{"id":16942,"date":"2018-08-29T06:00:23","date_gmt":"2018-08-29T05:00:23","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=16942"},"modified":"2025-12-04T22:39:53","modified_gmt":"2025-12-04T21:39:53","slug":"der-wildbirnbaum","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/cinema\/films\/le-poirier-sauvage\/","title":{"rendered":"\u00abDer wilde Birnbaum\u00bb"},"content":{"rendered":"<p><em>Mittwochs im Kino - Loris S. Musumeci<\/em><\/p>\n<p>Eine seltsame Erfahrung. Die sogar ein gewisses Unbehagen ausl\u00f6st. Eine ganz normale Reaktion f\u00fcr einen Autorenfilm.\u00a0<em>Die Wildbirne<\/em>. Denn es handelt sich um einen echten Autorenfilm, und das nicht zu knapp. Dennoch kommt er nicht bei jedem Zuschauer an. Ist Nuri Bilge Ceylans neuer Film wirklich ein (sehr) schlechter Spielfilm? Ist er unzug\u00e4nglich? Verschleiert die \u00fcbertriebene Arroganz von Sinan, dem Hauptprotagonisten, der Schriftsteller werden will, und des Films selbst ein Meisterwerk? Ist die Arroganz stattdessen das Spiegelbild eines falschen gro\u00dfen Regisseurs, der einen falschen gro\u00dfen Film gedreht hat?<\/p>\n<p><!--more--><\/p>\n<p>Auf jeden Fall, <em>Die Wildbirne\u00a0<\/em>porte en soi un v\u00e9ritable int\u00e9r\u00eat. Sa veine philosophique questionne s\u00e9rieusement, mais non sans esprit de d\u00e9rision, le rapport d\u2019un jeune \u00e0 sa famille, et plus pr\u00e9cis\u00e9ment du fils au p\u00e8re. Elle interroge par l\u00e0 m\u00eame la relation qui s\u2019\u00e9tablit entre l\u2019homme et sa terre natale, entre l\u2019homme et la terre et les b\u00eates qui la peuplent. La cam\u00e9ra, quant \u00e0 elle, offre une photographie qui tient sa puissance dans la tristesse aride des paysages, dans le ciel gris \u00e0 pleurer d&rsquo;Anatolie, et dans la laideur toute humaine des personnes qui s\u2019habillent mal, ne prennent pas soin d\u2019elles, et apparaissent banalement mis\u00e9rables \u00e0 l\u2019\u00e9cran.<\/p>\n<p>Diese St\u00e4rken des Films haben jedoch auch ihre Grenzen. Die Bildgestaltung greift zwar originelle, aber eher schwerf\u00e4llige Techniken immer wieder auf. Die 360-Grad-Drehung der Kamera um Sinan herum m\u00f6chte offenbar f\u00fcr sich selbst sprechen oder etwas beweisen. Dennoch erschweren die Erm\u00fcdung angesichts eines geschw\u00e4tzigen und in die L\u00e4nge gezogenen Drehbuchs sowie das Gef\u00fchl der Fremdheiteiner zu weit entfernten Geschichte versperren den Zugang zum Sinn dieses Verfahrens ebenso wie zu dem der \u00dcberblendung im Schaufenster zu Beginn oder dem der Lichtkreise durch die Bl\u00e4tter eines Baumes.<\/p>\n<p>Zudem scheint das betreffende Drehbuch, das auf den ersten Blick raffiniert und sehr ausgefeilt wirkt, seine Banalit\u00e4t nur schlecht zu verbergen; eine entt\u00e4uschende Banalit\u00e4t, eine groteske Banalit\u00e4t. Ja, Sinan schreit am Telefon mit seinem Milizfreund herum, um sich \u00fcber die Unterdr\u00fcckung lustig zu machen, und dieser Freund legt noch einen drauf \u2013 dank der Freisprechanlage mitten in der Stadt \u2013, indem er sich \u00fcber die \u00abLinken\u00bb und andere stolze Erdogan-Anh\u00e4nger lustig macht. Das Gespr\u00e4ch der Figur mit zwei jungen Imamen l\u00e4sst sich schon als Kultszene des Kinos vorstellen; doch was kommt dabei heraus? \u00abWenn du anf\u00e4ngst, die Religion zu reformieren, \u00f6ffnest du die T\u00fcr f\u00fcr alle menschlichen Fantasien.\u00bb Nun gut, diese Imame wirken nicht besonders klug. \u00abDie Religion hindert die Menschen daran, zu ihrer eigenen Wahrheit zu gelangen.\u00bb Und was Sinan angeht, ist das auch nicht wirklich viel erhabener; ein Fall von primitivem Relativismus, vorgetragen von einem <em>Teenager\u00a0<\/em>Aufgew\u00fchlt \u2013 das ist gelungen.<\/p>\n<p>Dennoch bleibt festzuhalten, dass Ceylans k\u00fcnstlerischer Ansatz lobenswert ist und mit Respekt behandelt werden muss, schon allein wegen des Mutes, den der Autor in der T\u00fcrkei beweist, und wegen seines ph\u00e4nomenalen internationalen Rufs. Au\u00dferdem bedeutet die Auseinandersetzung mit den Werken eines solchen Regisseurs, dass man <em>in vivo\u00a0<\/em>ein Teil der Filmgeschichte. Das Filmprojekt ist daher lobenswert und dennoch bedauerlich. Zumindest aus der Sicht eines Zuschauers, dem es zweifellos nicht gelungen ist, die kostbare Frucht des <em>Wildbirne<\/em>.<\/p>\n<p><em>Schreiben Sie dem Autor : <a href=\"mailto:loris.musumeci@leregardlibre.com\">loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n<p>Bildnachweis: \u00a9 trigon-film<\/p>","protected":false},"excerpt":{"rendered":"<p>Les mercredis du cin\u00e9ma \u2013 Loris S. Musumeci Exp\u00e9rience \u00e9trange. Qui suscite m\u00eame un certain malaise. R\u00e9action assez normale pour&#8230;<\/p>","protected":false},"author":18,"featured_media":16943,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[11239,644339653,644339652,116,116482],"class_list":["post-16942","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-famille","tag-imam","tag-erdogan","tag-religion","tag-turquie"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.5 (Yoast SEO v28.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00ab Le Poirier sauvage \u00bb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/der-wildbirnbaum\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00ab Le Poirier sauvage \u00bb\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma \u2013 Loris S. 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