{"id":16871,"date":"2018-08-22T10:20:53","date_gmt":"2018-08-22T08:20:53","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=16871"},"modified":"2025-12-04T22:39:57","modified_gmt":"2025-12-04T21:39:57","slug":"papillon-le-corps-est-narrateur","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/kino\/filme\/papillon-le-corps-est-narrateur\/","title":{"rendered":"\u00abSchmetterling\u00bb - der K\u00f6rper als Erz\u00e4hler"},"content":{"rendered":"

Mittwochs im Kino - Loris S. Musumeci<\/em><\/p>\n

\u00abIch kann nicht glauben, dass du dir perpetuum mobile\u2019.\u2019<\/em>. \u00bb<\/p>\n

Paris, 1931. Die Stimmung ist Swing<\/em>, Die Atmosph\u00e4re ist verr\u00fcckt, die Stimmung ist hei\u00df. Henri Charri\u00e8re, genannt Papillon, arbeitet als Einbrecher f\u00fcr eine kriminelle Organisation. Sein Chef, ein alter Teufel mit faulen Z\u00e4hnen, scheint den jungen Angestellten zu bewundern, obwohl er wei\u00df, dass er diskret Anteile an den Beutez\u00fcgen beh\u00e4lt. Nach getaner Arbeit kehrt Papillon mit seiner Freundin, einer T\u00e4nzerin, die f\u00fcr denselben Boss wie er arbeitet, nach Hause zur\u00fcck; sie verbringen eine Liebesnacht.<\/p>\n

<\/p>\n

Lendemain matin\u00a0: arrestation. Fausse accusation de meurtre. Coup mont\u00e9. Tout va tr\u00e8s vite. C\u2019est la perp\u00e9tuit\u00e9. En Guyane. Le pire. Bateau prisonnier, ambiance glauque et rencontre de Louis Delga, un riche faussaire. Papillon lui offre sa protection contre l\u2019argent qui lui permettra l\u2019\u00e9vasion. Et c\u2019est le d\u00e9but d\u2019une relation compliqu\u00e9e mais forte entre les hommes.<\/p>\n

De la couleur des chaudes nuits d’amour \u00e0 celle glaciale des prisons<\/h3>\n

Papillon <\/em>est un film saisissant portant en avant un sujet poignant ainsi que du talent dans le jeu comme dans la r\u00e9alisation. Mais c\u2019est avant tout une \u0153uvre r\u00e9ussie dans sa photographie. Pour un long-m\u00e9trage \u00e9talant violence et vie de prison, l\u2019esth\u00e9tique a le droit d\u2019\u00eatre choy\u00e9e et pouponn\u00e9e. Deux sont les effets les plus flagrants qui montrent que le jeune r\u00e9alisateur danois Michael Noer se pr\u00e9pare un avenir cin\u00e9matographique \u00e0 succ\u00e8s.<\/p>\n

Le principal est celui de l\u2019excellent jeu des couleurs. Ces derni\u00e8res forment un ensemble et s\u2019unissent pour r\u00e9v\u00e9ler la situation du film sans qu\u2019une tonalit\u00e9 ne commette une fausse note. Au d\u00e9but, le spectateur assiste \u00e0 ambiance de couleurs tr\u00e8s dark\u00a0<\/em>et chic, pour passer ensuite au rouge vif des nuits parisiennes, qui m\u00e8ne \u00e0 la surexposition jaune et agressive des loges de cabarets de mauvaise vie o\u00f9 les chefs en profitent pour r\u00e9gler son compte \u00e0 qui le m\u00e9rite. Retour au rouge vif et excitant de Paris. Et passage \u00e0 un orange l\u00e9ger saupoudr\u00e9 d\u2019un rouge brun\u00e2tre laissant ressortir et les nuances plus claires et les nuances plus fonc\u00e9es de la nuit de sexe. Et tout cela, en cinq minutes seulement.<\/p>\n

Vient, apr\u00e8s une mise en situation joyeuse, le bleu glacial de la prison qui annonce la tragique p\u00e9rip\u00e9tie. De ce bleu froid, on passe \u00e0 un bleu plus cobalt parce que relev\u00e9 par le soleil qui guide les prisonniers jusqu\u2019au bateau, et ainsi de suite. De la lumi\u00e8re la plus gracieuse \u00e0 l\u2019obscurit\u00e9 la plus angoissante, Papillon<\/em> voyagera \u00e0 travers les larges \u00e9tendues des jeux de couleurs au cin\u00e9ma.<\/p>\n

Non n\u00e9gligeable\u00a0: le r\u00f4le de la cam\u00e9ra. Elle accompagne la peur, les d\u00e9fis, l\u2019adr\u00e9naline qui monte en suivant des acteurs de face. Elle tremble aussi lorsque les pires sentiments font surface. Evidemment, elle ne manque pas non plus de marquer la sup\u00e9riorit\u00e9 \u00e9crasante et z\u00e9l\u00e9e des autorit\u00e9s de la prison coloniale.<\/p>\n

Les corps comme narrateurs<\/h3>\n

Entre l\u2019aspect purement esth\u00e9tique du film et les choix plus pratiques au service de la trame, il y a la place accord\u00e9e au corps, particuli\u00e8rement celui de Papillon. Sans conteste, cet homme incarn\u00e9e par le Britannique Charlie Hunnam, est tr\u00e8s beau par ses dispositions naturelles et aussi gr\u00e2ce \u00e0 la mise en valeur de l\u2019image. Dans sa souffrance et dans son courage, dans ses positions cadav\u00e9riques comme dans ses moments de lutte, le corps de Papillon raconte non seulement une \u00e9motion mais encore une partie de l\u2019histoire et une partie de l\u2019Histoire des prisons guyanaise. Les tatouages sur son torse parlent \u00e9galement, notamment celui du papillon. Le corps de Delga, dans la peau de Rami Malek, joue un r\u00f4le \u00e9quivalent dans sa faiblesse et sa petitesse. Les deux personnages sont compl\u00e9mentaires et ils le sont entre autres par leurs corps. Les corps sont narrateurs.<\/p>\n

Il y aurait d\u2019autres aspects de Papillon\u00a0<\/em>\u00e0 analyser avec attention, parce que ce film est un grand film. Il n\u2019est cependant pas question de parler de chef-d\u2019\u0153uvre dans la mesure o\u00f9 il manque un je-ne-sais-quoi de vie et de complexit\u00e9 dans l\u2019histoire. L\u2019ambiance de la prison coloniale, m\u00eame si plut\u00f4t bonne, est \u00e0 mon sens quelque peu caricatur\u00e9e. Il n\u2019en demeure pas moins que l\u2019histoire vraie d\u2019Henri Charri\u00e8re et de son camarade prend aux tripes et laisse imprim\u00e9 dans la peau le tatouage d\u2019un papillon qui reste pour l\u2019amiti\u00e9, puis qui s\u2019envole pour la libert\u00e9.<\/p>\n

\u00ab Je dois rester pour la m\u00eame raison qui te pousse \u00e0 partir. \u00bb<\/p>\n

Schreiben Sie dem Autor : loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n

Cr\u00e9dit photo : \u00a9 Path\u00e9 Films<\/p>","protected":false},"excerpt":{"rendered":"

Les mercredis du cin\u00e9ma \u2013 Loris S. Musumeci \u00ab\u00a0J\u2019arrive pas \u00e0 croire que t\u2019aies pris perpet\u2019. \u00bb Paris, 1931. L\u2019ambiance…<\/p>","protected":false},"author":18,"featured_media":510071,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[84223,644339573,644339577,390602,644339569,644339568,644339575,45553,644339570,644339572,644339567,8610,644339571,72034,644339578],"class_list":["post-16871","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-amitie","tag-cabaret","tag-charlie-hunnam","tag-corps","tag-guyane","tag-henri-charriere","tag-histoire-vraie","tag-liberte","tag-louis-delga","tag-michael-noer","tag-papillon","tag-paris","tag-perpetuite","tag-prison","tag-rami-malek"],"acf":[],"yoast_head":"\n\u00abPapillon\u00bb, le corps est narrateur<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/papillon-le-corps-est-narrateur\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abPapillon\u00bb, le corps est narrateur\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma \u2013 Loris S. 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