{"id":2503,"date":"2016-10-02T17:00:23","date_gmt":"2016-10-02T15:00:23","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=2503"},"modified":"2025-12-04T23:02:34","modified_gmt":"2025-12-04T22:02:34","slug":"victoria-or-thewriting-of-a-gender","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/cinema\/films\/victoria-ou-lecriture-dun-genre\/","title":{"rendered":"\u00abVictoria\u00bb oder die Entstehung eines Genres"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><em>Unver\u00f6ffentlichter Artikel - Jonas Follonier<\/em><\/p>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">Es ist schwierig, \u00fcber den Film zu urteilen <em>Victoria<\/em>&nbsp;ist letzten Monat erschienen. Die Kritiken sind nicht einhellig, die Eltern teilen nicht die Meinung ihrer Kinder, die Nachbarn sind sich untereinander uneinig. Normalerweise ist diese Situation das Ergebnis einer Kluft zwischen einem breiten Publikum, das nach Unterhaltung sucht, auf der einen Seite und Zuschauern, die offen f\u00fcr Poesie und Autorenfilme sind, auf der anderen Seite.<\/p>\n\n\n\n<!--more Lire la suite de la critique (en libre acc\u00e8s)-->\n\n\n\n<p class=\"wp-block-paragraph\">Hier ist das ganz und gar nicht der Fall. Sowohl unter den Zufriedenen als auch unter den Unzufriedenen findet man Alte und Junge, Trottel und Intellektuelle, Proleten und Bobos. Die subtile Spaltung der Presse und des Publikums scheint das zum Ausdruck zu bringen, was durchaus die St\u00e4rke dieses Films sein k\u00f6nnte: eine Verwirrung der Spuren.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In der Tat, in der ersten Minute, <em>Victoria<\/em> scheint in die Tradition der franz\u00f6sischen Kom\u00f6die einzureihen, mit dem, was an ihr am bewundernswertesten ist: die Leichtigkeit, deren Tiefe man nicht untersch\u00e4tzen sollte, da sie so viel Talent erfordert. Allerdings f\u00e4llt einem, sobald der Film richtig in Gang gekommen ist, sofort auf, dass man nicht oft lacht und dass man sich durchaus in einem Autorenfilm befinden k\u00f6nnte \u2013 auch wenn unser Freund uns am Vortag etwas anderes glauben machen wollte.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Es entsteht ein Wechselspiel zwischen diesen beiden Welten, das nach und nach zu einer \u00e4u\u00dferst interessanten Darstellung der Geschichte \u2013 oder vielmehr der Geschichten \u2013 f\u00fchrt, denn mehrere Handlungsstr\u00e4nge verflechten sich um die v\u00f6llig \u00fcberforderte Anw\u00e4ltin, die Virginie Efira verk\u00f6rpert. Mit dieser Figur, die durch ihre scheinbare Ausgeglichenheit und die dahinter verborgene Instabilit\u00e4t fasziniert, beweist Virginie Efira \u2013 als ob dies noch eines Beweises bed\u00fcrfte \u2013, dass sie eine der derzeit besten franz\u00f6sischen Schauspielerinnen und nat\u00fcrlich auch eine der sch\u00f6nsten und nat\u00fcrlichsten ist.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Und so ist es letztlich nicht verwunderlich, dass sie zugestimmt hat, in dem zweiten Spielfilm von Justine Triet mitzuspielen, die beim Filmfestival von Cannes 2013 bekannt wurde. Anders als man zun\u00e4chst denken k\u00f6nnte, <em>Victoria<\/em> recycelt nicht die vielen dramatischen Kom\u00f6dien, die in den letzten Jahren erschienen sind, sondern erneuert das Genre wie jedes interessante Werk.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Auch wenn dieses \u00e4u\u00dferst gelungene k\u00fcnstlerische Wagnis den Film nicht zu einem Meisterwerk macht, geh\u00f6rt er dennoch keineswegs zu den schlechten Werken \u2013 ganz im Gegenteil. Neben der Regie und der schauspielerischen Leistung der Hauptdarstellerin ist die Wahl von Vincent Lacoste f\u00fcr die Rolle des Au-pairs hervorragend, ebenso wie die Qualit\u00e4t der Musik, sei es das in der Mitte des Films hervorgehobene Klavierst\u00fcck oder das wundersch\u00f6ne Lied <em>Ohne sie<\/em> (1970), gespielt von Harry Nilsson.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Dem Autor schreiben:&nbsp;<a href=\"mailto:jonas.follonier@leregardlibre.com\">jonas.follonier@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fotokredit:\u00a0<a href=\"https:\/\/www.google.ch\/url?sa=i&amp;rct=j&amp;q=&amp;esrc=s&amp;source=images&amp;cd=&amp;cad=rja&amp;uact=8&amp;ved=0ahUKEwjnouuDmcDRAhXG0RoKHT6RAsMQjB0IBg&amp;url=http%3A%2F%2Fwww.allocine.fr%2Ffilm%2Ffichefilm_gen_cfilm%3D239116.html&amp;psig=AFQjCNFAdX9BeUO6op_nZ-jcPqc0-zxUjw&amp;ust=1484433813895557\">AlloCin\u00e9<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Article in\u00e9dit &#8211;\u00a0Jonas Follonier Il est difficile de se prononcer sur le film Victoria&nbsp;sorti le mois dernier. La critique&nbsp;n&rsquo;est pas&#8230;<\/p>","protected":false},"author":138,"featured_media":4626,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[61026,705687,644341146,160712467,20499485,5022245],"class_list":["post-2503","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-cinema-francais","tag-comedie-dramatique","tag-critiques-cinema","tag-justine-triet","tag-vincent-lacoste","tag-virginie-efira"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.5 (Yoast SEO v28.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abVictoria\u00bb ou l&#039;\u00e9criture d&#039;un genre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/victoria-or-thewriting-of-a-gender\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abVictoria\u00bb ou l&#039;\u00e9criture d&#039;un genre\" \/>\n<meta property=\"og:description\" content=\"Article in\u00e9dit -\u00a0Jonas Follonier Il est difficile de se prononcer sur le film Victoria&nbsp;sorti le mois dernier. 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