{"id":43787,"date":"2021-11-26T06:00:00","date_gmt":"2021-11-26T05:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=43787"},"modified":"2022-09-04T10:21:09","modified_gmt":"2022-09-04T08:21:09","slug":"warum-besuchen-sie-weiterhin-messen-fur-zeitgenossische-kunst","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/bildende-kunst\/warum-besuchen-sie-weiterhin-messen-fur-zeitgenossische-kunst\/","title":{"rendered":"Warum besuchen Sie weiterhin Messen f\u00fcr zeitgen\u00f6ssische Kunst?"},"content":{"rendered":"<div class='content_excerpt'>\n<p>Le Regard Libre Nr. 79 - Aude Robert-Tissot<\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>Vom 20. bis 26. September fand die gr\u00f6\u00dfte und prestigetr\u00e4chtigste Messe f\u00fcr zeitgen\u00f6ssische Kunst, die Art Basel, statt, das internationale Treffen der Kunstwelt und der Sammler. Es wurden wie \u00fcblich Millionen umgesetzt, jedoch ohne gro\u00dfe k\u00fcnstlerische Erneuerung. Die gr\u00f6\u00dften Galerien sa\u00dfen brav auf ihren Top-K\u00fcnstlern und gingen bei dieser Ausgabe kein Risiko ein. Warum also sollte man als einfacher Kunstliebhaber etwas weniger als hundert Franken ausgeben? Um sich \u00fcberraschen zu lassen. Denn ja, auch wenn die Art Basel in diesem Jahr die Kunstwelt nicht \u00fcberstrahlte, konnten wir einen interessanten Trend hin zur Figuration feststellen.<\/strong><\/p>\n\n\n\n Langen Artikel lesen (Abonnenten)\n    <div class='restricted_content_fade'><\/div>\n    <\/div>\n  <style>\n    .content_excerpt{\n      position: relative;\n    }\n    .content_excerpt .restricted_content_fade{\n      position: absolute;\n      bottom: 0;\n      left: 0;\n      right: 0;\n      height: 75px;\n\t  margin-bottom: 0px;\n      background-image: linear-gradient(#ffffff2e, white);\n    }\n\n    .restricted_content{\n      margin-top: 30px;\n      border: solid #dddddd 1px;\n      border-radius: 7px;\n      padding: 30px;\n    }\n    \n    .restricted_content .restricted_content_title{\n      font-size: 22px;\n      font-weight: 600;\n    }\n    .restricted_content .restricted_content_flex_row{\n      display: flex;\n      flex-direction: row;\n    }\n    .restricted_content .restricted_content_image_container{\n      flex: 3;\n    }\n    .restricted_content .restricted_content_flex_column{\n      flex: 4;\n      display: flex;\n      flex-direction: column;\n      margin-left: 40px;\n      justify-content: center;\n    }\n\n\n    .restricted_content_buttons{\n      display: flex;\n      flex-direction: column;\n      width: min-content;\n    }\n    .restricted_content_button{\n      background-color: #f2f2f2;\n      text-transform: uppercase;\n      font-weight: 600;\n      padding: 8px 40px;\n      text-align: center;\n      font-size: 13px;\n      margin-top: 10px;\n      width: max-content;\n      width: 100%;\n      white-space: nowrap;\n    }\n    .restricted_content_button:hover {\n      background-color: #111111;\n      color: white;\n      text-decoration: none !important;\n    }\n\n    .restricted_content_primary_button{\n      background-color: #1F2A68 !important;\n      color: white !important;\n    }\n    .restricted_content_primary_button:hover {\n      background-color: #111111;\n    }\n\n    .restricted_content_text{\n      margin-bottom: 10px;\n      line-height: 1.2;\n      font-weight: 500;\n      font-size: 16px;\n    }\n\n  \n  <\/style>\n  <div class='restricted_content'>\n    <h3 class='restricted_content_title'>Dieser Inhalt ist unseren Abonnenten vorbehalten.<\/h3>\n    <div class='restricted_content_flex_row'>\n      <div class='restricted_content_image_container'>\n        <img class='restricted_content_image' src='\/wp-content\/uploads\/2025\/08\/abo_physique.png' \/>\n      <\/div>\n      <div class='restricted_content_flex_column'>\n        <div class='restricted_content_text'>Wenn Sie ein Konto haben, loggen Sie sich ein. Ansonsten entdecken Sie unsere verschiedenen Abonnements und erstellen Sie ein Konto ab CHF 2.50 im ersten Monat.<\/div>\n        <div class='restricted_content_buttons'>\n          <a href='\/de\/abonnement\/' class='restricted_content_button restricted_content_primary_button'>Abonnements ansehen<\/a><a href='\/de\/mein-konto\/?redirect_to=https:\/\/leregardlibre.com\/de\/bildende-kunst\/warum-besuchen-sie-weiterhin-messen-fur-zeitgenossische-kunst\/'class='restricted_content_button'>Sich anmelden<\/a><\/div>\n      <\/div>\n    <\/div>\n  <\/div>","protected":false},"excerpt":{"rendered":"<div class='content_excerpt'>\n<p>Le Regard Libre Nr. 79 - Aude Robert-Tissot<\/p>\n<p class=\"has-drop-cap\"><strong>Vom 20. bis 26. September fand die gr\u00f6\u00dfte und prestigetr\u00e4chtigste Messe f\u00fcr zeitgen\u00f6ssische Kunst, die Art Basel, statt, das internationale Treffen der Kunstwelt und der Sammler. Es wurden wie \u00fcblich Millionen umgesetzt, jedoch ohne gro\u00dfe k\u00fcnstlerische Erneuerung. Die gr\u00f6\u00dften Galerien sa\u00dfen brav auf ihren Top-K\u00fcnstlern und gingen bei dieser Ausgabe kein Risiko ein. Warum also sollte man als einfacher Kunstliebhaber etwas weniger als hundert Franken ausgeben? Um sich \u00fcberraschen zu lassen. Denn ja, auch wenn die Art Basel in diesem Jahr die Kunstwelt nicht \u00fcberstrahlte, konnten wir einen interessanten Trend hin zur Figuration feststellen.<\/strong><\/p>\n<p> Langen Artikel lesen (Abonnenten)<\/p>\n<div class='restricted_content_fade'><\/div>\n<\/p><\/div>\n<style>\n    .content_excerpt{\n      position: relative;\n    }\n    .content_excerpt .restricted_content_fade{\n      position: absolute;\n      bottom: 0;\n      left: 0;\n      right: 0;\n      height: 75px;\n\t  margin-bottom: 0px;\n      background-image: linear-gradient(#ffffff2e, white);\n    }<\/p>\n<p>    .restricted_content{\n      margin-top: 30px;\n      border: solid #dddddd 1px;\n      border-radius: 7px;\n      padding: 30px;\n    }<\/p>\n<p>    .restricted_content .restricted_content_title{\n      font-size: 22px;\n      font-weight: 600;\n    }\n    .restricted_content .restricted_content_flex_row{\n      display: flex;\n      flex-direction: row;\n    }\n    .restricted_content .restricted_content_image_container{\n      flex: 3;\n    }\n    .restricted_content .restricted_content_flex_column{\n      flex: 4;\n      display: flex;\n      flex-direction: column;\n      margin-left: 40px;\n      justify-content: center;\n    }<\/p>\n<p>    .restricted_content_buttons{\n      display: flex;\n      flex-direction: column;\n      width: min-content;\n    }\n    .restricted_content_button{\n      background-color: #f2f2f2;\n      text-transform: uppercase;\n      font-weight: 600;\n      padding: 8px 40px;\n      text-align: center;\n      font-size: 13px;\n      margin-top: 10px;\n      width: max-content;\n      width: 100%;\n      white-space: nowrap;\n    }\n    .restricted_content_button:hover {\n      background-color: #111111;\n      color: white;\n      text-decoration: none !important;\n    }<\/p>\n<p>    .restricted_content_primary_button{\n      background-color: #1F2A68 !important;\n      color: white !important;\n    }\n    .restricted_content_primary_button:hover {\n      background-color: #111111;\n    }<\/p>\n<p>    .restricted_content_text{\n      margin-bottom: 10px;\n      line-height: 1.2;\n      font-weight: 500;\n      font-size: 16px;\n    }<\/p>\n<\/style>\n<div class='restricted_content'>\n<h3 class='restricted_content_title'>Dieser Inhalt ist unseren Abonnenten vorbehalten.<\/h3>\n<div class='restricted_content_flex_row'>\n<div class='restricted_content_image_container'>\n        <img class='restricted_content_image' src='\/wp-content\/uploads\/2025\/08\/abo_physique.png' \/>\n      <\/div>\n<div class='restricted_content_flex_column'>\n<div class='restricted_content_text'>Wenn Sie ein Konto haben, loggen Sie sich ein. Ansonsten entdecken Sie unsere verschiedenen Abonnements und erstellen Sie ein Konto ab CHF 2.50 im ersten Monat.<\/div>\n<div class='restricted_content_buttons'>\n          <a href='\/de\/abonnement\/' class='restricted_content_button restricted_content_primary_button'>Abonnements ansehen<\/a><a href='\/de\/mein-konto\/?redirect_to=https:\/\/leregardlibre.com\/de\/bildende-kunst\/warum-besuchen-sie-weiterhin-messen-fur-zeitgenossische-kunst\/'class='restricted_content_button'>Sich anmelden<\/a><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>","protected":false},"author":108,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644357138,85539],"tags":[644356782,644357067,644357068,644357066],"class_list":["post-43787","post","type-post","status-publish","format-standard","hentry","category-art-contemporain","category-arts-visuels","tag-art-contemporain","tag-artbasel","tag-les-formes-du-visible","tag-philippe-descola","membership-content","access-restricted"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Pourquoi continuer de se rendre dans les foires d\u2019art contemporain?<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/bildende-kunst\/warum-besuchen-sie-weiterhin-messen-fur-zeitgenossische-kunst\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pourquoi continuer de se rendre dans les foires d\u2019art contemporain?\" \/>\n<meta property=\"og:description\" content=\"ARTICLE LONG FORMAT, Aude Robert-Tissot | Du 20 au 26 septembre dernier s\u2019est tenue la plus grande et prestigieuse foire d\u2019art contemporain, Artbasel, le rendez-vous international du monde de l\u2019art et des collectionneurs. Des millions brass\u00e9s comme \u00e0 l\u2019accoutum\u00e9e, pourtant sans grand renouvellement artistique. Les plus grandes galeries se sont sagement assises sur leurs artistes phares, ne prenant aucun risque pour cette \u00e9dition. Mais alors, \u00e0 quoi bon d\u00e9penser un peu moins de cent francs lorsque l\u2019on est un simple amateur d\u2019art? Pour se laisser surprendre. Car oui, m\u00eame si Artbasel ne vient pas transcender le monde de l\u2019art cette ann\u00e9e, nous pouvions y constater une int\u00e9ressante tendance pour\u2026 la figuration.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/de\/bildende-kunst\/warum-besuchen-sie-weiterhin-messen-fur-zeitgenossische-kunst\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:published_time\" content=\"2021-11-26T05:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-09-04T08:21:09+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/11\/meleko-mokgosi-bread-butter-and-power-2018-detail-installation-view-art-basel-unlimited-\u00a9-aude-robert-tissot-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1405\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Aude Robert-Tissot\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:site\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"Aude Robert-Tissot\" \/>\n\t<meta name=\"twitter:label2\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data2\" content=\"6\u00a0Minuten\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/leregardlibre.com\/arts-visuels\/pourquoi-continuer-de-se-rendre-dans-les-foires-dart-contemporain\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/leregardlibre.com\/arts-visuels\/pourquoi-continuer-de-se-rendre-dans-les-foires-dart-contemporain\/\"},\"author\":{\"name\":\"Aude Robert-Tissot\",\"@id\":\"https:\/\/leregardlibre.com\/#\/schema\/person\/86d8fed58cb1ebbaf81a19e9967bb4e7\"},\"headline\":\"Pourquoi continuer de se rendre dans les foires d\u2019art contemporain?\",\"datePublished\":\"2021-11-26T05:00:00+00:00\",\"dateModified\":\"2022-09-04T08:21:09+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/leregardlibre.com\/arts-visuels\/pourquoi-continuer-de-se-rendre-dans-les-foires-dart-contemporain\/\"},\"wordCount\":1281,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/leregardlibre.com\/#organization\"},\"keywords\":[\"Art contemporain\",\"artbasel\",\"les formes du visible\",\"philippe descola\"],\"articleSection\":[\"Art contemporain\",\"Arts visuels\"],\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/leregardlibre.com\/arts-visuels\/pourquoi-continuer-de-se-rendre-dans-les-foires-dart-contemporain\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/leregardlibre.com\/arts-visuels\/pourquoi-continuer-de-se-rendre-dans-les-foires-dart-contemporain\/\",\"url\":\"https:\/\/leregardlibre.com\/arts-visuels\/pourquoi-continuer-de-se-rendre-dans-les-foires-dart-contemporain\/\",\"name\":\"Pourquoi continuer de se rendre dans les foires d\u2019art contemporain?\",\"isPartOf\":{\"@id\":\"https:\/\/leregardlibre.com\/#website\"},\"datePublished\":\"2021-11-26T05:00:00+00:00\",\"dateModified\":\"2022-09-04T08:21:09+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/leregardlibre.com\/arts-visuels\/pourquoi-continuer-de-se-rendre-dans-les-foires-dart-contemporain\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/leregardlibre.com\/arts-visuels\/pourquoi-continuer-de-se-rendre-dans-les-foires-dart-contemporain\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/leregardlibre.com\/arts-visuels\/pourquoi-continuer-de-se-rendre-dans-les-foires-dart-contemporain\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\/\/leregardlibre.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Pourquoi continuer de se rendre dans les foires d\u2019art contemporain?\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/leregardlibre.com\/#website\",\"url\":\"https:\/\/leregardlibre.com\/\",\"name\":\"Le Regard Libre\",\"description\":\"Premier mensuel suisse de d\u00e9bat\",\"publisher\":{\"@id\":\"https:\/\/leregardlibre.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/leregardlibre.com\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/leregardlibre.com\/#organization\",\"name\":\"Le Regard Libre\",\"url\":\"https:\/\/leregardlibre.com\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg\",\"contentUrl\":\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg\",\"width\":557,\"height\":556,\"caption\":\"Le Regard Libre\"},\"image\":{\"@id\":\"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/leregardlibre\/\",\"https:\/\/x.com\/LeRegardLibre\",\"https:\/\/www.linkedin.com\/company\/le-regard-libre\",\"https:\/\/www.instagram.com\/leregardlibre\/\",\"http:\/\/t.me\/leregardlibre\",\"https:\/\/youtube.com\/channel\/UC6HzGPomj1LsUmlz-sJtITQ\"],\"description\":\"Le Regard Libre est un mensuel suisse de d\u00e9bat intellectuel et culturel. Sa r\u00e9daction est jeune, b\u00e9n\u00e9vole, lib\u00e9rale et pluraliste. Le magazine para\u00eet en ligne et sous forme papier. Sa langue est le fran\u00e7ais.\",\"email\":\"redaction@leregardlibre.com\",\"legalName\":\"Le Regard Libre\",\"foundingDate\":\"2014-01-01\",\"numberOfEmployees\":{\"@type\":\"QuantitativeValue\",\"minValue\":\"11\",\"maxValue\":\"50\"},\"publishingPrinciples\":\"https:\/\/leregardlibre.com\/a-propos\/notre-manifeste\/\",\"ownershipFundingInfo\":\"https:\/\/leregardlibre.com\/mentions-legales\/\",\"actionableFeedbackPolicy\":\"https:\/\/leregardlibre.com\/conditions-generales-de-vente\/\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/leregardlibre.com\/#\/schema\/person\/86d8fed58cb1ebbaf81a19e9967bb4e7\",\"name\":\"Aude Robert-Tissot\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\/\/leregardlibre.com\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/ad75ef660e25f2740199abb7cdd66cd1c37ef549303afed12b11e39aac8b5daa?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/ad75ef660e25f2740199abb7cdd66cd1c37ef549303afed12b11e39aac8b5daa?s=96&d=identicon&r=g\",\"caption\":\"Aude Robert-Tissot\"},\"sameAs\":[\"https:\/\/fr.wikipedia.org\/wiki\/Le_Regard_libre\"],\"url\":\"https:\/\/leregardlibre.com\/de\/author\/aude-robert-tissot\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Warum besuchen Sie weiterhin Messen f\u00fcr zeitgen\u00f6ssische Kunst?","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/leregardlibre.com\/de\/bildende-kunst\/warum-besuchen-sie-weiterhin-messen-fur-zeitgenossische-kunst\/","og_locale":"de_DE","og_type":"article","og_title":"Pourquoi continuer de se rendre dans les foires d\u2019art contemporain?","og_description":"ARTICLE LONG FORMAT, Aude Robert-Tissot | Du 20 au 26 septembre dernier s\u2019est tenue la plus grande et prestigieuse foire d\u2019art contemporain, Artbasel, le rendez-vous international du monde de l\u2019art et des collectionneurs. Des millions brass\u00e9s comme \u00e0 l\u2019accoutum\u00e9e, pourtant sans grand renouvellement artistique. Les plus grandes galeries se sont sagement assises sur leurs artistes phares, ne prenant aucun risque pour cette \u00e9dition. Mais alors, \u00e0 quoi bon d\u00e9penser un peu moins de cent francs lorsque l\u2019on est un simple amateur d\u2019art? Pour se laisser surprendre. Car oui, m\u00eame si Artbasel ne vient pas transcender le monde de l\u2019art cette ann\u00e9e, nous pouvions y constater une int\u00e9ressante tendance pour\u2026 la figuration.","og_url":"https:\/\/leregardlibre.com\/de\/bildende-kunst\/warum-besuchen-sie-weiterhin-messen-fur-zeitgenossische-kunst\/","og_site_name":"Le Regard Libre","article_publisher":"https:\/\/www.facebook.com\/leregardlibre\/","article_published_time":"2021-11-26T05:00:00+00:00","article_modified_time":"2022-09-04T08:21:09+00:00","og_image":[{"width":2560,"height":1405,"url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2021\/11\/meleko-mokgosi-bread-butter-and-power-2018-detail-installation-view-art-basel-unlimited-\u00a9-aude-robert-tissot-scaled.jpg","type":"image\/jpeg"}],"author":"Aude Robert-Tissot","twitter_card":"summary_large_image","twitter_creator":"@LeRegardLibre","twitter_site":"@LeRegardLibre","twitter_misc":{"Verfasst von":"Aude Robert-Tissot","Gesch\u00e4tzte Lesezeit":"6\u00a0Minuten"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/leregardlibre.com\/arts-visuels\/pourquoi-continuer-de-se-rendre-dans-les-foires-dart-contemporain\/#article","isPartOf":{"@id":"https:\/\/leregardlibre.com\/arts-visuels\/pourquoi-continuer-de-se-rendre-dans-les-foires-dart-contemporain\/"},"author":{"name":"Aude Robert-Tissot","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/86d8fed58cb1ebbaf81a19e9967bb4e7"},"headline":"Pourquoi continuer de se rendre dans les foires d\u2019art contemporain?","datePublished":"2021-11-26T05:00:00+00:00","dateModified":"2022-09-04T08:21:09+00:00","mainEntityOfPage":{"@id":"https:\/\/leregardlibre.com\/arts-visuels\/pourquoi-continuer-de-se-rendre-dans-les-foires-dart-contemporain\/"},"wordCount":1281,"commentCount":0,"publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"keywords":["Art contemporain","artbasel","les formes du visible","philippe descola"],"articleSection":["Art contemporain","Arts visuels"],"inLanguage":"de","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/leregardlibre.com\/arts-visuels\/pourquoi-continuer-de-se-rendre-dans-les-foires-dart-contemporain\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/leregardlibre.com\/arts-visuels\/pourquoi-continuer-de-se-rendre-dans-les-foires-dart-contemporain\/","url":"https:\/\/leregardlibre.com\/arts-visuels\/pourquoi-continuer-de-se-rendre-dans-les-foires-dart-contemporain\/","name":"Warum besuchen Sie weiterhin Messen f\u00fcr zeitgen\u00f6ssische Kunst?","isPartOf":{"@id":"https:\/\/leregardlibre.com\/#website"},"datePublished":"2021-11-26T05:00:00+00:00","dateModified":"2022-09-04T08:21:09+00:00","breadcrumb":{"@id":"https:\/\/leregardlibre.com\/arts-visuels\/pourquoi-continuer-de-se-rendre-dans-les-foires-dart-contemporain\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/leregardlibre.com\/arts-visuels\/pourquoi-continuer-de-se-rendre-dans-les-foires-dart-contemporain\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/leregardlibre.com\/arts-visuels\/pourquoi-continuer-de-se-rendre-dans-les-foires-dart-contemporain\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/leregardlibre.com\/"},{"@type":"ListItem","position":2,"name":"Pourquoi continuer de se rendre dans les foires d\u2019art contemporain?"}]},{"@type":"WebSite","@id":"https:\/\/leregardlibre.com\/#website","url":"https:\/\/leregardlibre.com\/","name":"Le Regard Libre","description":"Erste Schweizer Monatszeitschrift f\u00fcr Debatten","publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/leregardlibre.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de"},{"@type":"Organization","@id":"https:\/\/leregardlibre.com\/#organization","name":"Le Regard Libre","url":"https:\/\/leregardlibre.com\/","logo":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","width":557,"height":556,"caption":"Le Regard Libre"},"image":{"@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/leregardlibre\/","https:\/\/x.com\/LeRegardLibre","https:\/\/www.linkedin.com\/company\/le-regard-libre","https:\/\/www.instagram.com\/leregardlibre\/","http:\/\/t.me\/leregardlibre","https:\/\/youtube.com\/channel\/UC6HzGPomj1LsUmlz-sJtITQ"],"description":"Le Regard Libre ist eine Schweizer Monatszeitschrift f\u00fcr intellektuelle und kulturelle Debatten. Seine Redaktion ist jung, ehrenamtlich, liberal und pluralistisch. Das Magazin erscheint online und in gedruckter Form. Seine Sprache ist Franz\u00f6sisch.","email":"redaction@leregardlibre.com","legalName":"Le Regard Libre","foundingDate":"2014-01-01","numberOfEmployees":{"@type":"QuantitativeValue","minValue":"11","maxValue":"50"},"publishingPrinciples":"https:\/\/leregardlibre.com\/a-propos\/notre-manifeste\/","ownershipFundingInfo":"https:\/\/leregardlibre.com\/mentions-legales\/","actionableFeedbackPolicy":"https:\/\/leregardlibre.com\/conditions-generales-de-vente\/"},{"@type":"Person","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/86d8fed58cb1ebbaf81a19e9967bb4e7","name":"Aude Robert-Tissot","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/ad75ef660e25f2740199abb7cdd66cd1c37ef549303afed12b11e39aac8b5daa?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/ad75ef660e25f2740199abb7cdd66cd1c37ef549303afed12b11e39aac8b5daa?s=96&d=identicon&r=g","caption":"Aude Robert-Tissot"},"sameAs":["https:\/\/fr.wikipedia.org\/wiki\/Le_Regard_libre"],"url":"https:\/\/leregardlibre.com\/de\/author\/aude-robert-tissot\/"}]}},"_links":{"self":[{"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/posts\/43787","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/users\/108"}],"replies":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/comments?post=43787"}],"version-history":[{"count":1,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/posts\/43787\/revisions"}],"predecessor-version":[{"id":511256,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/posts\/43787\/revisions\/511256"}],"wp:attachment":[{"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/media?parent=43787"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/categories?post=43787"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/tags?post=43787"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}