{"id":35860,"date":"2020-09-04T06:00:00","date_gmt":"2020-09-04T04:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=35860"},"modified":"2022-09-04T10:40:31","modified_gmt":"2022-09-04T08:40:31","slug":"berlioz-le-geant-incompris","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/musik\/berlioz-le-geant-incompris\/","title":{"rendered":"Berlioz, der unverstandene Riese"},"content":{"rendered":"<div class='content_excerpt'>\n<p>Le Regard Libre Nr. 65 - Jean-David Ponci<\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>Laut Wagner waren es drei. Berlioz, Liszt und er: die drei Giganten der damaligen Zeit. Das macht einen nachdenklich. Wie kann ein so umstrittener Komponist wie Berlioz ein Riese sein? Das Einzige, was man auf den ersten Blick \u00fcber ihn sagen kann, ist, dass er seine Zeitgenossen nicht gleichg\u00fcltig lie\u00df.<\/strong><\/p>\n\n\n\n Langen Artikel lesen\n    <div class='restricted_content_fade'><\/div>\n    <\/div>\n  <style>\n    .content_excerpt{\n      position: relative;\n    }\n    .content_excerpt .restricted_content_fade{\n      position: absolute;\n      bottom: 0;\n      left: 0;\n      right: 0;\n      height: 75px;\n\t  margin-bottom: 0px;\n      background-image: linear-gradient(#ffffff2e, white);\n    }\n\n    .restricted_content{\n      margin-top: 30px;\n      border: solid #dddddd 1px;\n      border-radius: 7px;\n      padding: 30px;\n    }\n    \n    .restricted_content .restricted_content_title{\n      font-size: 22px;\n      font-weight: 600;\n    }\n    .restricted_content .restricted_content_flex_row{\n      display: flex;\n      flex-direction: row;\n    }\n    .restricted_content .restricted_content_image_container{\n      flex: 3;\n    }\n    .restricted_content .restricted_content_flex_column{\n      flex: 4;\n      display: flex;\n      flex-direction: column;\n      margin-left: 40px;\n      justify-content: center;\n    }\n\n\n    .restricted_content_buttons{\n      display: flex;\n      flex-direction: column;\n      width: min-content;\n    }\n    .restricted_content_button{\n      background-color: #f2f2f2;\n      text-transform: uppercase;\n      font-weight: 600;\n      padding: 8px 40px;\n      text-align: center;\n      font-size: 13px;\n      margin-top: 10px;\n      width: max-content;\n      width: 100%;\n      white-space: nowrap;\n    }\n    .restricted_content_button:hover {\n      background-color: #111111;\n      color: white;\n      text-decoration: none !important;\n    }\n\n    .restricted_content_primary_button{\n      background-color: #1F2A68 !important;\n      color: white !important;\n    }\n    .restricted_content_primary_button:hover {\n      background-color: #111111;\n    }\n\n    .restricted_content_text{\n      margin-bottom: 10px;\n      line-height: 1.2;\n      font-weight: 500;\n      font-size: 16px;\n    }\n\n  \n  <\/style>\n  <div class='restricted_content'>\n    <h3 class='restricted_content_title'>Dieser Inhalt ist unseren Abonnenten vorbehalten.<\/h3>\n    <div class='restricted_content_flex_row'>\n      <div class='restricted_content_image_container'>\n        <img class='restricted_content_image' src='\/wp-content\/uploads\/2025\/08\/abo_physique.png' \/>\n      <\/div>\n      <div class='restricted_content_flex_column'>\n        <div class='restricted_content_text'>Wenn Sie ein Konto haben, loggen Sie sich ein. Ansonsten entdecken Sie unsere verschiedenen Abonnements und erstellen Sie ein Konto ab CHF 2.50 im ersten Monat.<\/div>\n        <div class='restricted_content_buttons'>\n          <a href='\/de\/abonnement\/' class='restricted_content_button restricted_content_primary_button'>Abonnements ansehen<\/a><a href='\/de\/mein-konto\/?redirect_to=https:\/\/leregardlibre.com\/de\/musik\/berlioz-le-geant-incompris\/'class='restricted_content_button'>Sich anmelden<\/a><\/div>\n      <\/div>\n    <\/div>\n  <\/div>","protected":false},"excerpt":{"rendered":"<div class='content_excerpt'>\n<p>Le Regard Libre Nr. 65 - Jean-David Ponci<\/p>\n<p class=\"has-drop-cap\"><strong>Laut Wagner waren es drei. Berlioz, Liszt und er: die drei Giganten der damaligen Zeit. Das macht einen nachdenklich. Wie kann ein so umstrittener Komponist wie Berlioz ein Riese sein? Das Einzige, was man auf den ersten Blick \u00fcber ihn sagen kann, ist, dass er seine Zeitgenossen nicht gleichg\u00fcltig lie\u00df.<\/strong><\/p>\n<p> Langen Artikel lesen<\/p>\n<div class='restricted_content_fade'><\/div>\n<\/p><\/div>\n<style>\n    .content_excerpt{\n      position: relative;\n    }\n    .content_excerpt .restricted_content_fade{\n      position: absolute;\n      bottom: 0;\n      left: 0;\n      right: 0;\n      height: 75px;\n\t  margin-bottom: 0px;\n      background-image: linear-gradient(#ffffff2e, white);\n    }<\/p>\n<p>    .restricted_content{\n      margin-top: 30px;\n      border: solid #dddddd 1px;\n      border-radius: 7px;\n      padding: 30px;\n    }<\/p>\n<p>    .restricted_content .restricted_content_title{\n      font-size: 22px;\n      font-weight: 600;\n    }\n    .restricted_content .restricted_content_flex_row{\n      display: flex;\n      flex-direction: row;\n    }\n    .restricted_content .restricted_content_image_container{\n      flex: 3;\n    }\n    .restricted_content .restricted_content_flex_column{\n      flex: 4;\n      display: flex;\n      flex-direction: column;\n      margin-left: 40px;\n      justify-content: center;\n    }<\/p>\n<p>    .restricted_content_buttons{\n      display: flex;\n      flex-direction: column;\n      width: min-content;\n    }\n    .restricted_content_button{\n      background-color: #f2f2f2;\n      text-transform: uppercase;\n      font-weight: 600;\n      padding: 8px 40px;\n      text-align: center;\n      font-size: 13px;\n      margin-top: 10px;\n      width: max-content;\n      width: 100%;\n      white-space: nowrap;\n    }\n    .restricted_content_button:hover {\n      background-color: #111111;\n      color: white;\n      text-decoration: none !important;\n    }<\/p>\n<p>    .restricted_content_primary_button{\n      background-color: #1F2A68 !important;\n      color: white !important;\n    }\n    .restricted_content_primary_button:hover {\n      background-color: #111111;\n    }<\/p>\n<p>    .restricted_content_text{\n      margin-bottom: 10px;\n      line-height: 1.2;\n      font-weight: 500;\n      font-size: 16px;\n    }<\/p>\n<\/style>\n<div class='restricted_content'>\n<h3 class='restricted_content_title'>Dieser Inhalt ist unseren Abonnenten vorbehalten.<\/h3>\n<div class='restricted_content_flex_row'>\n<div class='restricted_content_image_container'>\n        <img class='restricted_content_image' src='\/wp-content\/uploads\/2025\/08\/abo_physique.png' \/>\n      <\/div>\n<div class='restricted_content_flex_column'>\n<div class='restricted_content_text'>Wenn Sie ein Konto haben, loggen Sie sich ein. Ansonsten entdecken Sie unsere verschiedenen Abonnements und erstellen Sie ein Konto ab CHF 2.50 im ersten Monat.<\/div>\n<div class='restricted_content_buttons'>\n          <a href='\/de\/abonnement\/' class='restricted_content_button restricted_content_primary_button'>Abonnements ansehen<\/a><a href='\/de\/mein-konto\/?redirect_to=https:\/\/leregardlibre.com\/de\/musik\/berlioz-le-geant-incompris\/'class='restricted_content_button'>Sich anmelden<\/a><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>","protected":false},"author":77,"featured_media":35865,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[6460],"tags":[644355076,644355068,644355079,644355067,644353192,644355074,644355066,644355078,644355072,644350213,644355070,644355073,644353196,644355077,644355071,327836],"class_list":["post-35860","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musique","tag-claude-aziza","tag-claude-debussy","tag-estelle-duboeuf","tag-felix-mendelssohn","tag-franz-liszt","tag-gustave-mahler","tag-hector-berlioz","tag-henry-barraud","tag-les-troyens","tag-beethoven","tag-marie-revio","tag-richard-strauss","tag-richard-wagner","tag-symphonie-fantastique","tag-tannhauser","tag-tchaikovsky","membership-content","access-restricted"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Berlioz, le g\u00e9ant incompris<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/musik\/berlioz-le-geant-incompris\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Berlioz, le g\u00e9ant incompris\" \/>\n<meta property=\"og:description\" content=\"Selon Wagner, ils \u00e9taient trois. Berlioz, Liszt et lui: les trois g\u00e9ants de l\u2019\u00e9poque. Cela laisse songeur. En quoi un compositeur aussi controvers\u00e9 que Berlioz pourrait-il \u00eatre un g\u00e9ant? Exalt\u00e9 par quelques-uns, d\u00e9cri\u00e9 par beaucoup, la seule chose que l\u2019on puisse en dire, au premier abord, est qu\u2019il ne laissa pas ses contemporains indiff\u00e9rents.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/de\/musik\/berlioz-le-geant-incompris\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-09-04T04:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-09-04T08:40:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/09\/1599px-Joseph_Kriehuber_Ein_Matine\u0301e_bei_Liszt_1846.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1599\" \/>\n\t<meta property=\"og:image:height\" content=\"1142\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta 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