{"id":12679,"date":"2017-11-01T20:50:40","date_gmt":"2017-11-01T19:50:40","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=12679"},"modified":"2025-12-04T23:01:26","modified_gmt":"2025-12-04T22:01:26","slug":"au-revoir-la-haut","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/au-revoir-la-haut\/","title":{"rendered":"\u00abAu revoir l\u00e0-haut\u00bb"},"content":{"rendered":"

Cinema Wednesdays - Loris S. Musumeci<\/em><\/p>\n

\u00abIt's a long and complicated story.
\n- We've got plenty of time.\u00bb<\/p>\n

The faces masked by a dark, thick dust are those of the soldiers in the trenches in 1918. Fatigue, fear and misery fold them into their blue uniforms. A single contrasting look is as self-assured as it is self-satisfied, lifted by the smoke of a cigarette: Lieutenant Pradelle (Laurent Lafitte). His ardor drives him to send men to the slaughter.<\/p>\n

Among them is young Edouard (Nahuel P\u00e9rez Biscayart), who secretly draws caricatures of his superior, and an older accountant, Albert (Albert Dupontel), who hides his comrade's drawings. In the midst of a German attack, the latter finds himself trapped under the ground, panic-stricken in a bomb blast, with the corpse of a horse. His companion saves him heroically, before being ejected by a bullet. His face is disfigured and bleeding. The shape of his mouth is cruelly obscured by the absence of a jaw. From then on, the two friends are inseparable.<\/p>\n

A Simple Story<\/h3>\n

Au revoir l\u00e0-haut<\/em> doesn\u2019t pose any major mysteries. Unlike the opening line, the story is actually quite simple. There\u2019s a war, a cruel lieutenant, a man with a disfigured face who has been declared dead to his family, and two veterans who lack the resources to make ends meet once they return to everyday life. That\u2019s enough to give the plot depth, while still keeping it light and easy to follow.<\/p>\n

The film is filled with both political and personal dramas, yet it doesn\u2019t lack a touch of the absurd. A variety of masks, the film\u2019s grainy texture, vintage tones, dance steps, and exuberant music bring the macabre postwar setting to life. Certain episodes, narrated simultaneously with the sequence by the narrator, even give the impression of transporting the style of the\u00a0The Fabulous Life of Am\u00e9lie Poulain<\/em>.<\/p>\n

From Poetry to the Screen<\/h3>\n

The adjective fabulous<\/em> suits both French works equally well. The performance itself creates such an effect. The poetry in the masks\u2019 expressions is guided by theatrical acting, which is, in turn, accompanied by violins during moments of trial or the lively sound of the saxophone during celebrations. The interplay of colors contributes to this fusion of the arts. Notably, the shades of blue\u2014from Edouard\u2019s military uniforms to his light-colored princely robes and fantastical masks\u2014once again lend him a distinctive expression.<\/p>\n

The acting, which is flawless in every scene, serves as the foundation for the film\u2019s glowing portrayal. It is only through their restraint and their embodiment of their characters that the feature film avoids falling into the trap of being mere theater on film. Laurent Lafitte succeeds in conveying the sadism of the reckless and opportunistic lieutenant through his smile\u2014at once fickle and indifferent to the suffering of his peers. Nahuel P\u00e9rez Biscayart, whose beauty is strongly emphasized despite Edouard\u2019s injury, presents the viewer with a blue bird, graceful in his every movement.<\/p>\n

A Precise Work<\/h3>\n

Albert Dupontel, for his part, successfully juggles his various roles. In addition to directing and co-writing the screenplay with Pierre Lemaitre\u2014author of the novel of the same name, winner of the 2013 Prix Goncourt\u2014he brings his own distinctive touch to the character of Albert Maillard, whom he plays. He is, in fact, the one responsible for narrating the story and adding some humorous commentary. Furthermore, his performance is excellent, as his stuttering, repetitions, and the movements of his lips and eyebrows help bring out his character\u2019s intimate and curious nature.<\/p>\n

Goodbye Up There<\/em> It also has the merit of being precise in the scenes that depict it. One need only think of the eye that opens, desperate beneath a pile of earth, or of the travelling<\/em> harrowing in the trenches. Moreover, the emotion that permeates the story does not artificially elicit tears. Finally, the humor comes across as genuine. It does not distort reality, but rather poeticizes it. Thus, tragedy and comedy come together perfectly to denounce those who \u00abstarted the war, enjoyed waging it, and profited from it\u00bb and to pay tribute to those who sacrificed their lives in it.<\/p>\n

\u00abI wish I could have told him that he was the one who was right to want to be who he was.\u00bb<\/p>\n

Write to the author : loris.musumeci@leregardlibre.com<\/a><\/em><\/p>\n

Photo credit: \u00a9 parismatch.fr<\/p>\n

<\/div>","protected":false},"excerpt":{"rendered":"

Les mercredis du cin\u00e9ma \u2013 Loris S. Musumeci \u00ab \u2013 C\u2019est une longue histoire compliqu\u00e9e. \u2013 On a tout notre…<\/p>","protected":false},"author":18,"featured_media":12701,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[917715,194294395,178849992,14228,2208180,2093127,61091,11357339,594980118,584880,28113600,14831,41441,2486787,1571033,175337893],"class_list":["post-12679","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-albert-dupontel","tag-albert-maillard","tag-au-revoir-la-haut","tag-drame","tag-fabuleux","tag-goncourt","tag-guerre","tag-laurent-lafitte","tag-lieutenant-pradelle","tag-masque","tag-pierre-lemaitre","tag-poesie","tag-saxophone","tag-tragique","tag-violon","tag-visage-defigure"],"acf":[],"yoast_head":"\n\u00abAu revoir l\u00e0-haut\u00bb<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/au-revoir-la-haut\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abAu revoir l\u00e0-haut\u00bb\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma \u2013 Loris S. 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