{"id":8595,"date":"2017-05-10T18:30:31","date_gmt":"2017-05-10T16:30:31","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=8595"},"modified":"2025-12-04T23:02:03","modified_gmt":"2025-12-04T22:02:03","slug":"le-proces-du-siecle-et-lexigence-de-verite","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/de\/kino\/filme\/le-proces-du-siecle-et-lexigence-de-verite\/","title":{"rendered":"\u00abDer Jahrhundertprozess\u00bb und die Forderung nach Wahrheit"},"content":{"rendered":"

Mittwochs im Kino - Loris S. Musumeci<\/em><\/p>\n

Eine Partnerrubrik von Cin\u00e9revue<\/a><\/em>, die Filmsendung von NeuchVox. N\u00e4chste Live-\u00dcbertragung: Montag, 5. Juni 2017, 20:30 - 21:00 Uhr<\/strong><\/p>\n

\u00abDie Stimme des Leidens wird geh\u00f6rt werden\u00bb.\u00bb<\/p>\n

Professor Deborah Lipstadt (Rachel Weisz) lehrt j\u00fcdische Geschichte und Literatur an der Emory University in Atlanta. Die Erinnerung an den Holocaust ist f\u00fcr sie nicht nur eine Aufgabe ihres Berufs. Es ist eine moralische Pflicht. Eine Wahrheit, die als solche anerkannt werden muss. Der erfolgreiche englische Historiker David Irving (Timothy Spall) hat sich nicht f\u00fcr dieselbe Richtung entschieden. Er zieht es vor, \u00abdie Behauptungen des Gutmenschentums in Frage zu stellen\u00bb, wie er sagt. Diese Unerschrockenheit f\u00fchrt ihn allm\u00e4hlich bis hin zur reinen Holocaustleugnung. Er ist zu allem bereit, um sein ideologisches Konstrukt in den h\u00f6chsten intellektuellen Sph\u00e4ren zu verk\u00fcnden. Das Ergebnis: Er verklagt seine semitische Rivalin, die ungestraft seine Werke kritisiert hat. Ohne Kompromisse.<\/p>\n

<\/p>\n

L\u2019universitaire s\u2019\u00e9tait dite effectivement pr\u00eate \u00e0 discuter de la Shoah avec qui que ce soit, sauf avec ceux qui la nient totalement. L\u2019anglais, refusant une telle attitude, n\u2019a pas m\u00e9nag\u00e9 ses efforts. Elle a d\u00fb par cons\u00e9quent s\u2019armer des plus fameux avocats londoniens pour se pr\u00e9senter au Palais de Justice le 11 janvier de l\u2019an 2000. Ce n\u2019est pas qu\u2019une question d\u2019argent ou de r\u00e9putation qui est en jeu. Mais une question de M\u00e9moire. Pour se d\u00e9fendre, le parti Lipstadt doit prouver l\u2019existence de l\u2019extermination juive. Rien que cela\u00a0! Face \u00e0 l\u2019incarnation m\u00eame d\u2019une mauvaise foi angoissante. Perdre ce proc\u00e8s, c\u2019est perdre l\u2019Histoire.<\/p>\n

Toute la trame du Proc\u00e8s du si\u00e8cle<\/em> - Denial<\/em> \u2013 pourrait dessiner une classique socialo-historico-psycho-path\u00e9tico-p\u00e9nible trag\u00e9die hollywoodienne. D\u00e9tail de situation\u00a0: la r\u00e9alisation Mick Jackson est exclusivement tir\u00e9e du r\u00e9el. Aucune exag\u00e9ration romanc\u00e9e, aucune parole ind\u00fbment glorifi\u00e9e, aucun arrangement artificiel. Puisque le film traite de v\u00e9rit\u00e9, seule la v\u00e9rit\u00e9 m\u00e9rite repr\u00e9sentation. Le sc\u00e9nario de David Hare est d\u2019ailleurs directement inspir\u00e9 des archives de la Cour et du t\u00e9moignage de Deborah Lipstadt elle-m\u00eame\u00a0: History on Trial : My Day in Court with a Holocaust Denier<\/em>.<\/p>\n

\"b4d5d5d5b2cac85100ba54395f9b392b8d9ebc3d\"<\/p>\n

Sans tourner au documentaire, le long-m\u00e9trage est pr\u00e9cis, juste, temp\u00e9r\u00e9. Il offre par l\u00e0 un vrai questionnement sur le rapport entre opinion et v\u00e9rit\u00e9. Cette derni\u00e8re sait de fait s\u2019\u00e9lucider en diff\u00e9rents points de vue. Il demeure cependant que l\u2019opinion ne peut pr\u00e9tendre \u00e0 remplacer voire pi\u00e9tiner la v\u00e9rit\u00e9, simplement parce qu\u2019elle lui est soumise. En niant l\u2019Holocauste, David Irving n\u2019avance pas une opinion. Il ment. Le spectateur r\u00e9ussit \u00e0 le comprendre, m\u00eame \u00e0 le sentir dans le frisson suscit\u00e9 \u00e0 cause de la parole du n\u00e9gationniste.<\/p>\n

L\u2019attachement profond au devoir de v\u00e9rit\u00e9 parvient encore \u00e0 atteindre le public. Ce bouleversement ne s\u2019effectue pas tant par le ton l\u00e9g\u00e8rement trop indign\u00e9 de Rachel Weisz, que par l\u2019exposition de l\u2019argumentation parfaite de l\u2019avocat Richard Rampton \u2013 interpr\u00e9t\u00e9 avec cynisme et excellence par le Britannique Tom Wilkinson. Celui-ci, sans nul signe d\u2019\u00e9motion, analyse tout infime \u00e9l\u00e9ment portant \u00e0 la preuve, rendue in\u00e9vidente, de l\u2019existence des chambres \u00e0 gaz. Cigarette au bec et bouteille de rouge toujours \u00e0 port\u00e9e de main, il observe, \u00e0 Auschwitz, jusqu\u2019aux d\u00e9tails architecturaux du camp, calculant les distances, caressant les d\u00e9bris, m\u00e9prisant le guide du lieu pour avancer rapidement dans son travail.<\/p>\n

Enfin, l\u2019esth\u00e9tique ne commet pas d\u2019exploits. Elle se contente d\u2019une sobri\u00e9t\u00e9 r\u00e9aliste qui sied au contexte. Le Proc\u00e8s du si\u00e8cle<\/em> ne reste n\u00e9anmoins pas d\u00e9nu\u00e9 de go\u00fbt. L\u2019ambiance anglaise et les larmes juives sont mises en sc\u00e8ne \u00e0 l\u2019aide de simples gouttes d\u2019eau. En pause de premier plan. La pluie s\u2019\u00e9clabousse hors du tribunal. Les barbel\u00e9s pleurent les sombres souvenirs.<\/p>\n

\u00ab\u00a0On s\u2019est souvenu de vous. La voix de la souffrance a \u00e9t\u00e9 entendue. \u00bb<\/p>\n

Schreiben Sie dem Autor :\u00a0loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n

Cr\u00e9dit photo : \u00a9 ecranlarge.com et cinergy.ch<\/p>","protected":false},"excerpt":{"rendered":"

Les mercredis du cin\u00e9ma – Loris S. Musumeci Une rubrique partenaire de Cin\u00e9revue, l\u2019\u00e9mission\u00a0cin\u00e9matographique de NeuchVox. Prochain direct : lundi…<\/p>","protected":false},"author":18,"featured_media":8607,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[273852,21840130,295832,2606,4386482,90399,185572,50192,409921],"class_list":["post-8595","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-auschwitz","tag-bien-pensance","tag-judaisme","tag-justice","tag-negationnisme","tag-proces","tag-rachel-weisz","tag-shoah","tag-verite"],"acf":[],"yoast_head":"\n\u00abLe Proc\u00e8s du si\u00e8cle\u00bb et l'exigence de v\u00e9rit\u00e9<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/de\/kino\/filme\/le-proces-du-siecle-et-lexigence-de-verite\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abLe Proc\u00e8s du si\u00e8cle\u00bb et l'exigence de v\u00e9rit\u00e9\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma - Loris S. 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