{"id":37431,"date":"2020-12-12T06:00:00","date_gmt":"2020-12-12T05:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=37431"},"modified":"2025-12-13T22:19:28","modified_gmt":"2025-12-13T21:19:28","slug":"zehn-prozent-staffel-4-geschichte-eines-coming-outs","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/kino\/series\/zehn-prozent-staffel-4-geschichte-eines-coming-outs\/","title":{"rendered":"\u00abStaffel 4 von \u00bbZehn Prozent\": Die Geschichte eines Coming-out"},"content":{"rendered":"<p><em><em>Unver\u00f6ffentlichter Artikel -<\/em> Jonas Follonier<\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>Die vierte Staffel von <em>Zehn Prozent<\/em> best\u00e4tigt die hervorragende Qualit\u00e4t der von Fanny Herrero geschaffenen Serie. Die auf der Welt der Schauspielagenturen basierende hexagonale Produktion, die mittlerweile auf zahlreichen Plattformen verf\u00fcgbar ist, schafft es, gutm\u00fctige Unterhaltung mit reflektierender siebter Kunst zu verbinden. Bis hin zur Vervielfachung von Symbolen und Doppeldeutigkeiten.<\/strong><\/p>\n\n\n\n<!--more Lire la suite de la critique (en libre acc\u00e8s)-->\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Trailer Dix pour Cent Staffel 4\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/v8gjGGZk5HA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Trailer zu Dix pour cent<\/figcaption><\/figure>\n\n\n\n<p>Andr\u00e9, Mathias, Gabriel, Arlette, Camille, No\u00e9mie, Herv\u00e9, Sofia und Hicham: Viele Zuschauerinnen und Zuschauer in der Romandie haben sie wahrscheinlich schon auf dem Bildschirm wiedergefunden. RTS Un hat sich die Ausstrahlung der neuen Staffel von <em>Zehn Prozent<\/em>, Jede Episode wird eine Woche vor ihrer Ausstrahlung auf France 2 im Schweizer Fernsehen gezeigt. Die Serie zeigt die Welt der K\u00fcnstleragenturen von innen und folgt dem sehr effektiven Verfahren, dass sich ein franz\u00f6sischer Filmstar in einer Episode selbstironisch selbst spielt.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1600\" height=\"1067\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/12\/Dix-pour-cent_2_\u00a9-Christophe-BRACHET-FTV_-MONVOISIN-PROD_-MOTHER-PROD.jpg\" alt=\"\" class=\"wp-image-37435\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/12\/Dix-pour-cent_2_\u00a9-Christophe-BRACHET-FTV_-MONVOISIN-PROD_-MOTHER-PROD.jpg 1600w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/12\/Dix-pour-cent_2_\u00a9-Christophe-BRACHET-FTV_-MONVOISIN-PROD_-MOTHER-PROD-1024x683.jpg 1024w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/12\/Dix-pour-cent_2_\u00a9-Christophe-BRACHET-FTV_-MONVOISIN-PROD_-MOTHER-PROD-150x100.jpg 150w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/12\/Dix-pour-cent_2_\u00a9-Christophe-BRACHET-FTV_-MONVOISIN-PROD_-MOTHER-PROD-768x512.jpg 768w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/12\/Dix-pour-cent_2_\u00a9-Christophe-BRACHET-FTV_-MONVOISIN-PROD_-MOTHER-PROD-1170x780.jpg 1170w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/12\/Dix-pour-cent_2_\u00a9-Christophe-BRACHET-FTV_-MONVOISIN-PROD_-MOTHER-PROD-585x390.jpg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/12\/Dix-pour-cent_2_\u00a9-Christophe-BRACHET-FTV_-MONVOISIN-PROD_-MOTHER-PROD-263x175.jpg 263w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/12\/Dix-pour-cent_2_\u00a9-Christophe-BRACHET-FTV_-MONVOISIN-PROD_-MOTHER-PROD-300x200.jpg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/12\/Dix-pour-cent_2_\u00a9-Christophe-BRACHET-FTV_-MONVOISIN-PROD_-MOTHER-PROD-600x400.jpg 600w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><\/figure>\n\n\n\n<p>Das Genre der Komik nimmt in dieser gut durchdachten Formel zwar einen privilegierten Platz ein, doch es tritt noch st\u00e4rker hervor durch den Kontrast, den es durch seine Konfrontation mit dem anderen Genre schafft, das allgegenw\u00e4rtig in <em>Zehn Prozent<\/em>, n\u00e4mlich das Drama. Die H\u00e4rte der Filmwelt ist relativ bekannt, aber wurde jemals dar\u00fcber nachgedacht, wie sie auf die Ebene der K\u00fcnstleragenten, die so genannten \"Agenten\", \u00fcbertragen werden kann? <em>impresarios<\/em> sagen wir, um Arlette Az\u00e9mars (Liliane Rov\u00e8re) ausgezeichneter Figur zu gefallen? Nein, zumindest f\u00fcr die Mehrheit der Sterblichen, die wir sind, die ungebildet sind und sich so vieler Dinge nicht bewusst sind. Die Kunst macht durch die Magie der Darstellung Facetten der Welt sichtbar, die von unseren individuellen Laternen nicht erforscht werden.<\/p>\n\n\n\n\n\n<p>Und zwar in dem Ma\u00dfe, in dem es um <em>Vertretung<\/em>, Die gr\u00f6\u00dfte St\u00e4rke dieser Fernsehserie, die eigentlich nur ein uninteressanter Fernsehfilm h\u00e4tte sein k\u00f6nnen, liegt in der Tatsache, dass sie immer und immer wieder neu erfunden wird. In Wirklichkeit sind die bekannten Schauspielerinnen und Schauspieler, die abwechselnd durch die Flure der ASK-Agentur marschieren, nicht nur dazu da, um ihre eigenen Rollen zu spielen. Sie sind da, um durch Spiegelung und endlose Abyss-Effekte zu sagen, dass ihre Agenten selbst Schauspieler sind. Da <em>Zehn Prozent<\/em> eine Fiktion ist, werden Agenten von Schauspielern im w\u00f6rtlichen Sinne dargestellt. Und im wirklichen Leben werden Agenten von Schauspielern im schmutzigen Sinne dargestellt.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1600\" height=\"1067\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/12\/Dix-pour-cent_3_\u00a9-Christophe-BRACHET-FTV_-MONVOISIN-PROD_-MOTHER-PROD.jpg\" alt=\"\" class=\"wp-image-37437\" srcset=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/12\/Dix-pour-cent_3_\u00a9-Christophe-BRACHET-FTV_-MONVOISIN-PROD_-MOTHER-PROD.jpg 1600w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/12\/Dix-pour-cent_3_\u00a9-Christophe-BRACHET-FTV_-MONVOISIN-PROD_-MOTHER-PROD-1024x683.jpg 1024w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/12\/Dix-pour-cent_3_\u00a9-Christophe-BRACHET-FTV_-MONVOISIN-PROD_-MOTHER-PROD-150x100.jpg 150w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/12\/Dix-pour-cent_3_\u00a9-Christophe-BRACHET-FTV_-MONVOISIN-PROD_-MOTHER-PROD-768x512.jpg 768w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/12\/Dix-pour-cent_3_\u00a9-Christophe-BRACHET-FTV_-MONVOISIN-PROD_-MOTHER-PROD-1170x780.jpg 1170w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/12\/Dix-pour-cent_3_\u00a9-Christophe-BRACHET-FTV_-MONVOISIN-PROD_-MOTHER-PROD-585x390.jpg 585w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/12\/Dix-pour-cent_3_\u00a9-Christophe-BRACHET-FTV_-MONVOISIN-PROD_-MOTHER-PROD-263x175.jpg 263w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/12\/Dix-pour-cent_3_\u00a9-Christophe-BRACHET-FTV_-MONVOISIN-PROD_-MOTHER-PROD-300x200.jpg 300w, https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/12\/Dix-pour-cent_3_\u00a9-Christophe-BRACHET-FTV_-MONVOISIN-PROD_-MOTHER-PROD-600x400.jpg 600w\" sizes=\"(max-width: 1600px) 100vw, 1600px\" \/><\/figure>\n\n\n\n<p>Die vierte, sehr erfolgreiche Staffel macht keine Ausnahme von dieser philosophischen und soziologischen Tiefe. Ohne zu viel von den kleinen Handlungsstr\u00e4ngen zu verraten, die den Reiz dieses kollektiven Portr\u00e4ts ausmachen, w\u00e4re es nicht m\u00f6glich, den gr\u00f6\u00dften Geniestreich der Drehbuchautoren zu verschweigen: die Entdeckung der Berufung des ber\u00fchrenden Herv\u00e9 Andr\u00e9-Jezak (Nicolas Maury) zur Schauspielerei. Von <em>management<\/em> vom K\u00fcnstler zur Kom\u00f6die, von der Diplomatie im Quadrat zur Wahrheit der Verk\u00f6rperung, vom Spiel zum Spiel, von einem \u00abIch\u00bb zum anderen, diese Geschichte von <em>Coming-out<\/em> nicht als Homosexueller, sondern als Berufst\u00e4tiger, l\u00e4sst die Geschichte in der Geschichte eine initiatorische Wendung nehmen.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\" \/><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DES FREIEN BLICKS<\/h4> <span>Erhalten Sie unsere Artikel jeden Sonntag.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Ihre Anmeldung f\u00fcr unseren w\u00f6chentlichen Newsletter wurde erfolgreich registriert!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta = \"1\" data-inf-error = \"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"E-Mail\" > <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Anmelden\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>Die letzte Staffel von <em>Zehn Prozent<\/em>, Mit Charlotte Gainsbourg (erstaunlich), Franck Dubosc (aufrichtig), Jos\u00e9 Garcia (sympathisch), Sandrine Kiberlain (urkomisch), Sigourney Weaver (wunderbar) und Jean Reno (ersch\u00fctternd) bietet die Serie eine Reihe von \u00dcberraschungen. Die anspruchsvolle Liebhaberin guter franz\u00f6sischer Serien und der gutm\u00fctige Typ auf der Suche nach einer Flucht aus dem Alltag k\u00f6nnten sich nicht besser in Gesellschaft befinden als mit diesem gro\u00dfen Jahrgang und einem Glas in der Hand. Es scheint \u00fcbrigens, dass sich Publikum und Kritiker in diesem Fall einig sind... das sollte betont werden!<\/p>\n\n\n\n<p><em>Schreiben Sie dem Autor: <a href=\"mailto:jonas.follonier@leregardlibre.com\">jonas.follonier@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/12\/Dix-pour-cent_affiche-edited.jpg\" alt=\"\" class=\"wp-image-37441\"\/><\/figure>\n\n\n\n<p>Fotonachweis: \u00a9 Christophe BRACHET - FTV\/ MONVOISIN PROD\/ MOTHER PROD<\/p>","protected":false},"excerpt":{"rendered":"<p>D\u00e9couvrez le monde des agences artistiques avec \u00abDix pour cent\u00bb, une s\u00e9rie pleine d&#8217;autod\u00e9rision<\/p>","protected":false},"author":138,"featured_media":37444,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644343394],"tags":[457517,644355730,644355731,322478,390471,644341607,644342294,644342760,10815513,644355732],"class_list":["post-37431","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-series","tag-charlotte-gainsbourg","tag-dix-pour-cent","tag-fanny-herrero","tag-franck-dubosc","tag-jean-reno","tag-jose-garcia","tag-liliane-rovere","tag-nicolas-maury","tag-sandrine-kiberlain","tag-sigourney-weaver"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abDix pour cent\u00bb, saison 4: histoire d\u2019un coming out<\/title>\n<meta name=\"robots\" content=\"index, follow, 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