{"id":29885,"date":"2019-03-04T15:00:00","date_gmt":"2019-03-04T14:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=29885"},"modified":"2025-11-12T19:12:59","modified_gmt":"2025-11-12T18:12:59","slug":"idiotie-un-medicis-attendu-depuis-1970","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/literatur\/idiotie-un-medicis-attendu-depuis-1970\/","title":{"rendered":"\u00abIdiotie\u00bb: ein seit 1970 erwarteter M\u00e9dicis"},"content":{"rendered":"

Ein \u00dcberblick \u00fcber einige der wichtigsten Literaturpreise - Folge #1<\/strong><\/p>\n\n\n\n

Le Regard Libre Nr. 47<\/a> - Loris S. Musumeci<\/em><\/p>\n\n\n\n

Pierre Guyotat ist ein Monster. Ein mittlerweile heiliges Monster der franz\u00f6sischen Literatur. Und doch wurde er nicht immer als solcher betrachtet. Er wurde zensiert, angeklagt, verunglimpft und erhielt internationale Unterst\u00fctzung, damit sein Talent geb\u00fchrend gew\u00fcrdigt wurde. Seit seiner Ver\u00f6ffentlichung im Jahr 1970, Eden, Eden, Eden<\/em> wurde vom Innenministerium teilweise zensiert. Der Roman befand sich dennoch im Rennen um den M\u00e9dicis, der ihm um eine Stimme verwehrt blieb. Claude Simon, einer der Juroren, verlie\u00df daraufhin w\u00fctend die Jury. Es dauerte achtundvierzig Jahre, bis der M\u00e9dicis endlich an ihn ging. <\/p>\n\n\n\n\n\n\n\n

Apr\u00e8s tant d\u2019ann\u00e9es, ce n\u2019est pas seulement le r\u00e9cit autobiographique Idiotie<\/em> qui a \u00e9t\u00e9 prim\u00e9 \u2013 m\u00eame si, officiellement, le prix M\u00e9dicis r\u00e9compense un ouvrage \u2013, mais bien l\u2019ensemble de son \u0153uvre. C\u2019est d\u2019ailleurs dans ce sens qu\u2019a agi le jury du prix Femina en lui attribuant un prix sp\u00e9cial pour couronner sa carri\u00e8re d\u2019\u00e9crivain. <\/p>\n\n\n\n

Mit Idiotie<\/em>, Pierre Guyotat revient \u00e0 ses jeunes ann\u00e9es. \u00abCette Idiotie<\/em> traite de mon entr\u00e9e, jadis, dans l\u2019\u00e2ge adulte, entre ma dix-huiti\u00e8me et ma vingt-deuxi\u00e8me ann\u00e9e, de 1958 \u00e0 1962.\u00bb Apr\u00e8s avoir fui son p\u00e8re pour conna\u00eetre les fulgurances de la vie parisienne, il est mobilis\u00e9 pour l\u2019Alg\u00e9rie. Vite r\u00e9volt\u00e9, il s\u2019attire le m\u00e9pris de ses sup\u00e9rieurs et finit au cachot avant d\u2019\u00eatre lib\u00e9r\u00e9 pour int\u00e9grer une unit\u00e9 disciplinaire. <\/p>\n\n\n\n

Bien qu\u2019il s\u2019agisse d\u2019un r\u00e9cit en prose, Idiotie<\/em> se lit davantage comme de la po\u00e9sie. La langue de Guyotat est sublime. Son vocabulaire, riche. Sa port\u00e9e m\u00e9taphysique, vertigineuse. Son style, unique et r\u00e9volutionnaire. A celui qui d\u00e9couvre cet auteur, le don d\u2019\u00e9vocation dont il est ma\u00eetre saute aux yeux. Les mots sonnent et crissent pour accompagner la sensation des sc\u00e8nes d\u00e9crites. <\/p>\n\n\n\n

\u00abLa fille a vu le blazer sous mon blouson, elle approche, de quelques mots d\u2019arabe que j\u2019ai appris aupr\u00e8s d\u2019une couturi\u00e8re de Stains l\u2019\u00e9t\u00e9 dernier, je r\u00e9ponds aux siens que je ne comprends pas; je vois au-dessous de sa l\u00e8vre sup\u00e9rieure tr\u00e8s relev\u00e9e l\u2019ombre de ce tr\u00e8s l\u00e9ger duvet qui me touche aux jeunes filles et femmes; les \u00e9clats de sa voix fine, d\u2019un rauque l\u00e9ger, font battre l\u2019art\u00e8re \u00e0 son cou sous la peau tendre, parfum\u00e9e; tous ici sentent, doux, bon, humains, instruments, les enfants, joues \u00e0 la table, balbutient du cauchemar: l\u00e0-bas, en Alg\u00e9rie, on traque, on tue; d\u2019autres vont s\u2019y mettre. La nuit vient \u00e0 la porte vitr\u00e9e du caf\u00e9, battue par la neige.\u00bb<\/p><\/blockquote>\n\n\n\n

L\u2019\u00e9crivain est aussi connu pour \u00eatre un po\u00e8te du sexe \u2013 ce qui lui valut bl\u00e2mes et censure. Cette dimension se retrouve dans le pr\u00e9sent ouvrage, livr\u00e9e de fa\u00e7on \u00e9videmment crue. Peut-\u00eatre m\u00eame trop. A vous d\u2019en juger. Ames sensibles s\u2019abstenir. <\/p>\n\n\n\n

\u00abLe groupe nous pousse contre une paroi peinte de la rotonde qui r\u00e9sonne de cris gras, de m\u00e9caniques d\u2019ascenseurs; je me retiens aux \u00e9paules d\u2019un qui se retient, devant: mais une main, bagu\u00e9e, huil\u00e9e, me tripote me d\u00e9boutonne la braguette de mon pantalon de sortie, s\u2019y faufile, me prend le membre dans mon cale\u00e7on am\u00e9ricain, le sort, je recule, mais une bouche se joint \u00e0 la main, fard\u00e9e, chaude, grosse, crevass\u00e9e, une langue me frappe le membre \u00e9rig\u00e9, m\u2019en enveloppe le gland circoncis, une dent me touche le frein, tra\u00eene sur la cicatrice de la circoncision [\u2026] je ne bouge plus, craignant qu\u2019un mouvement ne fasse \u00e9jaculer mon membre tendu [\u2026].\u00bb<\/p><\/blockquote>\n\n\n\n

Que la r\u00e9v\u00e9rence soit tir\u00e9e \u00e0 Pierre Guyotat, m\u00eame si son ouvrage est trop difficile d\u2019acc\u00e8s. C\u2019est avec frustration et tristesse que je dois poser le constat de n\u2019avoir pas r\u00e9ussi \u00e0 entrer pleinement dans son univers ni dans son style. Certes, le r\u00e9cit est d\u2019une force r\u00e9elle. Certes, les mots chantent d\u2019eux-m\u00eames. Certes, les interrogations du jeune soldat Guyotat font preuve d\u2019une grande noblesse. Mais tout cela finit par \u00e9touffer, \u00e0 tel point que maintes et maintes fois on se perd dans le texte, on retourne en arri\u00e8re, on recommence, et rien n\u2019y fait. <\/p>\n\n\n\n

Jusqu\u2019\u00e0 l\u2019agacement: il m\u2019est venu des envies de balancer ce livre, tant il m\u2019apparaissait inaccessible ; tant son auteur m\u2019a paru parfois planer au-dessus d\u2019un nuage de d\u00e9lires que lui seul comprend. Malgr\u00e9 l\u2019\u00e9chec, il reste que certains passages sont inoubliables. Idiotie dit tant de choses. Idiotie<\/em> donne tant de ressentis. Idiotie<\/em> parvient \u00e0 dire l\u2019horreur de la guerre. Et rien que pour cela, que la r\u00e9v\u00e9rence soit vraiment tir\u00e9e \u00e0 son auteur, sans hypocrisie ni rancune. <\/p>\n\n\n\n

\u00abAi-je au cou la cha\u00eenette de ma plaque d\u2019immatriculation ou l\u2019ai-je rendue, avec son num\u00e9ro grav\u00e9 de chiffres? Des milliers d\u2019entre nous la portaient au cou de leur d\u00e9pouille \u2013 quelquefois mutil\u00e9e des organes par lesquels ils auraient pu transmettre la vie, un peu de leur c\u0153ur, de leur esprit, de leur souffle au monde et du souffle du monde en eux \u2013, allong\u00e9e dans les gorges, sur les plateaux, sur les pav\u00e9s, sur les trottoirs de l\u2019Alg\u00e9rie. Mais avec eux, aupr\u00e8s d\u2019eux maintenant, et \u00e0 cette heure encore, tous les \u00e9gorg\u00e9s, tous les mutil\u00e9s du nez, des l\u00e8vres, des oreilles, tous les \u00e9nucl\u00e9\u00e9s, tous les d\u00e9membr\u00e9s, tous les d\u00e9sentraill\u00e9s, tous les traqu\u00e9s abattus, tous les battus \u00e0 mort, tous les d\u00e9chiquet\u00e9s, tous les enflamm\u00e9s, b\u00e9b\u00e9s jet\u00e9s contre les murs, m\u00e8re enceintes \u00e9ventr\u00e9es, toutes les viol\u00e9es, tous les tortur\u00e9s, tous les \u00e9bouillant\u00e9s vifs, tous les hach\u00e9s, tous les sci\u00e9s vifs, tous les \u00e9corch\u00e9s, tous les rendus fous, tous les humili\u00e9s \u00e0 vie, tous les disparus jamais retrouv\u00e9s: victimes \u00e0 retardement du crime originel de la conqu\u00eate.\u00bb<\/p><\/blockquote>\n\n\n\n

Schreiben Sie dem Autor: loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n

\"\"<\/figure>
\n

Pierre Guyotat
Idiotie<\/em>
Grasset-Verlag
2018
250 pages<\/strong><\/p>\n\n\n\n

KAUFEN<\/a><\/div>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"

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