{"id":532955,"date":"2026-07-23T07:30:00","date_gmt":"2026-07-23T05:30:00","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=532955"},"modified":"2026-07-23T11:27:12","modified_gmt":"2026-07-23T09:27:12","slug":"de-gaulle-samuel-paty","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/cinema\/films\/de-gaulle-samuel-paty\/","title":{"rendered":"Cyranos Elan in De Gaulle und Samuel Paty"},"content":{"rendered":"\n<p class=\"has-drop-cap\"><strong><em>La Bataille de Gaulle<\/em>&nbsp;et&nbsp;<em>L\u2019Abandon<\/em>, deux films qui semblent se r\u00e9pondre et perp\u00e9tuer une longue tradition&nbsp;fran\u00e7aise:&nbsp;celle qui consiste \u00e0 sublimer les perdants magnifiques.<\/strong><\/p>\n\n\n\n<!--more-->\n\n\n\n<p>Charles&nbsp;de Gaulle et Samuel Paty. Le g\u00e9n\u00e9ral qui a instaur\u00e9 la Cinqui\u00e8me R\u00e9publique et le professeur assassin\u00e9 pour ses id\u00e9aux. Ce n\u2019est qu\u2019une co\u00efncidence si&nbsp;<em>La Bataille de Gaulle<\/em>&nbsp;et&nbsp;<em>L\u2019Abandon<\/em>&nbsp;se partagent l\u2019affiche. Tisser un lien entre ces deux films est n\u00e9anmoins tentant au regard du contexte politique&nbsp;actuel:&nbsp;la France se d\u00e9chire autour de ses id\u00e9aux fondateurs, des politiciens de tous bords se r\u00e9clament de la R\u00e9publique, de ses slogans, de ses traditions, de ses h\u00e9ros. A ce titre, tant Charles de Gaulle que Samuel Paty sont des figures auxquelles on se r\u00e9f\u00e8re pour asseoir sa l\u00e9gitimit\u00e9 politique.<\/p>\n\n\n\n<p>Deux films, deux&nbsp;h\u00e9ros:&nbsp;celui, de guerre, qui a sauv\u00e9 la dignit\u00e9 d\u2019une nation humili\u00e9e, et l\u2019ordinaire, consid\u00e9r\u00e9&nbsp;\u00abmort&nbsp;pour la&nbsp;France\u00bb, tant il semble insupportable qu\u2019il soit mort pour rien.<\/p>\n\n\n\n<form method=\"post\" action=\"https:\/\/newsletter.infomaniak.com\/external\/submit\" class=\"inf-form\" target=\"_blank\"><input type=\"email\" name=\"email\" style=\"display:none\" \/><input type=\"hidden\" name=\"key\" value=\"eyJpdiI6IlZXRVJGMlRGQUU2alNqUE81bitIUk5adnNVa0c4MllFTStzOHdHT1FQZ3c9IiwidmFsdWUiOiJIYzhwMUVCK1pTNnlhY3MyMmhuZlhReWJqemEwNk93blMxTjFHc0s2VHZrPSIsIm1hYyI6ImVhYTQ5N2I1M2NiYWE4NzBmNjk2NzgzYjliM2Y5NmYzM2E2ZmU3NGQxNTU1ZDFkMTU1MzY5NTdjYjE3ZTJmNTUifQ==\"><input type=\"hidden\" name=\"webform_id\" value=\"7291\"><style> .inf-main_3000311ca56a1cb93397bc676c0b7fff{ background-color:#f5f5f5; padding:25px 20px; margin:25px auto; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-content { margin-top:13px;} .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff span, .inf-main_3000311ca56a1cb93397bc676c0b7fff label, .inf-main_3000311ca56a1cb93397bc676c0b7fff input, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-success p a { color:#555555; font-size:14px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4{ font-size:18px; margin:0px 0px 13px 0px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff h4, .inf-main_3000311ca56a1cb93397bc676c0b7fff label{ font-weight:bold; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input { margin-bottom:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff label { display:block;} .inf-main_3000311ca56a1cb93397bc676c0b7fff input{ height:35px; color:#999999; border: 1px solid #E9E9E9; border:none; padding-left:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error label, .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message{ color: #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error input{ border: 1px solid #cc0033; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input input { width:100%;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-input.inf-error span.inf-message { display: block; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit { text-align:right;} .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input{ background-color:#777777; color:#ffffff; border:none; font-weight: normal; height:auto; padding:7px; } .inf-main_3000311ca56a1cb93397bc676c0b7fff .inf-submit input.disabled{ opacity: 0.4; } .inf-btn { color: rgb(85, 85, 85); border: medium none; font-weight: normal; height: auto; padding: 7px; display: inline-block; background-color: white; box-shadow: 0px 1px 1px rgba(0, 0, 0, 0.24); border-radius: 2px; line-height: 1em; } .inf-rgpd { margin:25px 0px 15px 0px; color:#555555; } <\/style> <div class=\"inf-main_3000311ca56a1cb93397bc676c0b7fff\"> <h4>NEWSLETTER DU REGARD LIBRE<\/h4> <span>Recevez nos articles chaque dimanche.<\/span> <div class=\"inf-success\" style=\"display:none\"> <h4>Votre inscription \u00e0 notre infolettre hebdomadaire a \u00e9t\u00e9 enregistr\u00e9e avec succ\u00e8s !<\/h4> <p> <a href=\"#\" class=\"inf-btn\">&laquo;<\/a> <\/p> <\/div> <div class=\"inf-content\"> <div class=\"inf-input inf-input-text\"> <input type=\"text\" name=\"inf[1]\" data-inf-meta = \"1\" data-inf-error = \"Merci de renseigner une adresse email\" required=\"required\" placeholder=\"Email\" > <\/div> <div class=\"inf-submit\"> <input type=\"submit\" name=\"\" value=\"S\u2019inscrire\"> <\/div> <\/div> <\/div> <\/form>\n\n\n\n<p>Chacun incarne, \u00e0 sa mani\u00e8re, un arch\u00e9type culturel qui remonte en tout cas \u00e0 Cyrano de&nbsp;Bergerac:&nbsp;lorsque le h\u00e9ros au nez p\u00e9ninsulaire d\u2019Edmond Rostand est pr\u00e9sent\u00e9 au public en 1897, le pays se d\u00e9chire autour de l\u2019affaire Dreyfus et se remet \u00e0 peine de l\u2019humiliation de Sedan, d\u00e9b\u00e2cle sanglante qu\u2019Emile Zola attribue \u00e0 l\u2019incomp\u00e9tence et l\u2019intransigeance morale des dirigeants militaires qui ont une guerre de retard.<\/p>\n\n\n\n<p>Du reste, la guerre de 1870 perp\u00e9tue une longue tradition nationale, des batailles de Cr\u00e9cy (1346) et d\u2019Azincourt (1415) \u00e0 la ligne Maginot et\u00a0\u00abl\u2019\u00e9trange\u00a0d\u00e9faite\u00bb\u00a0de 1940 chroniqu\u00e9e par l\u2019historien Marc Bloch. L\u2019h\u00e9ro\u00efsme du soldat fran\u00e7ais est sans cesse sacrifi\u00e9 aux ordres de dirigeants ineptes\u00a0 et\/ou orgueilleux, sous les fl\u00e8ches des archers anglais, dans la boue des steppes russes, sous les balles des fusils prussiens ou les chars de la Wehrmacht.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"h-le-panache-ou-la-gloire-du-vaincu\"><strong>Le panache, ou la gloire du vaincu<\/strong><\/h2>\n\n\n\n<p>Cyrano devient une figure r\u00e9demptrice pour une nation humili\u00e9e, qui trouve en lui un h\u00e9ros au panache et \u00e0 la gloire d\u2019autant plus sublimes que son courage est inutile, sa bravoure d\u00e9su\u00e8te, son sacrifice vain. A l\u2019acte V, sc\u00e8ne VI, Cyrano&nbsp;s\u2019\u00e9crie:<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>\u00abQue\u00a0dites-vous?\u2026\u00a0C&#8217;est inutile?\u2026<\/em> <em>Je le sais\u2009!<\/em><br><em>Mais on ne se bat pas dans l&#8217;espoir du\u00a0succ\u00e8s!<\/em><br><em>Non!\u00a0non!\u00a0c&#8217;est bien plus beau lorsque c&#8217;est\u00a0inutile!\u00bb<\/em><\/p>\n<\/blockquote>\n\n\n\n<p>Le\u00a0biopic\u00a0sur De Gaulle souligne le c\u00f4t\u00e9 donquichottesque de ce g\u00e9n\u00e9ral sans renomm\u00e9e, sans commandement, sans arm\u00e9e, cherchant d\u00e9sesp\u00e9r\u00e9ment \u00e0 se faire entendre de Churchill et de Roosevelt et \u00e0 maintenir l\u2019illusion que la France n\u2019est pas vaincue. La grandiloquence de la mise en sc\u00e8ne contraste avec le personnage qui se veut flamboyant, mais qui est aussi un peu gauche, un peu absurde.<\/p>\n\n\n\n<p><em>L\u2019Abandon<\/em>&nbsp;aborde l\u2019absurdit\u00e9 du sacrifice avec plus de&nbsp;sobri\u00e9t\u00e9:&nbsp;le film d\u00e9roule l\u2019engrenage qui a men\u00e9 \u00e0 l\u2019assassinat sanglant d\u2019un simple enseignant, ex\u00e9cut\u00e9 par un fanatique qui ne le connaissait pas et qui est pass\u00e9 \u00e0 l\u2019acte \u00e0 cause d\u2019un mensonge. Le film d\u00e9ploie un style presque documentaire pour \u00e9viter la dramatisation de l\u2019histoire, mais cherche \u00e0 transmettre un message rassembleur, fraternel, universaliste,&nbsp;bref:&nbsp;une certaine id\u00e9e de la R\u00e9publique.<\/p>\n\n\n\n<p>Le cin\u00e9ma fran\u00e7ais a l\u2019art de s\u2019inviter \u00e0 des moments-cl\u00e9s du d\u00e9bat politique avec des films historiques qui viennent bousculer les certitudes des uns ou avancer les id\u00e9es politiques des&nbsp;autres:&nbsp;<em>La Grande Illusion<\/em>&nbsp;de Jean Renoir a \u00e9t\u00e9 censur\u00e9 en France occup\u00e9e pour&nbsp;\u00abantipatriotisme\u00bb et d\u00e9clar\u00e9&nbsp;\u00abennemi&nbsp;cin\u00e9matographique num\u00e9ro&nbsp;1\u00bb&nbsp;par Goebbels qui ha\u00efssait son message de paix et de fraternit\u00e9 universelle.&nbsp;<em>La&nbsp;Bataille&nbsp;d\u2019Alger<\/em>&nbsp;de Gillo Pontecorvo a \u00e9t\u00e9 banni pendant un temps des salles sombres en France pour son portrait impitoyable des affres de la d\u00e9colonisation, tandis que&nbsp;<em>Le Chagrin et la Piti\u00e9<\/em>&nbsp;est venu briser le mythe gaulliste de la France r\u00e9sistante.<\/p>\n\n\n\n<p>Reste \u00e0 savoir si&nbsp;<em>L\u2019Abandon<\/em>&nbsp;ou&nbsp;<em>La Bataille de Gaulle<\/em>&nbsp;auront le m\u00eame impact culturel, \u00e0 une ann\u00e9e d\u2019\u00e9lections pr\u00e9sidentielles qui s\u2019annoncent comme un point de rupture.<\/p>\n\n\n\n<p><em>Tous les mois, notre critique cin\u00e9ma <strong>Jocelyn&nbsp;Daloz<\/strong> explore le septi\u00e8me&nbsp;art dans son contexte socio-historique.<\/em><\/p>\n\n\n\n<h6 class=\"wp-block-heading\" id=\"h-vous-venez-de-lire-une-chronique-en-libre-acces-tire-de-notre-edition-papier-le-regard-libre-nbsp-n-128-debats-analyses-actualites-culturelles-nbsp-abonnez-vous-nbsp-a-notre-media-de-reflexion-pour-nous-soutenir-et-avoir-acces-a-tous-nos-contenus\">Vous venez de lire une chronique en libre acc\u00e8s, tir\u00e9 de notre \u00e9dition papier <strong>(<a href=\"https:\/\/leregardlibre.com\/cpt-editions\/le-regard-libre-128-pensee\/\" type=\"link\" id=\"https:\/\/leregardlibre.com\/cpt-editions\/le-regard-libre-128-pensee\/\"><em>Le Regard Libre&nbsp;<\/em>N\u00b0128<\/a>).<\/strong> D\u00e9bats, analyses, actualit\u00e9s culturelles:&nbsp;<a href=\"https:\/\/leregardlibre.com\/abonnement\/\">abonnez-vous<\/a>&nbsp;\u00e0 notre m\u00e9dia de r\u00e9flexion pour nous soutenir et avoir acc\u00e8s \u00e0 tous nos contenus.<\/h6>\n","protected":false},"excerpt":{"rendered":"<p>\u00abLa Bataille de Gaulle\u00bb und \u00abL\u2019Abandon\u00bb \u2013 zwei Filme, die aufeinander einzuspielen scheinen und eine lange franz\u00f6sische Tradition fortsetzen: jene, die darin besteht, die gro\u00dfartigen Verlierer zu verherrlichen.<\/p>","protected":false},"author":764,"featured_media":532958,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[9472,450263,644341146,644358451],"class_list":["post-532955","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-analyses","tag-charles-de-gaulle","tag-critiques-cinema","tag-liberte-dans-lobjectif"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.9 (Yoast SEO v27.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Le panache de Cyrano en De Gaulle et Samuel Paty<\/title>\n<meta name=\"description\" content=\"\u00abLa Bataille de Gaulle\u00bb et\u00a0\u00abL\u2019Abandon\u00bb semblent se r\u00e9pondre et perp\u00e9tuer une tradition\u00a0fran\u00e7aise: sublimer les perdants magnifiques\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/de-gaulle-samuel-paty\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le panache de Cyrano en De Gaulle et Samuel Paty\" \/>\n<meta property=\"og:description\" content=\"\u00abLa Bataille de Gaulle\u00bb et\u00a0\u00abL\u2019Abandon\u00bb semblent se r\u00e9pondre et perp\u00e9tuer une tradition\u00a0fran\u00e7aise: sublimer les perdants magnifiques\" \/>\n<meta property=\"og:url\" content=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/de-gaulle-samuel-paty\/\" \/>\n<meta property=\"og:site_name\" content=\"Le Regard Libre\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/leregardlibre\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-07-23T05:30:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-07-23T09:27:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/leregardlibre.com\/wp-content\/uploads\/2026\/07\/design-sans-titre-52-e1784754558382-1024x670.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"670\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Jocelyn Daloz\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:site\" content=\"@LeRegardLibre\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jocelyn Daloz\" \/>\n\t<meta name=\"twitter:label2\" content=\"Gesch\u00e4tzte Lesezeit\" \/>\n\t<meta name=\"twitter:data2\" content=\"4\u00a0Minuten\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/de-gaulle-samuel-paty\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/de-gaulle-samuel-paty\\\/\"},\"author\":{\"name\":\"Jocelyn Daloz\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/37d7d5acf0b85808cc0f85effc58b955\"},\"headline\":\"Le panache de Cyrano en De Gaulle et Samuel Paty\",\"datePublished\":\"2026-07-23T05:30:00+00:00\",\"dateModified\":\"2026-07-23T09:27:12+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/de-gaulle-samuel-paty\\\/\"},\"wordCount\":873,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/de-gaulle-samuel-paty\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/design-sans-titre-52-e1784754558382.png\",\"keywords\":[\"Analyse\",\"Charles de Gaulle\",\"Critique cin\u00e9ma\",\"Libert\u00e9 dans l\u2019objectif\"],\"articleSection\":[\"Films\"],\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/de-gaulle-samuel-paty\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/de-gaulle-samuel-paty\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/de-gaulle-samuel-paty\\\/\",\"name\":\"Le panache de Cyrano en De Gaulle et Samuel Paty\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/de-gaulle-samuel-paty\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/de-gaulle-samuel-paty\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/design-sans-titre-52-e1784754558382.png\",\"datePublished\":\"2026-07-23T05:30:00+00:00\",\"dateModified\":\"2026-07-23T09:27:12+00:00\",\"description\":\"\u00abLa Bataille de Gaulle\u00bb et\u00a0\u00abL\u2019Abandon\u00bb semblent se r\u00e9pondre et perp\u00e9tuer une tradition\u00a0fran\u00e7aise: sublimer les perdants magnifiques\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/de-gaulle-samuel-paty\\\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/de-gaulle-samuel-paty\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/de-gaulle-samuel-paty\\\/#primaryimage\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/design-sans-titre-52-e1784754558382.png\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/design-sans-titre-52-e1784754558382.png\",\"width\":1648,\"height\":1078,\"caption\":\"Deux figures li\u00e9es \u00e0 la R\u00e9publique et au roman national fran\u00e7ais: le\u00a0g\u00e9n\u00e9ral de Gaulle et Samuel Paty. Photo: Path\u00e9 \\\/ Les Kiosques du Monde\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/cinema\\\/films\\\/de-gaulle-samuel-paty\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/leregardlibre.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Le panache de Cyrano en De Gaulle et Samuel Paty\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#website\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"name\":\"Le Regard Libre\",\"description\":\"Premier mensuel suisse de d\u00e9bat\",\"publisher\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/leregardlibre.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#organization\",\"name\":\"Le Regard Libre\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"contentUrl\":\"https:\\\/\\\/leregardlibre.com\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/logo-rl-icone-neg.jpeg\",\"width\":557,\"height\":556,\"caption\":\"Le Regard Libre\"},\"image\":{\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/leregardlibre\\\/\",\"https:\\\/\\\/x.com\\\/LeRegardLibre\",\"https:\\\/\\\/www.linkedin.com\\\/company\\\/le-regard-libre\",\"https:\\\/\\\/www.instagram.com\\\/leregardlibre\\\/\",\"http:\\\/\\\/t.me\\\/leregardlibre\",\"https:\\\/\\\/youtube.com\\\/channel\\\/UC6HzGPomj1LsUmlz-sJtITQ\"],\"description\":\"Le Regard Libre est un mensuel suisse de d\u00e9bat intellectuel et culturel. Sa r\u00e9daction est jeune, b\u00e9n\u00e9vole, lib\u00e9rale et pluraliste. Le magazine para\u00eet en ligne et sous forme papier. Sa langue est le fran\u00e7ais.\",\"email\":\"redaction@leregardlibre.com\",\"legalName\":\"Le Regard Libre\",\"foundingDate\":\"2014-01-01\",\"numberOfEmployees\":{\"@type\":\"QuantitativeValue\",\"minValue\":\"11\",\"maxValue\":\"50\"},\"publishingPrinciples\":\"https:\\\/\\\/leregardlibre.com\\\/a-propos\\\/notre-manifeste\\\/\",\"ownershipFundingInfo\":\"https:\\\/\\\/leregardlibre.com\\\/mentions-legales\\\/\",\"actionableFeedbackPolicy\":\"https:\\\/\\\/leregardlibre.com\\\/conditions-generales-de-vente\\\/\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/leregardlibre.com\\\/#\\\/schema\\\/person\\\/37d7d5acf0b85808cc0f85effc58b955\",\"name\":\"Jocelyn Daloz\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5a4bbc8d90de9ec12688ff777bbc6f20b11446dd3e71eccd5bfb7dc7b6561f04?s=96&d=identicon&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5a4bbc8d90de9ec12688ff777bbc6f20b11446dd3e71eccd5bfb7dc7b6561f04?s=96&d=identicon&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/5a4bbc8d90de9ec12688ff777bbc6f20b11446dd3e71eccd5bfb7dc7b6561f04?s=96&d=identicon&r=g\",\"caption\":\"Jocelyn Daloz\"},\"url\":\"https:\\\/\\\/leregardlibre.com\\\/de\\\/author\\\/jocelyn-daloz\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Cyranos Elan in De Gaulle und Samuel Paty","description":"\u00abLa Bataille de Gaulle\u00bb und \u00abL\u2019Abandon\u00bb scheinen aufeinander einzugehen und eine franz\u00f6sische Tradition fortzuf\u00fchren: die Verherrlichung der gro\u00dfartigen Verlierer","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/leregardlibre.com\/de\/kino\/filme\/de-gaulle-samuel-paty\/","og_locale":"de_DE","og_type":"article","og_title":"Le panache de Cyrano en De Gaulle et Samuel Paty","og_description":"\u00abLa Bataille de Gaulle\u00bb et\u00a0\u00abL\u2019Abandon\u00bb semblent se r\u00e9pondre et perp\u00e9tuer une tradition\u00a0fran\u00e7aise: sublimer les perdants magnifiques","og_url":"https:\/\/leregardlibre.com\/de\/kino\/filme\/de-gaulle-samuel-paty\/","og_site_name":"Le Regard Libre","article_publisher":"https:\/\/www.facebook.com\/leregardlibre\/","article_published_time":"2026-07-23T05:30:00+00:00","article_modified_time":"2026-07-23T09:27:12+00:00","og_image":[{"width":1024,"height":670,"url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2026\/07\/design-sans-titre-52-e1784754558382-1024x670.png","type":"image\/png"}],"author":"Jocelyn Daloz","twitter_card":"summary_large_image","twitter_creator":"@LeRegardLibre","twitter_site":"@LeRegardLibre","twitter_misc":{"Verfasst von":"Jocelyn Daloz","Gesch\u00e4tzte Lesezeit":"4\u00a0Minuten"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/leregardlibre.com\/cinema\/films\/de-gaulle-samuel-paty\/#article","isPartOf":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/de-gaulle-samuel-paty\/"},"author":{"name":"Jocelyn Daloz","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/37d7d5acf0b85808cc0f85effc58b955"},"headline":"Le panache de Cyrano en De Gaulle et Samuel Paty","datePublished":"2026-07-23T05:30:00+00:00","dateModified":"2026-07-23T09:27:12+00:00","mainEntityOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/de-gaulle-samuel-paty\/"},"wordCount":873,"commentCount":0,"publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/de-gaulle-samuel-paty\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2026\/07\/design-sans-titre-52-e1784754558382.png","keywords":["Analyse","Charles de Gaulle","Critique cin\u00e9ma","Libert\u00e9 dans l\u2019objectif"],"articleSection":["Films"],"inLanguage":"de","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/leregardlibre.com\/cinema\/films\/de-gaulle-samuel-paty\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/leregardlibre.com\/cinema\/films\/de-gaulle-samuel-paty\/","url":"https:\/\/leregardlibre.com\/cinema\/films\/de-gaulle-samuel-paty\/","name":"Cyranos Elan in De Gaulle und Samuel Paty","isPartOf":{"@id":"https:\/\/leregardlibre.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/de-gaulle-samuel-paty\/#primaryimage"},"image":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/de-gaulle-samuel-paty\/#primaryimage"},"thumbnailUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2026\/07\/design-sans-titre-52-e1784754558382.png","datePublished":"2026-07-23T05:30:00+00:00","dateModified":"2026-07-23T09:27:12+00:00","description":"\u00abLa Bataille de Gaulle\u00bb und \u00abL\u2019Abandon\u00bb scheinen aufeinander einzugehen und eine franz\u00f6sische Tradition fortzuf\u00fchren: die Verherrlichung der gro\u00dfartigen Verlierer","breadcrumb":{"@id":"https:\/\/leregardlibre.com\/cinema\/films\/de-gaulle-samuel-paty\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/leregardlibre.com\/cinema\/films\/de-gaulle-samuel-paty\/"]}]},{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/leregardlibre.com\/cinema\/films\/de-gaulle-samuel-paty\/#primaryimage","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2026\/07\/design-sans-titre-52-e1784754558382.png","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2026\/07\/design-sans-titre-52-e1784754558382.png","width":1648,"height":1078,"caption":"Deux figures li\u00e9es \u00e0 la R\u00e9publique et au roman national fran\u00e7ais: le\u00a0g\u00e9n\u00e9ral de Gaulle et Samuel Paty. Photo: Path\u00e9 \/ Les Kiosques du Monde"},{"@type":"BreadcrumbList","@id":"https:\/\/leregardlibre.com\/cinema\/films\/de-gaulle-samuel-paty\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/leregardlibre.com\/"},{"@type":"ListItem","position":2,"name":"Le panache de Cyrano en De Gaulle et Samuel Paty"}]},{"@type":"WebSite","@id":"https:\/\/leregardlibre.com\/#website","url":"https:\/\/leregardlibre.com\/","name":"Le Regard Libre","description":"Erste Schweizer Monatszeitschrift f\u00fcr Debatten","publisher":{"@id":"https:\/\/leregardlibre.com\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/leregardlibre.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de"},{"@type":"Organization","@id":"https:\/\/leregardlibre.com\/#organization","name":"Le Regard Libre","url":"https:\/\/leregardlibre.com\/","logo":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/","url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","contentUrl":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2025\/08\/logo-rl-icone-neg.jpeg","width":557,"height":556,"caption":"Le Regard Libre"},"image":{"@id":"https:\/\/leregardlibre.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/leregardlibre\/","https:\/\/x.com\/LeRegardLibre","https:\/\/www.linkedin.com\/company\/le-regard-libre","https:\/\/www.instagram.com\/leregardlibre\/","http:\/\/t.me\/leregardlibre","https:\/\/youtube.com\/channel\/UC6HzGPomj1LsUmlz-sJtITQ"],"description":"Le Regard Libre ist eine Schweizer Monatszeitschrift f\u00fcr intellektuelle und kulturelle Debatten. Seine Redaktion ist jung, ehrenamtlich, liberal und pluralistisch. Das Magazin erscheint online und in gedruckter Form. Seine Sprache ist Franz\u00f6sisch.","email":"redaction@leregardlibre.com","legalName":"Le Regard Libre","foundingDate":"2014-01-01","numberOfEmployees":{"@type":"QuantitativeValue","minValue":"11","maxValue":"50"},"publishingPrinciples":"https:\/\/leregardlibre.com\/a-propos\/notre-manifeste\/","ownershipFundingInfo":"https:\/\/leregardlibre.com\/mentions-legales\/","actionableFeedbackPolicy":"https:\/\/leregardlibre.com\/conditions-generales-de-vente\/"},{"@type":"Person","@id":"https:\/\/leregardlibre.com\/#\/schema\/person\/37d7d5acf0b85808cc0f85effc58b955","name":"Jocelyn Daloz","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/secure.gravatar.com\/avatar\/5a4bbc8d90de9ec12688ff777bbc6f20b11446dd3e71eccd5bfb7dc7b6561f04?s=96&d=identicon&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/5a4bbc8d90de9ec12688ff777bbc6f20b11446dd3e71eccd5bfb7dc7b6561f04?s=96&d=identicon&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/5a4bbc8d90de9ec12688ff777bbc6f20b11446dd3e71eccd5bfb7dc7b6561f04?s=96&d=identicon&r=g","caption":"Jocelyn Daloz"},"url":"https:\/\/leregardlibre.com\/de\/author\/jocelyn-daloz\/"}]}},"_links":{"self":[{"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/posts\/532955","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/users\/764"}],"replies":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/comments?post=532955"}],"version-history":[{"count":2,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/posts\/532955\/revisions"}],"predecessor-version":[{"id":532961,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/posts\/532955\/revisions\/532961"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/media\/532958"}],"wp:attachment":[{"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/media?parent=532955"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/categories?post=532955"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/leregardlibre.com\/de\/wp-json\/wp\/v2\/tags?post=532955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}