{"id":16270,"date":"2018-07-13T14:29:18","date_gmt":"2018-07-13T13:29:18","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=16270"},"modified":"2025-12-04T22:40:32","modified_gmt":"2025-12-04T21:40:32","slug":"amore-e-malavita-james-bond-a-casa-napoli-avanti","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/kino\/filme\/amore-e-malavita-james-bond-a-casa-napoli-avanti\/","title":{"rendered":"\u00abAmmore e Malavita\u00bb: James Bond a casa, Napoli avanti\u00a0"},"content":{"rendered":"

Neuch\u00e2tel International Fantastic Film Festival (NIFFF) - H\u00e9l\u00e8ne Lavoyer<\/em><\/p>\n

Wurde im Wettbewerb des Filmfestivals Mostra di Venezia 2017 gezeigt, Ammore e Malavita <\/em>(\u00abLiebe und Unterwelt\u00bb) hat seither die verschiedensten Auszeichnungen bei der 63..<\/sup> David Di Donatello: Bester Film, beste Regie und bester Musiker. Seitdem bringen seine Regisseure Marco und Antonio Manetti mit ihrem Musical das internationale Publikum immer wieder zum Singen und Lachen. So auch gestern auf der Open-Air-B\u00fchne des NIFFF.<\/strong>
\n<\/p>\n

Don Vincenzo (Carlo Buccirosso), der \u00abFischk\u00f6nig\u00bb an der Spitze der neapolitanischen Mafia, merkt nach einem Schuss in den Hintern, dass sein Leben als Bandit, das ihn st\u00e4ndig zwingt, um sein Leben zu rennen, nicht mehr zu ihm passt. Ein Gl\u00fcck f\u00fcr ihn, dass seine Frau Donna Maria (Claudia Gerini) das Kino liebt und ihre Klassiker kennt. Die beiden vertrauen ihren Plan Ciro (Giampaolo Morelli) und Rosario (Raiz) an: Genau wie in dem ber\u00fchmten Skyfall<\/em>, Don Vincenzo wird vorgeben, dass er tot ist. Ein falsches Begr\u00e4bnis wird organisiert, und niemand au\u00dfer den vier darf die Wahrheit erfahren.<\/p>\n

Fatima (Serena Rossi), eine Krankenschwester, die gerade Dienst hat, sieht, dass Don Vincenzo noch lebt und auf dem Operationstisch wie eine Made zappelt. Dieser hat Angst davor, dass man dem angek\u00fcndigten Ereignis seines Todes widersprechen k\u00f6nnte, und bittet die beiden rechten Arme Ciro und Rosario, die junge Frau zu beseitigen, nachdem sie sie gefunden haben. Die Sch\u00f6ne entpuppt sich als Ciros erste Liebe, der vom Wahnsinn gepackt wird, den die sch\u00f6nsten Leidenschaften erreichen, und beschlie\u00dft, alles zu tun, um sie vor den Kugeln seiner Organisation zu retten.<\/p>\n

Zwei Stunden und 15 Minuten voller Lachen und Wendungen<\/h2>\n

Was f\u00fcr eine Freude! Von Das Dinner der Dummk\u00f6pfe<\/em> dass ich nicht mehr so gelacht habe, \u00fcber offene und spontane Ausbr\u00fcche, die von den \u00fcberraschenden und feinen Dialogen, die die Figuren austauschen, rhythmisch gepr\u00e4gt sind. Der Spielfilm, der voller Anspielungen auf amerikanische Actionfilme und vor allem auf den ber\u00fchmten James Bond steckt, ruft dem Hollywood-Kino zu: \u00abEuer Humor, wir kennen ihn, und schaut gut zu, was wir daraus machen!\u00bb.<\/p>\n

Warum? Weil er diese geniale Karikatur des typischen Touristen macht, der in perfektem Englisch den Diebstahl der Handtasche eines Gruppenmitglieds feiert und das Ganze mit l\u00e4cherlichen Interventionen von Banditen, die im \u00abgef\u00e4hrlichsten Viertel Neapels\u00bb wohnen, garniert, weil Ciros geleckter Look mit zur\u00fcckgek\u00e4mmten Haaren und Glanz von wer wei\u00df was f\u00fcr einem Klebstoff uns an das Hollywood-M\u00e4nnchen erinnert... und dabei Italien auf verschiedene Arten in den Vordergrund stellt. Welche?<\/p>\n

Einfach nur durch das H\u00f6ren dieses rohen und ehrlichen Italienischs werden die Ohren erfreut. Und die Pr\u00e4senz der typischen Beleidigungen, Sprachstereotypen und Gesten, mit denen Ausl\u00e4nder die Italiener gerne definieren, verleiht dieser Karikatur ihren Stoff. Vor allem, wenn diese Elemente mit so viel Raffinesse organisiert und gegeben werden.<\/p>\n

Neben den ausgezeichneten Dialogen und den k\u00f6stlichen Liedern, die ins Melodramatische und Theatralische abdriften, ist auch der Schnitt perfekt, makellos und erstaunlich: Wir beginnen mit der Beerdigung von Don Vincenzo, der uns in seinem Sarg zuruft, dass er nicht dieser Mann ist - ja, es musste ein K\u00f6rper kommen, um den des echten zu ersetzen! - bevor uns die Situation erkl\u00e4rt wird, damit wir zu diesem Moment zur\u00fcckkehren und den ironischen und urkomischen Ausgang entdecken k\u00f6nnen.<\/p>\n

Alles, also wirklich alles an diesem Film hat uns dazu gebracht, uns auf unserem Stuhl zu verbiegen, denn jede Szene bringt ein neues Element mit sich und erm\u00f6glicht es uns, die starken Charaktere der einzelnen Figuren, ihre Funktion und ihre Pers\u00f6nlichkeit besser zu verstehen. Das Einzige, was ich Ihnen raten kann, ist, die n\u00e4chste Gelegenheit zu ergreifen, bei der Sie dieses Juwel an Humor und Filmkunst mit eigenen Augen sehen k\u00f6nnen.<\/p>\n

Schreiben Sie dem Autor :\u00a0helene.lavoyer@leregardlibre.com<\/a><\/em><\/p>\n

Fotocredit: \u00a9 NIFFF<\/p>","protected":false},"excerpt":{"rendered":"

Neuch\u00e2tel International Fantastic Film Festival (NIFFF) – H\u00e9l\u00e8ne Lavoyer Pr\u00e9sent\u00e9 en comp\u00e9tition du festival cin\u00e9matographique Mostra de Venise 2017, Ammore…<\/p>","protected":false},"author":326,"featured_media":16271,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644339049,49433,644339054,644339057,644339053,1153039,644339055,35,644339051,90859,644339048,644339058,12950449,644235945,644339052,644339056],"class_list":["post-16270","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-antonio-manetti","tag-caricature","tag-carlo-buccirosso","tag-chanson","tag-claudia-gerini","tag-comedie-musicale","tag-giampaolo-morelli","tag-humour","tag-james-bond","tag-mafia","tag-marco-manetti","tag-naples","tag-nifff","tag-nifff18","tag-raiz","tag-serena-rossi"],"acf":[],"yoast_head":"\n\u00abAmmore e Malavita\u00bb: James Bond a casa, Napoli avanti\u00a0<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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