{"id":48151,"date":"2022-04-27T11:51:39","date_gmt":"2022-04-27T09:51:39","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=48151"},"modified":"2025-12-04T22:23:31","modified_gmt":"2025-12-04T21:23:31","slug":"vortex-dem-alter-ins-auge-geschaut","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/cinema\/films\/vortex-la-vieillesse-en-face\/","title":{"rendered":"\u00abVortex\u00bb: Dem Alter ins Gesicht sehen"},"content":{"rendered":"\n<p><em>Les mercredis du cin\u00e9ma \u2013 <a href=\"https:\/\/leregardlibre.com\/tag\/fanny-agostino\/\">Fanny Agostino<\/a><\/em><\/p>\n\n\n\n<p class=\"has-drop-cap\"><strong>Pr\u00e9sent\u00e9 en avant-premi\u00e8re durant le Festival de Cannes l\u2019ann\u00e9e derni\u00e8re, le dernier film de Gaspar No\u00e9 tranche avec ses pr\u00e9c\u00e9dents. La violence physique et verbale dispara\u00eet. L&#8217;ancrage est r\u00e9aliste, le rythme lent conduit \u00e0 la mort. En split-screen, les cam\u00e9ras s\u2019immiscent dans le quotidien d\u2019un couple de retrait\u00e9s atteint de d\u00e9g\u00e9n\u00e9rescence mentale\u2026 et sentimentale. Victime d\u2019un accident c\u00e9r\u00e9bral en 2019, le sulfureux r\u00e9alisateur\u00a0souhaiterait-il se racheter une conduite? R\u00e9ponse ci-dessous.<\/strong><\/p>\n\n\n\n<!--more Lire la critique (en libre acc\u00e8s)-->\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"VORTEX Bande Annonce (2022) Alex Lutz, Gaspar No\u00e9\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/KMncVrMO638?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>\u00abElle\u00bb (Fran\u00e7oise Lebrun) et\u00a0\u00ablui\u00bb (Dario Argento) poss\u00e8dent tous les pr\u00e9requis pour profiter de leur retraite. Sur le balcon fleuri de leur fastueux appartement parisien, cette ancienne psychiatre et ce critique de cin\u00e9ma sont install\u00e9s. L\u2019horizon semble clair: \u00abla vie est un r\u00eave\u00bb, dit\u00a0la femme avant que son mari ne la corrige: \u00abun r\u00eave dans un r\u00eave\u00bb. C\u2019est en effet dans une r\u00e9alit\u00e9 alternative que vont sombrer les protagonistes. Sur ce point similaire \u00e0 <em><a href=\"https:\/\/www.imdb.com\/title\/tt1191111\/\">Enter the Void<\/a><\/em> (2009), No\u00e9 embarque le spectateur dans un monde parall\u00e8le. Sauf que cette fois-ci, il nous pend au nez. Le temps passe et les pathologies s\u2019aggravent. A l\u2019ext\u00e9rieur, St\u00e9phane (Alex Lutz), le fils coca\u00efnomane abstinent, essaie de trouver la meilleure solution pour ses parents. Mais face au d\u00e9p\u00e9rissement de l\u2019existence, est-il vraiment possible d\u2019entreprendre quelque chose?<\/p>\n\n\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Un Gaspar No\u00e9 in\u00e9dit<\/strong><\/h3>\n\n\n\n<p>La violence et la sid\u00e9ration ont longtemps \u00e9t\u00e9 la marque de fabrique du cin\u00e9aste. La projection d\u2019<em>Irr\u00e9versible<\/em> (2002) au Festival de Cannes avait provoqu\u00e9 un toll\u00e9. Monica Belluci endossait le r\u00f4le d\u2019une femme victime d\u2019un viol, film\u00e9 en plan s\u00e9quence. Effarement sur la croisette. Une partie du public avait quitt\u00e9 la salle de projection. La r\u00e9putation de No\u00e9 \u00e9tait faite. Le reste de sa filmographie a toujours flirt\u00e9 avec la perversion et le sexe (<em><a href=\"https:\/\/www.imdb.com\/title\/tt8359848\/\">Climax<\/a><\/em>, 2018) ou le blasph\u00e8me (<em><a href=\"https:\/\/www.imdb.com\/title\/tt10272534\/\">Lux \u00c6terna<\/a><\/em>, 2019). Les multiples pol\u00e9miques qui s\u2019y sont greff\u00e9es et la d\u00e9fiance qui en a d\u00e9coul\u00e9 ont longtemps dissimul\u00e9 l\u2019exp\u00e9rience cin\u00e9matographique offerte par le r\u00e9alisateur.<\/p>\n\n\n\n<p><strong>A lire aussi | <a href=\"https:\/\/leregardlibre.com\/cinema\/climax-le-climat-du-maximum\/\"><em>Climax<\/em>, le climat du maximum<\/a><\/strong><\/p>\n\n\n\n<p>En possession de ces informations, on a donc toujours une certaine appr\u00e9hension au moment de d\u00e9couvrir ses nouvelles cr\u00e9ations. <em>Vortex<\/em> a le double m\u00e9rite de ne pas trahir la patte Gaspar No\u00e9: l\u2019enlisement dans la maladie sur plus de deux heures est une r\u00e9elle \u00e9preuve. Les plans sont rarement coup\u00e9s et l\u2019on a tout le temps de percevoir cette lente descente vers la mort. En outre, la violence des images est moins imm\u00e9diate, mais reste bien pr\u00e9sente, diffuse dans la d\u00e9cadence des deux individus.<\/p>\n\n\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Enferm\u00e9s dedans<\/strong><\/h3>\n\n\n\n<p>Car il faut bien parler d\u2019individus et non de couple. D\u2019abord, parce que Gaspar No\u00e9 a choisi d\u2019isoler ses personnages dans un \u00e9cran scind\u00e9. Celui-ci est d\u2019ailleurs d\u00e9coup\u00e9 dans un surcadrage qui enferme cette femme et cet homme dans deux r\u00e9alit\u00e9s bien diff\u00e9rentes et qui n\u2019est pas sans rappeler les photographies appos\u00e9es aux pierres tombales. D\u2019apr\u00e8s le r\u00e9alisateur, ce choix s\u2019est impos\u00e9 au fur et \u00e0 mesure du tournage. Lorsque les personnages \u00e9voluent dans l\u2019appartement, chaque cam\u00e9ra peut poursuivre l\u2019\u00e9volution des deux acteurs dans l\u2019espace. Lorsqu\u2019ils sont r\u00e9unis, une main traverse le cadre, mais les deux personnages ne sont que rarement dans le m\u00eame plan.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/04\/Vortex_1-\u00a9-Wild-Bunch-Distribution-1.jpg\"><img decoding=\"async\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/04\/Vortex_1-\u00a9-Wild-Bunch-Distribution-1.jpg\" alt=\"vortex\" class=\"wp-image-48175\"\/><\/a><figcaption><em>Vortex<\/em> (Gaspar No\u00e9, 2022) \u00a9 Wild Bunch Distribution<\/figcaption><\/figure>\n\n\n\n<p>Fran\u00e7oise Lebrun et Dario Argento se lancent dans des dialogues improvis\u00e9s. Pour son premier r\u00f4le principal au cin\u00e9ma, le sc\u00e9nariste et r\u00e9alisateur italien d\u00e9laisse sa femme et se raccroche \u00e0 l\u2019\u00e9criture d\u2019un livre aux accents freudiens. Quant \u00e0 Fran\u00e7oise Lebrun, dont la prestation dans <em>La Maman et la Putain<\/em> (1973) a profond\u00e9ment marqu\u00e9 Gaspar No\u00e9, elle interpr\u00e8te avec brio la perte progressive de son autonomie. La parole tremble, les gestes sont abr\u00e9g\u00e9s. Le sentiment est semblable \u00e0 celui d\u2019une suffocation, languissante mais certaine.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\" \/><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Recevez nos articles chaque dimanche.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Votre inscription \u00e0 notre infolettre hebdomadaire a \u00e9t\u00e9 enregistr\u00e9e avec succ\u00e8s !<\/h4> <p> <a href=\"#\" class=\"inf-btn\">&laquo;<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta = \"1\" data-inf-error = \"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\" > <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"S\u2019inscrire\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>Une mention sp\u00e9ciale enfin pour l\u2019interpr\u00e9tation d\u2019Alex Lutz, fils d\u00e9chu qui tente vainement d\u2019arranger ce qui reste de l\u2019image parentale et qui nous semble l\u2019individu le plus proche de nous. Avec ce rapprochement de notre propre condition, une nouvelle \u00e8re s\u2019ouvre pour Gaspar No\u00e9.<\/p>\n\n\n\n<p><em>Ecrire \u00e0 l\u2019auteure:\u00a0<a href=\"mailto:fanny.agostino@leregardlibre.com\">fanny.agostino@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/04\/Affiche_Vortex_V1-1.jpg\"><img decoding=\"async\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/04\/Affiche_Vortex_V1-1.jpg\" alt=\"\" class=\"wp-image-48173\"\/><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Les mercredidis du cin\u00e9ma - Fanny Agostino Der neueste Film, der letztes Jahr w\u00e4hrend der Filmfestspiele in Cannes seine Premiere feierte,...<\/p>","protected":false},"author":97,"featured_media":48172,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644357585,61026,644339294,388920],"class_list":["post-48151","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-alex-lutz","tag-cinema-francais","tag-gaspar-noe","tag-vortex"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.9 (Yoast SEO v27.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abVortex\u00bb: la vieillesse en face<\/title>\n<meta name=\"description\" content=\"Avec un sc\u00e9nario proche de nous, \u00abVortex\u00bb (Alex Lutz, Fran\u00e7oise Lebrun, Dario Argento) de Gaspar No\u00e9, tranche avec ses pr\u00e9c\u00e9dents films.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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