{"id":16809,"date":"2018-08-15T21:39:49","date_gmt":"2018-08-15T19:39:49","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=16809"},"modified":"2025-12-04T22:40:01","modified_gmt":"2025-12-04T21:40:01","slug":"my-lady-quand-un-jeune-temoin-de-jehovah-refuse-la-transfusion-sanguine","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/kino\/filme\/my-lady-quand-un-jeune-temoin-de-jehovah-refuse-la-transfusion-sanguine\/","title":{"rendered":"\u00abMy Lady\u00bb, wenn ein junger Zeuge Jehovas Bluttransfusionen verweigert"},"content":{"rendered":"

Mittwochs im Kino - Loris S. Musumeci<\/em><\/p>\n

\u00ab Dieses Gericht urteilt auf der Grundlage des Gesetzes, nicht der Moral.\u00bb<\/p>\n

Fiona Maye (Emma Thompson), eine integre Frau, die zwischen zwei Leben gespalten ist. Das eine ist das von My Lady, Richterin am High Court in London; das andere ist das von Fi, wie ihr Mann Jack (Stanley Tucci), Professor f\u00fcr antike Literatur an der Universit\u00e4t, sie liebevoll nennt. Der erste Fall, \u00fcber den Fiona Maye zu urteilen hat, ist nicht gerade gesetzlich, denn sie muss so gut wie m\u00f6glich abw\u00e4gen, wie viel Zeit sie f\u00fcr ihr Berufsleben und wie viel Zeit sie f\u00fcr ihr Privatleben und damit insbesondere f\u00fcr ihren Mann aufwendet.<\/p>\n

<\/p>\n

Fi dispara\u00eet de plus en plus dans l\u2019ombre de My Lady. Jack se sent profond\u00e9ment abandonn\u00e9, d\u2019autant plus que le couple quinquag\u00e9naire n\u2019a pas d\u2019enfants. Il lui est pourtant difficile de trop pr\u00e9tendre, parce que My Lady prononce des jugements dont des vies d\u00e9pendent. Celles de jumeaux siamois, puis celle d\u2019Adam Henry (Fionn Whitehead), un jeune t\u00e9moin de J\u00e9hovah leuc\u00e9mique qui refuse toute transfusion sanguine et risque par cons\u00e9quent de mourir. Face \u00e0 ce gar\u00e7on, My Lady redevient Fi pour un moment, lors d\u2019une visite \u00e0 l\u2019h\u00f4pital, et c\u2019est le bouleversement. Pour l\u2019un comme pour l\u2019autre.<\/p>\n

Ciel gris et briques rouges<\/h3>\n

Le th\u00e8me est d\u00e9licat, et \u00e9videmment sujet \u00e0 d\u00e9bats. Reste qu\u2019une telle trame doit d\u2019abord \u00eatre port\u00e9e correctement sur le plan technique. La photographie n\u2019accomplit aucune prouesse et n\u2019est pas dot\u00e9e d\u2019une beaut\u00e9 particuli\u00e8re. La cam\u00e9ra est n\u00e9anmoins guid\u00e9e par des proc\u00e9d\u00e9s assez sobres et classiques qui lui vont bien. Il y a notamment les plans sur Londres qui rel\u00e8vent les caract\u00e9ristiques de la ville sans pour autant se transformer en film marketing. La froideur des rues ressort bien en opposition avec la chaleur des foyers\u00a0; le ciel gris \u00e9pouse la rougeur des briques\u00a0; le style gothique du tribunal accentue la gravit\u00e9 des causes.<\/p>\n

Les plans sur les acteurs continuent sur cet \u00e9lan : s\u00e9curit\u00e9 et sobri\u00e9t\u00e9. La s\u00e9paration sur l\u2019\u00e9cran entre mari et femme illustre correctement la r\u00e9alit\u00e9 de la trame et la sert par-dessus le march\u00e9. La prestance de la toujours talentueuse Emma Thompson en robe de juge est port\u00e9e par des zooms avant peu originaux, pr\u00e9visibles, calcul\u00e9s mais efficaces. Ils \u00e9l\u00e8vent la noble stature de My Lady en s’approchant d\u2019elle en contre-plong\u00e9e pour finir en plan fixe \u00e0 hauteur de visage et laisser place \u00e0 la parole qui prend encore davantage de poids.<\/p>\n

Olala<\/em>, bien pens\u00e9 !<\/h3>\n

Le long-m\u00e9trage sentimentalo-judiciaire compte cependant quelques probl\u00e8mes. Les plus importants viennent du sc\u00e9nario. Ian McEwan a peut-\u00eatre r\u00e9ussi son roman, The Children Act<\/em>, sur lequel se base le film, mais il n\u2019est pas parvenu \u00e0 rendre son adaptation assez fluide et poignante pour le cin\u00e9ma. Les petites anecdotes racont\u00e9es d\u2019une traite, juste parce qu\u2019on voulait les placer l\u00e0, ou les grandes sentences de jugement, trop lourdes et imposantes, g\u00e2chent en partie le sc\u00e9nario. Et les quelques phrases que l\u2019on entend de Jack donnant son cours sont on ne peut plus caricaturales et t\u00e9l\u00e9phon\u00e9es. Evidemment passionnant devant des \u00e9tudiants passionn\u00e9s, il d\u00e9clame que la religion s\u2019oppose \u00e0 la libert\u00e9 de l\u2019homme. Oh, mais quelle joyeuse co\u00efncidence\u00a0! Le film parle justement de \u00e7a\u00a0: de la religion et des hommes qui sont priv\u00e9s de libert\u00e9. Olala<\/em>, c\u2019est quand m\u00eame bien pens\u00e9\u00a0!<\/p>\n

Ironie \u00e0 part, il faut rassurer le futur spectateur du film en avouant que le sc\u00e9nario n\u2019est bien certainement pas \u00e0 jeter \u00e0 la poubelle. Il compte aussi ses qualit\u00e9s, bien que peu nombreuses. Les r\u00e9pliques des parents du jeune t\u00e9moin de J\u00e9hovah, pour l\u2019exemple, sont excellentes. Elle traduisent avec un r\u00e9alisme quasiment documentaire les intonations et les r\u00e9ponses toutes cisel\u00e9es propos\u00e9e par les manuels publi\u00e9s au sein de l\u2019organisation ou par les cours de pr\u00e9dication dans les salles du Royaume. Kevin Henry, p\u00e8re d\u2019Adam, r\u00e9pond en effet \u00e0 la juge et aux avocats exactement comme on recommande, chez les t\u00e9moins de J\u00e9hovah, \u00a0de parler aux \u00ab\u00a0gens du monde\u00a0\u00bb.<\/p>\n

La faute au r\u00e9alisateur<\/h3>\n

C\u2019est le probl\u00e8me de la dur\u00e9e et des incessants rebondissements qui se pr\u00e9sente ensuite. L\u00e0, la faute n\u2019est pas \u00e0 adresser qu\u2019au sc\u00e9nario mais \u00e0 la r\u00e9alisation dans son ensemble. Richard Eyre a tourn\u00e9 son film, au r\u00e9sultat plut\u00f4t m\u00e9diocre, comme s\u2019il s\u2019\u00e9tait attel\u00e9 \u00e0 un grand film \u00e0 Oscars qui aurait fait pleurer le monde, qu\u2019on aurait montr\u00e9 dans les \u00e9coles et les prisons, et qu\u2019on aurait cit\u00e9 \u00e0 tout-va dans les blogs de cin\u00e9philes \u00e9motifs. On imagine assez \u00e9galement le r\u00e9alisateur et les acteurs pleurer \u00e0 la remise d\u2019un prix prestigieux en disant que le travail fut dur, mais que la cause en valait la peine et prof\u00e9rer inutilement d\u2019autres niaiseries.<\/p>\n

On pourrait d’ailleurs accuser Emma Thompson et Fionn Whitehead d\u2019exag\u00e9rer et de la jouer trop m\u00e9lo\u00a0<\/em>; m\u00eame s\u2019il y a un peu de \u00e7a chez le jeune Fionn qui fait encore ses exp\u00e9riences \u2013 toujours plus fructueuses \u2013 il faut avouer que la faute revient surtout au r\u00e9alisateur. Ce dernier semble de fait avoir troqu\u00e9 une \u00e9motion honn\u00eate venant d\u2019une histoire simple contre une \u00e9motion malhonn\u00eate dop\u00e9e aux larmes sp\u00e9ciales pop-corn pour le grand public. Le coup n\u2019a que partiellement tourn\u00e9 son avantage\u00a0: certes, My Lady\u00a0<\/em>fait assez de bruit et encaisse sans doute des sommes satisfaisantes, mais au prix de la lassitude de nombreux spectateurs.<\/p>\n

Du ridicule, mais pas seulement<\/h3>\n

Il y a en effet bien de quoi pouffer ou souffler l\u2019agacement face au ridicule de certaines sc\u00e8nes. Quand My Lady commence \u00e0 se poser des questions sur son statut et qu\u2019elle est en crise, et surtout quand le bel Adam a besoin de revoir la juge et lui transmet des po\u00e8mes sous la supplication, on a envie de rire. Le pire demeure toutefois dans le jeu du d\u00e9sespoir avec la pluie\u00a0: lorsque Fiona et Adam pleurent ou d\u00e9sesp\u00e8rent, les m\u00e8ches encore coulantes de pluie, laquelle se m\u00eale en ruisseaux avec les larmes am\u00e8res.<\/p>\n

Gare cependant \u00e0 relever les d\u00e9fauts du film sans commettre un exc\u00e8s de s\u00e9v\u00e9rit\u00e9. My Lady\u00a0<\/em>peut se vanter d\u2019avoir quand m\u00eame un bon succ\u00e8s dans les salles. Et, franchement, hormis les moments insupportables \u00e9voqu\u00e9s et quelques autres maladresses, le film est agr\u00e9able \u00e0 regarder, il sait \u00e9mouvoir par moments, fait parfois preuve d’humour et offre tout de m\u00eame une belle r\u00e9flexion sur la valeur de la vie et de la dignit\u00e9.<\/p>\n

\u00ab My Lady, my choice. \u00bb<\/p>\n

Schreiben Sie dem Autor : loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n

Fotocredit: \u00a9 Ascot Elite Entertainment<\/p>","protected":false},"excerpt":{"rendered":"

Les mercredis du cin\u00e9ma \u2013 Loris S. Musumeci \u00ab\u00a0Cette cour juge en se basant sur la loi, pas sur la…<\/p>","protected":false},"author":18,"featured_media":16836,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644339525,644339520,644339523,644339519,439632780,644339527,644339521,33605,18594,211032,644339516,644339528,644339522,644339517,644339526,644339518,342717,102412],"class_list":["post-16809","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-dignite","tag-emma-thompson","tag-fi","tag-fiona-maye","tag-fionn-whitehead","tag-ian-mcewan","tag-jack-maye","tag-loi","tag-londres","tag-mort","tag-my-lady","tag-richard-eyre","tag-stanley-tucci","tag-temoin-de-jehovah","tag-the-children-act","tag-transfusion-sanguine","tag-tribunal","tag-vie"],"acf":[],"yoast_head":"\n\u00abMy Lady\u00bb, quand un jeune t\u00e9moin de J\u00e9hovah refuse la transfusion sanguine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/my-lady-quand-un-jeune-temoin-de-jehovah-refuse-la-transfusion-sanguine\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abMy Lady\u00bb, quand un jeune t\u00e9moin de J\u00e9hovah refuse la transfusion sanguine\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma \u2013 Loris S. 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