{"id":3894,"date":"2016-12-21T22:00:42","date_gmt":"2016-12-21T21:00:42","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=3894"},"modified":"2025-12-04T23:02:25","modified_gmt":"2025-12-04T22:02:25","slug":"baccalaureat","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/kino\/filme\/baccalaureat\/","title":{"rendered":"\u00abBachelor\u00bb"},"content":{"rendered":"

Mittwochs im Kino - Loris S. Musumeci<\/em><\/p>\n\n\n\n

\u00abMerci Monsieur, je vous revaudrai \u00e7a.\u00bb<\/p><\/blockquote>\n\n\n\n

Romeo (Adrian Titieni) exerce le m\u00e9tier de m\u00e9decin dans une petite ville de Transylvanie. Sa vie ne semble ni trop inqui\u00e9tante, ni triste. Si ce n\u2019est qu\u2019il vit dans un horrible quartier de banlieue mal construit et sale, mais aussi que la fen\u00eatre de son domicile est, d\u00e8s les premi\u00e8res sc\u00e8nes, brusquement bris\u00e9e par le jet d\u2019une pierre. Ce m\u00eame matin, il doit accompagner sa fille unique, Eliza (Maria-Victoria Dragus), au lyc\u00e9e. Sa femme, Magda (Lia Bugnar), reste dans la chambre \u00e0 coucher sans les saluer, \u00e0 cause d’un mal de t\u00eate, pr\u00e9cise-t-elle; en somme, elle est d\u00e9pressive.<\/p>\n\n\n\n

Le voyage en voiture, \u00e0 travers cette ville en chantier abandonn\u00e9, est tr\u00e8s calme et morne. La fille \u00e9coute sa musique; le p\u00e8re conduit. Il essaie n\u00e9anmoins de communiquer avec elle par quelque banale question: \u00abComment \u00e7a va?\u00bb<\/em>. Les r\u00e9ponses sont courtes. La voiture s\u2019arr\u00eate pr\u00e8s du lyc\u00e9e, mais non devant l\u2019entr\u00e9e comme d\u2019habitude. Romeo se d\u00e9p\u00eache car il doit aller noyer son chagrin de vie dans une relation sexuelle avec Sandra, sa douce et int\u00e9ress\u00e9e ma\u00eetresse (Malina Manovici).<\/p>\n\n\n\n\n\n\n\n

Ce matin-l\u00e0, le temps de marcher quelques m\u00e8tres, Eliza est furtivement molest\u00e9e et viol\u00e9e. L\u2019heure \u00e9tait aux sens: au m\u00eame moment, en effet, l\u2019adult\u00e8re caressait les seins de l\u2019ill\u00e9gitime amie. L\u2019\u00e9ph\u00e9m\u00e8re instant de tendresse est coup\u00e9. Le t\u00e9l\u00e9phone sonne. Un coll\u00e8gue de l\u2019h\u00f4pital: \u00abRomeo, viens vite. Ta fille a \u00e9t\u00e9 agress\u00e9e.\u00bb<\/p>\n\n\n\n

Eliza reste de toute \u00e9vidence choqu\u00e9e et apeur\u00e9e du crime qu’elle a subi. Heureusement, la jeune fille s\u2019en tire avec le poignet droit fractur\u00e9 et aucune trace de sperme en elle; le malfaiteur n\u2019est pas all\u00e9 jusqu\u2019\u00e0 la p\u00e9n\u00e9tration. Elle s\u2019en remettra. Un probl\u00e8me demeure: la lyc\u00e9enne commence ses examens du baccalaur\u00e9at le lendemain. Et il faut qu\u2019elle obtienne une moyenne de 18 sur 20 pour obtenir une bourse lui\u00a0permettant de partir \u00e9tudier la psychologie en Angleterre, parce que \u00abce qui compte, c\u2019est partir vivre dans un pays normal\u00bb, \u00e0 en croire l\u2019autorit\u00e9 paternelle.<\/p>\n\n\n\n

Bien qu\u2019excellente, l\u2019\u00e9l\u00e8ve souffrira d\u2019une pens\u00e9e tourment\u00e9e par le f\u00e2cheux \u00e9v\u00e9nement et d\u2019une \u00e9criture plus lente \u00e0 cause du poignet l\u00e9s\u00e9. Romeo t\u00e2che d\u2019en parler \u00e0 la direction, mais rien ne sert. Les r\u00e8gles sont pareilles pour tous. C\u2019est inacceptable pour un p\u00e8re honn\u00eate qui mise tous ses espoirs en sa fille.<\/p>\n\n\n\n

\u00abRomeo, c\u2019est pour ton enfant.\u00bb <\/em>Voil\u00e0 l\u2019aide re\u00e7ue du commissaire Ivanov, meilleur ami du m\u00e9decin. Il faut oser la corruption. Monsieur Bulai, proche de la police et tr\u00e8s puissamment enfum\u00e9 d\u2019affaires douteuses, sera la personne id\u00e9ale \u00e0 contacter. Ce dernier conna\u00eet le directeur du lyc\u00e9e et, coup de chance, il est dans l\u2019urgente attente d\u2019une greffe de foi; l\u2019un se chargera de l\u2019organe, l\u2019autre d\u2019un baccalaur\u00e9at r\u00e9ussi.<\/p>\n\n\n\n

Autrefois r\u00eaveur et exil\u00e9 du totalitarisme de Ceausescu, c\u2019est la premi\u00e8re fois que Romeo entra dans ce mauvais jeu, et rien ne fonctionnera comme pr\u00e9vu. Cristian Mungiu, prim\u00e9 \u00e0 Cannes pour sa mise en sc\u00e8ne, offre ici aux spectateurs un fin travail. Autant la forme que le fond sont puissants par leur profondeur technique et politico-philosophique respectivement.<\/p>\n\n\n\n

Baccalaur\u00e9at<\/em> s\u2019\u00e9rige effectivement en statue morale de la Roumanie d\u2019aujourd\u2019hui. Celle-ci est racont\u00e9e d\u2019un point de vue extr\u00eamement moderne par une cam\u00e9ra tant\u00f4t fig\u00e9e face \u00e0 l\u2019odieux drame du paysage des scabreux quartiers, tant\u00f4t instable, \u00e0 l\u2019\u00e9paule, suivant l\u2019essoufflement de Romeo en qu\u00eate d\u2019un lendemain meilleur pour sa fille.<\/p>\n\n\n\n

Aussi, le pur r\u00e9alisme de la trame rend le film davantage touchant et parlant. Baccalaur\u00e9at<\/em> remet par l\u00e0 au centre de la trag\u00e9die la famille. C\u2019est ce qui a provoqu\u00e9 certaines d\u00e9ceptions aux yeux de quelques critiques. L\u2019histoire serait trop morale envers le poids du r\u00f4le de la parentalit\u00e9. Le reproche est juste, il serait toutefois plus appropri\u00e9 d\u2019accuser le film d\u2019un exc\u00e8s de duret\u00e9 en l\u2019\u00e9motion qu\u2019il provoque. Il n\u2019est pas facile d\u2019\u00eatre clou\u00e9 deux heures durant face \u00e0 des images qui peignent l\u2019amertume des familles contemporaines. Le p\u00e8re, frustr\u00e9 de son propre \u00e9chec, du malheur existentiel qui l\u2019habite, dirige artificiellement et avec un peu de maladresse la vie de sa princesse g\u00e2t\u00e9e. Un enfant unique, l\u2019unique possibilit\u00e9 de revanche.<\/p>\n\n\n\n

Pourtant, Romeo n\u2019est pas m\u00e9chant. Il est m\u00eame attachant, en homme qui souffre, comme la plupart des p\u00e8res. Et son d\u00e9vouement n\u2019est pas non plus vide de sens: les \u00e9checs de corruption sont une le\u00e7on pour celle qui construira la Roumanie de demain. Car ce pays n\u2019est pas sans espoir, malgr\u00e9 la laideur architecturale, la pourriture de ses institutions, et l\u2019indiff\u00e9rence d\u00e9sabus\u00e9e de son peuple. Au regard de Mungiu, son cin\u00e9ma et l\u2019\u0153uvre d\u2019autres personnes de bonne volont\u00e9 peuvent encore pr\u00e9server le d\u00e9sir d\u2019\u00eatre heureux en Europe de l\u2019est; m\u00eame si rien ne change en politique.<\/p>\n\n\n\n

Schreiben Sie dem Autor: loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n

Fotokredit:\u00a0aVoir-aLire.com<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Les mercredis du cin\u00e9ma – Loris S. Musumeci \u00abMerci Monsieur, je vous revaudrai \u00e7a.\u00bb Romeo (Adrian Titieni) exerce le m\u00e9tier…<\/p>","protected":false},"author":1,"featured_media":3906,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[],"class_list":["post-3894","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films"],"acf":[],"yoast_head":"\n\u00abBaccalaur\u00e9at\u00bb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/baccalaureat\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abBaccalaur\u00e9at\u00bb\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma - Loris S. 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