Cinema Wednesdays - Virginia Eufemi
The viewer of BlacKkKlansman: I infiltrated the Ku Klux Klan leaves the cinema with the particular sensation of having attended not just a film screening, but an event that may well go down in cinema history. We therefore feel it would be a good idea to analyze Spike Lee's latest work from two angles, one more formal and the other taking a closer look at the film itself. BlacKkKlansman as a committed socio-political object.
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