{"id":51206,"date":"2022-08-24T06:00:00","date_gmt":"2022-08-24T04:00:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=51206"},"modified":"2025-12-04T22:23:22","modified_gmt":"2025-12-04T21:23:22","slug":"flee-quand-le-passe-talonne-le-present","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/kino\/filme\/flee-quand-le-passe-talonne-le-present\/","title":{"rendered":"\u00abFlee\u00bb, wenn die Vergangenheit der Gegenwart auf den Fersen ist\u00a0"},"content":{"rendered":"<p class=\"has-drop-cap\"><strong>In der gleichen Linie wie <em>Walzer mit Bachir<\/em> (2008) und&nbsp;<em>Persepolis<\/em> (2007), der Animationsfilm <em>Flee<\/em> sondiert die Erinnerung und den Lebensweg von Amin, einem d\u00e4nischen Akademiker in den Drei\u00dfigern. Eine Identit\u00e4t, die im Gegensatz zu seinem Weg als afghanischer Fl\u00fcchtling steht. Mit einer angemessenen Distanz gibt Jonas Poher Rasmussen durch das Intermezzo eines komplizenhaften Dialogs seinen Lebensweg wieder. Ein <em>muss beobachten<\/em>.<\/strong><\/p>\n\n\n\n<!--more Lire la critique (en libre acc\u00e8s)-->\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"FLEE - Official Trailer\" width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/WzUVeuX1u04?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Le cadre isole sa t\u00eate. En arri\u00e8re-plan, on distingue un motif rappelant les tapis persans. L\u2019expression du visage n\u2019est pas rassurante, le regard tente de se d\u00e9rober. Barbe de trois jours et yeux marrons, Amin s\u2019allonge. La question qui s\u2019appr\u00eate \u00e0 surgir du hors-champ va plonger l\u2019homme dans une r\u00e9alit\u00e9 trop souvent refoul\u00e9e. Rasmussen demande \u00e0 son interlocuteur de se rem\u00e9morer un souvenir d\u2019enfance. Nous nous retrouvons \u00e0 Kaboul, l\u00e0 o\u00f9 les cerfs-volants flottaient dans le bleu du ciel. Entre ce souvenir et le pr\u00e9sent, une guerre, la Russie et le Danemark.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>L\u2019animation pour raconter la migration<\/strong><\/h3>\n\n\n\n<p>Largement pl\u00e9biscit\u00e9 par la critique et r\u00e9compens\u00e9 \u2013 notamment par le Grand Prix du documentaire au Sundance et le Cristal du long-m\u00e9trage \u00e0 Annecy \u2013 <em>Flee<\/em> a aussi \u00e9t\u00e9 nomm\u00e9 trois fois aux Oscar. Et pour cause, par l\u2019interm\u00e9diaire de dessins, Rasmussen s\u2019int\u00e9resse au pass\u00e9 d\u2019un r\u00e9fugi\u00e9 afghan. Sa reconstitution fait \u00e9cho au pr\u00e9sent: la trajectoire entrave une vie d\u2019adulte pourtant stable et couronn\u00e9e d\u2019une int\u00e9gration plus que r\u00e9ussie.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/08\/Flee_1-\u00a9-Final-Cut-for-Real.jpg\"><img decoding=\"async\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/08\/Flee_1-\u00a9-Final-Cut-for-Real-1.jpg\" alt=\"Flee \u00a9 Final Cut for Real\" class=\"wp-image-51215\"\/><\/a><figcaption><em>Flee<\/em> (2022), de Jonas Poher Rasmussen \u00a9 Final Cut for Real<\/figcaption><\/figure>\n\n\n\n<p>&nbsp;Si l\u2019esth\u00e9tique propre \u00e0 la bande dessin\u00e9e garantit son anonymat, ce proc\u00e9d\u00e9 se distingue par un second avantage notoire. Les s\u00e9quences ne tombent jamais dans le larmoyant ou la piti\u00e9. Quelques images d\u2019archives ponctuent les \u00e9tapes d\u2019Amin et ancrent le r\u00e9cit dans l\u2019histoire afghane, l\u2019envahissement sovi\u00e9tique du pays dans les ann\u00e9es 80 et les moudjahidines. Le film aux allures documentaire ne cesse de faire des allers-retours entre le temps pass\u00e9 et <em>l\u2019ici et maintenant<\/em>. Longtemps enfouie par l\u2019universitaire pour sa survie, la v\u00e9rit\u00e9 se recompose au fil d\u2019un cheminement intime de la part du protagoniste. Les m\u00e9canismes de d\u00e9fense s\u2019enrayent, les obstacles de la vie priv\u00e9e trouvent leur source.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Confidence pour confidence<\/strong><\/h3>\n\n\n\n<p>Lors des dialogues, le r\u00e9alisateur n\u2019est pas qu\u2019une voix-over, mais bien un personnage anim\u00e9, dont les apparitions \u00e0 l\u2019\u00e9cran sont fr\u00e9quentes. Sa complicit\u00e9 avec Amin est incontestable. Ce dernier n\u2019h\u00e9site pas \u00e0 se confier sur les difficult\u00e9s que traverse son couple et sur l\u2019angoisse que repr\u00e9sente pour lui le projet de vie \u00e0 la campagne, que son conjoint tente de mener \u00e0 bien. Une entente qui ne date pas d\u2019hier, puisque les deux hommes ont grandi dans le m\u00eame quartier: avant de devenir cin\u00e9aste, Jonas habitait non loin du foyer d\u2019accueil o\u00f9 l\u2019adolescent \u00e9tait plac\u00e9. Ils se sont donc construits avec des r\u00e9f\u00e9rences culturelles et sociales communes, mais l\u2019un avait un pass\u00e9 qu\u2019il n\u2019\u00e9voquait pas. M\u00e9diateur d\u2019une histoire aux blessures persistantes, le r\u00e9alisateur permet \u00e0 Amin de progressivement l\u00e2cher prise et de livrer son r\u00e9cit sans restriction.<\/p>\n\n\n\n<p>Par son exp\u00e9rience, Amin d\u00e9crit le processus qui l\u2019a men\u00e9 \u00e0 \u00eatre ce qu\u2019il est devenu aujourd\u2019hui. Une identit\u00e9 sociale et intime \u2013 son homosexualit\u00e9 qu\u2019il n\u2019a pas toujours accept\u00e9e \u2013 qui s\u2019est in\u00e9luctablement \u00e9rig\u00e9e par des d\u00e9tours, des esquives. En filigrane des <em>R\u00fcckblende<\/em>, le retour au pr\u00e9sent explicite les cons\u00e9quences de la fuite, mais \u00e9galement le devoir envers les sens qui accompagne la r\u00e9ussite sociale.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\"><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DES FREIEN BLICKS<\/h4> <span>Erhalten Sie unsere Artikel jeden Sonntag.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Ihre Anmeldung f\u00fcr unseren w\u00f6chentlichen Newsletter wurde erfolgreich registriert!<\/h4> <p> <a href=\"#\" class=\"inf-btn\">\u00ab<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta=\"1\" data-inf-error=\"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"E-Mail\"> <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"Anmelden\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>Sans verser dans l\u2019hyperbole, <em>Flee<\/em> r\u00e9v\u00e8le une r\u00e9alit\u00e9 crue et cach\u00e9e. En faisant de son point de mire une compr\u00e9hension des probl\u00e8mes personnels d\u2019Amin, le film parvient \u00e0 faire \u00e9merger une histoire escamot\u00e9e par l\u2019instinct de survie. Il certifie aussi que la travers\u00e9e d\u2019un pays \u00e0 un autre n\u2019est qu\u2019une \u00e9tape d\u2019une \u00e2me mutil\u00e9e, dont il faut s\u2019approprier les marques pour avancer.<\/p>\n\n\n\n<p><em>Schreiben Sie der Autorin:&nbsp;<a href=\"mailto:fanny.agostino@leregardlibre.com\">fanny.agostino@leregardlibre.com<\/a><\/em><\/p>\n\n\n\n<p>Cr\u00e9dit photo: \u00a9 Tandem Films<\/p>\n\n\n\n<p><strong>Sie haben gerade einen frei zug\u00e4nglichen Artikel gelesen.&nbsp;<\/strong>Debatten, Analysen, Kulturnachrichten:&nbsp;<a href=\"https:\/\/leregardlibre.com\/de\/abonnement\/\">abonnieren Sie<\/a>&nbsp;um uns zu unterst\u00fctzen und Zugang zu all unseren Inhalten zu erhalten!<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/08\/Affiche_Flee_V1.1.jpg\"><img decoding=\"async\" src=\"http:\/\/leregardlibre.com\/wp-content\/uploads\/2022\/08\/Affiche_Flee_V1.1-2.jpg\" alt=\"Flee (affiche)\" class=\"wp-image-51213\"\/><\/a><\/figure>","protected":false},"excerpt":{"rendered":"<p>Dans la m\u00eame lign\u00e9e que Valse avec Bachir (2008) et&nbsp;Persepolis (2007), le film d\u2019animation Flee sonde la m\u00e9moire et le&#8230;<\/p>","protected":false},"author":97,"featured_media":508629,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[4338,644341146,644339798,4310513,455581],"class_list":["post-51206","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-afghanistan","tag-critiques-cinema","tag-danemark","tag-film-danimation","tag-homosexualite"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abFlee\u00bb, quand le pass\u00e9 talonne le pr\u00e9sent\u00a0<\/title>\n<meta name=\"description\" content=\"\u00abFlee\u00bb sonde la trajectoire d\u2019Amin, un Danois trentenaire et universitaire. 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