{"id":17803,"date":"2018-11-22T20:00:44","date_gmt":"2018-11-22T19:00:44","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=17803"},"modified":"2022-09-04T10:32:40","modified_gmt":"2022-09-04T08:32:40","slug":"kery-james","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/musique\/kery-james\/","title":{"rendered":"Kery James, der Schmied der Reime"},"content":{"rendered":"

Die Melodien des Donnerstags - Alexandre W\u00e4lti<\/em><\/p>\n

Eine flow-massue<\/em> qui ass\u00e8ne une rime apr\u00e8s l’autre comme des coups de poing. Comme si un forgeron tapait une lame encore br\u00fblante contre l’enclume des instrumentaux et que les \u00e9tincelles seraient des mots. La forge serait son dernier album J’rap<\/em> noch, <\/em>ver\u00f6ffentlicht auf dem unabh\u00e4ngigen Label Bendo Musik<\/a>. Kery James fait partie des rappeurs que l’on reconna\u00eet d\u00e8s qu\u2019on les entend. Une tessiture vocale imm\u00e9diatement reconnaissable qui a travers\u00e9 plusieurs \u00e9poques sans oublier de se r\u00e9inventer, particuli\u00e8rement au niveau de la production.<\/strong><\/p>\n

<\/p>\n

\u00abIch suche nicht nach Crossover
\nMeine Stimme ist zu m\u00e4nnlich f\u00fcr den Vocoder
\n(...)
\nMais moi j’rap encore
\nBevor ich auf das Kinn schlage, schlage ich sie auf den K\u00f6rper
\n(...)
\nIch bin in 94
\nIch bin leicht zu finden
\nWie ein Wei\u00dfer in Afrika
\nOu comme du sang d’immigr\u00e9
\nSous les semelles d’un flic
\n(...)
\nRapper sind weich geworden
\nIch habe mich verh\u00e4rtet
\nIch k\u00f6nnte dich erneut portr\u00e4tieren
\nKery-James-Stil von Vinci\u00bb<\/p><\/blockquote>\n

L\u2019Egotrip<\/em> und die Punchline<\/em> calcul\u00e9e sont \u00e0 l’honneur d\u00e8s le premier morceau J’rap encore<\/a><\/em>. S’ensuit une succession de le\u00e7ons rythmiques. Ou quand la rime la plus importante \u00e9clate au moment o\u00f9 l’instrumental s’arr\u00eate un instant. Dans Blues,\u00a0<\/em>Kery James \u00e9voque l’origine d’un genre, l’h\u00e9ritage qui coule dans ses veines mais aussi la r\u00e9alit\u00e9 encore actuelle de l’homme noir en France et ailleurs. Un titre o\u00f9 le flow-massue<\/em> von MC<\/em>\u00a0Franz\u00f6sisch mischt sich mit der eher singenden Stimme von F\u00e9f\u00e9, ehemalsSa\u00efan Supa Crew<\/a>.<\/p>\n

La force de l’album est justement cet \u00e9quilibre entre des rimes tranchantes et des beats<\/em> leichter wie in den ausgezeichneten Der Melancholiker\u00a0<\/em>und Ohne mich<\/em>. Certes, le propos para\u00eet parfois un peu moralisateur, m\u00eame s’il est peut-\u00eatre li\u00e9 aux diff\u00e9rentes opinions que Kery James exprime sans filtres ni compromis. L’impact compte, la r\u00e9flexion est n\u00f4tre. Il a la tendance \u00e0 dire qu’il sait mieux que les autres. En r\u00e9alit\u00e9, \u00e0 mon avis, cela fait partie du jeu du rap. Ce n’est pas nouveau et c’est sans doute pourquoi il a toujours cliv\u00e9 lorsqu’on parle de sa musique et de ses propos. Et puis, personnellement, celui qui met tout le monde d’accord ne m’int\u00e9resse pas vraiment. Son flow<\/em> wird dann ruckartiger in Bei der Ideal J<\/a><\/em>. Er wird auch virulenter, indem er das Visual der Blacks Panthers verwendet.<\/p>\n

Das St\u00fcck Amal<\/a> <\/em>m\u00e9rite enfin une mention tr\u00e8s sp\u00e9ciale. Pourquoi? Parce que c’est l’exemple parfait de l’h\u00e9ritage narratif qu’ont laiss\u00e9 les classiques de 2Pac (Brenda’s got a Baby<\/a><\/em>), von Nas (The Message<\/a><\/em>), von IAM (Demain c’est loin<\/a><\/em>), von Oxmo Puccino (L’enfant seul<\/a><\/em>) et qu’ont pratiqu\u00e9 \u00e0 leurs mani\u00e8res plus r\u00e9cemment Ga\u00ebl Faye (Kleines Land<\/a><\/em>), Baloji (L’hiver indien<\/a>)<\/em> oder Flynt (Weltmeister<\/a><\/em>).<\/p>\n

Ces morceaux racontent tous des histoires en rimes. Ils permettent \u00e0 notre regard d’entrer dans celui du personnage. L’effet est encore plus fort lorsqu’il s’agit d’une femme comme Amal Bentounsi dont Kery James \u00e9crit l’histoire vraie. Il s’installe ainsi dans la longue tradition des rappeurs qui cherchent \u00e0 dire plut\u00f4t que de crier dans le vide. Peut-\u00eatre ceux qui laissent une trace plus ind\u00e9l\u00e9bile \u00e0 la mani\u00e8re du feu qui fait la lame.<\/p>\n

\u00abAmal a grandi dans la hess, \u00e0 deux ans, elle immigre du Maroc \u00e0 la t\u00e9-c’
\nElle atterrit dans le 77, cit\u00e9 de la Pierre-Collinet, le ghetto fran\u00e7ais, c’est pas la jet set
\nPapa est agent d’nettoyage, maman, femme de m\u00e9nage; Amal devient adulte avant l’\u00e2ge
\nC’est une femme dans un corps d’enfant ; quand on est pauvre, on est pas na\u00eff longtemps
\nAllein, umgeben von vier Br\u00fcdern im Elend, das formt den Charakter
\nC’est les ann\u00e9es 80, l’\u00e9poque est paro: un de ses grands fr\u00e8res tombe dans l’h\u00e9ro’
\n(...)
\nAlors qu’elle risque de prendre un mauvais tournant, Dieu lui accorde un troisi\u00e8me enfant
\nUn petit gar\u00e7on, beau, hnin, il lui ressemble tellement qu’elle l’appelle Amine
\nSur la haine, l’amour reprend le dessus; \u00e0 force de r\u00e9sistance, elle trouve enfin une issue
\nNach f\u00fcnf Jahren erbitterten Kampfes wird der Polizist endlich verurteilt
\nAmal respire, Amal retrouve le go\u00fbt d’vivre, Amal d\u00e9sire
\nAmal hat Pl\u00e4ne, Amal l\u00e4chelt, Amal schl\u00e4gt das Herz, Amal bl\u00fcht auf
\nPlus d’place pour les incertitudes, Amal reprend les \u00e9tudes
\nA quarante ans sur les bancs d’la fac, Amal veut devenir avocate
\nElle pense aux autres, ouais, elle n’oublie pas Amine alors elle pense aux n\u00f4tres, ouais
\nJ’\u00e9cris son histoire pour ne pas oublier c’qu’on peut faire avec de la volont\u00e9
\nT’as vu? Nos s\u0153urs sont belles, immense est le courage qu’elles portent en elles
\nDix ans apr\u00e8s, fallait qu’j’le r\u00e9p\u00e8te: on est pas condamn\u00e9s \u00e0 l\u2019\u00e9chec\u00bb<\/p><\/blockquote>\n

Dem Autor schreiben: alexandre.waelti@leregardlibre.com<\/a><\/em><\/p>\n

Bildnachweis: \u00a9 Youtube - Kub & Cristo<\/p>","protected":false},"excerpt":{"rendered":"

Les m\u00e9lodies du jeudi – Alexandre W\u00e4lti Un flow-massue qui ass\u00e8ne une rime apr\u00e8s l’autre comme des coups de poing….<\/p>","protected":false},"author":335,"featured_media":17804,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6460],"tags":[1430,644340442,644340440],"class_list":["post-17803","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musique","tag-blues","tag-gael-faye","tag-iam"],"acf":[],"yoast_head":"\nKery James, le forgeron de rimes<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/musik\/kery-james\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kery James, le forgeron 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