{"id":27452,"date":"2019-11-13T20:24:15","date_gmt":"2019-11-13T19:24:15","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=27452"},"modified":"2025-12-04T22:30:11","modified_gmt":"2025-12-04T21:30:11","slug":"ach-die-gute-alte-zeit","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/cinema\/films\/ah-la-belle-epoque\/","title":{"rendered":"Ach, \u00abdie sch\u00f6ne Zeit\u00bb!"},"content":{"rendered":"<p><em>Mittwochs im Kino - Kelly Lambiel<\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\">Mit seinem zweiten Film, der bei den Filmfestspielen in Cannes au\u00dfer Konkurrenz lief, beweist Nicolas Bedos, dass er trotz seiner geringen Erfahrung bereits das Zeug zu einem gro\u00dfen Filmemacher hat. Und das nicht nur, weil er sein Talent unter Beweis stellt, indem er gleichzeitig schreibt und Regie f\u00fchrt. Oder weil, wie es bei allen Wagemutigen der Fall ist, seine Person oder seine Feder, je nachdem, wie man es sieht, Kontroversen hervorruft. Oder auch, weil sich bereits die Qualen eines K\u00fcnstlers abzeichnen, der sich bem\u00fcht, bestimmte Obsessionen und wiederkehrende Themen auszusch\u00f6pfen. Wenn er unsere Gunst gewinnt, dann vor allem, weil seine s\u00fc\u00df-sauren Kom\u00f6dien wie das Leben sind: lustig traurig und traurig sch\u00f6n.<\/p>\n\n\n\n<!--more Lire la critique-->\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Nostalgie, wenn du uns erst einmal im Griff hast<\/strong><\/h3>\n\n\n\n<p>Es ist allgemein bekannt: \u00abFr\u00fcher war alles besser.\u00bb Als ihm sein Sohn die M\u00f6glichkeit bietet, in die Vergangenheit zu reisen, willigt Victor \u2013 gespielt von einem Daniel Auteuil, den ich noch nie so bewegend gesehen habe \u2013 trotz anf\u00e4nglicher Bedenken schlie\u00dflich ein. Und wenn man das zynische, fast schon karikaturistische Bild sieht, das der Regisseur von unserer hypervernetzten und oberfl\u00e4chlichen Gesellschaft zeichnet, versteht man auch warum. <\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"La Belle Epoque \u2013 Offizieller Trailer in HD\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/j-J7dpDR06s?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Arbeitslos und gerade von seiner Frau Marianne (die gro\u00dfartige Fanny Ardant!) verlassen, beschlie\u00dft er, genau den Tag des 16. Mai 1974 noch einmal zu erleben. Dank einer ma\u00dfgeschneiderten Inszenierung und dem extremen Perfektionismus von Antoine (Guillaume Canet) ist die Illusion nahezu perfekt.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Die Kunstgriffe sichtbar machen<\/strong>s<\/h3>\n\n\n\n<p>Obwohl Victor sich bewusst ist, dass er sich in einer Inszenierung befindet, ist er verunsichert. Zwar droht das B\u00fchnenbild einzust\u00fcrzen, weichen die Schauspieler manchmal vom Text ab, die Scheinwerfer sind zu deutlich sichtbar und es wird auf Kommando Regen erzeugt; doch gerade dadurch wirkt die Begegnung umso realer.<\/p>\n\n\n\n<p>Es ist nicht ihre gro\u00dfe Liebe, die die T\u00fcr zu <em>die Belle Epoque<\/em> Und es l\u00e4uft nicht alles genau so ab wie vor vierzig Jahren in diesem kleinen Caf\u00e9 in Lyon. Doch die sch\u00f6ne Margot (Doria Tillier) findet in ihrer Rolle als Marianne die richtigen Worte, um den in die Jahre gekommenen Erinnerungen neues Leben einzuhauchen.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Geniale Verschachtelung<\/strong><\/h3>\n\n\n\n<p>Nur kann man nicht in der Vergangenheit leben. Diese Marianne gibt es nicht mehr, diesen Victor auch nicht. Alles ist falsch und doch alles wahr. Wie im Theater, wie im Kino. Vom Lachen zu den Tr\u00e4nen, von den Tr\u00e4nen zum Lachen, zwischen grotesken Reaktionen, bissigen Spr\u00fcchen und Momenten der Anmut zwingt uns Bedos in einen rasanten Rhythmus. Er spielt mit unseren Gef\u00fchlen.<\/p>\n\n\n\n<p>Dank einer Handlung, die mal subtil, mal plump ist, werden die lyrischen H\u00f6henfl\u00fcge und andere emotionale Momente st\u00e4ndig durch pointierte S\u00e4tze und vernichtende Repliken unterbrochen. \u00abHalt, das ist zu sch\u00f6n, um wahr zu sein\u00bb, scheint er uns zuzurufen, \u00abwir sind in einem Film, es muss wie im richtigen Leben aussehen.\u00bb<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1278\" height=\"1732\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/11\/LA_BELLE_EPOQUE_120.jpg\" alt=\"\" class=\"wp-image-27456\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/11\/LA_BELLE_EPOQUE_120.jpg 1278w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/11\/LA_BELLE_EPOQUE_120-1170x1586.jpg 1170w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/11\/LA_BELLE_EPOQUE_120-585x793.jpg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/11\/LA_BELLE_EPOQUE_120-480x650.jpg 480w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/11\/LA_BELLE_EPOQUE_120-111x150.jpg 111w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/11\/LA_BELLE_EPOQUE_120-221x300.jpg 221w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/11\/LA_BELLE_EPOQUE_120-768x1041.jpg 768w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/11\/LA_BELLE_EPOQUE_120-756x1024.jpg 756w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/11\/LA_BELLE_EPOQUE_120-1133x1536.jpg 1133w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/11\/LA_BELLE_EPOQUE_120-300x407.jpg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2019\/11\/LA_BELLE_EPOQUE_120-600x813.jpg 600w\" sizes=\"(max-width: 1278px) 100vw, 1278px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Eine wirksame Distanzierung<\/strong><\/h3>\n\n\n\n<p>Also, ja, die Figuren sind impulsiv, \u00fcberschw\u00e4nglich (gro\u00dfartig!) und diese Neigung, Situationen auf groteske Weise auf den Kopf zu stellen, k\u00f6nnte dem Film einen unglaubw\u00fcrdigen Anstrich verleihen und uns aus der Handlung herausrei\u00dfen, aber genau das hat es mir erm\u00f6glicht, mich darauf einzulassen.<\/p>\n\n\n\n<p>Aristoteles hatte Recht. Aus der fiktiven und desillusionierten Geschichte von Marianne und Victor, verflochten mit der leidenschaftlicheren Geschichte von Antoine und Margot, bleibt mir vor allem ist die Erkenntnis, dass man die Menschen lieben muss und nicht das, was sie einmal waren, dass man die Liebe lieben muss und nicht die Vorstellung, die man sich davon macht.<\/p>\n\n\n\n<p><em>Schreiben Sie dem Autor:&nbsp;<a href=\"mailto:kelly.lambiel@leregardlibre.com\">kelly.lambiel@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p>Fotocredit: \u00a9 Path\u00e9 Films<\/p>","protected":false},"excerpt":{"rendered":"<p>Die Illusion ist fast perfekt<\/p>","protected":false},"author":5,"featured_media":27457,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[31254,214250,644341113,644341146,1675387,107213852,1361661,940893,2372260,752506,644341225,644343322,644343319,31189203,56942,644343321],"class_list":["post-27452","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-amour","tag-antoine","tag-cafe","tag-critiques-cinema","tag-daniel-auteuil","tag-doria-tillier","tag-fanny-ardant","tag-festival-de-cannes","tag-guillaume-canet","tag-la-belle-epoque","tag-lyon","tag-margot","tag-marianne","tag-nicolas-bedos","tag-nostalgie","tag-victor"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.9 (Yoast SEO v27.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Ah! 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