{"id":16491,"date":"2018-07-18T14:02:49","date_gmt":"2018-07-18T12:02:49","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=16491"},"modified":"2025-12-04T22:40:14","modified_gmt":"2025-12-04T21:40:14","slug":"amori-ma-per-favore","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/kino\/filme\/amori-ma-per-favore\/","title":{"rendered":"\u00abAmori\u00bb, ma per favore!"},"content":{"rendered":"

Mittwochs im Kino - Loris S. Musumeci<\/em><\/p>\n

\u00abAnstatt wieder mit dir zusammenzukommen, bringe ich mich lieber um.\u00bb<\/p>\n

Claudia und Flavio verlieben sich. Oder besser gesagt, Claudia, eine \u00fcberdrehte und sehr sentimentale Literaturprofessorin, verliebt sich in Flavio, der ebenfalls Literaturprofessor ist. Die Liebe auf den ersten Blick findet w\u00e4hrend eines Universit\u00e4tskolloquiums statt. \u00abIch glaube, ich habe mich in dich verliebt\u00bb, sagt sie ihm schnell, als sie sich zum ersten Mal in einem Restaurant zu zweit unterhalten. Flavio ist \u00fcberrascht und l\u00e4sst sich verf\u00fchren.<\/p>\n

<\/p>\n

Mais la relation tourne vite \u00e0 ce qu\u2019on pourrait appeler de la psychose. Elle veut se marier, elle veut un enfant, elle r\u00e9veille son compagnon durant la nuit pour le lui dire et redire, elle pleure durant deux heures, elle s\u2019enfuit dans la campagne. Et c\u2019est toutes les nuits la m\u00eame histoire. La pauvre semble vraiment perturb\u00e9e. Evidemment, cette relation toxique s\u2019interrompt. L\u2019un et l\u2019autre reprennent leur vie, chacun de son c\u00f4t\u00e9, sans jamais s\u2019oublier cependant, sans jamais \u00eatre heureux.<\/p>\n

Stupide et inutile<\/h3>\n

Il faut reconna\u00eetre que la chanson Testaccio\u00a0<\/em>de Marcello Murru, pr\u00e9sente dans une sc\u00e8ne du film, est plut\u00f4t agr\u00e9able \u00e0 entendre. Comme il faut reconna\u00eetre aussi sans aucune difficult\u00e9 que les paysages de la campagne romaine sont sublimes avec leurs cypr\u00e8s, leurs champs de coquelicots et leur soleil jaune clair qui les rev\u00eat d\u2019une luminosit\u00e9 toute particuli\u00e8re. Et voil\u00e0 qui est fait. Tout ce qui pouvait \u00eatre dit de positif sur\u00a0Amori<\/em>- Amori che non sanno stare al mondo\u00a0<\/em>est le titre complet \u2013 a \u00e9t\u00e9 dit.<\/p>\n

En plus, la r\u00e9alisatrice, Francesca Comencini, n\u2019y est pas pour grand-chose. Tout au plus, elle a allum\u00e9 sa cam\u00e9ra devant des paysages qui s\u2019imposent aux yeux et elle a \u00e9ventuellement de bons go\u00fbts musicaux. Pourtant, la fille de l\u2019excellent Luigi Comencini, lui qui fait partie int\u00e9grante de la grande histoire du cin\u00e9ma italien, n\u2019est peut-\u00eatre pas totalement d\u00e9nu\u00e9e de talent. Elle a particip\u00e9 \u00e0 la r\u00e9alisation de la s\u00e9rie \u00e0 succ\u00e8s sur la mafia napolitaine Gomorra \u2013 La serie\u00a0<\/em>qui a du succ\u00e8s et qui se pr\u00e9sente plut\u00f4t bien. Mais Amori\u00a0<\/em>est regrettablement stupide et inutile. Aller le voir est une perte de temps assur\u00e9e.<\/p>\n

Ma per favore !<\/h3>\n

Sans \u00eatre compl\u00e8tement rassurant, le d\u00e9but ne signe pas encore la catastrophe que deviendra tr\u00e8s vite le film. Le personnage de Claudia est presque attachant avant de devenir insupportable. La sc\u00e8ne d\u2019ouverture figurant une hyst\u00e9rique en pleine angoisse et celle, au d\u00e9but aussi, dans le restaurant o\u00f9 ils se parlent vraiment pour la premi\u00e8re fois ne sont pas tr\u00e8s dr\u00f4les mais peuvent \u00e0 la rigueur d\u00e9crocher un petit sourire. Mieux r\u00e9ussie, celle de la crise nocturne \u00ab\u00a0\u2013 Nous avons d\u00e9truit nos vies\u00a0! \u2013 Oui, d\u2019accord, mais moi je dois dormir maintenant.\u00a0\u00bb. L\u00e0, oui, on rit. Mais accordez-moi que trois moments plus ou moins dr\u00f4les pour une pr\u00e9tendue com\u00e9die, c\u2019est peu, non\u00a0?<\/p>\n

Et pourtant, le rire ne doit pas \u00eatre un crit\u00e8re. Le probl\u00e8me, c\u2019est que non seulement le film manque profond\u00e9ment d\u2019humour, mais de surcro\u00eet il n\u2019est pas du tout int\u00e9ressant\u00a0; il est vite ennuyeux, lassant encore plus vite\u00a0; aga\u00e7ant bien s\u00fbr\u00a0; honteux pour les femmes, l\u2019Italie et le cin\u00e9ma\u00a0; et extr\u00eamement vulgaire. \u00ab\u00a0Ma per favore\u00a0!\u00a0\u00bb s\u2019exprimeraient les Italiens pour exprimer leur d\u00e9dain face \u00e0 une tel long-m\u00e9trage.<\/p>\n

Par moments, la fantaisie de la r\u00e9alisatrice para\u00eet se r\u00e9activer. Peut-\u00eatre parce qu\u2019elle-m\u00eame s\u2019ennuie durant le tournage. On assiste donc \u00e0 certains moments du films \u00e0 de l\u2019\u00e9rotisme rat\u00e9 ou \u00e0 de la pornographie path\u00e9tique incluant des quinquag\u00e9naires qui peinent un peu dans l\u2019acte \u00e0 cause de l\u2019\u00e2ge et qui poussent des petits cris ressemblant davantage \u00e0 ceux des lits d\u2019h\u00f4pitaux que ceux des lits conjugaux.<\/p>\n

Evidemment, il a fallu inclure au chef-d\u2019\u0153uvre qu\u2019est Amori\u00a0<\/em>une sc\u00e8ne d\u2019amour lesbien. On ne sait pas trop ce qu\u2019elle fait l\u00e0, elle n\u2019a pas vraiment de sens, mais bon, il vaut mieux toujours en mettre une, on ne sait jamais, cela peut toujours servir. Et en plus, \u00e7a fait bien. \u00c7a fait moderne et terriblement courageux dans une Italie qui est malheureusement encore horriblement patriarcale, conservatrice et catholique \u2013 ce qui n\u2019est m\u00eame plus vrai au demeurant. \u00ab\u00a0Ma per favore\u00a0!\u00a0\u00bb<\/p>\n

L’\u00e9conomie h\u00e9t\u00e9ro-capitaliste<\/h3>\n

N\u2019oublions pas non plus que nous avons affaire \u00e0 une com\u00e9die sentimentalo-f\u00e9ministe. Alors la brave Francesca Comencini et son bon esprit, ayant leur mission \u00e0 c\u0153ur, \u00a0prennent les choses en main et donnent une magnifique le\u00e7on de f\u00e9minisme en noir et blanc dans un auditoire de l\u2019universit\u00e9 o\u00f9 enseignent Claudia et Flavio. On y explique des th\u00e9ories belles et \u00e9difiantes comme celle de \u00ab\u00a0l\u2019\u00e9conomie h\u00e9t\u00e9ro-capitaliste\u00a0\u00bb. Selon la jeune enseignante qui donne ce cours fictif, \u00ab\u00a0sur le march\u00e9 sexuel\u00a0\u00bb les femmes vieillissent beaucoup plus vite que les hommes et c\u2019est injuste. Tout cela est fantastique\u00a0! Ainsi, le film montre dans une implacable logique que les femmes sont des b\u00eates \u00e0 sexe constamment frustr\u00e9es. Et oui, car on nous explique aussi qu\u2019elles ne jouissent jamais avec un homme. \u00ab\u00a0Ma per favore\u00a0!\u00a0\u00bb<\/p>\n

Et puis, puisque Claudia est une femme de culture, on doit se pr\u00eater \u00e0 un \u00e9loge de la litt\u00e9rature. D\u2019une m\u00e9diocrit\u00e9 incroyable\u00a0: la soi-disant grande prof\u2019\u00a0<\/em>sort quelques lieux communs que les Italiennes pourront lire cet \u00e9t\u00e9 sur la plage dans la revue people Chi<\/em>, \u00e9quivalent du Voici <\/em>francophone. En outre, il y a une petite r\u00e9volution \u00e9tudiante qui s\u2019organise \u00e0 l\u2019universit\u00e9 durant deux minutes. Pourquoi\u00a0? On ne sait pas. En tout cas, heureusement que le sc\u00e9nario fait prononcer \u00e0 Claudia des exhortations tr\u00e8s originales comme : \u00ab\u00a0vous devez vous battre pour faire respecter vos droits\u00a0\u00bb. \u00ab\u00a0Ma per favore\u00a0!\u00a0\u00bb<\/p>\n

D\u2019autres idioties et maladresses seraient \u00e0 exposer, le film est toutefois d\u00e9j\u00e0 sa propre critique\u00a0; inutile de lui en infliger davantage. Par courtoise et par esprit d\u2019italianit\u00e0<\/em>, il vaut mieux s\u2019arr\u00eater l\u00e0 et attendre avec impatience le prochain film de la Comencini qui ne pourra assur\u00e9ment qu\u2019\u00eatre meilleur.<\/p>\n

\u00ab Tu verras, cette fois-ci je serai heureux. \u00bb<\/p>\n

Schreiben Sie dem Autor : loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n

Cr\u00e9dit photo : \u00a9 Xenix Film<\/p>","protected":false},"excerpt":{"rendered":"

Les mercredis du cin\u00e9ma \u2013 Loris S. Musumeci \u00ab\u00a0Plut\u00f4t que me remettre avec toi, je pr\u00e9f\u00e8re me tuer. \u00bb Claudia…<\/p>","protected":false},"author":18,"featured_media":510015,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644339202,31254,233638,644339196,14227,644341146,67793,94209,644339197,644339206,82290,644339205,644339207,9641,644339199,644339200],"class_list":["post-16491","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-amori","tag-amour","tag-campagne","tag-claudia","tag-comedie","tag-critiques-cinema","tag-feminisme","tag-femmes","tag-flavio","tag-gomorra","tag-italie","tag-luigi-comencini","tag-ma-per-favore","tag-rome","tag-sentiments","tag-testaccio"],"acf":[],"yoast_head":"\n\u00abAmori\u00bb, ma per favore!<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/amori-ma-per-favore\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abAmori\u00bb, ma per favore!\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma \u2013 Loris S. 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