{"id":13342,"date":"2017-11-22T21:09:01","date_gmt":"2017-11-22T20:09:01","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=13342"},"modified":"2025-12-04T23:01:18","modified_gmt":"2025-12-04T22:01:18","slug":"jealous-of-karin-viards-midlife-crisis","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/jalouse-une-karin-viard-en-pleine-crise-de-la-cinquantaine\/","title":{"rendered":"\u00abJalouse\u00bb, Karin Viard in the midst of a mid-life crisis"},"content":{"rendered":"

Cinema Wednesdays - Jonas Follonier<\/em><\/p>\n

Jealous<\/em> est le nouveau long-m\u00e9trage de David et St\u00e9phane Foenkinos. S’inscrivant dans la com\u00e9die dramatique fran\u00e7aise, il met en sc\u00e8ne la tourmente d’une femme s’approchant de la m\u00e9nopause. Comme le note Le Figaro<\/em>, this theme is becoming a recurring one in France: \u00abFrom The Dawn <\/i>from Blandine Lenoir to Back to my mother<\/em> d’Eric Lavaine en passant par L’Avenir<\/em> de Mia Hansen-Love, le cin\u00e9ma hexagonal ne para\u00eet pas r\u00e9fractaire \u00e0 l’id\u00e9e de traiter de ce sujet a priori casse-gueule \u00bb.<\/p>\n

Casse-geule ? Le terme est bien choisi par le quotidien de droite. En effet, si le sujet abord\u00e9 est grave, et int\u00e9ressant, il comporte un risque cin\u00e9matographique du fait de son caract\u00e8re unilat\u00e9ral. C’est bien le d\u00e9savantage de toutes les \u0153uvres \u00e0 tendance psychologique, qui \u00e9tendent sur la dur\u00e9e d’un film une question touchant au caract\u00e8re d’un des protagonistes. Les fr\u00e8res\u00a0Foenkinos sont tomb\u00e9s \u00e0 moiti\u00e9 dans le pi\u00e8ge, soignant la distribution au d\u00e9triment de l’intrigue. Explications.<\/p>\n

Karin Viard, remarkably detestable<\/h3>\n

Il est d’abord \u00e0 noter que le personnage de Nathalie P\u00eacheux, incarn\u00e9 par Karin Viard, est pr\u00e9sent \u00e0 l’\u00e9cran du d\u00e9but \u00e0 la fin. Le jeu naturel de cette actrice d\u00e9j\u00e0 couronn\u00e9e de deux C\u00e9sars est donc une condition n\u00e9cessaire et suffisante pour que Jealous<\/em> tienne la route. La femme qu’elle incarne est un professeur de lettres que guette la cinquantaine et qui, fra\u00eechement divorc\u00e9e, devient presque du jour au lendemain jalouse de sa propre fille et de la nouvelle femme de son ex-mari. Par ce malaise qu’elle s’avoue \u00e0 moiti\u00e9, elle va se retrouver de plus en plus seule, son entourage n’arrivant plus \u00e0 la supporter.<\/p>\n

Parmi cet entourage, justement, on e\u00fbt appr\u00e9ci\u00e9 une pr\u00e9sence plus r\u00e9currente de l’ex-mari interpr\u00e9t\u00e9 par l’excellent Thibault de Montalembert, connu entre autres pour son r\u00f4le dans la s\u00e9rie Ten percent<\/em>, dont la premi\u00e8re saison a \u00e9t\u00e9 pr\u00e9sent\u00e9e sur France 2 l’ann\u00e9e pass\u00e9e. Cependant, la logique du film veut que les acteurs secondaires restent \u00e0 l’arri\u00e8re-plan pour laisser place \u00e0 l’unique protagoniste digne de ce nom. Ce r\u00f4le, Karin Viard l’endosse de mani\u00e8re spectaculaire, incorporant le bovarysme de son personnage jusqu’au moindre plissement de son visage.<\/p>\n

An average scenario<\/h3>\n

Pour qui n’est pas un fanatique de cette actrice, le film para\u00eetra long, voire longuet. Le sc\u00e9nario en est assur\u00e9ment responsable. Multipliant les blagues convenues et les p\u00e9rip\u00e9ties attendues, il n’est pas \u00e0 l’hauteur des acteurs. Outre Karin Viard et\u00a0Thibault de Montalembert, le spectateur peut admirer la fra\u00eecheur d’Ana\u00efs Demoustier, resplendissante de beaut\u00e9, et en aimerait justement un peu plus. Le st\u00e9r\u00e9otype de la jeune enseignante dynamique que le texte la contraint \u00e0 interpr\u00e9ter d\u00e9\u00e7oit.<\/p>\n

Il en va de m\u00eame pour la meilleure amie de Nathalie, o\u00f9 encore une fois l’actrice Anne Dorval vaut nettement mieux que le film. Cela \u00e9tant, il faut conc\u00e9der que ce dernier a tout de m\u00eame le m\u00e9rite de rappeler la valeur d’une vraie amiti\u00e9, non pas fond\u00e9e sur la transparence, mais sur la bienveillance. De plus, malgr\u00e9 ses longueurs, le nouveau long-m\u00e9trage des fr\u00e8re\u00a0Foenkinos se garde de faire de la morale, pr\u00e9f\u00e9rant la complexit\u00e9 aux propos tout faits, s’en tenant aux probl\u00e8mes, sans donner de solutions.<\/p>\n

Somme toute, il vaut donc la peine pour tout amateur de cin\u00e9ma fran\u00e7ais d’aller voir ce film, s’en pour autant s’attendre \u00e0 un chef d’\u0153uvre. Chacun pourra alors se faire sa propre opinion.<\/p>\n

Write to the author: jonas.follonier@leregardlibre.com<\/a><\/em><\/p>\n

Photo credit: \u00a9 Ecran Large<\/p>","protected":false},"excerpt":{"rendered":"

Les mercredis du cin\u00e9ma – Jonas Follonier Jalouse est le nouveau long-m\u00e9trage de David et St\u00e9phane Foenkinos. 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