{"id":33035,"date":"2020-04-10T08:00:00","date_gmt":"2020-04-10T06:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=33035"},"modified":"2025-02-02T18:35:04","modified_gmt":"2025-02-02T17:35:04","slug":"le-rimbaud-punk-dalain-blottiere","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/literatur\/le-rimbaud-punk-dalain-blottiere\/","title":{"rendered":"Der Punk-Rimbaud von Alain Blotti\u00e8re"},"content":{"rendered":"<p><em>Unver\u00f6ffentlichter Artikel - Ivan Garcia<\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>Mit seinem neuesten Roman schreibt Alain Blotti\u00e8re die Geschichte eines Teenagers, der die Poesie Rimbauds entdeckt und ihn w\u00e4hrend seiner Blindheitsanf\u00e4lle sieht. Eine wahre Ode an die Poesie in einem Paris, das wie das Ende der Welt aussieht, <em>Azur schwarz <\/em>pr\u00e4sentiert einen originellen und mythischen Fall von Rimbauds Bekehrung, der uns Lust auf das Lesen von Gedichten macht. Rimbaud lebt wieder auf - in der Punk-Version. Ein mystisches und mitrei\u00dfendes Buch auf den Spuren einer mythischen Figur der franz\u00f6sischen Literatur.<\/strong><\/p>\n\n\n\n<!--more Lire l'article-->\n\n\n\n<p>A Montmartre, panth\u00e9on des po\u00e8tes parisiens, L\u00e9o passe un \u00e9t\u00e9 caniculaire dans son appartement situ\u00e9 au 14 rue Nicolet. L\u00e0 o\u00f9 jadis v\u00e9curent et s\u2019aim\u00e8rent Verlaine et Rimbaud. Du haut de ses dix-sept ans, L\u00e9o s\u2019ennuie; il est rest\u00e9 seul \u00e0 Paris, alors que sa m\u00e8re et ses amis sont partis en vacances. Mais il se trouve vite embarqu\u00e9, malgr\u00e9 lui, dans un \u00e9trange jeu. Victime de crises de c\u00e9cit\u00e9, L\u00e9o croit devenir aveugle. En m\u00eame temps, pendant celles-ci, il a des visions. Il voit Rimbaud et Verlaine, ainsi que l\u2019histoire qu\u2019ils ont partag\u00e9e. &nbsp;<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Retour vers le pass\u00e9<\/strong><\/h3>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u00abLes raisons d\u2019assombrir ou de ne rien voir ne manquaient pas, dont la principale: l\u2019\u00e9blouissante certitude que tous les malheurs du monde ne pouvaient qu\u2019empirer.\u00bb<\/p><\/blockquote>\n\n\n\n<p><em>Azur schwarz<\/em> est construit sur cette alternance entre le pr\u00e9sent et la c\u00e9cit\u00e9 du protagoniste qui nous entra\u00eene dans le Paris du XIX<sup>.<\/sup> si\u00e8cle. Au fil du r\u00e9cit, L\u00e9o apprend \u00e0 mieux conna\u00eetre son immeuble et fait la connaissance de certains de ses voisins tels que Julie \u2013 avec qui il vivra une romance \u2013, ou encore Monsieur Prinz \u2013 un rescap\u00e9 de l\u2019Holocauste qui lui donnera quelques le\u00e7ons de vie, notamment en lui contant la l\u00e9gende du devin aveugle Tir\u00e9sias.\u00a0 Entre ses consultations ophtalmologiques chez le docteur Lalumi\u00e8re \u2013 on appr\u00e9cie l\u2019ironie de l\u2019auteur \u2013, son voisinage et ses incursions dans le pass\u00e9 rimbaldien, le h\u00e9ros grandit. Peu \u00e0 peu, il s\u2019adonne \u00e0 la po\u00e9sie et s\u2019\u00e9mancipe des relations insatisfaisantes.<\/p>\n\n\n\n<p><strong>Auch zu lesen: <a href=\"https:\/\/leregardlibre.com\/de\/philosophie\/ce-que-fait-la-poesie\/\">Was die Poesie bewirkt<\/a><\/strong><\/p>\n\n\n\n<p>Nach <em>Comment Baptiste est mort<\/em>, laur\u00e9at du prix D\u00e9cembre 2016, et <em>R\u00eaveurs <\/em>(2012), l\u2019auteur explore la mani\u00e8re dont un adolescent fricote avec la mort et parvient \u00e0 exorciser ses peurs. <em>Azur schwarz<\/em>, fid\u00e8le \u00e0 son titre, s\u2019av\u00e8re un roman sombre sur un monde qui se d\u00e9sagr\u00e8ge, \u00e0 l\u2019instar de la vue du h\u00e9ros. Le style d\u00e9ploy\u00e9 par l\u2019auteur, simple et imag\u00e9, met en valeur son personnage, ainsi que la mythologie \u00e0 l\u2019\u0153uvre au c\u0153ur de la figure de Rimbaud. Alain Blotti\u00e8re m\u00eale habilement diff\u00e9rents styles et typographies pour donner plus de vraisemblance \u00e0 l\u2019\u0153uvre. De m\u00eame qu\u2019il d\u00e9crit le portrait de Rimbaud, crayonn\u00e9 sur une fa\u00e7ade de Montmartre. Encore visible aujourd\u2019hui.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Conversion po\u00e9tique<\/strong><\/h3>\n\n\n\n<p>Fascin\u00e9 par le fant\u00f4me du po\u00e8te, L\u00e9o se lancera dans la lecture de l\u2019ouvrage <em>Arthur Rimbaud, \u0152uvre-vie<\/em>, \u00e9dit\u00e9 par Alain Borer \u00able roi des rimbaldiens\u00bb, dont des extraits viennent entrecouper le r\u00e9cit. Mais \u00e0 force de fr\u00e9quenter \u00able diable des Ardennes\u00bb, L\u00e9o se transforme en po\u00e8te et en s\u00e9ducteur impitoyable. Comme symbole de sa conversion \u00e0 sa nouvelle religion, la po\u00e9sie rimbaldienne, le protagoniste se tatoue lui-m\u00eame \u00e0 l\u2019encre rouge le mot \u00abRimb\u00bb sous l\u2019\u0153il droit. Un moyen de conjurer la peur et devenir \u00abvoyant\u00bb au milieu du chaos.<\/p>\n\n\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p>\u00abDans la glace de la salle de bains, L\u00e9o regarda ses yeux \u00e0 la recherche de ce scintillement qui les rendrait invincibles. Mais celui qu\u2019avait remarqu\u00e9 Printz, si c\u2019\u00e9tait vrai, devait venir du soleil et ne paraissait pas \u00e0 la lumi\u00e8re des lampes. [\u2026] Il venait d\u2019enlever son pansement. <em>Rimb <\/em>n\u2019\u00e9tait qu\u2019une cro\u00fbte noir\u00e2tre qui ne ressemblait \u00e0 rien. Pourtant il ne voulait plus cacher cette balafre inqui\u00e9tante qui lui semblait d\u00e9j\u00e0 faire un signe amical au diable ind\u00e9licat, ce voyou des Ardennes qui exhibait fi\u00e8rement sa crasse et ses poux, empuantissait la chambre de l\u2019h\u00f4tel des Etrangers et multipliait des provocations \u00e0 faire fr\u00e9mir jusqu\u2019aux zutistes les plus d\u00e9braill\u00e9s.\u00bb<\/p><\/blockquote>\n\n\n\n<p>A la lecture d\u2019<em>Azur schwarz<\/em>, le lecteur est fascin\u00e9 par le courage que poss\u00e8de Alain Blotti\u00e8re de jouer ainsi avec son personnage et les textes po\u00e9tiques. De m\u00eame que de nous montrer qu\u2019au fond, avant d\u2019\u00eatre une l\u00e9gende, Rimbaud \u00e9tait avant tout un homme, parfois aimable et souvent m\u00e9prisable. De temps \u00e0 autre, nous aurions souhait\u00e9 que l\u2019auteur aille plus loin dans la provocation et les interactions entre Rimbaud et L\u00e9o, mais apr\u00e8s r\u00e9flexion cela aurait peut-\u00eatre rendu le r\u00e9cit indigeste. Que l\u2019on soit un rimbaldien convaincu ou un n\u00e9ophyte en po\u00e9sie, <em>Azur schwarz<\/em> se laisse lire et nous emm\u00e8ne \u00e0 la rencontre de figures l\u00e9gendaires de la litt\u00e9rature fran\u00e7aise en nous montrant l\u2019envers du d\u00e9cor.<\/p>\n\n\n\n<p><em>Schreiben Sie dem Autor: <a href=\"mailto:ivan.garcia@leregardlibre.com\">ivan.garcia@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:25% auto\"><figure class=\"wp-block-media-text__media\"><img fetchpriority=\"high\" decoding=\"async\" width=\"600\" height=\"856\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Azur-noir.jpg\" alt=\"\" class=\"wp-image-33039\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Azur-noir.jpg 600w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Azur-noir-585x835.jpg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Azur-noir-105x150.jpg 105w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Azur-noir-210x300.jpg 210w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/04\/Azur-noir-300x428.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong><em>Azur schwarz<\/em><br>Alain Blotti\u00e8re<br>Editions\u00a0Gallimard<br>2020<br>60 Seiten<\/strong><\/p>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Eine Ode an die Poesie<\/p>","protected":false},"author":53,"featured_media":33037,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20663],"tags":[644347280,644339836,644347283,54879,277140,1532851,8610,1099848,14831,644342096],"class_list":["post-33035","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-litterature","tag-alain-blottiere","tag-arthur-rimbaud","tag-cecite","tag-critiques-litteraires","tag-litterature-francaise","tag-litterature-francophone","tag-paris","tag-paul-verlaine","tag-poesie","tag-19e-siecle"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Le Rimbaud punk d\u2019Alain Blotti\u00e8re<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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