{"id":33275,"date":"2020-04-15T20:30:00","date_gmt":"2020-04-15T18:30:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=33275"},"modified":"2025-12-04T22:28:05","modified_gmt":"2025-12-04T21:28:05","slug":"a-casablanca-les-gens-sont-beaux","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/kino\/filme\/a-casablanca-les-gens-sont-beaux\/","title":{"rendered":"In \u00abCasablanca\u00bb sind die Menschen sch\u00f6n!"},"content":{"rendered":"

\u00abLes gens sont beaux\u00bb, aime \u00e0 dire parfois une camarade. C\u2019est la premi\u00e8re impression que m\u2019a faite le film de Michael Curtiz. Femmes et hommes de caract\u00e8re, costumes, manteaux, longues robes et beaux chemisiers, habits traditionnels et vieilles voitures nous font revivre le charme d\u2019un monde qui n\u2019existe plus. Et qui n\u2019a peut-\u00eatre jamais exist\u00e9\u2026<\/p>\n\n\n\n\n\n\n\n

Typiquement parfait<\/strong><\/h3>\n\n\n\n

Sans surprise, nous sommes \u00e0 Casablanca au Maroc, pendant la seconde guerre mondiale. La ville, sous contr\u00f4le de Vichy, est un passage oblig\u00e9 pour les r\u00e9fugi\u00e9s europ\u00e9ens qui tentent d\u2019atteindre les Etats-Unis et, de ce fait, elle est le th\u00e9\u00e2tre d\u2019un grand brassage de populations. On y rencontre soldats, officiers nazis, forces de l\u2019ordre fran\u00e7aises, populations locales, population coloniale, \u00e9migr\u00e9s, r\u00e9sistants, r\u00e9fugi\u00e9s, etc. La quasi-totalit\u00e9 de l\u2019histoire se d\u00e9roule dans le Rick’s Caf\u00e9 Am\u00e9ricain<\/em> \u2013 bar pris\u00e9 des trafiquants de papiers, bar dont Rick Blaine, le personnage principal, est patron.<\/p>\n\n\n\n

Un jour, Ugarte, d\u00e9linquant de bas-\u00e9tage, d\u00e9barque au Rick\u2019s Caf\u00e9<\/em> en possession de sauf-conduits vol\u00e9s qu\u2019il doit vendre \u00e0 Victor Laszlo \u2013 membre de la r\u00e9sistance \u2013 et son \u00e9pouse, Ilsa Lund. La police, avertie, parvient \u00e0 l\u2019arr\u00eater sans toutefois mettre la main sur les documents qu\u2019Ugarte, pressentant son arrestation, avait remis \u00e0 Rick. En outre, on apprend que Rick et Ilsa se connaissent. Ils se sont rencontr\u00e9s et aim\u00e9s \u00e0 Paris, quelque temps auparavant. Triangle amoureux sur fond de dilemme moral: tous les \u00e9l\u00e9ments du drame romantique sont r\u00e9unis.<\/p>\n\n\n\n

\"\"
\u00a9 Warner Bros<\/figcaption><\/figure>\n\n\n\n

Umberto Eco l\u2019a dit tr\u00e8s justement \u00e0 propos de Casablanca<\/em>: \u00abQuand tous les arch\u00e9types d\u00e9ferlent sans aucune d\u00e9cence, on atteint des profondeurs hom\u00e9riques. Deux clich\u00e9s font rire. Cent clich\u00e9s \u00e9meuvent.\u00bb L\u2019\u00e9crivain italien a mis le doigt sur l\u2019une des forces majeures du film de Curtiz: son jeu magistral sur les clich\u00e9s. Le sc\u00e9nario proc\u00e8de par typisation: chaque personnage incarne son r\u00f4le jusqu’au bout, dans toutes les caract\u00e9ristiques qui lui sont assorties. Sans oublier que derri\u00e8re ces personnages magistraux se r\u00e9v\u00e8lent de grands acteurs. Aux c\u00f4t\u00e9s des charismatiques Humphrey Bogart dans le r\u00f4le Rick et Paul Henreid dans le r\u00f4le de Laszlo, l\u2019envo\u00fbtante Ingrid Bergman ne laissera personne indiff\u00e9rent.<\/p>\n\n\n\n

Amour contre vertu<\/strong><\/h3>\n\n\n\n

Si le film est \u00e9videmment \u00abromantique\u00bb, ce sont moins les sentiments en tant que tels qui sont au c\u0153ur de l’intrigue, que le dilemme moral de Rick. Tranchera-t-il en faveur de ses sentiments, mettant en p\u00e9ril la cause de la r\u00e9sistance, ou renoncera-t-il \u00e0 son amour pour Ilsa, permettant \u00e0 Laszlo de s\u2019enfuir avec son \u00e9pouse? La question est d\u00e9licate. Si elle rel\u00e8ve dans le film du choix de Rick, elle s\u2019est avant tout pos\u00e9e aux sc\u00e9naristes. <\/em>Ces derniers ont longuement tergivers\u00e9 entre les deux possibilit\u00e9s. Aljean Harmetz explique, dans son livre The making of Casablanca<\/em>,que la question fut finalement tranch\u00e9e par le code Hays <\/em>\u2013 code de production du cin\u00e9ma am\u00e9ricain \u2013 qui interdisait que l\u2019on montr\u00e2t l\u2019adult\u00e8re \u00e0 l\u2019\u00e9cran. Ainsi, Rick se sacrifie et Laszlo repart avec Ilsa.<\/p>\n\n\n\n

Casablanca<\/em>, loin d\u2019\u00eatre \u00abune longue histoire d\u2019humiliation f\u00e9minine\u00bb \u2013 comme l’\u00e9crit Abnousse Shalmani \u2013 parlera aux plus nostalgiques d\u2019entre nous, \u00e0 ceux qui savent se laisser toucher par ce qui est \u00abbeau\u00bb, par ce qui vit, au lieu d\u2019y coller un triste jugement moralisateur teint\u00e9 de bien-pensance. Enfin, Casablanca <\/em>rejoindra ceux qui osent encore aimer les belles femmes, les hommes en costume cravate, les trench-coats<\/em>, chapeaux et autres uniformes d\u2019\u00e9poque, enfin ceux qui savent se d\u00e9lecter de magnifiques images en noir et blanc. Venues d\u2019un autre temps\u2026 mais \u00e9ternelles.<\/p>\n\n\n\n

Schreiben Sie dem Autor: antoine.bernhard@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n

Vous venez de lire une r\u00e9trospective tir\u00e9e de notre dossier Liebe im Film<\/a>.<\/h6>\n\n\n\n
\"\"<\/a>
\u00a9 Warner Bros<\/figcaption><\/figure>","protected":false},"excerpt":{"rendered":"

\u00abLes gens sont beaux\u00bb, aime \u00e0 dire parfois une camarade. 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