{"id":15433,"date":"2018-05-23T06:00:33","date_gmt":"2018-05-23T05:00:33","guid":{"rendered":"http:\/\/leregardlibre.com\/?p=15433"},"modified":"2025-12-04T22:49:12","modified_gmt":"2025-12-04T21:49:12","slug":"lhomme-qui-tua-don-quichotte-la-fantaisie-adequate","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/lhomme-qui-tua-don-quichotte-la-fantaisie-adequate\/","title":{"rendered":"\u00abThe Man Who Killed Don Quixote\u00bb, the right kind of fantasy"},"content":{"rendered":"

Cinema Wednesdays - Alexandre W\u00e4lti<\/em><\/p>\n

It's got everything: energy, madness, inventiveness, adventure and even homage. It's Terry Gilliam's version of Don Quixote, fermented in Monty Python barrels, vintage 2018, at last! Adapting Cervantes' classic has long been an ordeal for the director, who had the project in mind as early as 1990 and began production in 2000. He's not the only director to have attempted a film adaptation: the great Orson Welles had already been at it for twenty years back in 1957. Why take so long to make\u00a0The Man Who Killed Don Quixote<\/em> ?<\/p>\n

<\/p>\n

D’abord feu Jean Rochefort a d\u00fb renoncer au r\u00f4le-titre, victime d’une double hernie discale, ensuite une inondation a d\u00e9truit tout le mat\u00e9riel du film et, enfin, l’endroit initialement choisi par Terry Gilliam \u00e9tait sous un couloir a\u00e9rien. Ces contretemps ont finalement mis une fin au projet avec Johnny Depp en 2002 et ont d\u00e9bouch\u00e9 sur un documentaire qui est aussi une int\u00e9ressante plong\u00e9e dans la production d’un film :\u00a0Lost in la Mancha<\/em>.<\/p>\n

L’id\u00e9e de r\u00e9aliser le film remonte donc \u00e0 bien longtemps, 25 ans pour \u00eatre exact comme le rappelle le g\u00e9n\u00e9rique du d\u00e9but. En m\u00eame temps, le r\u00e9alisateur s\u2019attaque \u00e0 un pav\u00e9 de plus de 1000 pages qui, a priori, est inadaptable au cin\u00e9ma, vraiment inadaptable. Pourquoi\u00a0? Pour tellement de raisons qu\u2019il est impossible de les \u00e9crire toutes par ici, au risque d\u2019avoir une liste infinie comme article. Ce qu\u2019il faut, vous le conc\u00e9derez sans doute, \u00e9viter lorsqu\u2019on fait la critique d\u2019un film. Mais principalement, c\u2019est parce que le roman est une superposition de personnages dans le personnage de Don Quichotte tout comme une succession d\u2019histoires dans l\u2019histoire. Bref, vous l\u2019aurez compris, l\u2019ouvrage en deux volumes de Cervantes est l\u2019infini livre par d\u00e9finition.<\/p>\n

Judicieuse mise en abyme<\/h3>\n

Assez parl\u00e9 litt\u00e9rature, parlons cin\u00e9ma\u00a0! Vous \u00eates l\u00e0 pour \u00e7a, n\u2019est-ce pas\u00a0? Pourtant l\u2019envie est grande de vous embarquer, \u00e0 la mani\u00e8re d\u2019un Don Quichotte de derri\u00e8re les fagots, dans \u00ab\u00a0un jour parfait pour l\u2019aventure\u00a0\u00bb. Concr\u00e8tement Terry Gilliam, en \u00e9cho \u00e0 l\u2019introduction de cet article \u2013 et oui le blabla n\u2019\u00e9tait pas l\u00e0 pour rien \u2013 a fait le choix d\u2019une mise en abyme. Comment\u00a0? Il a d\u00e9cid\u00e9 d\u2019entrer dans l\u2019univers de Don Quichotte par la perspective du r\u00e9alisateur am\u00e9ricain Toby (Adam Driver, superbe). Il avait tourn\u00e9 son film de fin d\u2019\u00e9tudes en s’inspirant des aventures de Don Quichotte. Il revient en Espagne \u2013 est-il vraiment parti un jour \u2013 pour un tournage, la suite de Don Quichotte peut-\u00eatre.<\/p>\n

Du jour au lendemain, et par une succession d\u2019\u00e9v\u00e9nements chevaleresque \u2013 justement, Toby, le r\u00e9alisateur, retourne sur les lieux de son premier tournage et d\u00e9couvre, dix ans apr\u00e8s son film de fin d’\u00e9tude, ce que les acteurs-figurants sont devenus. Il r\u00e9alise notamment qu\u2019il a chang\u00e9 \u00e0 jamais la vie de Javier, son Quichotte cordonnier (Jonathan Pryce, follement poss\u00e9d\u00e9) et qu\u2019il a influenc\u00e9 tant d\u2019autres vies sans vraiment s\u2019en rendre compte. Notons \u00e0 ce point de l’article l’\u00e9closion de l’actrice portugaise Joana Ribeiro, fabuleuse et intense, dans le r\u00f4le d’Ang\u00e9lica. Revenons au film. La plong\u00e9e dans le pass\u00e9 emporte soudain Toby dans l\u2019histoire m\u00eame du Quichotte. Il devient Sancho Panza le fid\u00e8le \u00e9cuyer du chevalier errant et revit ses aventures dans l\u2019\u00e9poque moderne. Encore une fois, le choix de Terry Gilliam lui \u00e9vite d\u2019\u00eatre trop proche des histoires infinies de Don Quichotte sans qu\u2019il ne passe aucunement \u00e0 c\u00f4t\u00e9 de certains passages iconiques de l\u2019\u0153uvre de Cervantes.<\/p>\n

La rencontre entre le r\u00e9alisateur et Don Quichotte permet de rendre plus cr\u00e9dible encore le d\u00e9calage entre deux \u00e9poques, deux mentalit\u00e9s. Le fil rouge du film bien plus que l\u2019aventure de Don Quichotte. Ce qui, assur\u00e9ment, est la qualit\u00e9 principale de l\u2019adaptation. Elle participe ainsi activement \u00e0 la tension \u00e0 la fois comique \u2013 parce que oui, Gilliam n\u2019a pas reni\u00e9 son humour anglais d\u00e9cal\u00e9 et on se marre \u2013 et dramatique, la qu\u00eate inatteignable.<\/p>\n

De la folle imagination \u00e0 la r\u00e9alit\u00e9 comique<\/h3>\n

L\u2019\u00e9pop\u00e9e quichottesque version Gilliam plonge d\u00e8s lors litt\u00e9ralement le spectateur dans la folie du personnage de Cervantes, sa tendresse, sa loyaut\u00e9, sa vie ; pardon des personnages, des tendresses, des loyaut\u00e9s, des vies du chevalier errant qui sont un peu celles de chaque personne qui s\u2019octroie le plaisir de l\u2019inventivit\u00e9 et de la passion imaginaire. Mais gare \u00e0 ne pas s\u2019\u00e9garer\u00a0! Le r\u00e9alisateur anglais ne passe pas \u00e0 c\u00f4t\u00e9 de la m\u00e9galomanie du Quichotte et la personnifie dans le corps d\u2019un baron de la vodka russe (Jordi Moll\u00e1, glacial). Nous vous laissons imaginer ce que \u00e7a peut donner quand \u00e7a passe par les yeux d\u2019un Monty Python \u2013 les initi\u00e9s comprendront, les autres d\u00e9couvriront.<\/p>\n

En r\u00e9sum\u00e9, le rythme de\u00a0L’homme qui tua Don Quichotte<\/em> est clairement comique. Il suffit de prendre l\u2019exemple de l\u2019auberge fictive \u2013 bien r\u00e9elle dans l\u2019\u0153uvre de Cervantes et librement adapt\u00e9e par Gilliam – dans laquelle le nouveau Sancho et Don Quichotte trouvent un abri. Quand l\u2019inquisition entre en force \u00e0 l\u2019int\u00e9rieur m\u00eame le spectateur croit dur comme fer au d\u00e9lire et doute de la temporalit\u00e9 dans laquelle se d\u00e9roule le film. Exactement l’effet du roman ! Les deux compagnons paniquent et toutes les sc\u00e8nes qui en d\u00e9bouchent sont tout \u00e0 fait g\u00e9n\u00e9reuses en clowneries et autres galipettes plus que plaisantes. Un pur plaisir\u00a0!<\/p>\n

Write to the author : alexandre.waelti@leregardlibre.com<\/a><\/i><\/p>\n

Cr\u00e9dit photo : \u00a9 Diego Lopez Calvin pour Ascot Elite Entertainment<\/p>","protected":false},"excerpt":{"rendered":"

Les mercredis du cin\u00e9ma – Alexandre W\u00e4lti Tout y est\u00a0: l\u2019\u00e9nergie, la folie, l\u2019inventivit\u00e9, l’aventure et m\u00eame l\u2019hommage. C\u2019est Don…<\/p>","protected":false},"author":335,"featured_media":509842,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[254984,346697,2445646,35,4019626,194340,22368391,553776,213257,259547,634893616,331476],"class_list":["post-15433","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-cervantes","tag-clown","tag-don-quichotte","tag-humour","tag-jean-rochefort","tag-johnny-depp","tag-lhomme-qui-tua-don-quichotte","tag-la-quete","tag-monty-python","tag-orson-welles","tag-sancho-panzo","tag-terry-gilliam"],"acf":[],"yoast_head":"\n\u00ab L'homme qui tua Don Quichotte \u00bb, la fantaisie ad\u00e9quate<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/lhomme-qui-tua-don-quichotte-la-fantaisie-adequate\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00ab L'homme qui tua Don Quichotte \u00bb, la fantaisie ad\u00e9quate\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma - Alexandre W\u00e4lti Tout y est\u00a0: l\u2019\u00e9nergie, la folie, l\u2019inventivit\u00e9, l'aventure et m\u00eame l\u2019hommage. 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