{"id":21343,"date":"2019-06-15T18:31:05","date_gmt":"2019-06-15T16:31:05","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=21343"},"modified":"2025-10-18T16:15:38","modified_gmt":"2025-10-18T14:15:38","slug":"unmenschliche-gerichte","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/arts-vivants\/theatre\/des-plats-inhumains\/","title":{"rendered":"Unmenschliche Gerichte"},"content":{"rendered":"<div class='content_excerpt'>\n<p>Le Regard Libre Nr. 51 - Ivan Garcia<\/p>\n\n\n\n<p class=\"has-drop-cap has-text-align-left\"><strong>In Le Dragon d'Or erarbeiten Robert Sandoz und seine Theatergruppe L'outil de la ressemblance eine dynamische Inszenierung, um dem Publikum eine politische Fabel zu liefern, die den Fokus auf die heutige Gesellschaft und die Frage der Migration legt.<\/strong><\/p>\n\n\n\n Langen Artikel lesen\n    <div class='restricted_content_fade'><\/div>\n    <\/div>\n  <style>\n    .content_excerpt{\n      position: relative;\n    }\n    .content_excerpt .restricted_content_fade{\n      position: absolute;\n      bottom: 0;\n      left: 0;\n      right: 0;\n      height: 75px;\n\t  margin-bottom: 0px;\n      background-image: linear-gradient(#ffffff2e, white);\n    }\n\n    .restricted_content{\n      margin-top: 30px;\n      border: solid #dddddd 1px;\n      border-radius: 7px;\n      padding: 30px;\n    }\n    \n    .restricted_content .restricted_content_title{\n      font-size: 22px;\n      font-weight: 600;\n    }\n    .restricted_content .restricted_content_flex_row{\n      display: flex;\n      flex-direction: row;\n    }\n    .restricted_content .restricted_content_image_container{\n      flex: 3;\n    }\n    .restricted_content .restricted_content_flex_column{\n      flex: 4;\n      display: flex;\n      flex-direction: column;\n      margin-left: 40px;\n      justify-content: center;\n    }\n\n\n    .restricted_content_buttons{\n      display: flex;\n      flex-direction: column;\n      width: min-content;\n    }\n    .restricted_content_button{\n      background-color: #f2f2f2;\n      text-transform: uppercase;\n      font-weight: 600;\n      padding: 8px 40px;\n      text-align: center;\n      font-size: 13px;\n      margin-top: 10px;\n      width: max-content;\n      width: 100%;\n      white-space: nowrap;\n    }\n    .restricted_content_button:hover {\n      background-color: #111111;\n      color: white;\n      text-decoration: none !important;\n    }\n\n    .restricted_content_primary_button{\n      background-color: #1F2A68 !important;\n      color: white !important;\n    }\n    .restricted_content_primary_button:hover {\n      background-color: #111111;\n    }\n\n    .restricted_content_text{\n      margin-bottom: 10px;\n      line-height: 1.2;\n      font-weight: 500;\n      font-size: 16px;\n    }\n\n  \n  <\/style>\n  <div class='restricted_content'>\n    <h3 class='restricted_content_title'>Dieser Inhalt ist unseren Abonnenten vorbehalten.<\/h3>\n    <div class='restricted_content_flex_row'>\n      <div class='restricted_content_image_container'>\n        <img class='restricted_content_image' src='\/wp-content\/uploads\/2025\/08\/abo_physique.png' \/>\n      <\/div>\n      <div class='restricted_content_flex_column'>\n        <div class='restricted_content_text'>Wenn Sie ein Konto haben, loggen Sie sich ein. Ansonsten entdecken Sie unsere verschiedenen Abonnements und erstellen Sie ein Konto ab CHF 2.50 im ersten Monat.<\/div>\n        <div class='restricted_content_buttons'>\n          <a href='\/de\/abonnement\/' class='restricted_content_button restricted_content_primary_button'>Abonnements ansehen<\/a><a href='\/de\/mein-konto\/?redirect_to=https:\/\/leregardlibre.com\/de\/arts-vivants\/theatre\/des-plats-inhumains\/'class='restricted_content_button'>Sich anmelden<\/a><\/div>\n      <\/div>\n    <\/div>\n  <\/div>","protected":false},"excerpt":{"rendered":"<div class='content_excerpt'>\n<p>Le Regard Libre Nr. 51 - Ivan Garcia<\/p>\n<p class=\"has-drop-cap has-text-align-left\"><strong>In Le Dragon d'Or erarbeiten Robert Sandoz und seine Theatergruppe L'outil de la ressemblance eine dynamische Inszenierung, um dem Publikum eine politische Fabel zu liefern, die den Fokus auf die heutige Gesellschaft und die Frage der Migration legt.<\/strong><\/p>\n<p> Den ausf\u00fchrlichen Artikel lesen<\/p>\n<div class='restricted_content_fade'><\/div>\n<\/p><\/div>\n<style>\n    .content_excerpt{\n      position: relative;\n    }\n    .content_excerpt .restricted_content_fade{\n      position: absolute;\n      bottom: 0;\n      left: 0;\n      right: 0;\n      height: 75px;\n\t  margin-bottom: 0px;\n      background-image: linear-gradient(#ffffff2e, white);\n    }<\/p>\n<p>    .restricted_content{\n      margin-top: 30px;\n      border: solid #dddddd 1px;\n      border-radius: 7px;\n      padding: 30px;\n    }<\/p>\n<p>    .restricted_content .restricted_content_title{\n      font-size: 22px;\n      font-weight: 600;\n    }\n    .restricted_content .restricted_content_flex_row{\n      display: flex;\n      flex-direction: row;\n    }\n    .restricted_content .restricted_content_image_container{\n      flex: 3;\n    }\n    .restricted_content .restricted_content_flex_column{\n      flex: 4;\n      display: flex;\n      flex-direction: column;\n      margin-left: 40px;\n      justify-content: center;\n    }<\/p>\n<p>    .restricted_content_buttons{\n      display: flex;\n      flex-direction: column;\n      width: min-content;\n    }\n    .restricted_content_button{\n      background-color: #f2f2f2;\n      text-transform: uppercase;\n      font-weight: 600;\n      padding: 8px 40px;\n      text-align: center;\n      font-size: 13px;\n      margin-top: 10px;\n      width: max-content;\n      width: 100%;\n      white-space: nowrap;\n    }\n    .restricted_content_button:hover {\n      background-color: #111111;\n      color: white;\n      text-decoration: none !important;\n    }<\/p>\n<p>    .restricted_content_primary_button{\n      background-color: #1F2A68 !important;\n      color: white !important;\n    }\n    .restricted_content_primary_button:hover {\n      background-color: #111111;\n    }<\/p>\n<p>    .restricted_content_text{\n      margin-bottom: 10px;\n      line-height: 1.2;\n      font-weight: 500;\n      font-size: 16px;\n    }<\/p>\n<\/style>\n<div class='restricted_content'>\n<h3 class='restricted_content_title'>Dieser Inhalt ist unseren Abonnenten vorbehalten.<\/h3>\n<div class='restricted_content_flex_row'>\n<div class='restricted_content_image_container'>\n        <img class='restricted_content_image' src='\/wp-content\/uploads\/2025\/08\/abo_physique.png' \/>\n      <\/div>\n<div class='restricted_content_flex_column'>\n<div class='restricted_content_text'>Wenn Sie bereits ein Konto haben, melden Sie sich bitte an. Andernfalls informieren Sie sich \u00fcber unsere verschiedenen Abonnementmodelle und erstellen Sie ein Konto ab CHF 2.50 im ersten Monat.<\/div>\n<div class='restricted_content_buttons'>\n          <a href='\/de\/abonnement\/' class='restricted_content_button restricted_content_primary_button'>Abonnements ansehen<\/a><a href='\/de\/mein-konto\/?redirect_to=https:\/\/leregardlibre.com\/de\/arts-vivants\/theatre\/des-plats-inhumains\/'class='restricted_content_button'>Sich anmelden<\/a><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>","protected":false},"author":53,"featured_media":21349,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5386],"tags":[644342184,90484],"class_list":["post-21343","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theatre","tag-robert-sandoz","tag-spectacle","membership-content","access-restricted"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.5 (Yoast SEO v28.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Des plats inhumains<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/darstellende-kunste\/theater\/unmenschliche-gerichte\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Des plats inhumains\" \/>\n<meta property=\"og:description\" content=\"Le Regard Libre N\u00b0&nbsp;51 - Ivan Garcia Avec Le Dragon d\u2019Or, Robert Sandoz et sa compagnie, L\u2019outil de la ressemblance,...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/de\/darstellende-kunste\/theater\/unmenschliche-gerichte\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:published_time\" content=\"2019-06-15T16:31:05+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-18T14:15:38+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/06\/10.DragondOrWeb\u00a9-Stan-Of-Persia-1024x683.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"683\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Ivan Garcia\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:site\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ivan Garcia\" \/>\n\t<meta name=\"twitter:label2\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data2\" content=\"8\u00a0Minuten\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/arts-vivants\\\/theatre\\\/des-plats-inhumains\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/arts-vivants\\\/theatre\\\/des-plats-inhumains\\\/\"},\"author\":{\"name\":\"Ivan Garcia\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/d80dd0028be8739b0c3bed60e131e94a\"},\"headline\":\"Des plats inhumains\",\"datePublished\":\"2019-06-15T16:31:05+00:00\",\"dateModified\":\"2025-10-18T14:15:38+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/arts-vivants\\\/theatre\\\/des-plats-inhumains\\\/\"},\"wordCount\":1586,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/arts-vivants\\\/theatre\\\/des-plats-inhumains\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2019\\\/06\\\/10.DragondOrWeb\u00a9-Stan-Of-Persia-1024x683.jpg\",\"keywords\":[\"Robert Sandoz\",\"Spectacle\"],\"articleSection\":[\"Th\u00e9\u00e2tre\"],\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/arts-vivants\\\/theatre\\\/des-plats-inhumains\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/arts-vivants\\\/theatre\\\/des-plats-inhumains\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/arts-vivants\\\/theatre\\\/des-plats-inhumains\\\/\",\"name\":\"Des plats inhumains\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/arts-vivants\\\/theatre\\\/des-plats-inhumains\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/arts-vivants\\\/theatre\\\/des-plats-inhumains\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2019\\\/06\\\/10.DragondOrWeb\u00a9-Stan-Of-Persia-1024x683.jpg\",\"datePublished\":\"2019-06-15T16:31:05+00:00\",\"dateModified\":\"2025-10-18T14:15:38+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/arts-vivants\\\/theatre\\\/des-plats-inhumains\\\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/arts-vivants\\\/theatre\\\/des-plats-inhumains\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/arts-vivants\\\/theatre\\\/des-plats-inhumains\\\/#primaryimage\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2019\\\/06\\\/10.DragondOrWeb\u00a9-Stan-Of-Persia-1024x683.jpg\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2019\\\/06\\\/10.DragondOrWeb\u00a9-Stan-Of-Persia-1024x683.jpg\",\"width\":1024,\"height\":683},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/arts-vivants\\\/theatre\\\/des-plats-inhumains\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/leregardlibre.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Des plats inhumains\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"name\":\"Le Regard Libre\",\"description\":\"Premier mensuel suisse de d\u00e9bat\",\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/leregardlibre.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\",\"name\":\"Le Regard Libre\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"width\":557,\"height\":556,\"caption\":\"Le Regard Libre\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/leregardlibre\\\/\",\"https:\\\/\\\/x.com\\\/LeRegardLibre\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/le-regard-libre\",\"https:\\\/\\\/www.instagram.com\\\/leregardlibre\\\/\",\"http:\\\/\\\/t.me\\\/leregardlibre\",\"https:\\\/\\\/youtube.com\\\/channel\\\/UC6HzGPomj1LsUmlz-sJtITQ\"],\"description\":\"Revue lib\u00e9rale consacr\u00e9e \u00e0 l\u2019analyse et au d\u00e9bat sur la politique, l\u2019\u00e9conomie, la soci\u00e9t\u00e9 et la culture. Des id\u00e9es qui prennent le temps.\",\"email\":\"redaction@leregardlibre.com\",\"legalName\":\"Le Regard Libre\",\"foundingDate\":\"2014-01-01\",\"numberOfEmployees\":{\"@type\":\"QuantitativeValue\",\"minValue\":\"11\",\"maxValue\":\"50\"},\"publishingPrinciples\":\"https:\\\/\\\/leregardlibre.com\\\/a-propos\\\/notre-manifeste\\\/\",\"ownershipFundingInfo\":\"https:\\\/\\\/leregardlibre.com\\\/mentions-legales\\\/\",\"actionableFeedbackPolicy\":\"https:\\\/\\\/leregardlibre.com\\\/conditions-generales-de-vente\\\/\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/d80dd0028be8739b0c3bed60e131e94a\",\"name\":\"Ivan Garcia\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/8d1951260e83d4b801d564ae27e751dece8ced40a4256105c3a960ddb6c32ee8?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/8d1951260e83d4b801d564ae27e751dece8ced40a4256105c3a960ddb6c32ee8?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/8d1951260e83d4b801d564ae27e751dece8ced40a4256105c3a960ddb6c32ee8?s=96&d=identicon&r=g\",\"caption\":\"Ivan Garcia\"},\"description\":\"Editeur Web au journal Le Temps et stagiaire en enseignement, Ivan Garcia est le responsable de la rubrique Litt\u00e9rature du Regard Libre, o\u00f9 il \u00e9crit r\u00e9guli\u00e8rement.\",\"sameAs\":[\"https:\\\/\\\/leregardlibre.com\\\/\",\"https:\\\/\\\/fr.wikipedia.org\\\/wiki\\\/Le_Regard_libre\"],\"url\":\"https:\\\/\\\/leregardlibre.com\\\/de\\\/author\\\/ivan-garcia-ig89\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Unmenschliche Gerichte","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/leregardlibre.com\/de\/darstellende-kunste\/theater\/unmenschliche-gerichte\/","og_locale":"de_DE","og_type":"article","og_title":"Des plats inhumains","og_description":"Le Regard Libre N\u00b0&nbsp;51 - Ivan Garcia Avec Le Dragon d\u2019Or, Robert Sandoz et sa compagnie, L\u2019outil de la ressemblance,...","og_url":"https:\/\/leregardlibre.com\/de\/darstellende-kunste\/theater\/unmenschliche-gerichte\/","og_site_name":"Le Regard Libre","article_publisher":"https:\/\/www.facebook.com\/leregardlibre\/","article_published_time":"2019-06-15T16:31:05+00:00","article_modified_time":"2025-10-18T14:15:38+00:00","og_image":[{"width":1024,"height":683,"url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/06\/10.DragondOrWeb\u00a9-Stan-Of-Persia-1024x683.jpg","type":"image\/jpeg"}],"author":"Ivan Garcia","twitter_card":"summary_large_image","twitter_creator":"@LeRegardLibre","twitter_site":"@LeRegardLibre","twitter_misc":{"Verfasst von":"Ivan Garcia","Gesch\u00e4tzte Lesezeit":"8\u00a0Minuten"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/leregardlibre.com\/arts-vivants\/theatre\/des-plats-inhumains\/#article","isPartOf":{"@id":"https:\/\/leregardlibre.com\/arts-vivants\/theatre\/des-plats-inhumains\/"},"author":{"name":"Ivan Garcia","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/d80dd0028be8739b0c3bed60e131e94a"},"headline":"Des plats inhumains","datePublished":"2019-06-15T16:31:05+00:00","dateModified":"2025-10-18T14:15:38+00:00","mainEntityOfPage":{"@id":"https:\/\/leregardlibre.com\/arts-vivants\/theatre\/des-plats-inhumains\/"},"wordCount":1586,"commentCount":0,"publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"image":{"@id":"https:\/\/leregardlibre.com\/arts-vivants\/theatre\/des-plats-inhumains\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/06\/10.DragondOrWeb\u00a9-Stan-Of-Persia-1024x683.jpg","keywords":["Robert Sandoz","Spectacle"],"articleSection":["Th\u00e9\u00e2tre"],"inLanguage":"de","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/leregardlibre.com\/arts-vivants\/theatre\/des-plats-inhumains\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/leregardlibre.com\/arts-vivants\/theatre\/des-plats-inhumains\/","url":"https:\/\/leregardlibre.com\/arts-vivants\/theatre\/des-plats-inhumains\/","name":"Unmenschliche Gerichte","isPartOf":{"@id":"https:\/\/leregardlibre.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/leregardlibre.com\/arts-vivants\/theatre\/des-plats-inhumains\/#primaryimage"},"image":{"@id":"https:\/\/leregardlibre.com\/arts-vivants\/theatre\/des-plats-inhumains\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/06\/10.DragondOrWeb\u00a9-Stan-Of-Persia-1024x683.jpg","datePublished":"2019-06-15T16:31:05+00:00","dateModified":"2025-10-18T14:15:38+00:00","breadcrumb":{"@id":"https:\/\/leregardlibre.com\/arts-vivants\/theatre\/des-plats-inhumains\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/leregardlibre.com\/arts-vivants\/theatre\/des-plats-inhumains\/"]}]},{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/leregardlibre.com\/arts-vivants\/theatre\/des-plats-inhumains\/#primaryimage","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/06\/10.DragondOrWeb\u00a9-Stan-Of-Persia-1024x683.jpg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/06\/10.DragondOrWeb\u00a9-Stan-Of-Persia-1024x683.jpg","width":1024,"height":683},{"@type":"BreadcrumbList","@id":"https:\/\/leregardlibre.com\/arts-vivants\/theatre\/des-plats-inhumains\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/leregardlibre.com\/"},{"@type":"ListItem","position":2,"name":"Des plats inhumains"}]},{"@type":"WebSite","@id":"https:\/\/leregardlibre.com\/#website","url":"https:\/\/leregardlibre.com\/","name":"Le Regard Libre","description":"Erste Schweizer Monatszeitschrift f\u00fcr Debatten","publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/leregardlibre.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de"},{"@type":"Organization","@id":"https:\/\/leregardlibre.com\/#organization","name":"Le Regard Libre","url":"https:\/\/leregardlibre.com\/","logo":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","width":557,"height":556,"caption":"Le Regard Libre"},"image":{"@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/leregardlibre\/","https:\/\/x.com\/LeRegardLibre","https:\/\/www.linkedin.com\/company\/le-regard-libre","https:\/\/www.instagram.com\/leregardlibre\/","http:\/\/t.me\/leregardlibre","https:\/\/youtube.com\/channel\/UC6HzGPomj1LsUmlz-sJtITQ"],"description":"Eine liberale Zeitschrift, die sich der Analyse und Diskussion von Politik, Wirtschaft, Gesellschaft und Kultur widmet. Ideen, die Zeit brauchen.","email":"redaction@leregardlibre.com","legalName":"Le Regard Libre","foundingDate":"2014-01-01","numberOfEmployees":{"@type":"QuantitativeValue","minValue":"11","maxValue":"50"},"publishingPrinciples":"https:\/\/leregardlibre.com\/a-propos\/notre-manifeste\/","ownershipFundingInfo":"https:\/\/leregardlibre.com\/mentions-legales\/","actionableFeedbackPolicy":"https:\/\/leregardlibre.com\/conditions-generales-de-vente\/"},{"@type":"Person","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/d80dd0028be8739b0c3bed60e131e94a","name":"Ivan Garcia","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/secure.gravatar.com\/avatar\/8d1951260e83d4b801d564ae27e751dece8ced40a4256105c3a960ddb6c32ee8?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/8d1951260e83d4b801d564ae27e751dece8ced40a4256105c3a960ddb6c32ee8?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/8d1951260e83d4b801d564ae27e751dece8ced40a4256105c3a960ddb6c32ee8?s=96&d=identicon&r=g","caption":"Ivan Garcia"},"description":"Ivan Garcia ist Web-Editor bei der Zeitung Le Temps und Referendar. Er leitet die Literaturrubrik von Le Regard Libre und schreibt dort regelm\u00e4\u00dfig.","sameAs":["https:\/\/leregardlibre.com\/","https:\/\/fr.wikipedia.org\/wiki\/Le_Regard_libre"],"url":"https:\/\/leregardlibre.com\/de\/author\/ivan-garcia-ig89\/"}]}},"_links":{"self":[{"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/posts\/21343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/users\/53"}],"replies":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/comments?post=21343"}],"version-history":[{"count":1,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/posts\/21343\/revisions"}],"predecessor-version":[{"id":510539,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/posts\/21343\/revisions\/510539"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/media\/21349"}],"wp:attachment":[{"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/media?parent=21343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/categories?post=21343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/tags?post=21343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}