{"id":16659,"date":"2018-08-01T08:12:04","date_gmt":"2018-08-01T07:12:04","guid":{"rendered":"https:\/\/leregardlibre.com\/?p=16659"},"modified":"2025-12-04T22:40:11","modified_gmt":"2025-12-04T21:40:11","slug":"sweet-country-an-atypical-western","status":"publish","type":"post","link":"https:\/\/leregardlibre.com\/en\/cinema\/films\/sweet-country-an-atypical-western\/","title":{"rendered":"\u00abSweet Country, an atypical western"},"content":{"rendered":"<p><em>Cinema Wednesdays - Jonas Follonier<\/em><\/p>\n<p>The film opens with water boiling. Water that appears black, due to the color of the pot. Central color in <em>Sweet Country<\/em>, There are no Indians or the great American West: this western is set in 1920s Australia and depicts the racial tensions of the time, between Aborigines and whites. The vocabulary is harsh: \u00abblack cattle\u00bb, \u00abdirty nigger\u00bb, the film is quick to call out the qualifiers, reminiscent in some respects of the latest Tarantino film. Black is also the darkness of a bedroom where a rape is taking place.<\/p>\n<p><!--more--><\/p>\n<p>And it's the story of one black man in particular that will be the focus of the film: farmhand Sam Kelly (Hamilton Morris), who must flee with his wife after killing a white man. Sergeant Fletcher (Bryan Brown) is in hot pursuit. This journey is sublime. It relies on virtuoso photography, with a succession of orange-colored shots of the vast expanses of the\u2019<em>outback<\/em>, The film takes us into the vast, arid hinterland, while also introducing us to the vegetation of the Australian plains. Contrasting with this aestheticism is pure realism, marked in particular by the total absence of music. We follow the breathing, the doubts, the fatigue, the few words of the characters.<\/p>\n<p>These are filmed in an original way: for example, the viewer sees the sergeant's first appearance \u00abfrom underneath\u00bb and \u00abfrom behind\u00bb, as the camera is positioned on a doorway and follows the character's exit. Even if <em>Sweet Country<\/em> respects the tradition of the classic western, the temporality is innovative: the <em>flashbacks\u00a0<\/em>and <em>flashforwards<\/em>\u00a0are brought to life as nested, silent scenes, with the sound effects of the present-day scene still heard in the background. All this work is admirable, and the face of the unknown Hamilton Morris, a veritable cinematic mug, is a find in itself.<\/p>\n<p>However, director Warwick Thornton is to be criticized for taking too long - some 30 minutes - to get to the trigger, the murder of the white man, which marks the real beginning of the film. In addition, one or two songs <em>country<\/em> or a few simple acoustic guitar instrumentals would not have detracted from the originality of the production - quite the contrary. Lastly, the film's lauded visual gamble could have been accompanied by a deepening of the characters' complexity. All in all,\u00a0<em>Sweet Country<\/em> is still a very good western, combining tradition and uniqueness, which will appeal to western fans and film buffs in general.<\/p>\n<p><em>Write to the author : <a href=\"mailto:jonas.follonier@leregardlibre.com\">jonas.follonier@leregardlibre.com<\/a><\/em><\/p>\n<p>Photo credit: \u00a9 Prasens-Film<\/p>","protected":false},"excerpt":{"rendered":"<p>Les mercredis du cin\u00e9ma\u00a0\u2013 Jonas Follonier Le film s\u2019ouvre sur de l\u2019eau qui bout. De l\u2019eau qui para\u00eet noire, en&#8230;<\/p>","protected":false},"author":138,"featured_media":16660,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[644355829],"tags":[644339420,61523,644339424,644339425,644339422,644339421,644339416,35499,644339418,26297,165214,644339423,11880],"class_list":["post-16659","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-films","tag-annees-vingt","tag-australie","tag-cinema-australien","tag-esthetisme","tag-flashbacks","tag-flashforwards","tag-hamilton-morris","tag-noirs","tag-outback","tag-racisme","tag-realisme","tag-warwick-thornton","tag-western"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.4 (Yoast SEO v27.4) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>\u00abSweet Country\u00bb, un western atypique<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/leregardlibre.com\/en\/cinema\/films\/sweet-country-an-atypical-western\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00abSweet Country\u00bb, un western atypique\" \/>\n<meta property=\"og:description\" content=\"Les mercredis du cin\u00e9ma\u00a0\u2013 Jonas Follonier Le film s\u2019ouvre sur de l\u2019eau qui bout. 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