{"id":5324,"date":"2017-02-22T20:45:51","date_gmt":"2017-02-22T19:45:51","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=5324"},"modified":"2025-10-18T16:23:23","modified_gmt":"2025-10-18T14:23:23","slug":"das-theater-im-kino","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/arts-vivants\/theatre\/le-theatre-au-cinema\/","title":{"rendered":"Theater im Kino"},"content":{"rendered":"

Les mercredidis du cin\u00e9ma - Jonas Follonier<\/em><\/p>\n

Lorsqu’une\u00a0venue du th\u00e9\u00e2tre au cin\u00e9ma est annonc\u00e9e, l’heure est \u00e0 la perplexit\u00e9 :\u00a0on reste sceptique face \u00e0 ce nouvel avatar du m\u00e9lange des genres, dont notre \u00e9poque est si friande, et dont les exemples\u00a0ont \u00e9t\u00e9 parfois catastrophiques… Ne pensons qu’au m\u00e9lange litt\u00e9rature-musique avec\u00a0Camus, l’art ou la r\u00e9volte<\/em>, un spectacle actuel du rappeur Abd Al Malik faisant c\u00f4toyer son slam\u00a0avec le g\u00e9nie litt\u00e9raire d’Albert Camus.<\/p>\n

Et pourtant, comme une fois sur deux, le pr\u00e9jug\u00e9 s’av\u00e8re totalement faux lorsqu’on se rend sur place. Le jeudi 9 f\u00e9vrier dernier, au Cin\u00e9ma Rex \u00e0 Neuch\u00e2tel, un public relativement \u00e2g\u00e9 mais pas seulement put d\u00e9couvrir sur l’\u00e9cran Der Misanthrop<\/em> von Moli\u00e8re, das von der Com\u00e9die Fran\u00e7aise aufgef\u00fchrt und live aus dem ber\u00fchmten Salle Richelieu in Paris \u00fcbertragen wurde. Seien wir objektiv: Es war ein echtes Ereignis.<\/p>\n

Un v\u00e9ritable \u00e9v\u00e9nement, oui, d\u00e9j\u00e0 par\u00a0le choix de retransmettre aussi\u00a0l’ambiance de la salle vor<\/em> le spectacle, avec l’arriv\u00e9e progressive du public, les chuchotements, la pr\u00e9paration des com\u00e9diens dans les coulisses, la splendeur de la salle Richelieu. Cela peut para\u00eetre banal, voire b\u00eate, mais \u00ab on s’y croirait !\u00a0\u00bb Or si cet effet de voyage (et de voyeurisme)\u00a0parisien n’\u00e9tait pas r\u00e9ussi, la formule du th\u00e9\u00e2tre au cin\u00e9ma n’aurait aucun int\u00e9r\u00eat. Il s’agit vraiment d’un tout, incluant bien s\u00fbr le film de la pi\u00e8ce en tant que telle, mais aussi l’atmosph\u00e8re qui l’englobe.<\/p>\n

La pi\u00e8ce en tant que telle, parlons-en : si la puissance de cette com\u00e9die de Moli\u00e8re n’est plus \u00e0 prouver, il n’en reste pas moins qu’une personne ayant d\u00e9j\u00e0 lu et vu cette pi\u00e8ce une centaine de fois avait quand m\u00eame\u00a0tout int\u00e9r\u00eat \u00e0 venir assister \u00e0 cette repr\u00e9sentation. D’abord, parce que la\u00a0Troupe des Com\u00e9diens-Fran\u00e7ais, qu’on se le dise, rassemble l’\u00e9lite des com\u00e9diens francophones, la cr\u00e8me de la cr\u00e8me, un concentr\u00e9 de talents ! Ensuite, parce que cette version film\u00e9e d’une pi\u00e8ce\u00a0culte permet de saisir en gros format les plus extr\u00eames finesses, les plus exceptionnelles nuances du jeu th\u00e9\u00e2tral.<\/p>\n

Port\u00e9e par la sup\u00e9riorit\u00e9 indiscutable de l’alexandrin sur toutes les autres formes du discours, cette interpr\u00e9tation du Misanthrop<\/em>\u00a0nous fait passer du rire aux larmes, certes, mais c’est le sentiment de l’effroi qui domine : le caract\u00e8re actuel (et donc \u00e9ternel)\u00a0de cette pi\u00e8ce de th\u00e9\u00e2tre est tellement\u00a0br\u00fblante que le cri\u00a0d’Alceste devant la totalitaire hypocrisie de la soci\u00e9t\u00e9 plonge le spectateur dans un profond et sain malaise.<\/p>\n

Ce malaise s’accompagne naturellement d’une admiration pour les com\u00e9diens, pour la mise en sc\u00e8ne \u00e9galement – une mise en sc\u00e8ne humble au sens le plus noble\u00a0du terme. Et \u00e0 tout cela s’ajoute ce qui, personnellement, m’\u00e9meut le plus : cette sublime beaut\u00e9\u00a0de la langue fran\u00e7aise classique, o\u00f9 les mots sont autant de diamants et les silences autant de moments d’intimit\u00e9.<\/p>\n

Der n\u00e4chste Theatertermin im Cinema Rex in Neuch\u00e2tel: \u00abCyrano de Bergerac\u00bb von der Com\u00e9die Fran\u00e7aise am Dienstag, den 4. Juli 2017 um 20:30 Uhr.<\/em><\/p>\n

Dem Autor schreiben: jonas.follonier@leregardlibre.com<\/a><\/p>\n

Fotokredit: \u00a9 Unidivers<\/a><\/em><\/p>","protected":false},"excerpt":{"rendered":"

Les mercredis\u00a0du cin\u00e9ma – Jonas Follonier Lorsqu’une\u00a0venue du th\u00e9\u00e2tre au cin\u00e9ma est annonc\u00e9e, l’heure est \u00e0 la perplexit\u00e9 :\u00a0on reste…<\/p>","protected":false},"author":138,"featured_media":5412,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5386],"tags":[8804640,5713,445987],"class_list":["post-5324","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theatre","tag-alexandrin","tag-langue-francaise","tag-moliere"],"acf":[],"yoast_head":"\nLe th\u00e9\u00e2tre au cin\u00e9ma<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/darstellende-kunste\/theater\/das-theater-im-kino\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta 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