{"id":3120,"date":"2016-11-16T21:55:53","date_gmt":"2016-11-16T20:55:53","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=3120"},"modified":"2025-12-04T23:02:31","modified_gmt":"2025-12-04T22:02:31","slug":"le-client","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/kino\/filme\/le-client\/","title":{"rendered":"\u00abDer Klient\u00bb"},"content":{"rendered":"

Mittwochs im Kino - Loris S. Musumeci<\/em><\/p>\n

Le b\u00e2timent tremble, se fissure de toutes parts. Il faut l\u2019\u00e9vacuer. Emad, digne et responsable, fait sortir Rana, son \u00e9pouse, affol\u00e9e telle la plus normale des femmes.<\/p>\n

T\u00e9h\u00e9ran est en pleine transformation. Les anciennes constructions croulent pour laisser place \u00e0 une ville nouvelle, b\u00e9tonn\u00e9e, morne et moderne.<\/p>\n

C\u2019est dans un Iran en mutation qu\u2019Asghar Farhadi ambiance sa derni\u00e8re \u0153uvre, Le client<\/em>. Ce contexte\u00a0est pr\u00e9sent tout le film durant en racontant l\u2019histoire sombre et douloureuse du couple protagoniste.<\/p>\n

Emad est professeur et com\u00e9dien. Rana, elle, travaille avec son mari au th\u00e9\u00e2tre aussi en tant que com\u00e9dienne. Entrem\u00eal\u00e9e \u00e0 leur aventure personnelle, se joue, par s\u00e9quences, la pi\u00e8ce qu\u2019ils pr\u00e9parent avec leur troupe\u00a0: Mort d\u2019un commis voyageur<\/em> d\u2019Arthur Miller. Celle-ci accompagne chaque \u00e9l\u00e9ment de la trame principale, qui demeure, en fin de compte, tr\u00e8s simple et banale. Les \u00e9poux, contraints de trouver un nouveau logement, d\u00e9m\u00e9nagent dans l\u2019appartement qu\u2019un ami loue au centre de T\u00e9h\u00e9ran. Il se trouve, cependant, que le lieu n\u2019a pas un pass\u00e9 tout \u00e0 fait clair. Il \u00e9tait auparavant habit\u00e9 par une prostitu\u00e9e qui vient de s\u2019en aller. Un soir, alors qu\u2019Emad n\u2019est pas encore rentr\u00e9, Rana est viol\u00e9e, chez elle, par un client qui venait trouver d\u2019habitude la femme \u00ab\u00a0de petites m\u0153urs\u00a0\u00bb. A partir de ce moment, commence la v\u00e9ritable tourmente de l\u2019histoire. Rana a peur de rester seule chez elle\u00a0; Emad sent son honneur de mari bafou\u00e9 et bless\u00e9. La premi\u00e8re tend au fil des jours \u00e0 reprendre ses esprits et \u00e0 tourner la page\u00a0; le second s\u2019obs\u00e8de de plus en plus violemment \u00e0 retrouver ce \u00ab\u00a0client\u00a0\u00bb pour le punir de son acte mauvais.<\/p>\n

Le drame est l\u00e0 \u00e9minemment psychologique et moral, peut-\u00eatre en exc\u00e8s. Le visionnage du film devient effectivement lourd au fil de la recherche d\u2019Emad. Les regards sont trop lents, les discours trop silencieux et les expressions faciales trop expressives.<\/p>\n

Farhadi a \u00e9t\u00e9 prim\u00e9 \u00e0 Cannes pour son sc\u00e9nario, c\u2019est amplement m\u00e9rit\u00e9\u00a0; les paroles sont justes, nettes, mesur\u00e9es. En revanche, que Shahab Hosseini, interpr\u00e9tant Emad, ait re\u00e7u\u00a0le prix de meilleur acteur, me semble d\u00e9plac\u00e9. Il joue bien en effet, mais trop bien. Et c\u2019est l\u00e0 le blocage. Son jeu est celui d\u2019un com\u00e9dien liss\u00e9, cir\u00e9, poli, et non d\u2019un acteur de cin\u00e9ma. Son c\u00f4t\u00e9 m\u00e9lodramatique laisse perplexe, dans la mesure o\u00f9 l\u2019on ne sait pas o\u00f9 il veut en venir. Les incessantes et r\u00e9p\u00e9titives h\u00e9sitations donnent alors au spectateur le loisir de s\u2019ennuyer.<\/p>\n

Il n\u2019en demeure pas moins que l\u2019adaptation litt\u00e9raire du film en roman ou en th\u00e9\u00e2tre serait sans doute un v\u00e9ritable succ\u00e8s de par la richesse du sc\u00e9nario. Les th\u00e9matiques abord\u00e9es sont d\u2019un int\u00e9r\u00eat primordial pour comprendre la place de la toute-puissante morale dans une soci\u00e9t\u00e9 musulmane. Le c\u00f4t\u00e9 f\u00e9ministe du Client<\/em> offre \u00e9galement un authentique message de raison au public oriental. L\u2019homme cultive de mani\u00e8re pulsionnelle\u00a0la vengeance, la femme apaise et pardonne, quitte \u00e0 s\u2019opposer \u00e0 son mari. \u00ab\u00a0Tu es en train de te venger. \u00bb Grave et obscure, cette interpellation de Rana \u00e0 son mari reste la r\u00e9plique la plus marquante. La vengeance tue. Elle infecte la blessure, sans rien gu\u00e9rir.<\/p>\n

Si le nouveau Farhadi, actuellement dans les salles, est \u00e0 conseiller aux cin\u00e9philes et orientalistes avertis de par sa dimension documentaire, il n\u2019est pas adapt\u00e9 au public occidental qui s\u2019est d\u00e9sormais accoutum\u00e9, depuis la mort du cin\u00e9ma muet, \u00e0 la s\u00e9paration nette entre le th\u00e9\u00e2tre et le septi\u00e8me art, ind\u00e9pendant et valable en soi.<\/p>\n

Schreiben Sie dem Autor : loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n

Bildnachweis :\u00a0AlloCin\u00e9<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Les mercredis du cin\u00e9ma – Loris S. Musumeci Le b\u00e2timent tremble, se fissure de toutes parts. Il faut l\u2019\u00e9vacuer. Emad,…<\/p>","protected":false},"author":18,"featured_media":3125,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[12232650,6645,679001,707884],"class_list":["post-3120","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-asghar-farhadi","tag-iran","tag-orientalisme","tag-teheran"],"acf":[],"yoast_head":"\n\u00abLe client\u00bb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/le-client\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abLe client\u00bb\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma - Loris S. 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