volus du partage entre Milton et Fulvia, color\u00e9s par les jours d\u2019\u00e9t\u00e9 et envahis d\u2019un soleil refl\u00e9tant bien la joie et l\u2019insouciance \u00e9tiol\u00e9es par la guerre.<\/p>\n

Certaines sc\u00e8nes se fondent l\u2019une dans l\u2019autre, la premi\u00e8re laissant petit \u00e0 petit s\u2019imposer la seconde, l\u2019\u00e9clat du soleil brisant la p\u00e9nombre de l\u2019hiver, et de la banalit\u00e9 du sc\u00e9nario, quelques mots nous resteront au c\u0153ur, alors que l\u2019\u00e9cran se referme sur les tr\u00e9molos de Somewhere over the Rainbow.<\/em><\/p>\n

Schreiben Sie dem Autor :\u00a0helene.lavoyer@leregardlibre.com<\/a><\/em><\/p>\n

Cr\u00e9dit photo : \u00a9 Trigon Film<\/p>","protected":false},"excerpt":{"rendered":"

Les mercredis du cin\u00e9ma \u2013 H\u00e9l\u00e8ne Lavoyer Ballott\u00e9 entre les r\u00e9miniscences du visage de Fulvia, dont les yeux seuls lui…<\/p>","protected":false},"author":326,"featured_media":15700,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[31254,399466,14228,755932,61091,852623,42727,3251060],"class_list":["post-15699","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-amour","tag-cinema-italien","tag-drame","tag-fenoglio","tag-guerre","tag-premiere-guerre-mondiale","tag-resistance","tag-una-questione-privata"],"acf":[],"yoast_head":"\n\u00abUna questione privata\u00bb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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