{"id":17898,"date":"2018-11-27T20:00:36","date_gmt":"2018-11-27T19:00:36","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=17898"},"modified":"2022-11-13T14:49:11","modified_gmt":"2022-11-13T13:49:11","slug":"17898","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/literatur\/17898\/","title":{"rendered":"\u00abbascules ciao\u00bb, y a-t-il quelque chose \u00e0 dire?"},"content":{"rendered":"

B\u00fccher am Dienstag - Jonas Follonier<\/em><\/p>\n

Cette chronique sera accompagn\u00e9e d\u2019un article contradictoire ainsi que de deux po\u00e8mes extraits du recueil <\/em>Wippen ciao dans notre \u00e9dition de f\u00e9vrier, en commande ici<\/a>. Vous serez ainsi invit\u00e9s, chers lecteurs, \u00e0 donner votre propre avis sur cette po\u00e9sie.<\/em><\/strong><\/p>\n

Que voulez-vous? Dois-je mentir? Le Regard Libre<\/em>, porteur de la litt\u00e9rature romande? Porteur de ce qui nous interpelle, avant tout, en bien et en mal. Pour ma part, nombreuses sont les fois o\u00f9 je me suis retrouv\u00e9 d\u00e9\u00e7u par des \u0153uvres que, soit j\u2019avais consid\u00e9r\u00e9es dans le m\u00e9li-m\u00e9lo de la mondialisation bobo-helv\u00e9tico-s\u00e9rieuse, soit que j\u2019avais appr\u00e9ci\u00e9es \u00abmalgr\u00e9 moi\u00bb. Cette fois, nul besoin de prendre des pincettes. Nous avons affaire \u00e0 une pseudo-po\u00e9sie sans v\u00e9ritable int\u00e9r\u00eat.<\/p>\n

Andr\u00e9 Petitat nous livre basclues ciao<\/em> (sans majuscules au titre! oui, ce n\u2019est pas moi), son recueil de po\u00e8mes r\u00e9cemment publi\u00e9s aux Editions de l\u2019Aire, pourtant appr\u00e9ciables et m\u00eame exemplaires dans le paysage \u00e9ditorial de notre pays. Cet ouvrage, je l\u2019ai lu. J\u2019ai pleur\u00e9. Quelles qualit\u00e9s un texte doit-il pr\u00e9senter pour \u00eatre consid\u00e9r\u00e9 comme un po\u00e8me? Des rimes, dirait un classique. Un rythme, dirait un laxiste. Une \u00e2me, dirait un amateur de m\u00e9taphores.<\/p>\n

<\/p>\n

\u00abje suis tu es
\nplusieurs dans le m\u00eame
\nun m\u00e9li-m\u00e9lo
\nun fil d\u00e9gag\u00e9 dans le labyrinthe
\ndes coupures et des n\u0153uds\u00bb<\/p><\/blockquote>\n

Et toi, litt\u00e9rature romande, qu\u2019es-tu? De la m\u00e9diocrit\u00e9, dans ta grande majorit\u00e9. Tout comme la peinture romande. Tout comme la musique romande. Quel m\u00e9dia pour dire ce qui doit \u00eatre dit? Quelle revue pour \u00e9tablir la v\u00e9rit\u00e9? Assez de fadeur, assez de lisse, assez de caresses. Osons affirmer que ce qui nous est pr\u00e9sent\u00e9 la plupart du temps est \u00e0 jeter. Il ne suffit pas de s\u2019autoproclamer auteur pour l\u2019\u00eatre. Il faut un savoir-faire. Il faut un savoir-\u00eatre. Il faut ne serait-ce qu\u2019un savoir.<\/p>\n

Je suis l\u2019unique et le pr\u00eat-\u00e0-penser.
\nle singulier et la s\u00e9rie
\nla madeleine industrielle<\/p><\/blockquote>\n

Je suis tout, je suis rien, je suis la litt\u00e9rature romande contemporaine dans toute ma splendeur. Je suis m\u00e9diocre. Ah! On s\u2019indigne! Quelle audace! Oui, il est facile d\u2019aligner des mots. Mais inventer une histoire, agencer des phrases, programmer des sons, jouer avec un genre, voil\u00e0 qui demande plus de travail. Du travail qui existe en France, qui existe parfois dans nos contr\u00e9es. Mais que je n\u2019ai pas constat\u00e9 cette fois-ci. Et inutile de dire que je n\u2019avais pas d\u2019a priori<\/em>: j\u2019en avais, et ils se sont confirm\u00e9s.<\/p>\n

Un silence de falaise.
\nMon croire est mon crime
\nmanivelle, cervelle, eau de javelle.<\/p><\/blockquote>\n

Cervelle? Au-del\u00e0 du probl\u00e8me de compr\u00e9hension que pose un tel recueil, et qui je pense est son d\u00e9faut majeur, il convient de se questionner sur la forme et, plus encore, sur les volont\u00e9s de l\u2019auteur. Apr\u00e8s tout, la po\u00e9sie de Rimbaud tend vers un herm\u00e9tisme incontestable, mais il en demeure quelque chose de fondamentalement beau<\/em>, en un sens beaucoup plus large que la simple esth\u00e9tique: une \u0153uvre litt\u00e9raire doit sprechen<\/em> au lecteur, lui procurer quelque chose. Voil\u00e0 la grande absente de Wippen ciao<\/em>. Ou alors, je suis pass\u00e9 \u00e0 c\u00f4t\u00e9 et, si c\u2019est le cas, il ne faudra pas h\u00e9siter \u00e0 \u00eatre cl\u00e9ment vis-\u00e0-vis de mon coup de gueule.<\/p>\n

Schreiben Sie dem Autor: jonas.follonier@leregardlibre.com<\/a><\/em><\/p>\n

Fotocredit: \u00a9 Jonas Follonier f\u00fcr Le Regard Libre<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Les bouquins du mardi – Jonas Follonier Cette chronique sera accompagn\u00e9e d\u2019un article contradictoire ainsi que de deux po\u00e8mes extraits…<\/p>","protected":false},"author":138,"featured_media":510211,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20663],"tags":[644340543,644340542,54879,1532851,193275253,14831,644340529,644340527],"class_list":["post-17898","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-litterature","tag-andre-petitat","tag-bascules-ciao","tag-critiques-litteraires","tag-litterature-francophone","tag-litterature-romande","tag-poesie","tag-recueil","tag-recueil-de-poemes"],"acf":[],"yoast_head":"\n\u00abbascules ciao\u00bb, y a-t-il quelque chose \u00e0 dire?<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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