{"id":14573,"date":"2018-03-07T15:28:55","date_gmt":"2018-03-07T14:28:55","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=14573"},"modified":"2025-12-04T22:50:04","modified_gmt":"2025-12-04T21:50:04","slug":"moi-tonya-le-triomphe-de-lirreverence","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/moi-tonya-le-triomphe-de-lirreverence\/","title":{"rendered":"\u00abI, Tonya\u00bb, the triumph of irreverence"},"content":{"rendered":"

L\u2019insolence fait du bien quand elle est film\u00e9e avec dignit\u00e9 et talent. Une phrase pour caract\u00e9riser un film, c\u2019est peu, trop peu. Surtout dans le cas de Moi, Tonya<\/em>. Un film qui est inspir\u00e9 de l\u2019histoire vraie d\u2019une patineuse am\u00e9ricaine, Tonya Harding, dont la personnalit\u00e9 tenace a permis l\u2019existence d\u2019une athl\u00e8te d\u2019exception. Une vie de fermet\u00e9, de violence et aussi brutale qu\u2019un bloc de glace \u00e9clatant au sol.<\/p>\n\n\n\n\n\n\n\n

De la brutalit\u00e9 dans le monde du patinage artistique? Apparemment, l\u2019association \u00e9tonne et va \u00e0 l\u2019encontre de l\u2019image \u2013 s\u00fbrement trop st\u00e9r\u00e9otyp\u00e9e \u2013 qu\u2019on se fait souvent de ce sport. C\u2019est toute la force du film de Craig Gillespie: montrer la souffrance silencieuse derri\u00e8re la c\u00e9l\u00e9brit\u00e9 \u00e9ph\u00e9m\u00e8re. Il entrecroise des entretiens avec les v\u00e9ritables personnes de l\u2019intrigue et le monde de la fiction.<\/p>\n\n\n\n

Un va-et-vient surprenant entre le langage documentaire et cin\u00e9matographique. Il filme ainsi sans d\u00e9tour le quotidien harassant d\u2019une femme qui doit constamment remonter la pente pour r\u00e9aliser un r\u00eave: \u00eatre la premi\u00e8re patineuse \u00e0 effectuer la figure la plus exigeante de la discipline aux Jeux Olympiques, apr\u00e8s l\u2019avoir r\u00e9alis\u00e9 dans les comp\u00e9titions nationales d\u00e8s 1991. Nous parlons du triple axel \u2013 trois tours et demi sur soi en l\u2019air, avant de retomber sur la glace.<\/p>\n\n\n\n

Le miroitement de tristes r\u00e9alit\u00e9s<\/h3>\n\n\n\n

Le r\u00e9alistateur s\u2019est empar\u00e9 d\u2019un destin hors du commun et tout \u00e0 la fois trop quotidien si l\u2019on en croit les statistiques sur les violences conjugales. Permettez-nous une digression \u00e0 ce sujet. En Suisse, par exemple, durant l\u2019ann\u00e9e 2016, 17’685 infractions de violence domestique ont \u00e9t\u00e9 enregistr\u00e9es par la police. Apr\u00e8s un bref calcul, cela repr\u00e9sente tout de m\u00eame environ quarante-huit cas quotidiens (OFS). Ce fl\u00e9au n\u2019est pas le th\u00e8me central du long-m\u00e9trage, mais il le traverse et le marque d\u2019une empreinte ind\u00e9niable. Il ruine plus d\u2019une vie, d\u00e9truit tant de familles. Comme celle de Tonya.<\/p>\n\n\n\n

Ne nous \u00e9cartons pas davantage. Revenons-en \u00e0 nos patins. Etre patineuse ou patineur, c\u2019est un entra\u00eenement quotidien de plusieurs heures pour une discipline olympique moins populaire que le ski alpin. Quelle patineuse a gagn\u00e9 la m\u00e9daille d\u2019or du programme libre aux JO de PyeongChang 2018? Vous n\u2019\u00eates pas le seul ou la seule \u00e0 l\u2019ignorer.<\/p>\n\n\n\n

Une existence fracass\u00e9e<\/h3>\n\n\n\n

Margot Robbie interpr\u00e8te avec furie et d\u00e9chirement Tonya Harding. Une femme toujours \u00e0 la limite de l\u2019implosion qui r\u00e9siste, qui survit malgr\u00e9 les contrecoups personnels \u00e0 r\u00e9p\u00e9titions, qui rena\u00eet sans cesse gr\u00e2ce \u00e0 sa passion infatigable pour le patinage. Un \u00eatre fracass\u00e9 par la vie qui ne cherche que le d\u00e9passement de soi et, au passage, l\u2019explosion des codes propres sur soi et trop princesse du patinage artistique. Une rockeuse au milieu des ballerines, \u00e0 l\u2019image de la bande-son; tr\u00e8s rock\u2019n\u2019roll<\/em>.<\/p>\n\n\n\n

Et que dire de la gla\u00e7ante et hilarante Allison Janney \u2013 r\u00e9compens\u00e9e par l\u2019Oscar de la meilleure actrice dans un second r\u00f4le \u2013 qui joue la m\u00e8re de Tonya? Elle assure l\u2019humour volontairement noir de l\u2019ensemble; matrone impitoyable et d\u00e9licieusement cynique. Des \u00e9clats de rires qui d\u00e9bouchent parfois sur une d\u00e9testation profonde.<\/p>\n\n\n\n

Moi, Tonya est surtout une belle r\u00e9ussite formelle. Craig Gillespie a effectivement respect\u00e9 le caract\u00e8re rebelle et parfois insolent de Tonya Harding; au point de l\u2019inclure m\u00eame dans sa mani\u00e8re de monter son film. Casser le langage cin\u00e9matographique traditionnel pour mieux souligner la force de la protagoniste principale.<\/p>\n\n\n\n

Un irrespect indispensable des codes sociaux<\/h3>\n\n\n\n

Une irr\u00e9v\u00e9rence qui fait du bien, explose la prison du conformisme et le danger de l\u2019uniformisation. Ici, c\u2019est dans l\u2019univers du patinage; dans la rue, cela peut \u00eatre le refus d\u2019un syst\u00e8me ou de certaines pratiques. Le r\u00e9alisateur n\u2019h\u00e9site ni d\u2019interrompre brutalement les instants de suspens ni de cr\u00e9er des apart\u00e9s dans lesquels les acteurs s\u2019adressent directement au spectateur; pour le confronter \u00e0 la r\u00e9alit\u00e9, l\u2019interroger sur ce qu\u2019il voit. Et ce, souvent \u00e0 des moments importants du film.<\/p>\n\n\n\n

Bref, Moi, Tonya<\/em> est saisissant. C\u2019est le portrait de ce qu\u2019il y a parfois derri\u00e8re une championne. Le biopic insipide est \u00e9vit\u00e9 et une destin\u00e9e trop banale est mis sur le banc des accus\u00e9s. Il n\u2019est pas question de d\u00e9noncer, juste de d\u00e9montrer une r\u00e9alit\u00e9. C\u2019est aussi simple que cela.<\/p>\n\n\n\n

La russe Alina Zagitova, m\u00e9daill\u00e9e d\u2019or du programme de patinage libre femmes aux Jeux Olympiques de PyeongChang 2018, a-t-elle connu un destin semblable \u00e0 celui de Tonya Harding? Nous l\u2019ignorons, m\u00eame si nous en doutons.<\/p>\n\n\n\n

Write to the author: alexandrewaelti@gmail.com<\/a><\/em><\/p>\n\n\n\n

Photo credit: \u00a9 Ascot Elite Entertainment<\/p>\n\n\n\n

You've just read an open-access article.\u00a0<\/strong>Debates, analysis, cultural news:\u00a0subscribe<\/a>\u00a0to support us and get access to all our content!<\/a><\/p>","protected":false},"excerpt":{"rendered":"

L\u2019insolence fait du bien quand elle est film\u00e9e avec dignit\u00e9 et talent. Une phrase pour caract\u00e9riser un film, c\u2019est peu,…<\/p>","protected":false},"author":335,"featured_media":509637,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644341146,739228,34372547,4529339,2138787],"class_list":["post-14573","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-critiques-cinema","tag-jeux-olympiques","tag-margot-robbie","tag-pyeongchang","tag-violence-conjugale"],"acf":[],"yoast_head":"\n\u00abMoi, Tonya\u00bb, le triomphe de l\u2019irr\u00e9v\u00e9rence<\/title>\n<meta name=\"description\" content=\"Une phrase pour caract\u00e9riser un film, c\u2019est peu, trop peu. Surtout dans le cas de \u00abMoi, Tonya\u00bb. 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