{"id":17590,"date":"2018-11-07T15:13:18","date_gmt":"2018-11-07T14:13:18","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=17590"},"modified":"2025-12-04T22:39:14","modified_gmt":"2025-12-04T21:39:14","slug":"un-homme-presse-lart-du-chef-doeuvre","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/kino\/filme\/un-homme-presse-lart-du-chef-doeuvre\/","title":{"rendered":"\u00abUn homme press\u00e9\u00bb - die Kunst des Meisterwerks"},"content":{"rendered":"

Les mercredis du cin\u00e9ma \u2013\u00a0Jonas Follonier<\/em><\/p>\n

Fabrice Luchini endosse dans ce nouveau film d\u2019Herv\u00e9 Mimran le r\u00f4le d\u2019un homme d\u2019affaires surcharg\u00e9, toujours en mouvement, entre r\u00e9unions de travail et conf\u00e9rences, un homme \u00e0 la course, comme une automobile, domaine dans lequel il a d\u2019ailleurs fait carri\u00e8re suite au d\u00e9c\u00e8s de son \u00e9pouse. Bref, c\u2019est un homme press\u00e9. Un beau jour, il est victime d\u2019un AVC. Sa vie change: des troubles du langage et de la m\u00e9moire vont d\u00e9sormais le forcer \u00e0 r\u00e9apprendre \u00e0 parler avec une orthophoniste. C\u2019est la rencontre avec cette femme, Jeanne (Le\u00efla Bekhti), qui va l\u2019aider \u00e0 non seulement retrouver la ma\u00eetrise de la parole, mais aussi \u00e0 reconna\u00eetre ses erreurs du pass\u00e9 et rattraper le temps perdu.<\/p>\n

<\/p>\n

Auch zu lesen: Le grain bain<\/em> des belles blessures<\/a> (avec Le\u00efla Bekhti)<\/span><\/p>\n

Un film sur la (re)connaissance<\/h3>\n

C\u2019est avant tout cette composante qui fait de ce film un chef-d\u2019\u0153uvre: en partant du pr\u00e9texte d\u2019une situation singuli\u00e8re, il nous en dit long sur des th\u00e8mes plus qu\u2019importants, \u00e0 savoir fondamentaux. Sans parler de la dimension formelle d\u2019Ein Mann in Eile<\/em>, que nous aborderons plus bas, sa port\u00e9e th\u00e9matique est impressionnante. Qui de mieux que Fabrice Luchini pour donner corps au drame que repr\u00e9sente la perte de la langue, tant la parole est tout. Oubliez le Luchini d\u00e9jant\u00e9 des plateaux de t\u00e9l\u00e9vision, ou plut\u00f4t ajoutez-y ce qui le caract\u00e9rise encore plus: un v\u00e9ritable sens du tragique. Rares sont les films fran\u00e7ais o\u00f9 un acteur est capable d\u2019\u00e9mouvoir autant par la qualit\u00e9 de son interpr\u00e9tation.<\/p>\n

Auch zu lesen: Luchini\u00a0\u2013 Finkielkraut, quand deux grands hommes s’admirent<\/a><\/span><\/p>\n

La connaissance est au centre de cette \u0153uvre: conna\u00eetre, c\u2019est savoir, mais le savoir peut se perdre. D\u2019o\u00f9 la n\u00e9cessit\u00e9 d\u2019une entreprise de re<\/em>connaissance, qui prend tous les sens possibles dans ce film bouleversant. Reconna\u00eetre<\/em> les mots \u2013 les conna\u00eetre \u00e0 nouveau, les retrouver\u00a0\u2013, reconna\u00eetre<\/em> sa maladie\u00a0\u2013 la regarder en face \u2013, reconna\u00eetre<\/em> que l\u2019on a manqu\u00e9 d\u2019aimer sa fille\u00a0\u2013 avouer ses fautes. Ce douloureux chemin prend au fil d\u2019Ein Mann in Eile<\/em> des allures de plus en plus marqu\u00e9es de r\u00e9cit initiatique, aboutissant en une sc\u00e8ne finale hautement symbolique, le p\u00e8lerinage \u00e0 Saint-Jacques-de-Compostelle.<\/p>\n

Qu\u2019est-ce qu\u2019on rit!<\/h3>\n

Pass\u00e9e la dimension th\u00e9matique, il serait avilissant de ne pas mentionner la puissance comique de ce film, puisque s\u2019il s\u2019agit bien d\u2019une com\u00e9die dramatique.\u00a0Dans ce genre, le cin\u00e9ma fran\u00e7ais excelle et rayonne dans le monde entier. N\u2019en d\u00e9plaise aux bobos \u00e0 la mode r\u00e9p\u00e9tant comme des perroquets que \u00able cin\u00e9ma fran\u00e7ais, c\u2019est nul\u00bb. Soyons un minimum objectif: qu\u2019est-ce qu\u2019on rit devant l\u2019\u00e9cran! Et ce, d\u00e8s le d\u00e9but (quel d\u00e9but!) o\u00f9 la cuisini\u00e8re, personnage secondaire \u00f4 combien r\u00e9ussi, chante en d\u00e9cal\u00e9 Papaoutai<\/em> de Stromae, occupation ploukissime qu\u2019elle reproduira \u00e0 plusieurs reprises dans le film, avec Le Mal-aim\u00e9<\/em> de Claude Fran\u00e7ois notamment (quel burlesque!).<\/p>\n

Auch zu lesen: Les vieux fourneaux<\/a><\/em><\/span><\/p>\n

Et les troubles de langage du personnage principal, quelle source in\u00e9puisable de rire familial! \u00abIl faut que j\u2019aille voir la psychopathe\u00bb (au lieu de la \u00abpsychologue\u00bb), \u00absalope\u00bb au lieu de \u00abgalope\u00bb, \u00abcimer\u00bb au lieu de \u00abmerci\u00bb et, comble du dr\u00f4le car cela s\u2019inscrit en plus dans le comique de r\u00e9p\u00e9tition, \u00abbonjour\u00bb au lieu de \u00abau revoir\u00bb et \u00abau revoir\u00bb au lieu de \u00abbonjour\u00bb. Bien s\u00fbr, impossible de consid\u00e9rer cette trame plaisantine sans son pendant plus profond, d\u2019o\u00f9 la r\u00e9flexion sur l\u2019importance des mots: \u00abIl faut que vous m\u2019aimiez\u00bb, dit Alain \u00e0 Jeanne, au lieu (ou pas) de \u00abIl faut que vous m\u2019aidiez\u00bb.<\/p>\n

Qualit\u00e9 formelle et dimension humaine<\/h3>\n

Enfin, le film effectue un tour de force, celui d\u2019allier une qualit\u00e9 formelle ind\u00e9niable \u00e0 une dimension tr\u00e8s humaine. Il n\u2019y a rien de hollywoodien<\/em> dans ce cin\u00e9ma et c\u2019est cela qui le rend exceptionnel en son genre: la musique, omnipr\u00e9sente, n\u2019est pas originale, mais elle est magnifique et rassembleuse; le rythme de la cam\u00e9ra suit simplement celui du personnage; la fille d\u2019Alain n\u2019est pas un canon de beaut\u00e9 et pourtant elle a quelque chose. Au final, cette simplicit\u00e9 artistique (la simplicit\u00e9 n\u2019est pas la facilit\u00e9) sert un film qui est bien plus que ce qu\u2019il est: un film sur l\u2019absence, sur le deuil, sur le pardon et sur la (re)connaissance.<\/p>\n

Dans notre \u00e9dition papier de d\u00e9cembre, notre entretien avec le r\u00e9alisateur Herv\u00e9 Mimran. Cliquez ici<\/a> pour commander un num\u00e9ro.<\/p>\n

[wpvideo fvZhByd0]<\/p>\n

Schreiben Sie dem Autor: jonas.follonier@leregardlibre.com<\/a><\/em><\/p>\n

Fotocredit: \u00a9 JMH Distributions<\/p>","protected":false},"excerpt":{"rendered":"

Les mercredis du cin\u00e9ma \u2013\u00a0Jonas Follonier Fabrice Luchini endosse dans ce nouveau film d\u2019Herv\u00e9 Mimran le r\u00f4le d\u2019un homme d\u2019affaires…<\/p>","protected":false},"author":138,"featured_media":17591,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[61026,705687,681625,644340264,3465881],"class_list":["post-17590","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-cinema-francais","tag-comedie-dramatique","tag-fabrice-luchini","tag-herve-mimran","tag-leila-bekhti"],"acf":[],"yoast_head":"\n\u00abUn homme press\u00e9\u00bb, l\u2019art du chef-d\u2019\u0153uvre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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