{"id":30884,"date":"2020-01-29T14:25:51","date_gmt":"2020-01-29T13:25:51","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=30884"},"modified":"2025-12-04T22:29:24","modified_gmt":"2025-12-04T21:29:24","slug":"die-geschichte-eines-unspektakularen-fotografen","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/cinema\/films\/lhistoire-dun-photographe-sans-histoires\/","title":{"rendered":"Die Geschichte eines \u00abFotografen\u00bb ohne Geschichten"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><em>Mittwochs im Kino - Loris S. Musumeci<\/em><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u00abWenn Sie sich dieses Foto sp\u00e4ter ansehen, werden Sie die Sonne auf Ihrem Gesicht sp\u00fcren.\u00bb<\/p><\/blockquote>\n\n\n\n<p class=\"has-drop-cap wp-block-paragraph\">Bombay, Porte de l\u2019Inde. Raphi prend en photo des touristes devant le monument pour leur vendre un souvenir. M\u00e9tier pr\u00e9caire \u00e0 l\u2019heure des selfies, mais plaisant. Un jour, il tombe sur Miloni, une locale. Il lui propose une photo. Elle pose, ravissante. Impression en direct; elle prend l\u2019image et part sans payer, plus par confusion dans la foule que par volont\u00e9 de voler. Raphi retrouve Miloni, par une affiche publicitaire sur laquelle elle a aussi pos\u00e9. La rencontre entre les deux d\u00e9bouche sur un accord. Il ne lui r\u00e9clame plus l\u2019argent de la photo, mais il a besoin d\u2019un service. Qu\u2019elle feigne d\u2019\u00eatre sa petite amie aux yeux de sa grand-m\u00e8re pour lui faire plaisir et l\u2019honorer. Miloni accepte. Qu\u2019est-ce qu\u2019on ne fait pas pour une mamie qui veut le bonheur de son petit-fils? D\u00e9tail: avant qu&rsquo;il ne connaisse son vrai pr\u00e9nom, le photographe avait d\u00e9j\u00e0 annonc\u00e9 \u00e0 sa grand-m\u00e8re que sa fianc\u00e9e s\u2019appelait Noorie.<\/p>\n\n\n\n<!--more Lire la suite de la critique-->\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"LE PHOTOGRAPHE - Trailer\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/lbEUDOTl5IY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Noorie, Noorie<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Warum Noorie? Weil es in Indien, wenn man den Namen Noorie ausspricht, so ist, als w\u00fcrde man bei uns Julia sagen; Julia erinnert direkt an die Figur einer Geliebten - Shakespeare sei Dank! Popul\u00e4rkultur dank der gr\u00f6\u00dften Romanze des indischen Kinos: <em>Noorie<\/em> (1979) mit seinem s\u00fc\u00dfen Lied <em>Aaja Re O Mere Dilbar<\/em>. Friedlicher Titel im Bild des <em>Fotograf<\/em> der ihr ganz nebenbei Tribut zollt. Der Film ist ebenso friedlich wie langsam und meditativ. Die Regie von Ritesh Batra setzt auf einen wesentlichen Punkt: lange Einstellungen. Sie konzentrieren sich auf die Figuren, in diesem Fall Raphi oder Miloni, die ein bisschen an alles und ein bisschen an nichts denken.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Aaja Re O Mere Dilbar Aaja Noorie 1979 YouTube\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/gQY6f1T5YO0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Zus\u00e4tzlich zu ihrem langsamen Tempo spielen die Szenen viel mit Unsch\u00e4rfe. Ohne auf allzu technische \u00dcberlegungen einzugehen, f\u00e4llt einfach auf, dass auf recht banale Weise die um die Figur herum gezeichnete Unsch\u00e4rfe diese hervorhebt. Und ansonsten sind die Bilder einfach nur sch\u00f6n anzusehen. Der Film erz\u00e4hlt die Geschichte eines Fotografen; der Blick des Regisseurs ist auch der eines Fotografen. Fotografien von einem Indien voller Farben, Tr\u00e4ume, Gedanken, Sonne und dem langsam flie\u00dfenden Ganges.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Das wahre Indien<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Ein Indien, das ebenso gut mit Umweltverschmutzung und Schmutz vertraut ist. Vor allem in Mumbai. Dennoch gelingt es dem Film, uns den Kontrast zwischen Anmut und Schmutz in perfekter Harmonie zu zeigen. Denn das ist Indien. Hochh\u00e4user, Tempel, flatternde Gebetsfahnen, M\u00fcll auf den Stra\u00dfen, edle Stoffe in den Farben des Paradieses, Jeans. Wir befinden uns mitten in der Atmosph\u00e4re des echten Indiens. Mit seinen Volksliedern, Sitar-Balladen, w\u00fcrzigen Melodien, Ger\u00fcchen, schwitzenden Arbeitern, unordentlichen M\u00e4rkten, verfallenen Geb\u00e4uden, Festen, Freude, Frieden und Ungerechtigkeiten.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/01\/Photograph_Filmstill-5_Copyright_Joe_dSouza-1.jpg\" alt=\"\" class=\"wp-image-30888\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Der Fotograf<\/em> zeichnet ein Portr\u00e4t all dieser Merkmale, die Indien ausmachen. In einer ruhigen Atmosph\u00e4re. Ohne wirkliche Peripetien. Das geht so weit, dass der Film zeitweise langweilig wird und man das Gef\u00fchl hat, dass er nie in Gang kommt. Aber das ist nicht allzu schlimm, denn der Charme holt uns ein. Dieser Charme ist auch auf die Seltenheit eines solchen Szenarios zur\u00fcckzuf\u00fchren. Es passiert nichts, au\u00dfer dass nach und nach eine Liebe entsteht. Ohne gro\u00dfe Erkl\u00e4rungen, ohne explosive Gef\u00fchle. Raphi und Miloni fangen an, sich wirklich zu m\u00f6gen, indem sie sich verstellen. Ohne irgendwelche Erwartungen oder \u00dcberraschungen zu verderben, wei\u00df man, dass eine solche Beziehung nicht m\u00f6glich ist. Ein Stra\u00dfenfotograf und ein M\u00e4dchen aus gutem Hause sind nicht dazu bestimmt, sich zu lieben, vor allem nicht in Indien. Raphi ist sich dessen bewusst. Sie wird den Mann heiraten, den ihre Eltern ihr vorschlagen. Er bleibt ein Fotograf ohne Geschichten, ohne Noorie. Es sei denn...<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Schreiben Sie dem Autor:&nbsp;<a href=\"mailto:loris.musumeci@leregardlibre.com\">loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bildnachweis: \u00a9 Filmcoopi<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/01\/Photograph_B1_70x100a-scaled.jpg\" alt=\"\" class=\"wp-image-30889\"\/><\/figure>","protected":false},"excerpt":{"rendered":"<p>Ein farbenfrohes Indien<\/p>","protected":false},"author":18,"featured_media":30891,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[4051,11153786,116545,644341146,890339,97571,2606,112724],"class_list":["post-30884","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-bollywood","tag-cinema-indien","tag-couleurs","tag-critiques-cinema","tag-grand-mere","tag-inde","tag-justice","tag-shakespeare"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.5 (Yoast SEO v28.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>L\u2019histoire d\u2019un \u00abPhotographe\u00bb sans histoires<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/die-geschichte-eines-unspektakularen-fotografen\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019histoire d\u2019un \u00abPhotographe\u00bb sans histoires\" \/>\n<meta property=\"og:description\" content=\"Une Inde pleine de couleurs\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/die-geschichte-eines-unspektakularen-fotografen\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-01-29T13:25:51+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-04T21:29:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/01\/Photograph_Filmstill-1_Copyright_Joe_dSouza-1024x683.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"683\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Loris S. Musumeci\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:site\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"Loris S. Musumeci\" \/>\n\t<meta name=\"twitter:label2\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data2\" content=\"4\u00a0Minuten\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/lhistoire-dun-photographe-sans-histoires\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/lhistoire-dun-photographe-sans-histoires\\\/\"},\"author\":{\"name\":\"Loris S. Musumeci\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/04d80ec47094bca6b1fa22dffad24005\"},\"headline\":\"L\u2019histoire d\u2019un \u00abPhotographe\u00bb sans histoires\",\"datePublished\":\"2020-01-29T13:25:51+00:00\",\"dateModified\":\"2025-12-04T21:29:24+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/lhistoire-dun-photographe-sans-histoires\\\/\"},\"wordCount\":726,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/lhistoire-dun-photographe-sans-histoires\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2020\\\/01\\\/Photograph_Filmstill-1_Copyright_Joe_dSouza-scaled.jpg\",\"keywords\":[\"Bollywood\",\"Cin\u00e9ma indien\",\"Couleurs\",\"Critique cin\u00e9ma\",\"Grand-m\u00e8re\",\"Inde\",\"Justice\",\"William Shakespeare\"],\"articleSection\":[\"Films\"],\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/lhistoire-dun-photographe-sans-histoires\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/lhistoire-dun-photographe-sans-histoires\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/lhistoire-dun-photographe-sans-histoires\\\/\",\"name\":\"L\u2019histoire d\u2019un \u00abPhotographe\u00bb sans histoires\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/lhistoire-dun-photographe-sans-histoires\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/lhistoire-dun-photographe-sans-histoires\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2020\\\/01\\\/Photograph_Filmstill-1_Copyright_Joe_dSouza-scaled.jpg\",\"datePublished\":\"2020-01-29T13:25:51+00:00\",\"dateModified\":\"2025-12-04T21:29:24+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/lhistoire-dun-photographe-sans-histoires\\\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/lhistoire-dun-photographe-sans-histoires\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/lhistoire-dun-photographe-sans-histoires\\\/#primaryimage\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2020\\\/01\\\/Photograph_Filmstill-1_Copyright_Joe_dSouza-scaled.jpg\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2020\\\/01\\\/Photograph_Filmstill-1_Copyright_Joe_dSouza-scaled.jpg\",\"width\":3600,\"height\":2400},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/lhistoire-dun-photographe-sans-histoires\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/leregardlibre.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"L\u2019histoire d\u2019un \u00abPhotographe\u00bb sans histoires\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"name\":\"Le Regard Libre\",\"description\":\"Premier mensuel suisse de d\u00e9bat\",\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/leregardlibre.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\",\"name\":\"Le Regard Libre\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"width\":557,\"height\":556,\"caption\":\"Le Regard Libre\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/leregardlibre\\\/\",\"https:\\\/\\\/x.com\\\/LeRegardLibre\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/le-regard-libre\",\"https:\\\/\\\/www.instagram.com\\\/leregardlibre\\\/\",\"http:\\\/\\\/t.me\\\/leregardlibre\",\"https:\\\/\\\/youtube.com\\\/channel\\\/UC6HzGPomj1LsUmlz-sJtITQ\"],\"description\":\"Le Regard Libre est un mensuel suisse de d\u00e9bat intellectuel et culturel. Sa r\u00e9daction est jeune, b\u00e9n\u00e9vole, lib\u00e9rale et pluraliste. Le magazine para\u00eet en ligne et sous forme papier. Sa langue est le fran\u00e7ais.\",\"email\":\"redaction@leregardlibre.com\",\"legalName\":\"Le Regard Libre\",\"foundingDate\":\"2014-01-01\",\"numberOfEmployees\":{\"@type\":\"QuantitativeValue\",\"minValue\":\"11\",\"maxValue\":\"50\"},\"publishingPrinciples\":\"https:\\\/\\\/leregardlibre.com\\\/a-propos\\\/notre-manifeste\\\/\",\"ownershipFundingInfo\":\"https:\\\/\\\/leregardlibre.com\\\/mentions-legales\\\/\",\"actionableFeedbackPolicy\":\"https:\\\/\\\/leregardlibre.com\\\/conditions-generales-de-vente\\\/\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/04d80ec47094bca6b1fa22dffad24005\",\"name\":\"Loris S. Musumeci\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/fa476654dadfee0d962e80160d0303549febb2769f8fa26c7a1ebe037f7c7c54?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/fa476654dadfee0d962e80160d0303549febb2769f8fa26c7a1ebe037f7c7c54?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/fa476654dadfee0d962e80160d0303549febb2769f8fa26c7a1ebe037f7c7c54?s=96&d=identicon&r=g\",\"caption\":\"Loris S. Musumeci\"},\"sameAs\":[\"https:\\\/\\\/leregardlibre.com\\\/\",\"https:\\\/\\\/fr.wikipedia.org\\\/wiki\\\/Le_Regard_libre\"],\"url\":\"https:\\\/\\\/leregardlibre.com\\\/de\\\/author\\\/loris-musumeci\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Die Geschichte eines \u00abFotografen\u00bb ohne Geschichten","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/leregardlibre.com\/de\/kino\/filme\/die-geschichte-eines-unspektakularen-fotografen\/","og_locale":"de_DE","og_type":"article","og_title":"L\u2019histoire d\u2019un \u00abPhotographe\u00bb sans histoires","og_description":"Une Inde pleine de couleurs","og_url":"https:\/\/leregardlibre.com\/de\/kino\/filme\/die-geschichte-eines-unspektakularen-fotografen\/","og_site_name":"Le Regard Libre","article_publisher":"https:\/\/www.facebook.com\/leregardlibre\/","article_published_time":"2020-01-29T13:25:51+00:00","article_modified_time":"2025-12-04T21:29:24+00:00","og_image":[{"width":1024,"height":683,"url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/01\/Photograph_Filmstill-1_Copyright_Joe_dSouza-1024x683.jpg","type":"image\/jpeg"}],"author":"Loris S. Musumeci","twitter_card":"summary_large_image","twitter_creator":"@LeRegardLibre","twitter_site":"@LeRegardLibre","twitter_misc":{"Verfasst von":"Loris S. Musumeci","Gesch\u00e4tzte Lesezeit":"4\u00a0Minuten"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/leregardlibre.com\/cinema\/films\/lhistoire-dun-photographe-sans-histoires\/#article","isPartOf":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/lhistoire-dun-photographe-sans-histoires\/"},"author":{"name":"Loris S. Musumeci","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/04d80ec47094bca6b1fa22dffad24005"},"headline":"L\u2019histoire d\u2019un \u00abPhotographe\u00bb sans histoires","datePublished":"2020-01-29T13:25:51+00:00","dateModified":"2025-12-04T21:29:24+00:00","mainEntityOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/lhistoire-dun-photographe-sans-histoires\/"},"wordCount":726,"commentCount":0,"publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/lhistoire-dun-photographe-sans-histoires\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/01\/Photograph_Filmstill-1_Copyright_Joe_dSouza-scaled.jpg","keywords":["Bollywood","Cin\u00e9ma indien","Couleurs","Critique cin\u00e9ma","Grand-m\u00e8re","Inde","Justice","William Shakespeare"],"articleSection":["Films"],"inLanguage":"de","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/leregardlibre.com\/cinema\/films\/lhistoire-dun-photographe-sans-histoires\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/leregardlibre.com\/cinema\/films\/lhistoire-dun-photographe-sans-histoires\/","url":"https:\/\/leregardlibre.com\/cinema\/films\/lhistoire-dun-photographe-sans-histoires\/","name":"Die Geschichte eines \u00abFotografen\u00bb ohne Geschichten","isPartOf":{"@id":"https:\/\/leregardlibre.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/lhistoire-dun-photographe-sans-histoires\/#primaryimage"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/lhistoire-dun-photographe-sans-histoires\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/01\/Photograph_Filmstill-1_Copyright_Joe_dSouza-scaled.jpg","datePublished":"2020-01-29T13:25:51+00:00","dateModified":"2025-12-04T21:29:24+00:00","breadcrumb":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/lhistoire-dun-photographe-sans-histoires\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/leregardlibre.com\/cinema\/films\/lhistoire-dun-photographe-sans-histoires\/"]}]},{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/leregardlibre.com\/cinema\/films\/lhistoire-dun-photographe-sans-histoires\/#primaryimage","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/01\/Photograph_Filmstill-1_Copyright_Joe_dSouza-scaled.jpg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/01\/Photograph_Filmstill-1_Copyright_Joe_dSouza-scaled.jpg","width":3600,"height":2400},{"@type":"BreadcrumbList","@id":"https:\/\/leregardlibre.com\/cinema\/films\/lhistoire-dun-photographe-sans-histoires\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/leregardlibre.com\/"},{"@type":"ListItem","position":2,"name":"L\u2019histoire d\u2019un \u00abPhotographe\u00bb sans histoires"}]},{"@type":"WebSite","@id":"https:\/\/leregardlibre.com\/#website","url":"https:\/\/leregardlibre.com\/","name":"Le Regard Libre","description":"Erste Schweizer Monatszeitschrift f\u00fcr Debatten","publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/leregardlibre.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de"},{"@type":"Organization","@id":"https:\/\/leregardlibre.com\/#organization","name":"Le Regard Libre","url":"https:\/\/leregardlibre.com\/","logo":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","width":557,"height":556,"caption":"Le Regard Libre"},"image":{"@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/leregardlibre\/","https:\/\/x.com\/LeRegardLibre","https:\/\/www.linkedin.com\/company\/le-regard-libre","https:\/\/www.instagram.com\/leregardlibre\/","http:\/\/t.me\/leregardlibre","https:\/\/youtube.com\/channel\/UC6HzGPomj1LsUmlz-sJtITQ"],"description":"Le Regard Libre ist eine Schweizer Monatszeitschrift f\u00fcr intellektuelle und kulturelle Debatten. Seine Redaktion ist jung, ehrenamtlich, liberal und pluralistisch. Das Magazin erscheint online und in gedruckter Form. Seine Sprache ist Franz\u00f6sisch.","email":"redaction@leregardlibre.com","legalName":"Le Regard Libre","foundingDate":"2014-01-01","numberOfEmployees":{"@type":"QuantitativeValue","minValue":"11","maxValue":"50"},"publishingPrinciples":"https:\/\/leregardlibre.com\/a-propos\/notre-manifeste\/","ownershipFundingInfo":"https:\/\/leregardlibre.com\/mentions-legales\/","actionableFeedbackPolicy":"https:\/\/leregardlibre.com\/conditions-generales-de-vente\/"},{"@type":"Person","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/04d80ec47094bca6b1fa22dffad24005","name":"Loris S. Musumeci","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/secure.gravatar.com\/avatar\/fa476654dadfee0d962e80160d0303549febb2769f8fa26c7a1ebe037f7c7c54?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/fa476654dadfee0d962e80160d0303549febb2769f8fa26c7a1ebe037f7c7c54?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/fa476654dadfee0d962e80160d0303549febb2769f8fa26c7a1ebe037f7c7c54?s=96&d=identicon&r=g","caption":"Loris S. Musumeci"},"sameAs":["https:\/\/leregardlibre.com\/","https:\/\/fr.wikipedia.org\/wiki\/Le_Regard_libre"],"url":"https:\/\/leregardlibre.com\/de\/author\/loris-musumeci\/"}]}},"_links":{"self":[{"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/posts\/30884","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/comments?post=30884"}],"version-history":[{"count":1,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/posts\/30884\/revisions"}],"predecessor-version":[{"id":511605,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/posts\/30884\/revisions\/511605"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/media\/30891"}],"wp:attachment":[{"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/media?parent=30884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/categories?post=30884"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/tags?post=30884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}