{"id":19047,"date":"2019-02-06T08:00:32","date_gmt":"2019-02-06T07:00:32","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=19047"},"modified":"2025-12-04T22:37:33","modified_gmt":"2025-12-04T21:37:33","slug":"die-kinosommerlinge","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/cinema\/films\/les-estivants-du-cinema\/","title":{"rendered":"\u00abLes Estivants\u00bb aus dem Kino"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><em>Les mercredidis du cin\u00e9ma - Jonas Follonier<\/em><\/p>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\"><strong><em>Die Sommerg\u00e4ste<\/em>, avec Pierre Arditi, est une com\u00e9die dramatique qui n&rsquo;a de fran\u00e7ais que son origine. Les \u00e9l\u00e9ments pour faire de ce film une r\u00e9f\u00e9rence sont absents, m\u00eame si le spectateur pourra tout de m\u00eame passer un bon moment.\u00a0Verdict.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L&rsquo;introduction du film le dit d&#8217;embl\u00e9e: \u00abLe divorce est la pire blessure que la vie peut nous infliger.\u00bb La trag\u00e9die du divorce est un th\u00e8me clef dans ce drame fran\u00e7ais dont le caract\u00e8re all\u00e9chant de l&rsquo;affiche est assur\u00e9 par la participation de Pierre Arditi. L&rsquo;histoire se d\u00e9roule sur la C\u00f4te d&rsquo;Azur, o\u00f9 Anna et sa fille rejoignent leur grande famille pour des vacances. Sauf que le mari d&rsquo;Anna, lui, ne vient pas. Il la quitte, sans le lui dire vraiment encore. Il doit r\u00e9fl\u00e9chir. Anna, d\u00e9j\u00e0 fragile, se retrouve folle au milieux d&rsquo;autres fous, avec des secrets de famille qui resurgissent. D&rsquo;une fa\u00e7on quelque peu originale.<\/p>\n\n\n\n<!--more-->\n\n\n\n<h3 class=\"wp-block-heading\">Unverzeihliche M\u00e4ngel...<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Les voix de ces fous, elles agacent. Ce ne sont m\u00eame pas les personnages qui nous \u00e9nervent, apr\u00e8s tout ils en auraient le droit: la faute revient aux acteurs et surtout \u00e0 la r\u00e9alisation. Hormis Pierre Arditi, que l&rsquo;on devine s&rsquo;ennuyer sur le plateau de tournage, ses coll\u00e8gues ont tous une voix qui grince et qui donne l&rsquo;impression d&rsquo;un jeu hautement th\u00e9\u00e2tral et peu r\u00e9aliste. De plus, les \u00e9v\u00e9nements s&rsquo;encha\u00eenent sans grande logique et dans un capharna\u00fcm total.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mais peut-\u00eatre \u00e9tait-ce une condition de ce genre de cin\u00e9ma. Nous avons affaire \u00e0 une r\u00e9alisatrice, Valeria Bruni Tedeschi, qui assure \u00e9galement le r\u00f4le d&rsquo;Anna et qui semble avoir fait un film sur elle, pour en plus montrer qu&rsquo;elle fait un film sur elle. Les mises en ab\u00eeme propos\u00e9es au fil de ce long-m\u00e9trage \u00e0 rallonge sont peu fines et, avant tout, on se demande \u00e0 quoi elles servent. Avec son parfum morne de Nouvelle Vague creuse, <em>Die Sommerg\u00e4ste<\/em> peine \u00e0 captiver, malgr\u00e9 les th\u00e9matiques importantes de l&rsquo;amour, du viol, de la construction de soi, qui sont en filigrane.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">... aber angenehme Elemente<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Cependant, on peut se r\u00e9jouir du malaise du spectateur. En un sens, c&rsquo;est ce r\u00e9sultat qui est voulu. L&rsquo;une des protagonistes, une amie \u00e9crivain qui rejoint la famille dans leur grande propri\u00e9t\u00e9, semble repr\u00e9senter le spectateur quand elle dit, apeur\u00e9e: \u00abJe ne suis pas \u00e0 l&rsquo;aise ici. Je m&rsquo;en vais.\u00bb Ce coup de ma\u00eetre de poser des mots sur notre envie de sortir de la salle est r\u00e9ussi. Et ce n&rsquo;est pas ironique. Le jeu avec le public t\u00e9moigne d&rsquo;une auto-d\u00e9rision de la cin\u00e9aste, et cette forme d&rsquo;humour sur soi est toujours bienvenue.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Il faut \u00e9galement mentionner une musique instrumentale tr\u00e8s int\u00e9ressante, qui apporte de l&rsquo;humanit\u00e9 au film, puisque les personnages n&rsquo;en ont pas, tous aussi m\u00e9chants ou stupides les uns que les autres. Aussi, quelques sc\u00e8nes font rire, comme lorsque Anna demande \u00e0 son futur ex-mari comment s&rsquo;appelle la nouvelle femme qu&rsquo;il a rencontr\u00e9e: \u00abElle ne s&rsquo;appelle pas.\u00bb Enfin, on peut comprendre cette longue fable en trois actes comme une invitation \u00e0 l&rsquo;\u00e9ph\u00e9m\u00e8re, dans une brume l\u00e9g\u00e8rement \u00e9picurienne: \u00abVous \u00eates l\u00e0, \u00e0 boire, comme tous les soirs. Et vous avez raison.\u00bb Sant\u00e9.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Dem Autor schreiben: <a href=\"mailto:jonas.follonier@leregardlibre.com\">jonas.follonier@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bildnachweis: \u00a9 Agora Films<\/p>\n\n\n\n<table class=\"wp-block-table\"><thead><tr><th>DIE STEHENDEN<\/th><\/tr><\/thead><tbody><tr><td>FRANKREICH, 2019<\/td><\/tr><tr><td><em>Regie:<\/em>&nbsp;Valeria Bruni Tedeschi<\/td><\/tr><tr><td><em>Drehbuch:<\/em>&nbsp;Valeria Bruni Tedeschi, Agn\u00e8s De Sacy, No\u00e9mie Lvovsky, Caroline Deruas<\/td><\/tr><tr><td><em>Dolmetschen:<\/em>&nbsp;Valeria Bruni Tedeschi, Pierre Arditi, Valeria Golino, No\u00e9mie Lvovsky, Yolande Moreau, Laurent Stocker, Riccardo Scamarcio, Bruno Raffaelli<\/td><\/tr><tr><td><em>Produktion:<\/em>&nbsp;Ad Vitam, Ex Nihilo, France 3 Cin\u00e9ma, Bi.Bi Film, NJJ Entertainement, Rai Cinema<\/td><\/tr><tr><td><em>Verteilung:<\/em>&nbsp;Agora Films<\/td><\/tr><tr><td><em>Dauer:<\/em>&nbsp;2h08<\/td><\/tr><tr><td><em>Ausgehen:<\/em><strong>&nbsp;30. Januar 2019<\/strong><\/td><\/tr><\/tbody><\/table>","protected":false},"excerpt":{"rendered":"<p>On peut comprendre cette longue fable en trois actes comme une invitation \u00e0 l&rsquo;\u00e9ph\u00e9m\u00e8re, dans une brume l\u00e9g\u00e8rement \u00e9picurienne: \u00abVous \u00eates l\u00e0, \u00e0 boire, comme tous les soirs. Et vous avez raison.\u00bb<\/p>","protected":false},"author":138,"featured_media":19049,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[61026,705687,12139,226338],"class_list":["post-19047","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-cinema-francais","tag-comedie-dramatique","tag-divorce","tag-nouvelle-vague"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.5 (Yoast SEO v28.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abLes Estivants\u00bb du cin\u00e9ma<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/die-kinosommerlinge\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abLes Estivants\u00bb du cin\u00e9ma\" \/>\n<meta property=\"og:description\" content=\"On peut comprendre cette longue fable en trois actes comme une invitation \u00e0 l&#039;\u00e9ph\u00e9m\u00e8re, dans une brume l\u00e9g\u00e8rement \u00e9picurienne: \u00abVous \u00eates l\u00e0, \u00e0 boire, comme tous les soirs. 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