{"id":43912,"date":"2021-12-01T11:59:00","date_gmt":"2021-12-01T10:59:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=43912"},"modified":"2025-12-04T22:23:54","modified_gmt":"2025-12-04T21:23:54","slug":"house-of-gucci-quand-la-froideur-vire-a-lindifference","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/kino\/filme\/house-of-gucci-quand-la-froideur-vire-a-lindifference\/","title":{"rendered":"\u00abHouse of Gucci\u00bb: Wenn K\u00e4lte in Gleichg\u00fcltigkeit umschl\u00e4gt"},"content":{"rendered":"<p><em>Film-Mittwochs - <a href=\"https:\/\/leregardlibre.com\/de\/tag\/jordi-gabioud\/\">Jordi Gabioud<\/a><\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>Ceinture \u00e0 boucle, cuir noir, finitions dor\u00e9es et signature, le double G. Nous aurions pu croire \u00e0 une exploration des coulisses de l\u2019un des plus grands noms de la mode. <em>House of Gucci<\/em> est surtout le spectacle d\u2019une famille qui se d\u00e9lite lentement. Sur l\u2019estrade comme sur l\u2019\u00e9cran, la d\u00e9bauche de moyens s\u2019\u00e9vertue \u00e0 d\u00e9cevoir.<\/strong><\/p>\n\n\n\n<!--more Lire la critique (en libre acc\u00e8s)-->\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"House of Gucci - Bande annonce VF [Au cin\u00e9ma le 24 novembre]\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/lEL598gdiE4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Le r\u00e9cit d\u00e9bute par la rencontre de Maurizio (Adam Driver) et Patricia (Lady Gaga). Un mariage italien plus tard, cette derni\u00e8re d\u00e9couvre les enjeux du grand nom Gucci, entre valeurs familiales et pouvoir. Un univers de luttes intestines dans lequel elle aura plaisir de plonger jusqu\u2019\u00e0 s\u2019y noyer.<\/p>\n\n\n\n\n\n<p>Le point de vue ext\u00e9rieur de Patricia aurait pu appara\u00eetre comme une porte d\u2019entr\u00e9e vers le monde de la mode pour le spectateur n\u00e9ophyte . Cet univers aux codes d\u2019apparence ind\u00e9chiffrables si l\u2019on appartient pas \u00e0 une \u00e9lite m\u00e9riterait sans doute son moment de p\u00e9dagogie. Dans l\u2019esprit collectif, on en conna\u00eet surtout ses excentricit\u00e9s et ses mannequins anorexiques. Malheureusement, la mode n\u2019est pas le sujet, ni m\u00eame un th\u00e8me de <em>House of Gucci.<\/em> Plus encore, la mode n\u2019est qu\u2019un outil confin\u00e9 dans ses caract\u00e9ristiques caricaturales pour parler de superficialit\u00e9. Sur le registre de l\u2019humour, \u00e7\u2019e\u00fbt pu marcher. Mais ici, le film en devient vite lui-m\u00eame superficiel.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Gucci, ton univers pitoyable<\/strong><\/h3>\n\n\n\n<p>Ridley Scott nous a peut-\u00eatre trop habitu\u00e9s \u00e0 une v\u00e9ritable ma\u00eetrise dans le d\u00e9veloppement de ses univers. Que ce soit dans la r\u00e9alisation ou dans le r\u00e9cit, rien ne parvient \u00e0 faire \u00e9merger une r\u00e9elle personnalit\u00e9. C\u00f4t\u00e9 r\u00e9alisation, on peut appr\u00e9cier la richesse des d\u00e9cors, la pudeur de la cam\u00e9ra qui se refuse aux gros plans faciles, la capacit\u00e9 \u00e0 donner du poids \u00e0 chaque accessoire Gucci sans tomber dans l\u2019outrance des spots publicitaires. Il est d\u2019autant plus dommage alors de voir ces atouts g\u00e2ch\u00e9s par un montage qui semble ne pas avoir dispos\u00e9 du temps n\u00e9cessaire aux finitions. D\u2019une coupe abrupte, on passe des teintes dor\u00e9es aux tons froids, sans aucune justification. Certaines sc\u00e8nes semblent avoir \u00e9t\u00e9 amput\u00e9es \u00e0 la derni\u00e8re minute, la plupart du temps lors de dialogues.<\/p>\n\n\n\n\n\n<p><em>House of Gucci <\/em>aborde l\u2019\u00e9tiolement des liens familiaux sans jamais s\u2019int\u00e9resser \u00e0 la mani\u00e8re de se dire adieu. Et comment aborder la bande son du film ? Un m\u00e9lange de David Bowie, de morceaux \u00e9lectro-classiques, d\u2019Eurythmics, de tubes italiens qui semblent d\u00e9sesp\u00e9r\u00e9ment se bousculer entre eux pour trouver une place, m\u00eame incommode, au sein de cette grande fresque. Comme si l\u2019on avait le bon go\u00fbt de refuser une bande son se contentant de souligner constamment ce que le spectateur devait ressentir, mais le mauvais go\u00fbt d\u2019une imagination appauvrie lorsqu\u2019on lui refuse cette facilit\u00e9. Tous ces \u00e9l\u00e9ments cumul\u00e9s rendent l\u2019univers Gucci pataud, maladroit et peu convaincant.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>La froideur hivernale des sommets Gucci<\/strong><\/h3>\n\n\n\n<p>Il est \u00e9tonnant de constater qu\u2019un casting aussi all\u00e9chant, portant avec lui un univers aussi excentrique, ne parvienne \u00e0 laisser au spectateur que le go\u00fbt d\u2019une am\u00e8re indiff\u00e9rence. Comment cela est-il possible? Ce n\u2019est pas la faute d\u2019un Adam Driver portant le double G avec une incroyable \u00e9l\u00e9gance. Ni celle d\u2019une Lady Gaga surprenante et investie. Puis rapidement, nous rencontrons Jeremy Irons, un personnage rendant hommage \u00e0 <em>Sunset Boulevard<\/em> dans l\u2019\u00e9criture et aux films de l\u2019<em>Universal Monsters<\/em> dans le maquillage outrancier. Puis c\u2019est au tour d\u2019un Al Pacino quelque peu fatigu\u00e9 mais qui semble avoir toujours autant de plaisir dans son m\u00e9tier, sans doute le Gucci le moins antipathique de la famille. Puis, au-del\u00e0 de cette sph\u00e8re gravite Jared Leto, une sorte de caricature o\u00f9 la proth\u00e8se surjoue avec une constance atterrante. Une sorte de caution comique au milieu d\u2019enjeux dramatiques. Malheureusement, sa pr\u00e9sence annule automatiquement tout moment de tension.<\/p>\n\n\n\n\n\n<p>A travers ces personnages, le film cherche \u00e0 d\u00e9crire la corruption des valeurs familiales face \u00e0 une volont\u00e9 de puissance et de profits. Certes, tous les mythes ont besoin de se r\u00e9actualiser; mais cette r\u00e9actualisation rend d\u2019autant plus importante la mani\u00e8re de raconter. Sur ce plan, le film est \u00e9tonnamment impersonnel. Les \u00e9v\u00e9nements se succ\u00e8dent de mani\u00e8re tr\u00e8s lin\u00e9aire, certains d\u00e9m\u00eal\u00e9s avec la justice surviennent puis disparaissent sans que l\u2019on comprenne vraiment pourquoi, les relations entre les personnages \u00e9voluent sans grande coh\u00e9rence\u2026 Et il s\u2019agit ici moins de larges pans d\u2019interpr\u00e9tations laiss\u00e9s au public que de maladresses, puisque le film semble constamment vouloir nous d\u00e9montrer les sentiments de ses personnages sans jamais trouver les dialogues justes pour ce faire.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\" \/><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DES FREIEN BLICKS<\/h4> <span>Erhalten Sie unsere Artikel jeden Sonntag.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Ihre Anmeldung f\u00fcr unseren w\u00f6chentlichen Newsletter wurde erfolgreich registriert!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta = \"1\" data-inf-error = \"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"E-Mail\" > <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Anmelden\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>En voulant faire de la notion de famille au sein des Gucci une valeur superficielle, un pr\u00e9texte commercial, le r\u00e9cit se voit forc\u00e9 de rendre tous ses personnages et toutes leurs relations superficielles. Malheureusement, en l\u2019absence d\u2019un personnage \u00abr\u00e9cup\u00e9rable\u00bb au sein de cette corruption, nous faisons face \u00e0 la simple d\u00e9monstration d\u2019une morale que l\u2019on connait d\u00e9j\u00e0. Et voir tant de moyens d\u00e9bours\u00e9s pour mettre en sc\u00e8ne des dialogues souvent bien creux le rend aussi superficiel que l\u2019univers qu\u2019il d\u00e9crit. Finalement, face \u00e0 tant de froideur, on ne peut que r\u00e9pondre par une indiff\u00e9rence polie.<\/p>\n\n\n\n<p><em>Schreiben Sie dem Autor: <a href=\"mailto:jordi.gabioud@leregardlibre.com\">jordi.gabioud@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p>Fotokredit: <\/p>","protected":false},"excerpt":{"rendered":"<p>Les mercredis du cin\u00e9ma \u2013 Jordi Gabioud Ceinture \u00e0 boucle, cuir noir, finitions dor\u00e9es et signature, le double G. Nous&#8230;<\/p>","protected":false},"author":330,"featured_media":43920,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[254925,415599,14228,644340023,100335,322039],"class_list":["post-43912","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-bande-son","tag-cinema-americain","tag-drame","tag-lady-gaga","tag-navet","tag-ridley-scott"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v26.9 (Yoast SEO v26.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abHouse of Gucci\u00bb: quand la froideur vire \u00e0 l\u2019indiff\u00e9rence<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/house-of-gucci-quand-la-froideur-vire-a-lindifference\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abHouse of Gucci\u00bb: quand la froideur vire \u00e0 l\u2019indiff\u00e9rence\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma \u2013 Jordi Gabioud Ceinture \u00e0 boucle, cuir noir, finitions dor\u00e9es et signature, le double G. 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Jared Leto stars as Paolo Gucci, Florence Andrews as Jenny Gucci, Adam Driver as Maurizio Gucci, Lady Gaga as Patrizia Reggiani and Al Pacino as Aldo Gucci in Ridley Scott\u2019s HOUSE OF GUCCI A Metro Goldwyn Mayer Pictures film Photo credit: Courtesy of Metro Goldwyn Mayer Pictures Inc. \u00a9 2021 Metro-Goldwyn-Mayer Pictures Inc. 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