{"id":34864,"date":"2020-07-08T20:15:00","date_gmt":"2020-07-08T18:15:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=34864"},"modified":"2025-12-04T22:26:14","modified_gmt":"2025-12-04T21:26:14","slug":"un-pinocchio-dans-la-continuite-mais-rate","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/kino\/filme\/un-pinocchio-dans-la-continuite-mais-rate\/","title":{"rendered":"Ein \u00abPinocchio\u00bb in der Kontinuit\u00e4t, aber verfehlt"},"content":{"rendered":"

Mittwochs im Kino<\/a> - Loris S. Musumeci<\/em><\/p>\n\n\n\n

Matteo Garrone kehrt zur\u00fcck. Roberto Benigni auch. Und nat\u00fcrlich die Fabel von Pinocchio<\/em> (1881) von Carlo Collodi, die schon so oft verfilmt wurde. Das Ereignis k\u00fcndigt sich also durch die Zusammenf\u00fchrung dieser drei R\u00fcckkehrer an. Dogman<\/a><\/em> (2018), in meinen Augen ein wahres Meisterwerk, best\u00e4tigte Garrone, der in Cannes bereits f\u00fcr Gomorra<\/em> (2008), als brillanter Filmemacher, dessen Ver\u00f6ffentlichungen vom Publikum mit Ungeduld erwartet werden. Benigni, der ewig geopferte Vater des riesigen Das Leben ist sch\u00f6n<\/a><\/em> (1997), kehrt nach acht Jahren, die er der B\u00fchne gewidmet hat, noch sehnlicher auf die Leinwand zur\u00fcck. Und Pinocchio bleibt Pinocchio, mit jeder neuen Adaption. Mal freier, mal getreuer, jede Adaption beweist, dass die Jahre f\u00fcr Fabeln nicht vergehen. Sie bleiben, sprechen zu jeder Zeit, zu jedem.<\/strong><\/p>\n\n\n\n\n\n\n\n

\nhttps:\/\/www.youtube.com\/watch?v=bqo4j55MLLc\n<\/div><\/figure>\n\n\n\n

Garrone s\u2019est empar\u00e9 d\u2019une histoire qu\u2019il a intimement fr\u00e9quent\u00e9e depuis l\u2019enfance. Lui qui consid\u00e8re ses pr\u00e9c\u00e9dents films comme des fables noires des temps modernes s\u2019att\u00e8le cette fois \u00e0 une v\u00e9ritable fable. La plus italienne des fables, l\u2019une des plus connues. Il part en terrain connu: ce qui lui permet de se concentrer davantage sur le style de la photographie et sur l\u2019agencement de la narration. Le film s\u2019ins\u00e8re aussi dans le mode de la continuit\u00e9 pour Benigni incarnant Geppetto, apr\u00e8s avoir interpr\u00e9t\u00e9 Pinocchio dans son propre Pinocchio<\/em> (2002), qui malgr\u00e9 les co\u00fbts faramineux n\u2019avait pas rencontr\u00e9 le succ\u00e8s attendu.<\/p>\n\n\n\n

La continuit\u00e9 et pour Garrone et pour Benigni va plus loin que leur simple filmographie; elle s\u2019inscrit dans un th\u00e8me, celui de l\u2019amour paternel. Amour paternel dans Das Leben ist sch\u00f6n<\/em> pour un Guido qui va jusqu\u2019\u00e0 donner sa vie pour sauver son fils Giosu\u00e8 de l\u2019horrible r\u00e9alit\u00e9 des camps de concentration. Amour paternel dans Dogman<\/em> pour un Marcello qui, malgr\u00e9 les probl\u00e8mes en tout genre, ne sait que sourire face \u00e0 sa fille, sans jamais laisser transpara\u00eetre son angoisse, pour lui permettre de r\u00eaver, de vivre dans un monde fabuleux. Et amour paternel dans Pinocchio<\/em> pour un Geppetto qui donne vie \u00e0 un morceau de bois pour en faire un enfant, son fils. Il ira jusque dans la gueule d\u2019une baleine afin de le retrouver. Le p\u00e8re se retrouve en outre dans ces trois films en posture du Loser <\/em>\u2013 le genre de personnage que je pr\u00e9f\u00e8re en cin\u00e9ma comme en litt\u00e9rature \u2013 mais un Loser<\/em> qui ne l\u00e2che rien, par amour de ses proches, de son enfant.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Avec Garrone, la photographie est toujours tr\u00e8s soign\u00e9e. Si, pour Pinocchio<\/em>, elle se pr\u00e9sente \u00e0 mon sens sous une forme moins caract\u00e9ristique que dans Dogman<\/em>, elle reste n\u00e9anmoins agr\u00e9able, forte et entra\u00eenante. Le filtre p\u00e2le sur les couleurs qui rend une ambiance tragique, accompagn\u00e9 des teintes l\u00e9g\u00e8rement d\u00e9lav\u00e9es des costumes qui donnent \u00e0 l\u2019image du naturel et de la douceur. Sous les costumes, les personnages, leur maquillage, leur voix et leurs expressions faciales. L\u00e0, on se retrouve chez Fellini. Des figures inspir\u00e9es du monde du cirque, aux traits tr\u00e8s grossis, aux airs soit d\u00e9moniaques soit ang\u00e9liques, aux voix compl\u00e8tement d\u00e9cal\u00e9es. Ces personnages qui sont des caricatures d\u2019eux-m\u00eames accentuent le contexte de la fable. Sans compter que plusieurs d\u2019entre eux sont des animaux aux traits humains, sans devenir kitsch pour autant. C\u2019est de la fantaisie, sans de surplus grossier.<\/p>\n\n\n\n

Donc, tous les \u00e9l\u00e9ments sont au rendez-vous pour une \u0153uvre r\u00e9ussie, n\u2019est-ce pas? Non, pas du tout en fait. Malgr\u00e9 l\u2019ind\u00e9niable talent sc\u00e9naristique du r\u00e9alisateur, malgr\u00e9 le jeu toujours touchant de Benigni, malgr\u00e9 le jeune acteur \u00e0 croquer qui interpr\u00e8te la marionnette \u00abqui veut devenir un vrai petit gar\u00e7on\u00bb, le film se solde par un \u00e9chec, malgr\u00e9 toutes ses qualit\u00e9s. Fade, ennuyeux, il se contente sans originalit\u00e9 de nous livrer, l\u2019une apr\u00e8s l\u2019autre, chaque aventure de Pinocchio. Face \u00e0 l\u2019\u00e9cran, on sent que Garrone a tout voulu mettre dans son film; il en a malheureusement n\u00e9glig\u00e9 l\u2019agencement. Succession de sc\u00e8nes p\u00e9nibles \u00e0 la longue, dont les dialogues ne volent pas tr\u00e8s haut. A part quelques piques plus politiques, le sc\u00e9nario se contente citer des banalit\u00e9s d\u00e9j\u00e0 entendues et r\u00e9entendues. Dommage, parce qu\u2019avec Dogman<\/em> notamment, le r\u00e9alisateur avait su concilier l\u2019aspect fabuleux \u00e0 la modernit\u00e9 de son message.<\/p>\n\n\n\n

Par affection pour Garrone, pour Benigni, pour la fable, j\u2019ai tout de m\u00eame envie de recommander le film malgr\u00e9 ses graves d\u00e9fauts. Avais-je trop d\u2019attentes? Ai-je \u00e9t\u00e9 trop s\u00e9v\u00e8re dans cette critique? Que le nez m\u2019en pousse si j\u2019ai dit des b\u00eatises.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Schreiben Sie dem Autor: loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n

Bildnachweis: \u00a9 Ascot Elite Entertainment<\/p>","protected":false},"excerpt":{"rendered":"

Die Fabel kehrt mit Garrone und Benigni zur\u00fcck<\/p>","protected":false},"author":18,"featured_media":34869,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644352190,644341146,644340043,357966,644340545,644352181,82290,619493,644340044,1048873,644352179,344438],"class_list":["post-34864","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-carlo-collodi","tag-critiques-cinema","tag-dogman","tag-enfance","tag-fable","tag-geppetto","tag-italie","tag-la-vie-est-belle","tag-matteo-garrone","tag-mensonge","tag-pinocchio","tag-roberto-benigni"],"acf":[],"yoast_head":"\nUn \u00abPinocchio\u00bb dans la continuit\u00e9, mais rat\u00e9<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/un-pinocchio-dans-la-continuite-mais-rate\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Un \u00abPinocchio\u00bb dans la continuit\u00e9, mais rat\u00e9\" \/>\n<meta property=\"og:description\" content=\"La fable revient avec Garrone et Benigni\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/un-pinocchio-dans-la-continuite-mais-rate\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-07-08T18:15:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-04T21:26:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/07\/Pinocchio-Szenen-ov-08-Scene-Picture-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1707\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Loris S. Musumeci\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:site\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"Loris S. Musumeci\" \/>\n\t<meta name=\"twitter:label2\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data2\" content=\"4\u00a0Minuten\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/\"},\"author\":{\"name\":\"Loris S. Musumeci\",\"@id\":\"https:\/\/leregardlibre.com\/#\/schema\/person\/04d80ec47094bca6b1fa22dffad24005\"},\"headline\":\"Un \u00abPinocchio\u00bb dans la continuit\u00e9, mais rat\u00e9\",\"datePublished\":\"2020-07-08T18:15:00+00:00\",\"dateModified\":\"2025-12-04T21:26:14+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/\"},\"wordCount\":855,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/leregardlibre.com\/#organization\"},\"image\":{\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/07\/Pinocchio-Szenen-ov-08-Scene-Picture-scaled.jpg\",\"keywords\":[\"carlo collodi\",\"Critique cin\u00e9ma\",\"dogman\",\"Enfance\",\"fable\",\"geppetto\",\"Italie\",\"la vie est belle\",\"matteo garrone\",\"Mensonge\",\"pinocchio\",\"Roberto Benigni\"],\"articleSection\":[\"Films\"],\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/\",\"url\":\"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/\",\"name\":\"Un \u00abPinocchio\u00bb dans la continuit\u00e9, mais rat\u00e9\",\"isPartOf\":{\"@id\":\"https:\/\/leregardlibre.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/07\/Pinocchio-Szenen-ov-08-Scene-Picture-scaled.jpg\",\"datePublished\":\"2020-07-08T18:15:00+00:00\",\"dateModified\":\"2025-12-04T21:26:14+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/#primaryimage\",\"url\":\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/07\/Pinocchio-Szenen-ov-08-Scene-Picture-scaled.jpg\",\"contentUrl\":\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/07\/Pinocchio-Szenen-ov-08-Scene-Picture-scaled.jpg\",\"width\":2560,\"height\":1707},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/leregardlibre.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Un \u00abPinocchio\u00bb dans la continuit\u00e9, mais rat\u00e9\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/leregardlibre.com\/#website\",\"url\":\"https:\/\/leregardlibre.com\/\",\"name\":\"Le Regard Libre\",\"description\":\"Premier mensuel suisse de d\u00e9bat\",\"publisher\":{\"@id\":\"https:\/\/leregardlibre.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/leregardlibre.com\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/leregardlibre.com\/#organization\",\"name\":\"Le Regard Libre\",\"url\":\"https:\/\/leregardlibre.com\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg\",\"contentUrl\":\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg\",\"width\":557,\"height\":556,\"caption\":\"Le Regard Libre\"},\"image\":{\"@id\":\"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/leregardlibre\/\",\"https:\/\/x.com\/LeRegardLibre\",\"https:\/\/www.linkedin.com\/company\/le-regard-libre\",\"https:\/\/www.instagram.com\/leregardlibre\/\",\"http:\/\/t.me\/leregardlibre\",\"https:\/\/youtube.com\/channel\/UC6HzGPomj1LsUmlz-sJtITQ\"],\"description\":\"Le Regard Libre est un mensuel suisse de d\u00e9bat intellectuel et culturel. Sa r\u00e9daction est jeune, b\u00e9n\u00e9vole, lib\u00e9rale et pluraliste. Le magazine para\u00eet en ligne et sous forme papier. Sa langue est le fran\u00e7ais.\",\"email\":\"redaction@leregardlibre.com\",\"legalName\":\"Le Regard Libre\",\"foundingDate\":\"2014-01-01\",\"numberOfEmployees\":{\"@type\":\"QuantitativeValue\",\"minValue\":\"11\",\"maxValue\":\"50\"},\"publishingPrinciples\":\"https:\/\/leregardlibre.com\/a-propos\/notre-manifeste\/\",\"ownershipFundingInfo\":\"https:\/\/leregardlibre.com\/mentions-legales\/\",\"actionableFeedbackPolicy\":\"https:\/\/leregardlibre.com\/conditions-generales-de-vente\/\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/leregardlibre.com\/#\/schema\/person\/04d80ec47094bca6b1fa22dffad24005\",\"name\":\"Loris S. Musumeci\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\/\/leregardlibre.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/fa476654dadfee0d962e80160d0303549febb2769f8fa26c7a1ebe037f7c7c54?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/fa476654dadfee0d962e80160d0303549febb2769f8fa26c7a1ebe037f7c7c54?s=96&d=identicon&r=g\",\"caption\":\"Loris S. Musumeci\"},\"sameAs\":[\"https:\/\/leregardlibre.com\/\",\"https:\/\/fr.wikipedia.org\/wiki\/Le_Regard_libre\"],\"url\":\"https:\/\/leregardlibre.com\/de\/author\/loris-musumeci\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Ein \u00abPinocchio\u00bb in der Kontinuit\u00e4t, aber verfehlt","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/leregardlibre.com\/de\/kino\/filme\/un-pinocchio-dans-la-continuite-mais-rate\/","og_locale":"de_DE","og_type":"article","og_title":"Un \u00abPinocchio\u00bb dans la continuit\u00e9, mais rat\u00e9","og_description":"La fable revient avec Garrone et Benigni","og_url":"https:\/\/leregardlibre.com\/de\/kino\/filme\/un-pinocchio-dans-la-continuite-mais-rate\/","og_site_name":"Le Regard Libre","article_publisher":"https:\/\/www.facebook.com\/leregardlibre\/","article_published_time":"2020-07-08T18:15:00+00:00","article_modified_time":"2025-12-04T21:26:14+00:00","og_image":[{"width":2560,"height":1707,"url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/07\/Pinocchio-Szenen-ov-08-Scene-Picture-scaled.jpg","type":"image\/jpeg"}],"author":"Loris S. Musumeci","twitter_card":"summary_large_image","twitter_creator":"@LeRegardLibre","twitter_site":"@LeRegardLibre","twitter_misc":{"Verfasst von":"Loris S. Musumeci","Gesch\u00e4tzte Lesezeit":"4\u00a0Minuten"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/#article","isPartOf":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/"},"author":{"name":"Loris S. Musumeci","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/04d80ec47094bca6b1fa22dffad24005"},"headline":"Un \u00abPinocchio\u00bb dans la continuit\u00e9, mais rat\u00e9","datePublished":"2020-07-08T18:15:00+00:00","dateModified":"2025-12-04T21:26:14+00:00","mainEntityOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/"},"wordCount":855,"commentCount":0,"publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/07\/Pinocchio-Szenen-ov-08-Scene-Picture-scaled.jpg","keywords":["carlo collodi","Critique cin\u00e9ma","dogman","Enfance","fable","geppetto","Italie","la vie est belle","matteo garrone","Mensonge","pinocchio","Roberto Benigni"],"articleSection":["Films"],"inLanguage":"de","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/","url":"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/","name":"Ein \u00abPinocchio\u00bb in der Kontinuit\u00e4t, aber verfehlt","isPartOf":{"@id":"https:\/\/leregardlibre.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/#primaryimage"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/07\/Pinocchio-Szenen-ov-08-Scene-Picture-scaled.jpg","datePublished":"2020-07-08T18:15:00+00:00","dateModified":"2025-12-04T21:26:14+00:00","breadcrumb":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/"]}]},{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/#primaryimage","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/07\/Pinocchio-Szenen-ov-08-Scene-Picture-scaled.jpg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/07\/Pinocchio-Szenen-ov-08-Scene-Picture-scaled.jpg","width":2560,"height":1707},{"@type":"BreadcrumbList","@id":"https:\/\/leregardlibre.com\/cinema\/films\/un-pinocchio-dans-la-continuite-mais-rate\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/leregardlibre.com\/"},{"@type":"ListItem","position":2,"name":"Un \u00abPinocchio\u00bb dans la continuit\u00e9, mais rat\u00e9"}]},{"@type":"WebSite","@id":"https:\/\/leregardlibre.com\/#website","url":"https:\/\/leregardlibre.com\/","name":"Le Regard Libre","description":"Erste Schweizer Monatszeitschrift f\u00fcr Debatten","publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/leregardlibre.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de"},{"@type":"Organization","@id":"https:\/\/leregardlibre.com\/#organization","name":"Le Regard Libre","url":"https:\/\/leregardlibre.com\/","logo":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","width":557,"height":556,"caption":"Le Regard Libre"},"image":{"@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/leregardlibre\/","https:\/\/x.com\/LeRegardLibre","https:\/\/www.linkedin.com\/company\/le-regard-libre","https:\/\/www.instagram.com\/leregardlibre\/","http:\/\/t.me\/leregardlibre","https:\/\/youtube.com\/channel\/UC6HzGPomj1LsUmlz-sJtITQ"],"description":"Le Regard Libre ist eine Schweizer Monatszeitschrift f\u00fcr intellektuelle und kulturelle Debatten. Seine Redaktion ist jung, ehrenamtlich, liberal und pluralistisch. Das Magazin erscheint online und in gedruckter Form. Seine Sprache ist Franz\u00f6sisch.","email":"redaction@leregardlibre.com","legalName":"Le Regard Libre","foundingDate":"2014-01-01","numberOfEmployees":{"@type":"QuantitativeValue","minValue":"11","maxValue":"50"},"publishingPrinciples":"https:\/\/leregardlibre.com\/a-propos\/notre-manifeste\/","ownershipFundingInfo":"https:\/\/leregardlibre.com\/mentions-legales\/","actionableFeedbackPolicy":"https:\/\/leregardlibre.com\/conditions-generales-de-vente\/"},{"@type":"Person","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/04d80ec47094bca6b1fa22dffad24005","name":"Loris S. Musumeci","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/fa476654dadfee0d962e80160d0303549febb2769f8fa26c7a1ebe037f7c7c54?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/fa476654dadfee0d962e80160d0303549febb2769f8fa26c7a1ebe037f7c7c54?s=96&d=identicon&r=g","caption":"Loris S. Musumeci"},"sameAs":["https:\/\/leregardlibre.com\/","https:\/\/fr.wikipedia.org\/wiki\/Le_Regard_libre"],"url":"https:\/\/leregardlibre.com\/de\/author\/loris-musumeci\/"}]}},"_links":{"self":[{"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/posts\/34864","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/comments?post=34864"}],"version-history":[{"count":1,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/posts\/34864\/revisions"}],"predecessor-version":[{"id":511818,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/posts\/34864\/revisions\/511818"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/media\/34869"}],"wp:attachment":[{"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/media?parent=34864"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/categories?post=34864"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/tags?post=34864"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}