{"version":"1.0","provider_name":"Le Regard Libre","provider_url":"https:\/\/leregardlibre.com\/en","title":"Le cin\u00e9ma et la Shoah: un regard sur l\u2019horreur","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"21kk0avr1g\"><a href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/le-cinema-et-la-shoah-un-regard-sur-lhorreur\/\">Cinema and the Shoah: a look at horror<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/le-cinema-et-la-shoah-un-regard-sur-lhorreur\/embed\/#?secret=21kk0avr1g\" width=\"600\" height=\"338\" title=\"&#8220;Le cin\u00e9ma et la Shoah: un regard sur l\u2019horreur&#8221; &#8212; Le Regard Libre\" data-secret=\"21kk0avr1g\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/leregardlibre.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>","thumbnail_url":"https:\/\/leregardlibre.com\/wp-content\/uploads\/2020\/10\/Camp-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1713,"description":"\u00abLa Shoah a inscrit au c\u0153ur du XXe si\u00e8cle une crise d\u00e9cisive qui l\u2019a marqu\u00e9 irr\u00e9m\u00e9diablement. Le cin\u00e9ma a \u00e9t\u00e9 l\u2019art du XXe si\u00e8cle\u00bb, \u00e9crit Jean-Michel Frodon. On comprend d\u00e8s lors que le septi\u00e8me art constitue aujourd\u2019hui une part essentielle de la r\u00e9flexion sur la Shoah. Chaque film sur le sujet am\u00e8ne pol\u00e9miques, controverses et d\u00e9bats, mais il pose un nouveau regard sur l\u2019insondable myst\u00e8re de la Shoah, an\u00e9antissement de l\u2019homme par l\u2019homme. Quel est donc ce lien fort qui unit le cin\u00e9ma et la Shoah? Et en quoi les films illustrent-ils ou conditionnent-ils un rapport singulier \u00e0 l\u2019\u00e9v\u00e9nement en question?"}