{"id":15326,"date":"2018-05-09T07:36:57","date_gmt":"2018-05-09T06:36:57","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=15326"},"modified":"2026-05-05T19:43:12","modified_gmt":"2026-05-05T17:43:12","slug":"gaspard-goes-to-the-wedding-the-most-bizarre-of-this-springs-films","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/gaspard-goes-to-the-wedding-the-most-bizarre-of-this-springs-films\/","title":{"rendered":"\u00abGaspard va au mariage\u00bb, the most bizarre film of this spring"},"content":{"rendered":"

Cinema Wednesdays - Jonas Follonier<\/em><\/p>\n\n\n\n

Already, the opening credits, with their neon green lettering, bear witness to a particular, rather unpleasant aesthetic. As does the accompanying music, worthy of the worst commercial answering machines. Then, an improbable first scene. Seriously, we don't believe for a second in the chance meeting of Gaspard (F\u00e9lix Moati) and Laura (Laetitia Dosch), if we even understand it at all.<\/p>\n\n\n\n\n\n\n\n

But the worst is yet to come. The viewer thinks: no, they didn't dare? It's the announcement of a first chapter with the title kitsch<\/em> on the screen, with a slow-motion shot of a character in the background. In slow motion! It's as if the cinematographer was euphorically discovering iMovie's few options, and was experimenting for the first time. Let's get serious again: this four-part cut was really not a good idea - a \u00ableftover from the script\u00bb, according to director Antony Cordier - because the film's subject matter deserves a better form.<\/p>\n\n\n\n