{"id":5109,"date":"2017-02-08T18:08:19","date_gmt":"2017-02-08T17:08:19","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=5109"},"modified":"2025-12-04T23:02:16","modified_gmt":"2025-12-04T22:02:16","slug":"tu-ne-tueras-point","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/kino\/filme\/tu-ne-tueras-point\/","title":{"rendered":"\u00abDu sollst nicht t\u00f6ten\u00bb"},"content":{"rendered":"

Mittwochs im Kino - Loris S. Musumeci<\/em><\/p>\n

\u00ab\u00a0En temps de paix, les fils enterrent leurs p\u00e8res.
\nEn temps de guerre, les p\u00e8res enterrent leurs fils.\u00a0\u00bb<\/p>\n

La guerre. Des flammes aux cadavres, jusqu\u2019aux cris \u00e9teints des soldats sans lendemain. Tu ne tueras point<\/em>, c\u2019est le champ de bataille, mais aussi le d\u00e9chirement des familles et l\u2019alcoolisme des traumatismes.<\/p>\n

Desmond T. Doss (Andrew Garfield) est un jeune Am\u00e9ricain de Virginie. Fort engag\u00e9 en paroisse, d\u00e9vou\u00e9 pour son village, il n\u2019a qu\u2019une boussole guidant les pas de son existence\u00a0: celle du service. Alors que monde br\u00fble et saigne dans ces interminables ann\u00e9es quarante, il d\u00e9cide de s\u2019offrir \u00e0 l\u2019arm\u00e9e des Etats-Unis. Seul probl\u00e8me\u00a0: les armes. Le n\u00e9o-soldat est objecteur de conscience par ses croyances et son pass\u00e9. Une telle posture ne pla\u00eet ni \u00e0 ses pairs, ni \u00e0 ses sup\u00e9rieurs. \u00ab\u00a0Le soldat Doss est objecteur de conscience. Ne comptez donc pas sur lui pour vous aider sur le champ de bataille.\u00a0\u00bb Partir \u00e0 la guerre sans fusil\u00a0? Contre les farouches Nippons\u00a0?Tu ne tueras point \u2013 \u00ab Hacksaw Ridge\u00a0\u00bb \u2013<\/em>, film tir\u00e9 d\u2019une histoire vraie, est brutal, dur, sanguinolent. Un cadavre rong\u00e9 par des rats, le hurlement d\u2019un corps br\u00fblant, \u00e9ject\u00e9 par une grenade\u00a0; mais aussi la petite bible de Desmond et ses pri\u00e8res constantes au Seigneur. Mel Gibson est bien connu pour ses deux chevaux de bataille\u00a0: la violence et les liens avec l\u2019affaire religieuse.<\/p>\n

La Passion du Christ<\/em>, du m\u00eame r\u00e9alisateur, choqua passablement en 2004. Et pourtant, le long-m\u00e9trage\u00a0donne une conscience toute particuli\u00e8re de l\u2019atroce souffrance du personnage embl\u00e9matique\u00a0de J\u00e9sus de Nazareth. La lecture des Ecritures Saintes, seule, ne r\u00e9ussit d\u00e9sormais plus vraiment \u00e0 rendre un tel effet \u2013 bien que l\u00e0 n\u2019est pas sa principale finalit\u00e9 \u2013, tant le public est habitu\u00e9 \u00e0 l\u2019image, voire \u00e0 la plus mouvement\u00e9e. Dans sa nouvelle \u0153uvre, cependant, Mel Gibson exag\u00e8re lors de certaines courtes sc\u00e8nes. Ces derni\u00e8res coupent le souffle tant elles sont ex\u00e9crables, impossibles \u00e0 supporter par leur trop-plein de\u00a0sombre r\u00e9alit\u00e9.<\/p>\n

Au moins, l\u2019exc\u00e8s de sang et d\u2019angoisse r\u00e9v\u00e8le le vrai visage de la guerre. Le public assez jeune pour n\u2019avoir jamais combattu ne sort pas de la salle indemne. En fait, oui, les soldats sont vraiment courageux, oui, ce qu\u2019ils vivent est insupportable\u00a0: ce n\u2019est pas de la fiction. La guerre ne devrait rester que le tout dernier recours, apr\u00e8s maints sacrifices et compromis.<\/p>\n

La trame ne comporte rien d\u2019exceptionnel lors de la premi\u00e8re partie du film, minoritaire\u00a0; et c\u2019est tr\u00e8s certainement voulu. Le protagoniste principal suscite \u00e0 la fois une naturelle sympathie, mais aussi un certain agacement par son ent\u00eatement. Que ce puritain de la premi\u00e8re esp\u00e8ce prenne les armes enfin\u00a0! pensais-je discr\u00e8tement sur mon fauteuil. La seconde partie est plus riche par ses r\u00e9v\u00e9lations et son rythme. Il devient impossible ne pas \u00eatre pris d\u2019amiti\u00e9 pour Desmond. Le spectateur, \u00e9mu, capt\u00e9, ne peut en aucun cas s\u2019ennuyer.<\/p>\n

Du c\u00f4t\u00e9 des effets sp\u00e9ciaux et du montage, chapeau bas aux Am\u00e9ricains, comme d\u2019habitude. Il n\u2019y a rien \u00e0 reprocher. Ceux-ci nous emm\u00e8nent \u00e0 Okinawa, en 1945. Sans nul \u00e9garement.<\/p>\n

Le nouveau Gibson, bilan observ\u00e9, demeure une r\u00e9ussite. A voir par le grand public, absolument. Que s\u2019aventurent toutefois, au rendez-vous guerrier du d\u00e9but d\u2019ann\u00e9e, seuls les spectateurs aux tripes solides, car, ces derni\u00e8res, ils les verront \u00e0 l\u2019\u00e9cran, dans un bien triste \u00e9tat.<\/p>\n

\u00ab De gr\u00e2ce, Seigneur, aidez-moi \u00e0 en sauver un de plus. \u00bb<\/p>\n

Schreiben Sie dem Autor : loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n

Bildnachweis : Filmosph\u00e8re<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Les mercredis du cin\u00e9ma – Loris S. Musumeci \u00ab\u00a0En temps de paix, les fils enterrent leurs p\u00e8res. 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