{"id":30884,"date":"2020-01-29T14:25:51","date_gmt":"2020-01-29T13:25:51","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=30884"},"modified":"2025-12-04T22:29:24","modified_gmt":"2025-12-04T21:29:24","slug":"lhistoire-dun-photographe-sans-histoires","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/kino\/filme\/lhistoire-dun-photographe-sans-histoires\/","title":{"rendered":"Die Geschichte eines \u00abFotografen\u00bb ohne Geschichten"},"content":{"rendered":"<p><em>Mittwochs im Kino - Loris S. Musumeci<\/em><\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u00abWenn Sie sich dieses Foto sp\u00e4ter ansehen, werden Sie die Sonne auf Ihrem Gesicht sp\u00fcren.\u00bb<\/p><\/blockquote>\n\n\n\n<p class=\"has-drop-cap\">Bombay, Tor zu Indien. Raphi fotografiert Touristen vor dem Denkmal, um ihnen ein Souvenir zu verkaufen. Im Zeitalter der Selfies ein prek\u00e4rer Job, aber ein angenehmer. Eines Tages trifft er auf Miloni, eine Einheimische. Er bietet ihr ein Foto an. Sie posiert und sieht bezaubernd aus. Sie nimmt das Bild und geht, ohne zu bezahlen, eher aus Verwirrung in der Menge als aus der Absicht zu stehlen. Raphi trifft Miloni \u00fcber ein Werbeplakat wieder, auf dem sie ebenfalls posiert hat. Das Treffen zwischen den beiden f\u00fchrt zu einer Einigung. Er verlangt nicht mehr das Geld f\u00fcr das Foto von ihr, aber er muss ihr einen Gefallen tun. Sie soll vorgeben, vor ihrer Gro\u00dfmutter seine Freundin zu sein, um ihr eine Freude zu machen und sie zu ehren. Miloni stimmt zu. Was tut man nicht alles f\u00fcr eine Oma, die ihren Enkel gl\u00fccklich machen will. Der Fotograf hatte seiner Gro\u00dfmutter bereits mitgeteilt, dass seine Verlobte Noorie hei\u00dft, bevor er ihren richtigen Vornamen kannte.<\/p>\n\n\n\n<!--more Lire la suite de la critique-->\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"LE PHOTOGRAPHE - Trailer\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/lbEUDOTl5IY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Noorie, Noorie<\/h2>\n\n\n\n<p>Warum Noorie? Weil es in Indien, wenn man den Namen Noorie ausspricht, so ist, als w\u00fcrde man bei uns Julia sagen; Julia erinnert direkt an die Figur einer Geliebten - Shakespeare sei Dank! Popul\u00e4rkultur dank der gr\u00f6\u00dften Romanze des indischen Kinos: <em>Noorie<\/em> (1979) mit seinem s\u00fc\u00dfen Lied <em>Aaja Re O Mere Dilbar<\/em>. Friedlicher Titel im Bild des <em>Fotograf<\/em> der ihr ganz nebenbei Tribut zollt. Der Film ist ebenso friedlich wie langsam und meditativ. Die Regie von Ritesh Batra setzt auf einen wesentlichen Punkt: lange Einstellungen. Sie konzentrieren sich auf die Figuren, in diesem Fall Raphi oder Miloni, die ein bisschen an alles und ein bisschen an nichts denken.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Aaja Re O Mere Dilbar Aaja Noorie 1979 YouTube\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/gQY6f1T5YO0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Zus\u00e4tzlich zu ihrem langsamen Tempo spielen die Szenen viel mit Unsch\u00e4rfe. Ohne auf allzu technische \u00dcberlegungen einzugehen, f\u00e4llt einfach auf, dass auf recht banale Weise die um die Figur herum gezeichnete Unsch\u00e4rfe diese hervorhebt. Und ansonsten sind die Bilder einfach nur sch\u00f6n anzusehen. Der Film erz\u00e4hlt die Geschichte eines Fotografen; der Blick des Regisseurs ist auch der eines Fotografen. Fotografien von einem Indien voller Farben, Tr\u00e4ume, Gedanken, Sonne und dem langsam flie\u00dfenden Ganges.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Das wahre Indien<\/h3>\n\n\n\n<p>Ein Indien, das ebenso gut mit Umweltverschmutzung und Schmutz vertraut ist. Vor allem in Mumbai. Dennoch gelingt es dem Film, uns den Kontrast zwischen Anmut und Schmutz in perfekter Harmonie zu zeigen. Denn das ist Indien. Hochh\u00e4user, Tempel, flatternde Gebetsfahnen, M\u00fcll auf den Stra\u00dfen, edle Stoffe in den Farben des Paradieses, Jeans. Wir befinden uns mitten in der Atmosph\u00e4re des echten Indiens. Mit seinen Volksliedern, Sitar-Balladen, w\u00fcrzigen Melodien, Ger\u00fcchen, schwitzenden Arbeitern, unordentlichen M\u00e4rkten, verfallenen Geb\u00e4uden, Festen, Freude, Frieden und Ungerechtigkeiten.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/01\/Photograph_Filmstill-5_Copyright_Joe_dSouza-1.jpg\" alt=\"\" class=\"wp-image-30888\"\/><\/figure>\n\n\n\n<p><em>Der Fotograf<\/em> zeichnet ein Portr\u00e4t all dieser Merkmale, die Indien ausmachen. In einer ruhigen Atmosph\u00e4re. Ohne wirkliche Peripetien. Das geht so weit, dass der Film zeitweise langweilig wird und man das Gef\u00fchl hat, dass er nie in Gang kommt. Aber das ist nicht allzu schlimm, denn der Charme holt uns ein. Dieser Charme ist auch auf die Seltenheit eines solchen Szenarios zur\u00fcckzuf\u00fchren. Es passiert nichts, au\u00dfer dass nach und nach eine Liebe entsteht. Ohne gro\u00dfe Erkl\u00e4rungen, ohne explosive Gef\u00fchle. Raphi und Miloni fangen an, sich wirklich zu m\u00f6gen, indem sie sich verstellen. Ohne irgendwelche Erwartungen oder \u00dcberraschungen zu verderben, wei\u00df man, dass eine solche Beziehung nicht m\u00f6glich ist. Ein Stra\u00dfenfotograf und ein M\u00e4dchen aus gutem Hause sind nicht dazu bestimmt, sich zu lieben, vor allem nicht in Indien. Raphi ist sich dessen bewusst. Sie wird den Mann heiraten, den ihre Eltern ihr vorschlagen. Er bleibt ein Fotograf ohne Geschichten, ohne Noorie. Es sei denn...<\/p>\n\n\n\n<p><em>Schreiben Sie dem Autor:&nbsp;<a href=\"mailto:loris.musumeci@leregardlibre.com\">loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p>Bildnachweis: \u00a9 Filmcoopi<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/01\/Photograph_B1_70x100a-scaled.jpg\" alt=\"\" class=\"wp-image-30889\"\/><\/figure>","protected":false},"excerpt":{"rendered":"<p>Ein farbenfrohes Indien<\/p>","protected":false},"author":18,"featured_media":30891,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[4051,644344140,11153786,116545,644341146,644344135,890339,97571,2606,644344136,644344134,644344139,112724],"class_list":["post-30884","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-bollywood","tag-bombay","tag-cinema-indien","tag-couleurs","tag-critiques-cinema","tag-gange","tag-grand-mere","tag-inde","tag-justice","tag-miloni","tag-noorie","tag-ritesh-batra","tag-shakespeare"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>L\u2019histoire d\u2019un \u00abPhotographe\u00bb sans histoires<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/lhistoire-dun-photographe-sans-histoires\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019histoire d\u2019un \u00abPhotographe\u00bb sans histoires\" \/>\n<meta property=\"og:description\" content=\"Une Inde pleine de couleurs\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/lhistoire-dun-photographe-sans-histoires\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-01-29T13:25:51+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-04T21:29:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/01\/Photograph_Filmstill-1_Copyright_Joe_dSouza-1024x683.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"683\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Loris S. 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