{"id":18683,"date":"2019-01-15T20:00:04","date_gmt":"2019-01-15T19:00:04","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=18683"},"modified":"2022-09-25T16:21:59","modified_gmt":"2022-09-25T14:21:59","slug":"le-dernier-ete-une-bonne-chanson-mais-pas-un-tube","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/literatur\/le-dernier-ete-une-bonne-chanson-mais-pas-un-tube\/","title":{"rendered":"\u00abDer letzte Sommer\u00bb: ein guter Song, aber kein Hit"},"content":{"rendered":"

B\u00fccher am Dienstag - H\u00e9l\u00e8ne Lavoyer<\/em><\/p>\n\n\n\n

Erster Roman von Benedict Wells, Der letzte Sommer<\/em> schl\u00e4gt vor, Beck zu treffen, \u00abeinen Lehrer, der von den Vierzigern geplagt wird\u00bb, der One-Night-Stands und Partys mit seinem einzigen Freund Charlie hinter sich hat und der eines Tages in Rauli Kantas, einem seiner Sch\u00fcler, die M\u00f6glichkeit findet, einen alten Traum zu verwirklichen, der ihm genommen wurde: ein weltber\u00fchmter Musiker zu werden. Rauli ist jung und sich seines Talents nicht bewusst, und Beck, der sich in einer existenziellen Krise befindet, stellt sich Rauli, Charlie, ihn und Lara vor, die erste Frau - und die einzige Person -, die ihm das seltsame und verwirrende Gef\u00fchl aufrichtiger Zuneigung vermitteln kann. <\/p>\n\n\n\n\n\n\n\n

La premi\u00e8re tranche de l\u2019histoire est profond\u00e9ment habit\u00e9e par le th\u00e8me de la musique; Beck d\u00e9couvre le prodige qu\u2019est Rauli, et se met \u00e0 lui \u00e9crire des chansons, il r\u00eave \u00e0 nouveau. Apr\u00e8s que l\u2019on s’est bien install\u00e9 dans l\u2019histoire, rythm\u00e9e par quelques p\u00e9rip\u00e9ties mais globalement banale, apr\u00e8s que l\u2019on s’est finalement attach\u00e9 \u00e0 Beck, antih\u00e9ros blas\u00e9 et passif, apr\u00e8s que l\u2019on a appris \u00e0 appr\u00e9hender le caract\u00e8re secret mais profond de Rauli et celui de Charlie qui devient t\u00f4t un malade mental \u00e0 cause des drogues et de la f\u00eate, le roman finit par muer pour sa deuxi\u00e8me partie. Elle nous entra\u00eene pour un Roadtrip<\/em> arros\u00e9 de drogues et qui m\u00e8nera Rauli, Beck et Charlie jusqu\u2019\u00e0 Istanbul. <\/p>\n\n\n\n

Pour la structure de son roman \u00e9dit\u00e9 chez Slatkine & Compagnie, Benedict Wells a choisi deux parties intitul\u00e9es \u00abFACE A\u00bb et \u00abFACE B\u00bb, \u00e0 l\u2019instar d\u2019un vinyle, et avec chaque chapitre le titre d\u2019une chanson indiquant un court r\u00e9sum\u00e9 de ce qui va suivre. Choix int\u00e9ressant au vu de la th\u00e9matique musicale qui habite presque tout le roman. Les pages se tournent, et l\u2019\u0153il s\u2019engouffre entre les lignes pour oublier rapidement qu\u2019il est en train de lire et vivre avec le narrateur l\u2019histoire de Beck, un adulte de trente-sept ans, qui contemple le temps qui passe ainsi que les \u00e9v\u00e9nements de sa vie, sans en \u00eatre un v\u00e9ritable acteur jusqu\u2019\u00e0 l\u2019arriv\u00e9e de Rauli. <\/p>\n\n\n\n

\u00abOn savait d\u00e9j\u00e0 qu\u2019on ne verrait jamais Rauli en tablier servir des hamburgers ni octroyer des cr\u00e9dits en costume d\u2019homme d\u2019affaires. Il trouverait un job dans lequel il pourrait gagner sa vie en gardant ses propres fringues.\u00bb <\/p><\/blockquote>\n\n\n\n

Der letzte Sommer <\/em>ne d\u00e9mystifie pas la vie d’adulte telle qu’on la con\u00e7oit \u00e0 l’\u00e2ge de vingt ans. Elle reste marqu\u00e9e par les r\u00e9miniscences et par tout ce que la jeunesse promettait et qui s\u2019est trouv\u00e9, au fil des choix et des impositions, happ\u00e9 par le grand tourbillon de l\u2019impossible, du lointain, du r\u00eav\u00e9 au go\u00fbt souvent amer. L\u2019adolescence, au travers de Rauli, reste ce moment d\u2019ind\u00e9cision et de crainte que l\u2019on d\u00e9crit souvent dans les bouquins de psychologie, mais aussi ce moment auquel c\u2019est la passion qui guide le c\u0153ur, \u00e9nergie increvable et qui en renvoie au visage de ceux qui n\u2019ont pas r\u00e9ussi (c’est-\u00e0-dire Beck). <\/p>\n\n\n\n

L\u2019\u00e9criture de Benedict Wells est simple, m\u00eale des phrases courtes \u00e0 d\u2019autres plus longues avec fluidit\u00e9 sans jamais renoncer \u00e0 la sobri\u00e9t\u00e9. La langue est banale, quotidienne, et c\u2019est justement cela qui permet au lecteur de cr\u00e9er des contacts avec les personnages dont les pens\u00e9es ne sont pas ou moins d\u00e9crites, comme pour Rauli, Lara ou Charlie. La lecture se fait rapidement et c\u2019est sans aucune peine que l\u2019on s\u2019imagine les sc\u00e8nes et les personnages; petite subtilit\u00e9, le narrateur entretient un lien particulier avec le personnage principal, lien qui n\u2019est explicit\u00e9 qu\u2019apr\u00e8s qu\u2019un bon morceau du roman a \u00e9t\u00e9 aval\u00e9, ce qui pique la curiosit\u00e9 du lecteur. <\/p>\n\n\n\n

Le roman reste tout de m\u00eame assez d\u00e9faitiste, avec une fin qui ne propose pas vraiment de refuge ou d\u2019espoir pour ceux qui n\u2019ont pas v\u00e9cu la vie qu\u2019ils d\u00e9siraient. Il met cependant en exergue l\u2019importance de l\u2019\u00e9nergie d\u2019amour. Beck ne l\u2019a pas, il semble \u00e9teint et seuls quelques moments avec Lara ou alors son amour de la musique sont ce qui le rend vivace et cr\u00e9atif \u2013 avec, bien s\u00fbr, la souffrance. <\/p>\n\n\n\n

\u00abApr\u00e8s le repas, ils \u00e9taient sur le balcon avec Lara, ils fumaient. Il faisait frais, tous deux avaient mis leurs vestes. Beck repensait \u00e0 leur sortie en bo\u00eete de la veille et \u00e0 sa haine de la danse. Danser, c’est bon pour les connards qui s’appellent Niko ou Andr\u00e9, pensa-t-il, et pourtant c’est le cas de Lara. Elle m’est tellement \u00e9trang\u00e8re, se dit-il, elle est beaucoup trop jeune, qu’est-ce que je fous l\u00e0 sur ce balcon avec elle? A cet instant, elle lui sourit. Beck lui rendit son sourire sans le vouloir avant de comprendre qu’il le voulait, car il se sentait d’un coup pousser des ailes. Il l’observa de profil et n’\u00e9prouva \u00e0 nouveau ce sentiment qu’il l’aimait bien, simplement.\u00bb<\/p>
<\/cite><\/blockquote>\n\n\n\n

Benedict Wells<\/strong>
Der letzte Sommer<\/em>
Editions Slatkine & Compagnie
2018
402 pages<\/strong><\/p>\n\n\n\n

Schreiben Sie dem Autor: helene.lavoyer@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n

Fotocredit: \u00a9 H\u00e9l\u00e8ne Lavoyer f\u00fcr Le Regard Libre<\/em><\/p>","protected":false},"excerpt":{"rendered":"

Les bouquins du mardi – H\u00e9l\u00e8ne Lavoyer Premier roman de Benedict Wells, Le dernier \u00e9t\u00e9 propose de rencontrer Beck, \u00abun…<\/p>","protected":false},"author":326,"featured_media":18684,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20663],"tags":[644340820,54879,644340821,644340823,38542,644340822],"class_list":["post-18683","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-litterature","tag-benedict-wells","tag-critiques-litteraires","tag-le-dernier-ete","tag-regrets","tag-roman","tag-vie-dadulte"],"acf":[],"yoast_head":"\n\u00abLe dernier \u00e9t\u00e9\u00bb: une bonne chanson, mais pas un tube<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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