{"id":17803,"date":"2018-11-22T20:00:44","date_gmt":"2018-11-22T19:00:44","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=17803"},"modified":"2022-09-04T10:32:40","modified_gmt":"2022-09-04T08:32:40","slug":"kery-james","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/musik\/kery-james\/","title":{"rendered":"Kery James, der Schmied der Reime"},"content":{"rendered":"

Die Melodien des Donnerstags - Alexandre W\u00e4lti<\/em><\/p>\n

Eine flow-massue<\/em> der einen Reim nach dem anderen wie Faustschl\u00e4ge austeilt. Als w\u00fcrde ein Schmied eine noch gl\u00fchende Klinge gegen den Amboss der Instrumentals schlagen und die Funken w\u00e4ren Worte. Die Schmiede w\u00e4re sein letztes Album Ich rappe<\/em> noch, <\/em>ver\u00f6ffentlicht auf dem unabh\u00e4ngigen Label Bendo Musik<\/a>. Kery James geh\u00f6rt zu den Rappern, die man sofort erkennt, wenn man sie h\u00f6rt. Eine sofort erkennbare Stimmlage, die mehrere Epochen \u00fcberdauert hat, ohne zu vergessen, sich immer wieder neu zu erfinden, insbesondere was die Produktion angeht.<\/strong><\/p>\n

<\/p>\n

\u00abJe ne cherche pas le crossover
\nMa voix est trop virile pour le vocoder
\n(…)
\nMais moi j’rap encore
\nAvant de frapper au menton je les frappe au corps
\n(…)
\nJe suis dans le 94
\nJe suis facile \u00e0 trouver
\nComme un blanc en Afrique
\nOu comme du sang d’immigr\u00e9
\nSous les semelles d’un flic
\n(…)
\nLes rappeurs sont devenus mous
\nMoi je me suis endurci
\nJe pourrais te refaire le portrait
\nStyle Kery James de Vinci\u00bb<\/p><\/blockquote>\n

L\u2019ego trip<\/em> und die Punchline<\/em> calcul\u00e9e sont \u00e0 l’honneur d\u00e8s le premier morceau J’rap encore<\/a><\/em>. S’ensuit une succession de le\u00e7ons rythmiques. Ou quand la rime la plus importante \u00e9clate au moment o\u00f9 l’instrumental s’arr\u00eate un instant. Dans Blues,\u00a0<\/em>Kery James \u00e9voque l’origine d’un genre, l’h\u00e9ritage qui coule dans ses veines mais aussi la r\u00e9alit\u00e9 encore actuelle de l’homme noir en France et ailleurs. Un titre o\u00f9 le flow-massue<\/em> von MC<\/em>\u00a0fran\u00e7ais se m\u00eale \u00e0 la voix plus chantante de F\u00e9f\u00e9, ex-Sa\u00efan Supa Crew<\/a>.<\/p>\n

La force de l’album est justement cet \u00e9quilibre entre des rimes tranchantes et des beats<\/em> plus l\u00e9gers comme dans les excellents Le M\u00e9lancolique\u00a0<\/em>und Sans moi<\/em>. Certes, le propos para\u00eet parfois un peu moralisateur, m\u00eame s’il est peut-\u00eatre li\u00e9 aux diff\u00e9rentes opinions que Kery James exprime sans filtres ni compromis. L’impact compte, la r\u00e9flexion est n\u00f4tre. Il a la tendance \u00e0 dire qu’il sait mieux que les autres. En r\u00e9alit\u00e9, \u00e0 mon avis, cela fait partie du jeu du rap. Ce n’est pas nouveau et c’est sans doute pourquoi il a toujours cliv\u00e9 lorsqu’on parle de sa musique et de ses propos. Et puis, personnellement, celui qui met tout le monde d’accord ne m’int\u00e9resse pas vraiment. Son flow<\/em> se fait ensuite plus saccad\u00e9 dans A la Ideal J<\/a><\/em>. Il devient aussi plus virulent en utilisant le visuel des Blacks Panthers.<\/p>\n

Le morceau Amal<\/a> <\/em>m\u00e9rite enfin une mention tr\u00e8s sp\u00e9ciale. Pourquoi? Parce que c’est l’exemple parfait de l’h\u00e9ritage narratif qu’ont laiss\u00e9 les classiques de 2Pac (Brenda’s got a Baby<\/a><\/em>), de Nas (The Message<\/a><\/em>), de IAM (Demain c’est loin<\/a><\/em>), de Oxmo Puccino (L’enfant seul<\/a><\/em>) et qu’ont pratiqu\u00e9 \u00e0 leurs mani\u00e8res plus r\u00e9cemment Ga\u00ebl Faye (Petit Pays<\/a><\/em>), Baloji (L’hiver indien<\/a>)<\/em> ou encore Flynt (Champions du monde<\/a><\/em>).<\/p>\n

Ces morceaux racontent tous des histoires en rimes. Ils permettent \u00e0 notre regard d’entrer dans celui du personnage. L’effet est encore plus fort lorsqu’il s’agit d’une femme comme Amal Bentounsi dont Kery James \u00e9crit l’histoire vraie. Il s’installe ainsi dans la longue tradition des rappeurs qui cherchent \u00e0 dire plut\u00f4t que de crier dans le vide. Peut-\u00eatre ceux qui laissent une trace plus ind\u00e9l\u00e9bile \u00e0 la mani\u00e8re du feu qui fait la lame.<\/p>\n

\u00abAmal a grandi dans la hess, \u00e0 deux ans, elle immigre du Maroc \u00e0 la t\u00e9-c’
\nElle atterrit dans le 77, cit\u00e9 de la Pierre-Collinet, le ghetto fran\u00e7ais, c’est pas la jet set
\nPapa est agent d’nettoyage, maman, femme de m\u00e9nage; Amal devient adulte avant l’\u00e2ge
\nC’est une femme dans un corps d’enfant ; quand on est pauvre, on est pas na\u00eff longtemps
\nSeule, entour\u00e9e de quatre fr\u00e8res dans la mis\u00e8re, \u00e7a forge le caract\u00e8re
\nC’est les ann\u00e9es 80, l’\u00e9poque est paro: un de ses grands fr\u00e8res tombe dans l’h\u00e9ro’
\n(…)
\nAlors qu’elle risque de prendre un mauvais tournant, Dieu lui accorde un troisi\u00e8me enfant
\nUn petit gar\u00e7on, beau, hnin, il lui ressemble tellement qu’elle l’appelle Amine
\nSur la haine, l’amour reprend le dessus; \u00e0 force de r\u00e9sistance, elle trouve enfin une issue
\nApr\u00e8s cinq ans de lutte acharn\u00e9e, le flic est enfin condamn\u00e9
\nAmal respire, Amal retrouve le go\u00fbt d’vivre, Amal d\u00e9sire
\nAmal a des projets, Amal sourit, Amal a le c\u0153ur qui bat, Amal fleurit
\nPlus d’place pour les incertitudes, Amal reprend les \u00e9tudes
\nA quarante ans sur les bancs d’la fac, Amal veut devenir avocate
\nElle pense aux autres, ouais, elle n’oublie pas Amine alors elle pense aux n\u00f4tres, ouais
\nJ’\u00e9cris son histoire pour ne pas oublier c’qu’on peut faire avec de la volont\u00e9
\nT’as vu? Nos s\u0153urs sont belles, immense est le courage qu’elles portent en elles
\nDix ans apr\u00e8s, fallait qu’j’le r\u00e9p\u00e8te: on est pas condamn\u00e9s \u00e0 l\u2019\u00e9chec\u00bb<\/p><\/blockquote>\n

Schreiben Sie dem Autor: alexandre.waelti@leregardlibre.com<\/a><\/em><\/p>\n

Cr\u00e9dit photo: \u00a9 Youtube – Kub & Cristo<\/p>","protected":false},"excerpt":{"rendered":"

Les m\u00e9lodies du jeudi – Alexandre W\u00e4lti Un flow-massue qui ass\u00e8ne une rime apr\u00e8s l’autre comme des coups de poing….<\/p>","protected":false},"author":335,"featured_media":17804,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6460],"tags":[644340435,1430,644340438,644340443,644340442,644340440,644340441,644340437,644340436],"class_list":["post-17803","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musique","tag-bendo-music","tag-blues","tag-fefe","tag-flynt","tag-gael-faye","tag-iam","tag-nas","tag-saian-supa-crew","tag-vocoder"],"acf":[],"yoast_head":"\nKery James, le forgeron de rimes<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/musik\/kery-james\/\" \/>\n<meta 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