{"id":17214,"date":"2018-10-09T19:00:01","date_gmt":"2018-10-09T18:00:01","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=17214"},"modified":"2023-04-13T18:30:53","modified_gmt":"2023-04-13T16:30:53","slug":"rubem-fonseca-bufo-et-spallanzani","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/literatur\/rubem-fonseca-bufo-et-spallanzani\/","title":{"rendered":"Rubem Fonseca, \u00abBufo und Spallanzani\u00bb.\u00bb"},"content":{"rendered":"

B\u00fccher am Dienstag - Alexandre W\u00e4lti<\/em><\/p>\n

Die Anforderung war einfach: ein Roman, den man nicht aus der Hand legen kann und der kein Krimi ist. Nichts Au\u00dfergew\u00f6hnliches, das stimmt. Es sollte lediglich das klassische Schema von Mord, Ermittlung und M\u00f6rder vermieden werden. Das stie\u00df nicht auf taube Ohren, denn der Buchh\u00e4ndler, kaum dass ich diese Worte ausgesprochen hatte, entschied sich sofort f\u00fcr den Roman. Bufo und Spallanzani<\/em>. Ohne zu viele Worte zu verlieren, nur das N\u00f6tigste, den Kontext und zwei-drei Details \u00fcber Rubem Fonsecas pikanten Schreibstil. Ich war \u00fcberzeugt.<\/p>\n

<\/p>\n

La lecture d\u00e9bute d\u00e8s le retour \u00e0 la maison. Les premi\u00e8res pages r\u00e9v\u00e8lent un personnage \u00e0 qui Tolsto\u00ef, Nabokov, Flaubert, Saint-John Perse, Moravia, Maupassant, Simenon et Baudelaire apparaissent successivement ou auxquels il fait appel sans v\u00e9ritable raison. Ivan Canabrava est cet \u00e9crivain qui pr\u00e9voit d\u2019\u00e9crire Bufo und Spallanzani<\/em>, qui cite l\u2019auteur du roman dans lequel il appara\u00eet et qui dit apr\u00e8s l\u2019explosion (mal)heureuse d\u2019un chauffe-eau:<\/p>\n

\u00abJe crois que c\u2019est ce jour-l\u00e0, en constatant la sup\u00e9riorit\u00e9 de la trique sur la douleur, que je me suis d\u00e9cid\u00e9 \u00e0 \u00e9crire Bufo und Spallanzani<\/em>.\u00bb<\/p><\/blockquote>\n

\u00abVaste blague\u00bb, me dis-je alors avec l\u2019impression d\u2019avoir \u00e9t\u00e9 dup\u00e9. Qu\u2019est-ce que ce roman? La question devient plus vive \u00e0 la lecture du deuxi\u00e8me chapitre. Guedes appara\u00eet au milieu d\u2019une sc\u00e8ne de crime. Le st\u00e9r\u00e9otype du policier crade et hors norme qui ne \u00abposs\u00e9dait qu\u2019un vieux costume, qu\u2019il ne mettait jamais, si vieux qu\u2019il avait d\u00e9j\u00e0 pu se d\u00e9moder et revenir \u00e0 la mode plusieurs fois.\u00bb Colombo, quoi! J\u2019avais dit pas d\u2019enqu\u00eate! Au m\u00eame endroit, Delfina Delamare, \u00e9pouse du milliardaire Eug\u00eanio Delamare, est retrouv\u00e9e morte dans sa voiture. Pas de meurtre non plus! S\u2019en suit un d\u00e9but d\u2019enqu\u00eate. Evidemment!<\/p>\n

Nous avons donc quatre personnages et un meurtre d\u00e8s le d\u00e9but comme dans tout bon polar. Tout ce que je n\u2019avais pas demand\u00e9! Ce libraire m\u2019aurait-il mal compris? En plus, au fil de l\u2019histoire, un autre meurtre dissimule le premier et de nouveaux accus\u00e9s potentiels surgissent \u00e0 la pelle. On comprend ainsi mieux le clin d\u2019\u0153il initial \u00e0 Tolsto\u00ef puisque l\u2019auteur russe n\u2019a jamais \u00e9t\u00e9 avide en personnages dans ses \u00e9crits.<\/p>\n

L’enqu\u00eate d\u00e9bute mais ne termine jamais, comme l’\u00e9criture de Bufo und Spallanzani<\/em> par Ivan Canabrava. Le m\u00eame titre que le livre que nous sommes en train de lire, justement. Comme si le lecteur participait pleinement au roman. Par ailleurs, les investigations sont constamment interrompues par les divagations de Rubem Fonseca. Une fois, c\u2019est le \u00absombre pass\u00e9\u00bb d\u2019Ivan qui est d\u00e9taill\u00e9. L\u2019autre fois, c\u2019est une hippie, Minolta, qui entre dans sa vie et le change compl\u00e8tement. La fois d\u2019apr\u00e8s, il va s\u2019isoler au refuge du Pic-de l\u2019Epervier pour terminer son roman.<\/p>\n

Ces digressions continuelles sont d\u2019abord intempestives. Elles irritent m\u00eame le lecteur avant que ce dernier ne se rende enfin compte de la farce qu\u2019il est en train de lire et de vivre. J’ai continu\u00e9 le roman jusqu\u2019au bout avec beaucoup de rires impr\u00e9vus, donc quelques moments de solitude dans les transports publics. L\u00e0 est tout l\u2019art de Rubem Fonseca! Utiliser le drame et les codes du roman policier pour les rendre dr\u00f4les. Parodier le rythme d\u2019un polar pour rendre l\u2019histoire passionnante. L\u2019auteur brille dans cet exercice qu\u2019il renouvelle \u00e0 l\u2019infini sans jamais lasser le lecteur. Il profite toutefois de pointer vivement du doigt avec intelligence et ironie certains dysfonctionnements du pouvoir br\u00e9silien.<\/p>\n

Je comprends mieux pourquoi l’on m\u2019a conseill\u00e9 ce roman! Il valait effectivement la peine rien que pour l\u2019\u00e9pisode absurde de l\u2019interrogatoire du principal accus\u00e9 du meurtre de Delfina Delamare dans un caf\u00e9 de Rio de Janeiro, dont voici le d\u00e9but:<\/p>\n

\u00ab Le lendemain, il arriva encore plus t\u00f4t que d\u2019habitude au XIV.<\/sup>. Il se rendit au d\u00e9p\u00f4t. C\u2019\u00e9tait une grande cellule bond\u00e9e de d\u00e9tenus. Agenor \u00e9tait couch\u00e9 sur un petit matelas et couvert d\u2019une fine couverture grise. Il dormait encore.
\n\u201cConduisez Agenor \u00e0 mon bureau\u201c, dit Guedes au gardien.
\nAgenor entra dans le bureau de Guedes en b\u00e2illant.
\n\u201cTu as bien dormi? demanda Guedes.
\n– J\u2019ai dormi. J\u2019\u00e9tais tr\u00e8s fatigu\u00e9, dit Agenor.
\n– \u00c7a s\u2019est bien pass\u00e9? La cellule n\u2019est pas trop pleine?
\n– Si, mais les mecs sont sympas, on s\u2019arrange, personne ne se dispute, vous savez ce que c\u2019est, quand tout le monde y met du sien, \u00e7a va toujours mieux.
\n– Oui, je vois qu\u2019ils sont sympas, ils t\u2019ont m\u00eame trouv\u00e9 un matelas. On va prendre un caf\u00e9?\u201c
\nLes autres policiers virent Guedes sortir avec le d\u00e9tenu, mais le flic crasseux \u00e9tait trop respect\u00e9 pour que quiconque l\u2019en emp\u00eache, ou m\u00eame le critique.
\nIls prirent un caf\u00e9 avenue Ata\u00falfo de Paiva.\u00bb<\/p><\/blockquote>\n

Comme quoi: faites confiance aux libraires! Voil\u00e0 qui est une excellente conclusion. Pourquoi? Parce qu\u2019il suffit d\u2019entrer dans une librairie, la Boutique du Livre \u00e0 Neuch\u00e2tel, donner deux crit\u00e8res de lecture et voil\u00e0 qu\u2019on d\u00e9couvre un auteur \u00e0 la plume jouasse: Rubem Fonseca.<\/p>\n

Rubem Fonseca, Bufo und Spallanzani<\/em> (trad. Philippe Bill\u00e9), Grasset, 1989, 270 pages<\/strong><\/h6>\n

Schreiben Sie dem Autor: alexandre.waelti@leregardlibre.com<\/a><\/em><\/p>","protected":false},"excerpt":{"rendered":"

Les bouquins du mardi \u2013\u00a0Alexandre W\u00e4lti La demande \u00e9tait pourtant simple: un roman dont on ne d\u00e9croche pas et qui…<\/p>","protected":false},"author":335,"featured_media":17216,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20663],"tags":[644339965,644339973,54879,1079,267630,644339971,644339975,43519,644339960,644339966,644339970,644339968,146140,644339974,44671,644339961,644339969,644339972,644339967],"class_list":["post-17214","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-litterature","tag-boutique-du-livre","tag-baudelaire","tag-critiques-litteraires","tag-drole","tag-gustave-flaubert","tag-maupassant","tag-les-livres-du-mardi","tag-librairie","tag-litterature-bresilienne","tag-minolta","tag-moravia","tag-nabokov","tag-neuchatel","tag-philippe-bille","tag-polar","tag-rubem-fonseca","tag-saint-john-perse","tag-simenon","tag-tolstoi"],"acf":[],"yoast_head":"\nRubem Fonseca, \u00abBufo et Spallanzani\u00bb<\/title>\n<meta name=\"robots\" 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