{"id":16282,"date":"2018-07-13T21:00:41","date_gmt":"2018-07-13T20:00:41","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=16282"},"modified":"2025-12-04T22:40:28","modified_gmt":"2025-12-04T21:40:28","slug":"profil-nicht-normal-sondern-banal","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/cinema\/films\/profile-pas-normal-mais-banal\/","title":{"rendered":"\u00abProfil\u00bb: nicht normal, sondern banal"},"content":{"rendered":"\n

Neuch\u00e2tel International Fantastic Film Festival (NIFFF)\u00a0\u2013\u00a0Thierry Fivaz<\/a><\/span><\/i><\/p>\n\n\n\n

Pr\u00e9sent\u00e9 ce mardi 10 juillet au NIFFF dans la cat\u00e9gorie \u00abFilms of the third kind\u00bb,\u00a0<\/span>Profile<\/span><\/i> de Timur Bekmambetov propose une exp\u00e9rience cin\u00e9matographique in\u00e9dite, mais cependant ordinaire.<\/span><\/strong><\/p>\n\n\n\n\n\n\n\n

Lorsqu\u2019il est question de pr\u00e9senter son film,\u00a0Timur Bekmambetov n\u2019y va pas par quatre chemins. Pour le r\u00e9alisateur, il s\u2019agit\u00a0<\/i>d\u2019une v\u00e9ritable exp\u00e9rience cin\u00e9matographique, quelque chose d\u2019in\u00e9dit et de jamais vu! Et difficile de donner tort au r\u00e9alisateur, puisqu\u2019aucun long-m\u00e9trage ne prit jamais une telle forme. D\u2019ailleurs, c\u2019est la forme<\/span>, davantage que le sc\u00e9nario<\/span>, qui singularise\u00a0Profile<\/i> et permet de le classer dans une cat\u00e9gorie \u00e0 part, d\u00e9tach\u00e9e des autres. Toutefois, si tour de force il y a, Bekmambetov\u00a0<\/i>verra-t-il d\u2019autres r\u00e9alisateurs lui embo\u00eeter le pas\u00a0? Rien n\u2019est moins s\u00fbr.<\/span><\/p>\n\n\n\n

Le quotidien sous nos yeux<\/span><\/h3>\n\n\n\n

La forme que prend\u00a0le film de\u00a0Bekmambetov\u00a0est la suivante: imaginez le bureau (ou desktop<\/i>) de votre Mac \u2013\u00a0vous savez, l\u2019espace o\u00f9 des tas de dossiers et documents s\u2019alignent et attendent d\u2019\u00eatre rang\u00e9s. Eh bien, c\u2019est dans cet espace que se d\u00e9roule l\u2019entier du film.<\/span>Celui-ci, en effet, consiste en une succession de captures d\u2019\u00e9cran vid\u00e9o <\/span>(ndl<\/span>r: ce que Bekmambetov appelle\u00a0<\/span><\/em>Screen Life<\/span><\/a><\/i><\/span>)<\/span><\/em>. En somme, il s\u2019agit, comme certains logiciels le permettent, d\u2019une suite d\u2019enregistrements vid\u00e9o de ce qui se passe sur l\u2019\u00e9cran d\u2019un ordinateur <\/span>\u2013 de nombreux exemples, notamment des tutoriels, sont r\u00e9alis\u00e9s de la m\u00eame mani\u00e8re et visibles sur YouTube<\/span><\/span><\/a>.<\/p>\n\n\n\n

Plus classique, la narration, elle, se fait lin\u00e9aire. Chaque s\u00e9quence<\/i> du film correspond \u00e0 un jour ou un \u00e9v<\/span>\u00e9nement. Le film s\u2019ouvre sur le jour\u00a01 et, selon un intervalle irr\u00e9gulier, passe au jour\u00a05, puis au jour\u00a08<\/span>, etc., comme si nous survolions un journal intime qui ne nous appartenait pas. Le rythme du film<\/span>, quant \u00e0 lui<\/span>, se fait au gr\u00e9 des appels Skype, Facetime ou autres SMS qui apparaissent \u00e0 l\u2019\u00e9cran via<\/i> des fen\u00eatres surgissantes ou autres notifications sonores et\/ou visuelles. Les voix que nous entendons sont celles qui nous parviennent des applications exigeant l\u2019activation du micro (comme Skype ou Facetime); comme les visages <\/span>– dont celui de la propri\u00e9taire de l\u2019ordinateur<\/span> \u2013 qui sont ceux que ne voyons uniquement par l\u2019interm\u00e9diaire d\u2019applications exigeants l\u2019activation de la cam\u00e9ra. S\u2019ajoute \u00e0 cela, les vid\u00e9os re\u00e7ues et ouvertes qui nous donnent parfois l\u2019impression de voir un film \u00abordinaire\u00bb.<\/span><\/p>\n\n\n\n

Si c\u2019est la premi\u00e8re fois qu\u2019un long-m\u00e9trage prend effectivement une telle forme, il s\u2019agit pour beaucoup d\u2019entre nous d\u2019une vision particuli\u00e8rement famili\u00e8re; puisque c\u2019est un spectacle identique que nous observons tous les jours lorsque nous sommes assis \u00e0 notre bureau. D\u00e8s lors, une fois pass\u00e9 l\u2019\u00e9tonnement de voir port\u00e9 sur un si grand \u00e9cran une vue si famili\u00e8re<\/span>, soit environ 10 <\/span>minutes, l\u2019exp\u00e9rience se r\u00e9v\u00e8le surtout ordinaire, voire banale<\/span>, et devient m\u00eame aga\u00e7ante, mais l\u2019agacement vient surtout du sc\u00e9nario.<\/span><\/p>\n\n\n\n

La belle et la b\u00eate<\/span><\/h3>\n\n\n\n

Profile<\/em> est inspir\u00e9 du livre Dans la peau d\u2019une djihadiste<\/i>\u00a0de la journaliste fran\u00e7aise Anna Erelle. A l\u2019image de la journaliste fran\u00e7aise,\u00a0le film\u00a0nous raconte l\u2019histoire d\u2019Amy Whittaker (Valene Kane), une journaliste\u00a0anglaise\u00a0qui essaie (et parvient) via<\/em> Facebook \u00e0 entrer en contact avec un jeune recruteur de l\u2019\u00c9tat islamique (Shazad Latif). Si l\u2019enjeu initial \u00e9tait de r\u00e9colter un maximum d\u2019informations sur l\u2019organisation terroriste, notamment en ce qui concerne la mani\u00e8re dont proc\u00e8dent les recruteurs, la situation va vite d\u00e9g\u00e9n\u00e9rer. Puisqu\u2019apr\u00e8s de nombreux \u00e9changes via<\/em> Skype et autres SMS (d\u2019o\u00f9 la forme du film), la jeune femme va s\u2019\u00e9prendre, ou en tout cas ressentir une profonde affection pour le jeune\u00a0djihadiste. <\/i>On croirait r\u00eaver!<\/span><\/p>\n\n\n\n

Mais au-del\u00e0 d’un s\u00e9nario qui d\u00e9peint un portrait d’ailleurs peu flatteur de la gente f\u00e9minine <\/span>\u2013 le film montre une journaliste profond\u00e9ment idiote, \u00e9motionnellement faible et na\u00efve, on en vient m\u00eame \u00e0 vouloir briser son ordinateur \u00e0 de nombreuse<\/span>s reprises; q<\/span>uelles peuvent \u00eatre les intentions d\u2019un tel film? S\u2019agit-il de montrer que \u00ables m\u00e9chants\u00a0djihadistes<\/i>\u00bb ne sont pas uniquement des monstres sanguinaires assoiff\u00e9s de sang et peuvent \u00e9galement \u00eatre sympathiques, voire charmants? Ou s\u2019agit-il de montrer que m\u00eame des individus un tant soit peu \u00e9duqu\u00e9s peuvent tomber dans leurs filets? Les deux propositions ne s\u2019excluent pas, mais qui d’ailleurs en doutait vraiment? C\u2019est une \u00e9vidence sans nom d’admettre, quoi qu’en dise\u00a0Sergio Leone, que le monde ne se divise pas en deux cat\u00e9gories, avec d’un c\u00f4t\u00e9 les bons et, de l’autre, les m\u00e9chants. Est-ce d\u00e8s lors pertinent d’en faire un film?<\/p>\n\n\n\n

Cependant, l\u00e0 o\u00f9 Profil<\/em> peut s\u2019av\u00e9rer int\u00e9ressant, c\u2019est par son aspect documentaire aux allures de film-t\u00e9moignage. Or, nous pouvons le regretter, c\u2019est qu\u2019on semble<\/span>, \u00e0 l\u2019instar de son r\u00e9alisateur, souligner davantage la forme de Profile<\/i>\u00a0que son contenu. Une forme in\u00e9dite, mais banale; qui semble cependant plus int\u00e9ressante \u00e0 exploiter qu\u2019un contenu inutilement dur, troublant et ennuyeux une fois la premi\u00e8re demi<\/span>–heure pass\u00e9e. Un contenu qui pourtant, \u00e0 d\u00e9faut d\u2019\u00eatre une v\u00e9ritable<\/span> fiction, pourrait se muer en un fantastique moyen de pr\u00e9vention et de sensibilisation. Quant \u00e0 l’exp\u00e9rience cin\u00e9matographique annonc\u00e9e, nous repasserons<\/span>. Dommage.<\/span><\/p>\n\n\n

[table id=21 \/]<\/p>\n\n\n\n

Ecrire \u00e0 l\u2019auteur: thierry.fivaz@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n

Cr\u00e9dit photo: \u00a9 NIFFF<\/p>\n","protected":false},"excerpt":{"rendered":"

Neuartige, aber gew\u00f6hnliche Erfahrung<\/p>","protected":false},"author":1,"featured_media":16287,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644339085,644339065,2048247,446131,12950449,644235945,644339061,644339066,350999,644339064,273535,644339062,644339063],"class_list":["post-16282","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-anna-erelle","tag-christine-adams","tag-djihad","tag-islamisme","tag-nifff","tag-nifff18","tag-profile","tag-recruteur","tag-reseaux-sociaux","tag-shazad-latif","tag-syrie","tag-timur-bekmambetov","tag-valene-kane"],"acf":[],"yoast_head":"\n\u00abProfile\u00bb: pas normal, mais banal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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