{"id":17811,"date":"2018-11-21T09:32:47","date_gmt":"2018-11-21T08:32:47","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=17811"},"modified":"2025-12-04T22:39:08","modified_gmt":"2025-12-04T21:39:08","slug":"kitzeln-oder-die-padophilie-die-in-lecran-gezeigt-wird","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/cinema\/films\/les-chatouilles-ou-la-pedophilie-montree-a-lecran\/","title":{"rendered":"\u00abKitzeln\u00bb oder die auf dem Bildschirm gezeigte P\u00e4dophilie"},"content":{"rendered":"\n

Les mercredis du cin\u00e9ma \u2013 Jonas Follonier<\/em><\/p>\n\n\n\n

Un ami de la famille, qui s\u2019en m\u00e9fierait? Gilbert est un bon type, plaisantin, travailleur, attentionn\u00e9, surtout envers Odette, la petite. Elle a des yeux d\u2019ange, des cheveux dor\u00e9s. Elle prend des cours de danse et se r\u00eave grande danseuse \u00e9toile. Gilbert est tellement \u00abfier d\u2019elle\u00bb. Au point que, lorsqu\u2019il se retrouve seul avec elle dans sa chambre, il va lui proposer un jeu \u00e9trange. \u00abEt si on jouait \u00e0 la poup\u00e9e, Odette? Mais en vrai. Toi, tu serais la poup\u00e9e, et moi, la petite fille. Va enlever tes habits dans la salle de bain.\u00bb Et le cycle infernal des \u00abchatouilles\u00bb est lanc\u00e9. On parle d\u2019une fille de huit ans.<\/p>\n\n\n\n\n\n\n\n

Ce genre de sc\u00e8nes atroces se r\u00e9p\u00e8tent \u00e0 petite dose dans Les chatouilles<\/em>. Elles nous montrent comment peut agir un p\u00e9dophile pour arriver \u00e0 ses fins, la perversion psychologique qui accompagne ce processus de prise de pouvoir sur l\u2019enfant et le sentiment de culpabilit\u00e9 qui s\u2019emparera de ce dernier. Des images tr\u00e8s difficiles \u00e0 voir face \u00e0 un \u00e9cran de cin\u00e9ma. Surtout quand on prend r\u00e9ellement conscience \u2013 et le film fait bien de le rappeler dans sa notice de fin \u2013 qu\u2019un enfant sur cinq en Europe est victime de violences sexuelles.<\/p>\n\n\n\n

Il serait faux de vouloir faire la critique de ce long-m\u00e9trage dans l\u2019optique artistique habituelle, et une certaine parcimonie s\u2019impose. Il faut tout de m\u00eame souligner qu\u2019un grand travail sur la forme est \u00e0 saluer: la musique, ou plut\u00f4t le silence, tout comme la photographie \u00e9pousent parfaitement le propos, charg\u00e9 d\u2019une tension omnipr\u00e9sente. Une esth\u00e9tique symbolique sert aussi la composante r\u00e9demptrice de l\u2019intrigue, qui propose un va-et-vient entre des flashbacks<\/em> mettant en sc\u00e8ne la petite Odette et l\u2019enfer qu\u2019elle vit, et le pr\u00e9sent o\u00f9 Odette adulte apprend peu \u00e0 peu \u00e0 dire<\/em> son traumatisme et \u00e0 gu\u00e9rir de ses f\u00ealures mentales, qui l\u2019ont men\u00e9e \u00e0 la d\u00e9ch\u00e9ance de la drogue et \u00e0 la mauvaise compr\u00e9hension du sexe.<\/p>\n\n\n\n

Cette atmosph\u00e8re pesante n\u2019emp\u00eache cependant en rien au spectateur de rire \u00e0 plusieurs reprises, car le film pr\u00e9sente aussi ses moments plus comiques. Fait qui n\u2019\u00e9tait pas gagn\u00e9. Deux personnages en particulier apportent de la chaleur \u00e0 ce drame, le professeur de danse Madame Maloc (Ariane Ascaride) et celui qui va aider Odette adulte \u00e0 affronter son pass\u00e9, l\u2019attendrissant Lenny (Gr\u00e9gory Montel). Dans le revers tragique de l\u2019histoire, en dehors du violeur, le personnage d\u00e9testable de la m\u00e8re incarn\u00e9 par la talentueuse Karin Viard apporte au film une descente de plus au royaume des Enfers, puisque le refus de croire aux propos enfin formul\u00e9s par sa fille, ou leur banalisation, donnent simplement envie de vomir et de pleurer.<\/p>\n\n\n\n

Mais c\u2019est la r\u00e9alit\u00e9 inacceptable du viol p\u00e9dophile que l\u2019on retient avant tout de ce film, la gorge nou\u00e9e, en sortant de la salle obscure. Comme si l\u2019on sortait de sa chambre d\u2019enfant o\u00f9 l\u2019ami de nos parents nous violait. Car oui, Les chatouilles<\/em> montre que ce drame peut arriver \u00e0 n\u2019importe qui, que le p\u00e9dophile est souvent celui dont on ne se doute pas, et que le pas qui consiste pour les victimes \u00e0 raconter ce qui leur est arriv\u00e9 demande une force mentale inou\u00efe. Alors m\u00eame que leur bourreau est coupable d\u2019avoir vol\u00e9 leur vie, ce sont les victimes qui se sentent le plus coupables. C\u2019est cette terrible donn\u00e9e psychologique qui reste la chose la plus difficile \u00e0 accepter quand on se confronte au sujet. Un certain cin\u00e9ma nous y invite, et il nous marque \u00e0 jamais.<\/p>\n\n\n\n

Ecrire \u00e0 l\u2019auteur: jonas.follonier@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n

Cr\u00e9dit photo: \u00a9 Praesens-Film<\/p>\n\n\n

[table id=38 \/]<\/p>\n","protected":false},"excerpt":{"rendered":"

Les mercredis du cin\u00e9ma \u2013 Jonas Follonier Un ami de la famille, qui s\u2019en m\u00e9fierait? 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