{"id":10952,"date":"2017-08-26T11:19:56","date_gmt":"2017-08-26T09:19:56","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=10952"},"modified":"2025-10-18T16:23:12","modified_gmt":"2025-10-18T14:23:12","slug":"a-unique-take-on-dracula-is-coming-to-the-theater","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/arts-vivants\/theatre\/un-dracula-inedit-propose-au-theatre\/","title":{"rendered":"A new \u00abDracula\u00bb at the theater"},"content":{"rendered":"

Le Regard Libre N\u00b0 31 - Jonas Follonier<\/em><\/p>\n

Dracula: a character best known for his various appearances on the big screen. This time, however, the famous vampire takes the stage\u2014a first. Bram Stoker\u2019s epistolary novel *Dracula* has been reimagined by director St\u00e9phane Albelda, well known for his talent in Valais and beyond.<\/p>\n

The result is breathtaking. The Nova Malacuria troupe has indeed achieved the goals this cultural institution has set for itself for more than thirty years: to bring together the various performing arts. But above all, this production exists at the intersection of genres.<\/p>\n

Ranging from the coldest tears to the most heartfelt laughter, audiences can experience a total theatrical experience under the moonlight in the gardens of the Coll\u00e8ge des Creusets in Sion through September 2, Wednesdays through Saturdays at 8:30 p.m.\u00a0Carried by the powerful music composed by Baptiste Mayoraz and performed live, the actors\u2014most of whom are young\u2014deliver a subtle, realistic, and tragic performance. We sat down with one of them, Thibault Hugentobler.<\/p>\n

Jonas Follonier: Is this the first time you've performed with the Nova Malacuria troupe?<\/b><\/p>\n

Thibault Hugentobler: I had already performed with this troupe in the play William Tell<\/em>, two years ago. St\u00e9phane Albelda was an assistant director at the time. Baptiste Mayoraz and Rachel Morend were also already part of the project.<\/p>\n

Dracula has always been a very modern character. Making him \u00abdifferent\u00bb in a modern way\u2014that\u2019s the challenge of this play. Do you think it succeeds in that challenge?<\/b><\/p>\n

I think the production\u2019s goals were largely achieved. The desire to steer clear of anything gory has been sublimely achieved. St\u00e9phane Albelda wanted to make Dracula a rebellious character and for the audience to see that rebellion, rather than have it hidden beneath superficial layers. The moment when the actor St\u00e9phane Liard steps to the front of the stage and declares to God that he renounces Him\u2014that must not be merely a line, but an act of detachment.<\/p>\n

Why is this character interesting in our time?<\/b><\/p>\n

The play can be viewed as a series of duets. Dracula does not necessarily refer to immortality, but rather to that fascination with\u2014and fear of\u2014the other. When Professor Van Helsing (played by Hadrien Praz) tells Dracula that he is the monster, Dracula replies: \u00abYou will kill the monster, but will you kill the evil?\u00bb Of course not. Dracula is otherness itself: we both want to possess him and, since he terrifies us, to destroy him.<\/p>\n

You play the role of Renfield, a very interesting mentally unstable character. What were the challenges of portraying him?<\/b><\/p>\n

It took me a year to find my character, to nourish him with influences, reflections, and technical work, with the help of St\u00e9phane Albelda and St\u00e9phane Liard. The hardest part was how I viewed my own acting. I had to work hard to get back to simple emotions, free from intellectualism. Then, while rehearsing one Saturday in July, I realized what my Renfield had to be: a man of extreme lucidity, not a madman screaming on stage one summer evening. That\u2019s when the text really hit home, with its layers of meaning between what Renfield says and what Seward says about Renfield.<\/p>\n

Now let's move on to your all-time favorites in theater. Who are your favorite playwrights?<\/b><\/p>\n

Wajdi Mouawad, who writes exceptional plays, and Vincent Macaigne, a French actor, stage director, and filmmaker whom I discovered fairly recently. He is an author whose works, notably Craving<\/em>, keep us thinking for weeks and weeks after we've seen them.<\/p>\n

Thank you for your responses.<\/b><\/p>\n

Thibault Hugentobler<\/i><\/b> is a student of art history and political science at the University of Lausanne. He began acting in 2013 with the theater troupe at the Lyc\u00e9e-Coll\u00e8ge des Creusets in Sion, and thus first performed in <\/i>The Caucasian Chalk Circle by Bertolt Brecht.<\/i><\/p>\n

Nova Malacuria<\/b> is a cultural institution in Sion whose mission is to serve as a platform for exchange and creativity at the intersection of the various performing arts. From <\/em>Farinet (1985) to <\/em>Dracula (2017), Nova Malacuria is a theater with the atmosphere of an agora that has gradually established itself as a must-see event of the Valais summers.<\/em><\/p>\n

Photo credit: \u00a9 Nova Malacuria<\/p>","protected":false},"excerpt":{"rendered":"

Le Regard Libre N\u00b0 31 – Jonas Follonier Dracula : un personnage fameux surtout pour ses diverses apparitions au cin\u00e9ma….<\/p>","protected":false},"author":138,"featured_media":10967,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5386],"tags":[588066457,199248,2434368,11788,588066455,764512,90484,378760192,281566,12940515,5251244],"class_list":["post-10952","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-theatre","tag-baptiste-mayoraz","tag-dracula","tag-immortalite","tag-interviews","tag-nova-malacuria","tag-peur","tag-spectacle","tag-stephane-albelda","tag-valais","tag-vincent-macaigne","tag-wajdi-mouawad"],"acf":[],"yoast_head":"\nUn \u00abDracula\u00bb in\u00e9dit propos\u00e9 au th\u00e9\u00e2tre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" 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