{"id":5324,"date":"2017-02-22T20:45:51","date_gmt":"2017-02-22T19:45:51","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=5324"},"modified":"2025-10-18T16:23:23","modified_gmt":"2025-10-18T14:23:23","slug":"das-theater-im-kino","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/darstellende-kunste\/theater\/das-theater-im-kino\/","title":{"rendered":"Theater im Kino"},"content":{"rendered":"

Les mercredidis du cin\u00e9ma - Jonas Follonier<\/em><\/p>\n

Wenn angek\u00fcndigt wird, dass das Theater ins Kino kommt, herrscht Ratlosigkeit: Man ist skeptisch gegen\u00fcber diesem neuen Avatar der Genremischung, die unsere Zeit so sehr liebt und f\u00fcr die es manchmal katastrophale Beispiele gibt... Denken wir nur an die Mischung aus Literatur und Musik mit\u00a0Camus, die Kunst oder die Revolte<\/em>, Eine aktuelle Show des Rappers Abd Al Malik, in der er seinen Slam mit dem literarischen Genie Albert Camus verbindet.<\/p>\n

Und doch erweist sich das Vorurteil wie jedes zweite Mal, wenn man sich vor Ort umsieht, als v\u00f6llig falsch. Am Donnerstag, den 9. Februar, konnte im Kino Rex in Neuenburg ein relativ altes, aber nicht nur \u00e4lteres Publikum auf der Leinwand Folgendes entdecken Der Misanthrop<\/em> von Moli\u00e8re, das von der Com\u00e9die Fran\u00e7aise aufgef\u00fchrt und live aus dem ber\u00fchmten Salle Richelieu in Paris \u00fcbertragen wurde. Seien wir objektiv: Es war ein echtes Ereignis.<\/p>\n

Ein echtes Ereignis, ja, schon allein durch die Entscheidung, auch die Stimmung im Saal zu \u00fcbertragen vor<\/em> die Auff\u00fchrung, mit der allm\u00e4hlichen Ankunft des Publikums, dem Getuschel, der Vorbereitung der Schauspieler hinter den Kulissen und der Pracht des Richelieu-Saals. Das mag banal oder gar albern klingen, aber \u00abman f\u00fchlt sich wie dort!\u00bb. Nun, wenn dieser Effekt der Pariser Reise (und des Voyeurismus) nicht gelingen w\u00fcrde, w\u00e4re die Formel des Theaters im Kino v\u00f6llig uninteressant. Es handelt sich wirklich um ein Ganzes, das nat\u00fcrlich den Film des St\u00fccks als solches einschlie\u00dft, aber auch die Atmosph\u00e4re, die es umgibt.<\/p>\n

Das St\u00fcck an sich, reden wir dar\u00fcber: Auch wenn die Kraft dieser Kom\u00f6die von Moli\u00e8re nicht mehr zu beweisen ist, war es f\u00fcr jemanden, der das St\u00fcck schon hundertmal gelesen und gesehen hatte, dennoch sinnvoll, sich diese Auff\u00fchrung anzusehen. Erstens, weil die Troupe des Com\u00e9diens-Fran\u00e7ais die Elite der frankophonen Schauspieler vereint, die Cr\u00e8me de la Cr\u00e8me, ein Konzentrat an Talenten! Zweitens, weil diese Filmversion eines Kultst\u00fccks es erm\u00f6glicht, die extremsten Feinheiten und au\u00dfergew\u00f6hnlichsten Nuancen des Theaterspiels im Gro\u00dfformat zu erfassen.<\/p>\n

Getragen von der unbestreitbaren \u00dcberlegenheit des Alexandriners gegen\u00fcber allen anderen Redeformen, ist diese Interpretation des Misanthrop<\/em>\u00a0bringt uns zwar vom Lachen zum Weinen, aber das Gef\u00fchl des Entsetzens \u00fcberwiegt: Die Aktualit\u00e4t (und damit Ewigkeit) dieses Theaterst\u00fccks ist so brennend, dass Alcestes Aufschrei angesichts der totalit\u00e4ren Heuchelei der Gesellschaft den Zuschauer in ein tiefes und gesundes Unbehagen st\u00fcrzt.<\/p>\n

Dieses Unbehagen wird nat\u00fcrlich von einer Bewunderung f\u00fcr die Schauspieler und die Inszenierung begleitet - eine bescheidene Inszenierung im edelsten Sinne des Wortes. Und zu all dem kommt noch hinzu, was mich pers\u00f6nlich am meisten bewegt: diese erhabene Sch\u00f6nheit der klassischen franz\u00f6sischen Sprache, in der die Worte wie Diamanten und die Stille wie intime Momente sind.<\/p>\n

Der n\u00e4chste Theatertermin im Cinema Rex in Neuch\u00e2tel: \u00abCyrano de Bergerac\u00bb von der Com\u00e9die Fran\u00e7aise am Dienstag, den 4. Juli 2017 um 20:30 Uhr.<\/em><\/p>\n

Schreiben Sie dem Autor : jonas.follonier@leregardlibre.com<\/a><\/p>\n

Fotokredit: \u00a9 Unidivers<\/a><\/em><\/p>","protected":false},"excerpt":{"rendered":"

Les mercredis\u00a0du cin\u00e9ma – Jonas Follonier Lorsqu’une\u00a0venue du th\u00e9\u00e2tre au cin\u00e9ma est annonc\u00e9e, l’heure est \u00e0 la perplexit\u00e9 :\u00a0on reste…<\/p>","protected":false},"author":138,"featured_media":5412,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5386],"tags":[8804640,5713,445987],"class_list":["post-5324","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theatre","tag-alexandrin","tag-langue-francaise","tag-moliere"],"acf":[],"yoast_head":"\nLe th\u00e9\u00e2tre au cin\u00e9ma<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/darstellende-kunste\/theater\/das-theater-im-kino\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta 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